Las Vegas Antique Jewelry & Watch Show 2017

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Taking on the Las Vegas Antique Show with Becca of BCE Jewelry, with Lenore Dailey at her booth and we ran into Sheri & Trina of Metier

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Both pieces here (left & right) are from DK Bressler and both are more than meets the eye: the dragonfly is En Tremblant and the diamond brooch can convert into other pieces of jewelry

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Two gorgeous booth photos, the left is Platt Boutique Jewelry and the right I cannot remember for the life of me!

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I loved these three rings from Excalibur Jewelry, especially the open metal work on the pointer, & the right photo features an incredible Lightning Ridge Opal set in a turn-of-the-century ring from M&C Stevens

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This large pendant/medallion made me smile, from Platt Boutique Jewelry and the photo on the right are my three favorites from Jacob’s Estate Jewelry

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Lenore Dailey’s booth is just jaw-dropping in its own right, so I always take a photo of it every year — the photo on the right is an incredible ring box full of the most beautiful pieces from Simon Teakle

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I think Blue Topaz gets a bad rap–this bracelet is crazy gorgeous, from Clayton Antiques and the photo on the right features a museum-worthy suite of early Victorian jewelry

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I always have to stop and stare at the crowns I see at the show! The right photo features some of the best rings I saw throughout the entire show–these three, from Under the Crown. Favorite stack ever.

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Always a sucker for hearts, I loved this opal brooch from DK Bressler and the photo on the right features three light blue enamel bracelets from Keyamour. Once in a lifetime shot right there!

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I love to see what Joden has and this time around this necklace caught my eye–from the black enamel to the mega gemstones, wow! The photo on the right is a ring tray seen at Mary Ann-tiques

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The combo of moonstone + rubies is so good, I think that is why I loved this bracelet from Mary Ann-tiques so much. Also this tortoise shell butterfly brooch–wow, so unique and all handcrafted. This one belongs to Platt Boutique Jewelry.

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A box of goodies found at Lucy Verity … the photo on the right are my favorites from Mary Ann-tiques, some rectangles and ovals!

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Sapphire stack from Excalibur Jewelry and the jewelry box on the right was seen at Lucy Verity–that snake bracelet is to die for and unfortunately a little too big on my wrist.

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Last photos come from Excalibur–clusters of sapphire and diamonds, which create this amazing bracelet…and the photo on the right are my favorites from Craig Evan Small.

I’ve always associated the Las Vegas Antique Jewelry & Watch Show with The Paris hotel, however this was the first year in a very long time that that particular location was changed. This year’s show was located at the Las Vegas Convention Center. I didn’t know what to expect at all and actually didn’t even know where the convention center was located in regards to where everything else is until the day of the show! To my surprise, I enjoyed the change–but I also will be happy when the show returns to The Paris next year. I attended on opening day and then again the following day, covering as much as I could on day one and attempting to pick up where I left off the next day. I had good company on the second day–Katie of Vada Jewelry (like last year) and Becca of BCE Jewelry who had never attended before! It was cool to see someone experience the show for the first time and she walked away with an awesome diamond cluster ring.

For some reason the reoccurring theme for me this year was large, circular pendants aka medallions. It seemed like every booth I visited, I spotted one or was attracted to one. I like how with every show, I’m not sure what I’m going to find or what I will be drawn to…it is always something different. I brought home a really cool medallion zodiac pendant, which I will share in another post! I also brought back nearly ten pieces to sell for @shopGEMGOSSIP, some of which have already sold but you can certainly browse what is still available.

From the gorgeous diamond crowns I spotted at several booths, to lots of diamond cocktail rings, there was some major selections going on at this show. Lots of buyers were going full force and commenting on what a great show it was. I noticed an up tick in traffic flow up and down the aisles and saw a lot of buying happening.

As always, I have the best time roaming the aisles, running into people I know and chatting with my favorite dealers. It is fun catching up with everyone and I can’t believe this was my sixth year attending the show. And even after six years, I still relish in finding awesome pieces and the thrill of the hunt definitely still lives on at these shows. I hope that never changes!

Thanks for another great year, Las Vegas Antique Jewelry & Watch Show…can’t wait until next year!

