Jewels at my Doorstep: Paige Novick

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If there’s one piece of jewelry you’ll always see me wearing, even if I’m in pajamas and have no other jewelry on whatsoever, it is my Paige Novick diamond ear cuff. Easily the most worn piece of jewelry that I own (yes, even surpasses my engagement ring) for many reasons, one being comfort, and the second without a doubt is its effortless way of making one look pulled together. That’s why when I found out Paige most recently launched a new collection called Powerful Pretty Things, I knew it was going to be great.

The inspiration on the new collection? Paige puts it best: “The more we disconnect as a culture through our myriad of devices, the more we will need to connect to something higher. Meditation has gone mainstream. We view this paradigm shift as an opportunity to bring the world of luxury and conscious living together. Hence, the genesis of Powerful Pretty Things—a highly-curated collection of modern relevant pieces with a focus on colored gemstones and their healing properties. By taking the concept of “crystals” out of its usual flower-child context into a luxurious space, we are redefining the category.” This adds a whole new dimension to wearing jewelry, and we’ve talked about the overwhelming popularity and intrigue of crystal healing powers just recently. With the help of some extensive research on Paige’s end, she has combined both worlds of jewelry and crystal healing into one, to enveil her new collection.

While mainstream consumers think “birthstone jewelry,” Powerful Pretty Things aims at going above and beyond this overly commercialized category and breathe new life into gemstone jewelry. Every piece in the collection is fun, easy-to-wear, sophisticated and on point! I was able to pick an entire look from the new collection and I kept in mind the cystal-healing properties while doing so. For me, I was drawn to pink tourmaline, opal, peridot and garnet–all four of those gemstone spoke to me and I absolutely love the combination of them.

I think you’ll love this new collection from Paige Novick. Take a look at the photos shot by Lauren Newman Photography against Nashville’s newest mural duo, completed respectively by one east-coast and one west-coast artist.

You can shop my entire look below:

N14071-PT N14019-PT N13927-PT E13984-GN E14536-PT E14038-OP R14444-PT R14443-PT R14442-PD R13943-OP R13943-AM R13943-AM-PT R14056-OP E14450-PT

This sponsored blog post was brought to you in collaboration with Paige Novick.

Paige Novick

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Exclusive Gem Gossip Logo Pins!

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You guys, I’m so happy to offer these exclusive Gem Gossip logo pins FINALLY! These have been in the works for quite some time, spearheaded by my sister Bunny Miele. We both are very particular about design, colors, perfection, so after lots of trial and error, my vision finally came to life. These are enamel with a white background and gold lettering.

I’ve collected travel pins since I was in 4th grade and I have an entire black-velvet covered board hanging on my wall full of pins! So cool to create my very own and I hope you all like them. If you’re an avid Gem Gossip reader or fan, these are perfect for you. Show off your support for Gem Gossip–pin them to your collar, shoes, jeans, jean jacket…anything!

Details: White & Gold enamel, Brass plating

Dimensions: 1 1/4″ x 1/3″

Shipping: USA ONLY AT THIS TIME

Price: $10 each


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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

MFA Boston | Gem Gossip

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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30 Ways to Incorporate Your Love of Jewelry into Summertime!

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Summer is next week–can you believe it?! Are you ready?! One of my most favorite things to do in the summer is to plan activities that I wouldn’t normally get to do…this involves taking days off from work, surrounding myself with people I love, and living my best life. I also like making lists or a group of goals to complete over the summer–they can be wishful thinking or very, very serious. I thought it would be fun to put together a list of 30 Ways to Incorporate Your Love of Jewelry just in time for summer!