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Read my other posts from the same show, years of the past:

2016

2015

2014

2013

2012

2011

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Vegas Prep: Interview with Marion Fasel of The Adventurine

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We are excited to kick off a fun series this week on Gem Gossip — these next five blog features will get you excited and prepped for Vegas Jewelry Week, which is quickly approaching! I’ve asked five people–a mix of designers, editors, and industry insiders–to contribute their insights from this epic event that happens once a year. I’m asking for advice, tips, favorite parts, and much more! Whether it will be your first time attending or you are a professional (and can pack with your eyes closed), these interviews will pique your curiousity and you’ll definitely learn a thing or two! One thing is for sure, we all are SO EXCITED for Vegas.

We are starting the week out with Marion Fasel who is celebrating a big milestone in a few weeks–her online magazine The Adventurine turns one year old at the end of the month. She strategically launched the same day Vegas Jewelry Week began last year and has been covering all kinds of jewelry topics since then (many of which are pictured above). But don’t let the small digit fool you, Marion has been in the jewelry industry for over 25 years. Most notably, she was InStyle’s Contributing Editor of Fine Jewelry & Watches for nearly two decades, has written eight books, and has helped curate several museum exhibitions. It’s no secret I am her number one fan and have been continually cheering her on since I discovered her flipping through the pages of InStyle magazine. Let’s find out more:

How many times have you attended Vegas jewelry week?

I have been 12 times. I haven’t missed a jewelry week in Vegas since the Couture show relocated from the Phoenician in Scottsdale to the Wynn in 2005.


Biggest tip for Vegas jewelry week you’d give your rookie self on the eve of your first time going to Vegas?

I’d give my rookie self a fun tip and a few practical tips.

My fun tip is about gambling. I’d tell myself to gamble. You are in Vegas—some fun must be had. Then I would say, skip the slots. Go in the early evening to the Encore where it can be quiet and find a Black Jack dealer with an empty table. There are usually several. Tell the dealer, you don’t know much about the game but would like to learn. The dealers are incredibly knowledgeable and thrilled to share their tips. If you allow them to guide you about what “the book” says for your hand, you will win. Trust me on this. Just let them tell you how to play.

One practical tip, don’t let the bellhop take your luggage when you check in. Just take it to your room yourself. If you don’t, you have to wait for it. They won’t leave it in your room unless you are there. Sometimes they are fast, but sometimes they take a while which keeps you waiting in your room before hitting the trade show floor or doing anything your heart desires.

Drink lots of water. It’s the desert and you will get dehydrated even indoors.

Oh, and have a clear strategy for who you want to see. There are a lot of great jewelry designers there and you won’t be able to see everyone, so do a careful edit on your agenda and leave breathing room to explore. The time to explore is key.

Name five things you ALWAYS bring to Vegas Jewelry Week.

I wear heels so I bring Band-Aids. I bring my gambling budget, usually around $200. I bring loads of jewelry, because it’s a jewelry crowd and its Vegas so it’s fun to get decked out. Beyond that it’s pretty standard phone charger, camera, computer. I don’t travel light.

One big difference from last year to this year?

Well, last year I launched my online magazine TheAdventurine.com one day before the Couture show started. The timing was not a coincidence. It’s really the beginning of the formal jewelry season. You see how the trends and designers are shaping up at Couture. I wanted my website anniversary to coincide with the Couture show. I guess the biggest difference is now The Adventurine is humming away.

Favorite things about Vegas Jewelry Week.

Winning at Black Jack. I am kidding. Meeting a talented new designer or just seeing a great new collection from an established designer are my favorite things.

Biggest pet peeve about Vegas Jewelry Week.

It is a bit odd being indoors for a week. During the course of the show, it’s not usual for some people to never step outside for more than a few minutes on the terrace off the trade show floor or to walk to the taxi stand to go out to dinner. I try to make my way to La Cave as often as possible to sit in the outdoor café there for lunch, dinner or drinks.

Weirdest thing to happen to you during Vegas Jewelry Week in the past.

I won a Vespa at the Couture Awards. It’s probably one of the most wonderful and weird things that has ever happened to me anywhere. I actually like public speaking but when I went on stage to accept the scooter, I was so shocked and happy, I was virtually speechless.

xoxoGemGossip

WANT MORE? Check out my coverage from last year

You can follow Marion –> @marionfasel & @theadventurine

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Jewelry Collection Stories: Danielle of @jasmyntea

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This month’s Jewelry Collection Story comes from a favorite Instagram collector of mine and it’s not because we share the same name, although that helps 😉 It is because Danielle’s style and curation of such a fine collection is unlike any other! She has a fierce eye for what she loves and I’ve been wanting to know her story for quite awhile now. We finally got her story (she is a busy San Francisco dweller, with a full-time job that doesn’t involve jewelry) and she has provided some amazing photos of her personal collection. Let’s dive into her story!

“I have always been a collector. Whether it was collecting vintage jewelry, or vintage clothing, or books on costume and fashion. I’m always looking for unique items that speak to me in some way. I first fell in love with jewelry when I was about 12 and would ride my bike to the thrift store to look for treasures. I always liked vintage clothing, shoes, jewelry and scarves. Old pieces have stories within them. And I always liked to imagine the travels the pieces went through before I became their custodian.

My mother does not really wear much jewelry. Most of the jewelry she wears, except her wedding band, was probably given to her by her sisters or her daughters. She has very few pieces, so I didn’t really grow up surrounded by jewelry. I didn’t know one of my grandmothers as they both passed away before I was born. But I do wear her gold framed glasses from the 1940s every day as my own eyeglasses. I love this connection with my past. My other grandmother didn’t really have much affinity for jewelry either. So I’m not really sure where my love of jewelry and antiques comes from–but I can tell you that I’m obsessed 🙂

When I first started collecting jewelry in high school I liked vintage brooches and small enamel pins. This was what I could afford to purchase. From vintage pins, I branched out to vintage sterling. I always loved going to antique stores and hunting for unusual, inexpensive pieces. My early collection included David Anderson Norwegian pins and bracelets, sterling charm bracelets, bakelite bangles, and funky long beads to layer. I always liked layering, mixing and creating a story with my jewelry. As my style evolved I also liked to support local jewelry artists, so I would go to fairs and stores that sold the work of local jewelry artists and try to pick pieces I liked. My modern collection is made of up certain designers – Marla Aaron, Judy Geib, Gabriela Kiss, Louison Rare and Fine (GemstoneGypsy), Jean Jean Vintage, Gillian Conroy, Variance Objects, Dahlia Khanner, Alberian and Aulde, Amali Jewelry and local San Francisco artists Betsy Barron and Alix Bluh. I tend to gravitate towards jewelry artists versus major designer jewelry. Although one of the first pieces I completely coveted when I was 16 was Tiffany’s Elsa Perreti sterling bean necklace.

In the recent years I have gravitated towards building my antique collection. I love to go to antique fairs and shows, stop in small antique shops when I travel and I follow many antique jewelry sellers on IG. If you are curious, my first IG discovery was Erie Basin and my early purchases were a Toi et Moi Victorian diamond ring and a French link bracelet that many people have asked if they could purchase from me. Finding the antique jewelry community on IG has been very meaningful to me. I feel like I’ve found a crew of fellow jewelry enthusiasts that I can geek out about Georgian jewels, or old cut diamonds, or how to style antique and modern jewelry together. Before IG I never really participated in social media. Finding the IG community of jewelry lovers has been a nice addition in my life, so I don’t drive my husband and sons nuts with my jewelry interests. I’ve also enjoyed meeting fellow IG collectors on my travels.

I can’t really categorize what I collect, because I look for unusual pieces or pieces that resonate for me in some way. I feel like I am the custodian of the pieces I collect. I can’t always articulate why I fall in love with pieces. Sometimes the piece feels sentimental, sometimes the piece will fill an aspect of my collection that I need for a look I’m striving for. On a broad level, I like Georgian and Victorian jewelry. And then I like modern pieces that provide contrast for the more sweet/sentimental antique pieces. I love to mix antique and modern pieces together. Probably my favorite thing to mix are Marla Aaron locks with my antique necklaces, charms and brooches. Mixing and styling jewelry is a creative outlet for me. It’s self-expression—what I’m trying to put out there on a given day. I mix everything: yellow, rose, green gold, platinum and silver. On most days I have on five types of metal. I actually tend to prefer wearing mixed metals versus monochromatic styling. Although sometimes I like to do all gold or all silver or all one kind of gemstone.