1. Pick a gemstone, any gemstone, and learn all about it.

2. Find a gem show that is coming to your area and attend!

3. Have a gem or mineral specimen collection? Reorganize it in a cool way.

4. Plan a trip to go gem mining.

5. Do you have a favorite Instagrammer in our jewelry community? Plan a summer meetup.

6. Pick a state that is somewhat close to you, and research the best jewelry store they have to offer. Plan a visit!

7. Make a cool treat on a hot day–these gem ice trays can be filled with any fruity liquid!

8. Find a gemstone print top, bathing suit or towel and wear it to the beach.

9. Reserve a day at the nail salon and go for a gemstone manicure!

10. Buy that jewelry book you’ve been eyeing and lay by the pool with it!

11. Scout out some amazing flowers in your city, buy them, and take some jewelry photos with them.

12. Find a new way of wearing some of your favorite pieces of jewelry.

13. Take a day to clean your most-worn pieces of jewelry.

14. Plan a SWAP party with friends that also love jewelry.

15. Pick a time period you don’t know as much about as your favorite jewelry period, and learn about it!

16. Spend an entire day “hunting” for antique jewelry online–but do it by a pool.

17. Learn about crystal healing and depending on where you live, schedule an appointment with an expert.

18. Throw a gemstone-themed party!

19. Learn about a new designer you’ve never heard of before.

20. Need a new way to store your jewelry? Splurge on a jewelry cabinet and reconfigure it if necessary.

21. Take a jewelry making class.

22. Decide on creating a charm bracelet or necklace–gather charms, buy some new ones and put it together.

23. Get something very special and sentimental made into a piece of jewelry.

24. Size all of your fingers and keep it written down.

25. Get registered to bid at your favorite auction houses.

26. Put on all your favorite Art Deco jewels and watch a 1920s old movie.

27. Hit up your local estate sales or garage sales. You never know!

28. Tell someone thank you by gifting them a piece of jewelry.

29. Get lost on Pinterest by searching “antique jewelry” or “jewelry.”

30. Pick your favorite medium (water colors, arcryllics, pencil, etc) and try drawing/painting a diamond.

xoxoGemGossip

WANT MORE? Search my summer favorites

Let me know which of these you want to do! –> @gemgossip

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Just in Time for Easter: Fabergé Eggs from A La Vieille Russie

ALVR | Faberge

Miniature white enamel egg set with a red enamel coin of Elizabeth I and four cushion-cut sapphires. By Fabergé, ca. 1895.

ALVR | Faberge

Miniature egg with white enamel stripes and set with a turquoise. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A jouré yellow and green gold egg, punctuated with rose diamonds around the center. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A two-color gold-mounted egg-form aventurine quartz hand seal on brilliant translucent green enamel base. By Faberge, St. Petersburg, ca. 1900.

Legendary Fabergé eggs–eggs so popular, that almost everyone knows what you’re talking about when you mention their name. For me, these were my first obsession above all other types of jewelry. I remember going to my local public library and wanting to check out a book on making crafts out of egg cartons–I saw the recommendation on Reading Rainbow! Instead, I found my way to a book on Fabergé eggs and was infatuated. In fact, for the first time in my life, I loved the book so much I never returned it. I didn’t care it was wrong because this book lit up my life! My second run in with Fabergé eggs happened when I was in high school. I became obsessed with watching Joan Rivers on QVC and admired her love of Fabergé eggs. Back then, she had created her own jewelry line with bundles of three eggs per chain of her own miniature versions of “Fabergé eggs.” I ordered my first trio of eggs and was hooked. I can’t remember how many I collected over the next few years, but after graduating college, I was able to pay for my trip to study abroad from selling my Joan Rivers Egg Collection. It was quite a few. I honestly wish I still had those eggs, but I wouldn’t trade my overseas experience for anything!

It is no myth that Fabergé eggs are enchanting, often mysterious, and full of intrigue. If you were married to a Russian tsar, the ideal Easter gift would be a Fabergé egg designed by none other than Carl Fabergé himself. The first ever Fabergé egg was made in 1885 and presented to Alexander III. Since then, it varies as to how many are apparently out there, but some sources say 65 Imperial eggs were made, some say 50, some say 52, but it is known that only 43 have survived–there is a really comprehensive table that describes each, citing where the egg is now. A few are cited as “Lost” and it is with lots of hope that they will be recovered someday.

ALVR | Faberge ALVR | Faberge

Circular aquamarine and diamond Imperial Presentation brooch with an Imperial crown decoration. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1913.

Natural pearl and diamond floral brooch with blue enamel border. By Fabergé, Moscow, 1896-1908.

ALVR | Faberge ALVR | Faberge

Diamond and green garnet necklace mounted in platinum. By Fabergé, ca. 1900.

Natural pearl ruby and diamond necklace set in platinum and gold. By Fabergé, ca.1900.

ALVR | Faberge ALVR | Faberge

Fabergé gold-mounted lozenge-form brooch, set with diamonds and red enamel wreath over white guilloché enamel ground. By Fabergé, St. Petersburg, ca 1890.

Lozenge brooch with a central cabochon moonstone, set with rose diamonds, and white enamel. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1900.