I’m sentimental when it comes to jewelry. I always wear a Marla Aaron lock which to me symbolizes to hold fast to what’s important. I once did post on IG about how my modern jewelry spirit animal is my engraved Marla Aaron lock that has all family initials hidden within the engraved design. If I had to pick an antique spirit animal it would probably either be antique chains or signet rings. My thorn necklace (by Gillian Conroy) symbolizes that life has thorns to deal with but I am strong enough to weather the thorns. My hand bloodstone signet ring from Metier with the word “confido,” which means trust, reminds me to trust myself. And then on any given day, my other jewelry represents other items of importance to me or things I’m trying to stay centered about. My Mizpah ring from TheOneILoveNYC is for my husband and me, and my Souvenir bangle from Lucy Verity hasn’t left my wrist since I got it last year – I look down and remember. My Lenore heart rings: to remember love, my signets: to remember the people who are important to me, my memento mori ring from Nvitblanche: to remember to live in the moment, my ruby locket from Circa 1700 has diamonds in it from my mother-in-law in the amount of Pi carats (ok I’m a definite geek). Recently my husband and I gave each other Gabriela Kiss eye rings to symbolize us watching over each other.

You may wonder what pieces I am on the hunt for next. I try to keep an open mind when I am hunting for jewelry, because you never know what you might find. I always ask myself does this resonate for me, will I really wear it and reach for this piece everyday? I like to purchase pieces that I will wear, I don’t like for jewelry to just sit in my jewelry box. I don’t necessarily keep a running wish list. Although at the beginning of 2016 I did an IG jewelry wishlist post and when I look back on it now, I did end up collecting some of the items on my wishlist during 2016, (like my French cut eternity band from Platt Boutique Jewelry). Right now I’m coveting high carat gold items – 22K gold bands (I just got one from Metier) and poesy rings, a Georgian memento mori ring and chains, always more chains. Recently, I’ve been loving layering a lot of gold watch chains.

In closing, almost every piece I wear holds meaning for me of something I want to remember or a story I want to tell that day with my jewelry. Jewelry wearing and styling is my personal storytelling.”

xoxoGemGossip

WANT MORE? Check out the other Jewelry Collection Stories

You can follow Danielle –> @jasmyntea

Source: GossipGem.com

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Jewelry Collection Stories: Jennifer of @Dupkaspike

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To end out the year, our last Jewelry Collection Story comes from Jennifer, or as many may know her on Instagram, @Dupkaspike. Her collection is eclectic, heavily sentimental and so fun to look at. She captured her collecting essence perfectly in these photos. Now if only I can meet her one day and she them in person! 😉 …take it away Jennifer:

I can’t say that I have always loved jewelry, but I can pinpoint the moment when the love affair began. When I was 16, my Dad took me into Keil’s, an antique jewelry store on Royal Street in New Orleans, and bought me two rings. One was a mother of pearl cameo with an onyx surround, and another was a rose gold carnelian with a gold inlaid intaglio of a Rose of Sharon.

It was an important moment in my understanding of jewelry. My Mom was a big Southwestern jewelry fan (I’ve inherited her collection), but it wasn’t something that resonated strongly with me, though I admired it. I was drawn more to the sentimental, and to the personal.

I did not do a lot of collecting in early adulthood. My husband is Chinese, and so over the years and when we married, I received traditional Chinese 22k gold and jade pieces as gifts, which I look forward to passing on to my children. Traditional Chinese don’t really like lower-karat gold pieces and I liked history and sentiment; so we were in agreement that mall jewelry wasn’t really for me. The jade pieces are my favorites of these, as is a giant 22k dragon and phoenix ring.

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Over the years I have gravitated to certain genres. As an amateur painter, I adore portrait miniatures, and greatly admire the skill required to produce them. I don’t have many, but I’m always on the lookout for special pieces. Recently I acquired a large Georgian locket brooch, from CJ Antiques, surrounded by amethysts and plan to commission a portrait of my kids and dog. One piece I wear often I got from Duvenay, a pretty portrait of Marie Antoinette, with a diamond halo that was converted from a stickpin.

I’m a strong believer in personalization, so mostly every new piece I own has some engraving or dedication on it. When my kids were born, I bought heavy Tiffany Lucida wedding bands and had their names engraved on the outside and their birthdates on the inside. Similarly, I had their names and birthdates engraved on the inside of gemstone and diamond stacking rings. I have several stacking rings, which I love to mix with larger pieces. One set I wear all the time is two ruby keeper rings from Jewellery Hannah, as well as a giardinetto from Pocket of Rocks. Last year I worked with Hoard Jewelry on engraving to flat gold bands for them with personalized messages. One has the cipher of a “nonsense” love song my son used to sing to me as a child when he was barely verbal; only he and I understand it. He later told me that it was his love song to his Mom, and so of course my heart melted. Other antique engraved pieces of jewelry with dedications or initials I own are mostly amatory, including a Russian rock crystal locket with diamond initials on the face that once held hair; a tiny acrostic locket with engraving and locket space for hair; a large, double heart picture frame, and a banded agate mourning locket. A favorite bangle acquired from Lenore Dailey spells, “Dieu Vous Garde,” or “God Protect You.” I also have a locket with that motif. One of my very favorite pieces it is really quite special. I got it from Glorious Antique Jewelry. It is dated 1790 and has some interesting initials on the back, and a lovely message on the front, “Pour ma Sophie pour toujours ma petite cherie toût, 1790” which roughly translates to, “To my Sophie, you will always be my little darling, 1790.”

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I love LOVE, and as such can’t seem to stop seeking out pansy jewelry. I have several enamel and gemstone pieces—a pendant and pocket watch. Pansy jewelry of course was symbolic of the French for “ Pense à moi,” or “ Think of me.” Similarly a Georgian pendant brooch I find myself wearing often simply says, “ L’Amour,” and is decorated with two seed pearl lovebirds. A garnet and white enamel pendant reads in Latin, “ Dulcis Vita::Tibi Vita,” or “ The Good “ Life; Your Life.” One piece I have, ruby hearts with diamond wings, was acquired from Park Avenue Jewelry and I decided to convert it from a brooch to a necklace. I’m a strong believer that jewelry should be worn, and I realized that it would get a lot more use for me personally as a necklace. I got this piece as my mother was dying, and it will always be very special to me as a remembrance of her.

French St. Esprit pieces are also a love and I get a lot of use out of a French regional cross I found. One of the St. Esprits is probably late 18th century and makes a political statement, with its red and blue pastes. A favorite piece of mine is an 1835 rose cut diamond, gold and silver Halley’s Comet pendant (likely converted from a brooch) that I got from Inez Stodel.

xoxoGemGossip

WANT MORE? Check out the other Jewelry Collection Stories

You can follow Jennifer –> @dupkaspike

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Festive collection – Fabric Jewelry

To continue my Festive collection 2016 here are four pieces that I made with fabric beads. Fabric Jewelry has fascinated me since my early jewelry making years.

To continue my Festive collection 2016 here are four pieces that I made with fabric beads. Fabric Jewelry has fascinated me since my early jewelry making years. In 2012 I conducted a week-long workshop for design students on making fabric jewelry and accessories. Maybe the fact that I was a fashion designer once upon a time with textiles being my bread and butter has something to do with it.

I have a box full of fabric swatches and bits which I full out time to time to touch, feel and sometimes make a thing or two out of. A few years back I had made two necklaces with fabric tapes (borders used for embellishing hems) one of which you can see in this post on Sari ribbon. I had later hoped to make a full collection based on that, but the idea never materialised until now.

This range started out as a time pass exercise when I started rolling length of fabrics and hemmed them to make beads. I added small religious charms to them to keep up with the trend of talismanic and cultural jewelry. I have explored 3 different color harmonies here – 1 & 4 are complementary, 2 is analogous and three is monochromatic.

Srujana – Fabric bead necklace in magenta, peacock green, and gold with a geometric flower pendant. The Padmam (meaning lotus, here just a flower) is representative of sacred geometry and is indicative of a place that is occupied by a Female deity (usually Lakshmi – the goddess of wealth or Saraswati – the goddess of knowledge). The word Srujana means creation

Thalaipu – the word refers to something that is bold, attention-seeking and often grand. It could denote a pallu on a saree or half saree ( reminiscent of the Roman Palla) or it could mean heading or headlines (in news). This necklace is made of an old- grand saree pallu and has a Sri yantra pendant. Sri yantra is also symbolic of the sacred feminine and is used to absorb positive energy, wealth and prosperity

The variation is a sober dull pink (though it looks quite vibrant in the photo) fabric bead necklace with copper beads and the same Sri yantra pendant

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Metropolitan museum of Art New York

In my last post on “One day in New York City” I wrote about my visit to the MET – the mother of all museums and a temple of art. The one on Fifth avenue that I visited, is over 2 million sqft in area and has over 5000 years of art.