Fabergé eggs created for the general public, not just zsars, continued being the company’s most popular pieces. In the year 1900, the House of Fabergé was completed which literally was a large building which centralized all the operations–bringing together workshops, artisans, a design department, even Carl Fabergé’s own place of residence, in one large building. Throughout the turn-of-the-century, Fabergé turned out elaborate pieces of jewelry, decorative drinking cups and bowls, items for writing, miniature hardstone animals, a wide variety of photo frames (as Kodak launched its first camera), and much, much more. He employed hundreds of craftsmen under conditions that were very superior, with great pay. As success continued, expansion happened, until the first World War broke out in 1914. The House of Fabergé lost a lot of workers to the draft, precious metals were haulted to use, so the items that were produced during this time were created from materials like copper, nephrite, brass, and silver. Carl Fabergé ultimately fled Russia and died in 1920.

Many of the pieces of jewlery and decorative arts which Fabergé created during its height of success are highly collectible. A La Vieille Russie, a shop in NYC, has specialized in Fabergé since opening in 1961. You’ll be amazed by these authentic, one-of-a-kind Fabergé items, including some eggs that ALVR currently has in their inventory. If you haven’t read the blog post featuring my visit to ALVR, you must! Here is the link.

ALVR | Faberge ALVR | Faberge ALVR | Faberge

White enamel and two-color gold hanging bellpush. Contained in original fitted hollywood box. By Fabergé, St. Petersburg, workmaster H. Wigström, ca. 1915.

Carved two-color jasper miniature egg in the form of a Kingfisher with diamond eyes. By Fabergé, Moscow, ca. 1900.

Gold-mounted brilliant pink guilloché enamel egg-form pendant locket, the opening set with rose diamonds. By Fabergé, workmaster M. Perchin. St. Petersburg, ca. 1895.

Anyway, I thought the quick history on Fabergé paired with some pieces that are available would make my readers very happy on Easter! Hope you enjoyed!

Works Cited:

https://en.wikipedia.org/wiki/Fabergé_egg

Virginia Museum of Fine Arts app called Fabergé at VMFA

This sponsored blog post was brought to you in collaboration with A La Vieille Russie.

ALVR

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Bonhams New York Fine Jewelry Sale Set for April 24, 2017

An important fancy colored diamond and diamond ring 124 (2) A pair of diamond day-night earrings, Van Cleef & Arpels, 129

Bonhams New York, April 24, 2017

133 lots of jewelry top off the upcoming New York sale from Bonhams. This is my first blog post featuring the highly respected auction house which is a global enterprise, having eight different locations worldwide. Their history as an auction house is one for the books, as they’ve been shattering records and facilitating some of the best exchanges in the world. In the US, we have three Bonhams locations, New York, Los Angeles and San Francisco (primary sales rooms are New York, Los Angeles, London and Hong Kong), with their online presence @BonhamsJewels Instagram which focuses on all things jewelry. It is a delight to look at and with every upcoming sale, the excitement and momentum is contagious. There are some serious lust-worthy jewels in their New York sale, which I’m going to be covering within this blog post.

The sale date is April 24th, 2017 and the start time is 3pm EST. If you want to get in on the fun, be sure to register to bid in advance of the sale date and surely don’t be intimidated by bidding online! If I can do it, you can do it! Let’s talk highlights…

I can’t pinpoint one particular pièce de résistance of the entire sale, so I’m going to choose these four jewels and make them my final answer! One aspect of Bonhams’ sales is the wow-factor. There are always pieces that make you stop and stare–whether they are big diamonds, fancy colored stones, bold sapphires or juicy emeralds–this is exactly what I’m talking about!

Leading Highlights:

Lot 124: If you know a thing or two about fancy yellow diamonds, you’ll realize this ring is IT. The center stone clocks in at 6.32 carats–color rating of fancy vivid yellow and clarity is VVS-1. I can’t even fathom something so remarkable as the center stone, however to make it even more amazing, it also is set in a ring with two diamonds on each side. These said diamonds are GIA certified as well and are a 2.08 ct & 2.07 ct, both F color stones with VS-1/2 clarity. If you want to see this baby on a hand, click here. Estimate: $400,000-600,000

Lot 129: Nothing more chic than a pair of day/night diamond earrings from Van Cleef & Arpels. A definite highlight of the sale, these earrings are set with nearly 30 carats of diamonds! Wow! All rounds, pear and marquise cuts which are done in platinum and 18k white gold for a stunning pair. The dangles can be removed to reveal stud earrings for an easy, on-the-go look! Estimate: $60,000-80,000