In my last post on “One day in New York City” I wrote about my visit to the MET – the mother of all museums and a temple of art. The one on Fifth avenue that I visited, is over 2 million sqft in area and has over 5000 years of art. Before my visit, I had planned on seeing the Greek exhibit, Some renaissance paintings, Impressionist wing and the Manus Machina exhibit as I thought only that was possible in the four hours that I had there. But as soon as I stepped inside I became greedy, (yes, this was the FOMO that I was talking about in my previous posts) and wanted to see more. I ended up seeing both the Greek and Roman wings, the Polynesian, Americas, and a part of the Arts of Africa wing, Modern art – realism, Impressionism, a little bit of post-modern art, a portion of the Old masters section, the Manus Machina exhibit, a section of the Byzantine gallery, and the Egyptian section with the mummies and the temple. To streamline the visit, I looked only at Jewelry and accessory exhibits in the Roman, Americas, and Egyptian wing.
Here are pictures of a few favourites. You can find the pictures from the impressionist wing in my post on Expression of impressions. I apologise in advance for the dull and sometimes unsharp pictures; a lot of the exhibits had dim lighting and flash photography was not permitted.

Metropolitan museum of Art New York

Greek and Roman
These were the first two galleries that I saw and they far surpassed my expectations. Even after seeing the entire gallery I couldn’t believe the amazing craftsmanship of the jewelry that was displayed. I have studied Greek art and taught Greek ideals and costumes for a while now but truth be told I never expected them to be so well made with intricate work and luscious stones. The Intaglio rings and Signet rings of the emperors and officers in garnet and coral were fascinating.

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Of all the jewelry that I saw, I was most fascinated by this Greek Hair bun ornament. I have seen variations of this ( Kondai valai – Hair burn fillet) being worn in India, but I never expected to see a Greek version of it, that too it gold. The round focal is reminiscent of the traditional Indian “Naga choodamani” where a snake is the focal instead of a woman’s face. Could this have been a probable Indo-Greek Design collaboration?

greek hair ornament

Polynesia and Americas
This was the wing I didn’t even plan to see – I thin I might not find anything more than some totems or masks here. Boy, I was wrong. This was the wing that I spent the most time in and enjoyed the most. I was like watching all the ‘Treasure hunt” movies at once and being transported to an era that was mythical, rich and full of glory.

wooden mask totem
The jewelry was from various places like Panama, Costa Rica, and Columbia and warranties its own post so I’ll offer only a glimpse here. The elaborate nose rings, plain pectoral ornaments, burial masks and pendants were beyond amazing. Could the head beads have been worn by Head hunters of the period?
columbian gold jewelry
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What is iced enamelling

As a kid my mom would tell me stories of palaces and forts in places like Agra and Jaipur but instead of focusing on the prince- princess part, she would talk to me about architecture and ornamentation. Years later, at the age of 12, on my first trip to Agra and Jaipur I fell in love with inlaid stones, marble and enamelling (meenakari) and the stories I heard before started to come to life.I have been enthralled with the richness and smoothness of colour that meenakari gives jewelry and I have tried more than once to find tutors who would teach and have failed.

As a kid my mom would tell me stories of palaces and forts in places like Agra and Jaipur but instead of focusing on the prince- princess part, she would talk to me about architecture and ornamentation. Years later, at the age of 12, on my first trip to Agra and Jaipur I fell in love with inlaid stones, marble and enamelling (meenakari) and the stories I heard before started to come to life.
I have been enthralled with the richness and smoothness of colour that meenakari gives jewelry and I have tried more than once to find tutors who would teach and have failed. But after every such attempt, I would ask myself if I could do such fine, precise work and even if I could, did I want to do it? I realised that I wanted something more organic, something that would flow and merge without being held down by conventional rules. I wanted a medium that would resonate with my free spirited nature and after a lot of search I found Relique powders

Before moving on into the technique let me give you a bit of background here. I came across the Iced Enamelling process in 2013 via videos and was fascinated. As it was a bit expensive then, I let it go. Then in 2014, as fate would have it, I became a part of the Ice resin Creative team and was soon sent Iced enamels relique powders to try.

What is iced enamelling

Iced enamelling is the process of using ICED enamel relique powders to color metal in a fun way. Though it comes under cold enamelling process (which requires the use of neither the kiln nor the torch), it does require a little heat to fully form. There are 14 available colors out of which three are glitz metallic (fine glitter), three are matt metallic and the rest are solid colors. Watch the video by Sun Lenart Kazmer for a simple DIY



Materials required for iced enamelling
Apart from the Relique powders, you will also require a bottle of Enamels Medium, a heat gun, a tile to work with, a two part epoxy resin (preferably Ice resin) and ofcourse the metal piece that you want to enamel. It is interesting to note that though enamelling is a technique that is commonly associated with metal and the powders have been specifically developed for this purpose, they also work well with a resin or a plastic base. I did try this technique in my Nouveau roses necklace‘s pendant which won the ABS monthly challenge for Art beads. The butterflies and leaves shown in this post were made by participants in my recent resin workshops. Arent they pretty sweet?

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Bridesmaid gifts – Flower Jewelry

Bridesmaid gifts is a relatively new concept in India . Though we do buy new clothes and very rarely jewelry trinkets for our close relatives, hardly anybody will wear it for the actual wedding as it won’t be grand enough for a wedding

Bridesmaid gifts is a relatively new concept in India . Though we do buy new clothes and very rarely jewelry trinkets for our close relatives, hardly anybody will wear it for the actual wedding as it won’t be grand enough for a wedding. But with Flower Jewelry gaining popularity, many Indian and NonresidentIndian (NRI) brides have turned to Flower jewelry as Bridesmaid gifts for their pre-wedding festivities
This US based bride wanted initially Half matha pattis as gifts for her sisters and sister-in-laws to match with their green and gold outfits for her Gaye Holud Ceremony. Slowly as we got talking, the gift grew to accommodate long necklaces and matching earrings.


The challenge here was to design pieces that were grand enough to be worn to a wedding, yet not so grand that they’ll upstage the bride. Also, there had to be a small difference between two sets of design (I presume two sets were for the bride’s own sisters and the other two for her inlaws) So, out of the four two were three strand necklaces with three big and two small flowers as the focal and the other two were two strand necklaces with two big and one small flower each as a focal. In the picture below, you can see both the two strand 3mm bead necklaces with flower focals.


The green swatch that I worked with was tricky – it was an unusual green that you usually won’t find in ribbons. So I superimposed ribbon roses of 2 shades of green to arrive at the perfect color.

As these were gifts, I went with simple yet festive packaging (check them out on my Instagram page). I used hot pink earrings cards (upcycled from unused handmade paper left behind by students) with a little gold star tape and I used pink tissue paper (used by jewelry stores to wrap silver jewelry) and printed out little green Sayuri labels. They are so pretty, aren’t they?


So what did the lovely bride get for herself as Gaye Holud Jewelry? The rich red flower set with red bud roses and gold beads. It is a set with a choker with a single rose, chest length necklace, earrings, Haathphool and matha tikka (single line matha patti) or forehead ornament.


Check out my reviews page on Facebook to see what the bride has to say.


If you have ever attended a workshop at Sayuri or bought my creations or simply are a friend who has nice things to say about me and my brand, please review Sayuri on facebook to help keep up my reputation as a 5-star brand.
So what do you think of Flower Jewelry as quirky cultural bridesmaids gifts? Even if you do not follow the customs or rituals I think that these trinkets would make fun, colorful and economical gifts for friends and family.

I hope you found it interesting
Cheers

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Best of the Couture Show 2016

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Jacquie Aiche drew in buyers and press with window displays rich in colors, jewels and crystals from Tucson Gem Show. Inside, displays were already styled in layers and layers (the way her jewels are meant to be worn) making it easy for merchandisers to choose what to buy!

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Stopped by Suzy Landa Jewelry to get a dose of COLOR–her juicy gemstones always brighten my day and so does the designer herself! So awesome!