A fine ruby and diamond clip brooch, Cartier, circa 1935 132 A diamond rivière necklace 133

Lot 132: Ok, if you’ve been following me lately, you’ve realized I’ve kind of been obsessed over dress clips lately. For some reason, I keep seeing them pop up everywhere, including some great ones at auction. This one is crème de la crème, being signed Cartier and circa 1935. This Art Deco clip is set with a stunning Burmese ruby, over five carats of diamonds and sugarloaf and cabochon cut rubies. Such an elegant piece of history. Estimate: $300,000-400,000

Lot 133: Leading the sale is this catalog cover star–an exquisite diamond riviére necklace. This piece is composed of 63 diamonds which graduate in size; the biggest diamond in the center weighing 3.05 carats. All in all, the grand total carat weight is approximately 44 carats! A once-in-a-lifetime necklace for a very special lady…and if you’re wondering, it’s done in platinum. Estimate: $200,000-300,000

Other Favorites:

A black opal, demantoid and sapphire necklace, attributed to Louis Comfort Tiffany for Tiffany & Co.,  6 An Arts and Crafts citrine, diamond and gem-set pendant,  8 A diamond solitaire pendant necklace, Golconda  104

Necklaces

Lot 6: Anytime I see the words “black opal” I know it’s going to be pretty incredible. I don’t think I’ve ever met a black opal I didn’t like. This particular necklace is extra special because it is circa 1915 and attributed to Louis Comfort Tiffany for Tiffany & Co. The detail in this piece is great as the chain is accented by demantoid garnets and sapphire–and also love the gold filigree. Estimate: $15,000-25,000

Lot 8: An Arts & Crafts necklace that is quite unique–set with a citrine and some diamonds, circa 1915. I love the silhouette of this piece, with the draped chains and dangle. The craftsmanship of the chain sets it apart from others I’ve seen. And the colors–perfect for fall! Estimate: $7,000-9,000

Lot 104: As we’ve seen lately, heart shaped gem cuts are going strong. This pendant necklace is a bold 4.46 carats of a heart cut diamond, done in platinum. The specs on the diamond are VS-1 clarity and D color. I can picture it sparkling from a neck and looking gorgeous. It is simple, however anything but dainty! Estimate: $75,000-95,000

An emerald, diamond and onyx ring 20 A coral, diamond and enamel ring, Donald Claflin for Tiffany & Co. 22 A diamond solitaire ring 69

Rings

Lot 20: I think this is one of the most beautiful rings I’ve seen up at auction in awhile. Mounted in platinum, set with a large 8.36 carat emerald and surrounded by diamonds, onyx and smaller emeralds. I love everything about this ring–from the style, to the gemstone combination, to the width of it. An heirloom that will be treasured for years to come–I am already jealous of whomever places the winning bid. Estimate: $15,000-20,000

Lot 22: This fun Tiffany & Co. ring has a striking color combination made up by the coral and blue enamel. Of course it is from the 1970s, a time period I’m obsessed with–their jewels and music, yes please. Done in 18k yellow gold with some diamond accent to finish off the design, this ring will stop people in their tracks! Bet! Estimate: $5,000-7,000

Lot 69: A ring that could single-handedly bring back the marquise cut as the most popular diamond cut! The ring is set with a VVS-2 clarity, I color diamond that is GIA certified. It weighs 6.07 carats and one request–making a major impact on the finger. I also love the fact that it is done in 18k yellow gold. Estimate: $70,000-80,000

A diamond and emerald pendant-brooch  5 An art deco diamond, sapphire, spinel and black onyx dress clip  17 A pair of fancy colored diamond and diamond earrings 125

Miscellaneous

Lot 5: This pendant/brooch is two pieces of jewelry in one! And did I mention the style and design is just breath-taking?! Lozenge-shaped emeralds dazzle with old European cut and old mine cut diamonds are set in this plaque style pendant, set in platinum. Estimate: $9,000-12,000

Lot 17: Of course I had to include another dress clip because I’m smitten with them. This one is more affordable than the amazing Cartier one mentioned earlier–but still just as gorgeous. And this one is also Art Deco, done in diamonds, sapphire, spinel and black onyx, all set in platinum. Estimate: $5,000-7,000

Lot 125: THESE. The cuts on these diamonds make them look like real ice–they are pear-shaped rose cut diamonds as petals and then the center of each flower is a fancy pink diamond. Such a great combination. The earrings total 17.59 carats of diamonds and are done in 18k white and rose gold. Estimate: $70,000-90,000

This sponsored blog post was brought to you in collaboration with Bonhams New York.