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Ilias Lalaounis’ tradition of bold gold pieces is wonderfully carried out through his four daughters who now are continuing his legacy. Every year I enjoy seeing his designs, as they immediately transport me to Greece and his heyday of accessorizing stars. I couldn’t pick a favorite!

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Neha Dani wowed and inspired–I felt like I was back at the MET looking at the JAR exhibit for a second. The technicolored gold, hand-set diamonds, intricate work, where each mechanism, each stone, each design is precisely thought-out. Loved all!

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Loved all the shapes, patterns and colors seen at Kavant & Sharart! This young husband and wife duo have really been cultivating their styles and merging them flawlessly. I want so many pieces from their line!

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Pamela Love tapped into every night sky watcher’s dreams with the creation of this Lapis & diamond moon phase collar necklace. It feels so good in person too! I love her rings–the opal arrowhead was killer and the play-of-color on it was just right. And bet you didn’t realize the ring on my pointer finger flips!

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Jordan Alexander Jewelry first grabbed my attention at the Nashville Fashion Show. Now a year later, they’ve put their focus from pearls to diamonds and other gemstones. And I love all the use of gold!

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I believe this is Anthony Lent’s third year exhibiting and although I have a rule to see new designers every year, he is the only one to break this rule! Seen three years in a row and will never not be captivated by his designs.

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Eva Fehren’s geometric designs were amazing to see for the first time in person. Loved her display as well, as seen above.

“Danielle, please call you grandmother. She’s worried about you. And did you make it to Vegas? You never even told us.” I immediately deleted the voicemail from my iPhone, which was hot to the touch because of all the charging and photo-downloading it incurred while at the jewelry shows in Vegas. Something about Vegas every year I find it liberating to block out everything going on in my personal life and back home, and truly immerse myself in the four-day jewel fest called Couture. Excuse me, five-day jewel fest–I just had to look it up, and wow, really? Five days? A little excessive? NOPE. Never. In fact, this year I spent the most time I’ve ever spent at Couture and still felt like I needed more time.

Couture 2016: Venni Vetti Vecci. And the best year yet. Remember that time I forgot my business cards? Ah, yes rookie mistake, but not this year. Remember that time I spent only six hours at Couture? Massively stupid mistake, but no, not this year. I came prepared, I packed my bags efficiently, and made a handful of appointments (enough I could count on both hands–not too many where I felt like I had planned way too much in such short of time). This year was all about enjoying my time, having fun and learning. Sometimes events like these can be stressful and far too often taken way too seriously. What is the fun in that?

This year, Couture was upbeat–the designers, the buyers, the atmosphere–even all my “whoops, I’m sorry I didn’t make an appointment” appointments. I loved seeing people whom I haven’t seen in forever and reconnecting with those who I sometimes talk to on a daily basis.

Some highlights for me are shown above. One of them being finally meeting Jacquie Aiche and experiencing her alluring booth full of layer heaven. I can easily see how and why people like Rihanna are die-hard fans of her jewelry–it is a lifestyle, not just a jewelry line. For a second year in a row, I clamored over Ilias Lalaounis’ designs as if I were in Greece and happened to stumble upon his boutique. It reminds me of my life goal of going to Greece and visiting both the Lalaounis museum and stores. Someday.

Other highlights include seeing the guys of Anthony Lent Jewelry who continually put the enchantment back into jewelry, as most designs have lost that aspect over time, especially all that is made now in factories or mass produced items. I love that everything he makes, he creates himself in his studio in Pennsylvania. Neha Dani was also a great highlight–such stunningly beautiful designs that easily wow. Huge fan of the technicolor gold she uses as well. Pamela Love had such a great line-up at her booth, of course the pièce de résistance for me was the lapis and diamond moon phase collar necklace that we took outside to photograph. Once posted on Instagram, it got 6,500+ likes–the most I’ve ever gotten in my 4+ year Instagram lifetime.

Loved seeing everyone at Couture this year–if I didn’t get a chance to swing by your booth, I’m SO sorry. Time was short but I will make a valiant effort next time around. Can you believe that I am totally stoked for next year already?! I am.

Can’t get enough of Couture? Read what I had to say from the years past: 2013, 2014, 2015

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