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How 3 Nashville Entrepreneurs Style Their Dana Seng Jewelry

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The life of an entrepreneur: forever in motion, on the go, and fast-paced. Sometimes you need your jewelry to be that way too! I’m always on the hunt for something I know I can throw on and automatically look good, something I can style with a variety of different outfits, and something that is timeless and will withstand a hectic lifestyle. The piece of jewelry that does it for me is my Dana Seng birthstone initial charm necklace, without a doubt! It goes with just about anything…when I put it on I already feel put together…and the best part is that it was made for me! I picked out the letter I wanted and the gemstone I wanted–D for Danielle (my first name) and sapphire for my birthstone (and luckily blue is a color that goes great with almost my entire wardrobe).

Dana Seng Jewelry prides itself on creating jewelry that fits this exact remedy–for “every style” and for “every woman.” I thought it would be fun to see how three different women style their own Dana Seng Jewelry pieces, so I took three Nashville entrepreneurs (myself included) and without any direction, told everyone to style their piece with what fits their lifestyle and how it fits in their everyday look. It was so interesting to see how a simple initial gemstone necklace or ring could be worn in different ways, suit unique styles and become a staple to someone’s wardrobe. One thing is for sure, we all agreed how simple, yet statement-making our birthstone initial pieces are and how much they’ve become an everyday occurrence within our style.

Let’s find out more:

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Danielle

By day, I’m writing my blog Gem Gossip, editing photos, pulling ideas and planning my next move…by night, I’m cooking the latest Blue Apron, catching up on Shameless, playing with my dogs and most likely ripping out carpet somewhere in my house. Even if there are days where I don’t leave my office, I like to at least throw on a piece of jewelry that makes me feel good and oftentimes it is my Dana Seng Jewelry initial necklace. My style is casual, always pants (I’ve never been a dress-wearer, but I’m trying) and I love a good blouse, like the one I’m wearing. I mostly wear vintage or antique jewelry, and my initial necklace from Dana Seng fits in perfectly.

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Lauren

When she’s not busy building her photography empire, Lauren Newman, a Florida-born, California-dreaming entrepreneur is exploring Nashville, always on the lookout for new places to shoot. Photography is her passion and so is traveling. Her style is romantic with an edge, often pairing a pretty dress with a leather jacket. Her Dana Seng Jewelry is an initial birthstone ring–she chose an L for her first name, done in garnets for her birth month of January. It pairs perfectly with her other gold, delicate rings and is exactly her jewelry style. She likes wearing rings when she’s out on a photoshoot because every time she clicks the camera, they sparkle!

You can follow Lauren on Instagram here.

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Alyssa

Documenting her daily outfits and inspirations has been something that has come natural for Nashville fashion blogger Alyssa. She has been writing Dreaming Trees since 2014 where her creativity flows and her bohemian style is put front and center. Her Dana Seng birthstone initial charm necklace easily transitions from her nine to five day job, to her photoshoots she executes for her blog. She chose an A for her first name set with Peridot for her August birthday in a necklace. As you can see, mixing her initial necklace with her usual Southwestern silver rings and other delicate gold necklaces fits her style and she makes it her own! Whether Alyssa is wearing a vintage dress or a new trendy designer, her Dana Seng necklace can blend with either and easily layer with other jewelry.

You can follow Alyssa on Instagram here.

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All photos by Lauren Newman Photography.

This sponsored post was brought to you in collaboration with Dana Seng Jewelry.

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Dana Seng Jewelry Launches New Signature Birthstone & Number Collection

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Dana Seng Jewelry has been wildly popular since it first launched because who doesn’t love personalized, layer-ready jewelry?! Her pieces let the buyer pick the letter that they want and the gemstone of their choice, allowing for double customization. It wasn’t long until Dana decided to unleash what the people have been wanting–NUMBERS! Just as letters are so special and important, so are numbers. We all have a lucky number, a favorite number…a date we were born on or celebrate something memorable, so I already know numbers are going to be a huge hit.

For me, it will always be number 8! I was born on the 8th and the number has stayed with me all throughout my life and revealed itself in many ways. I know you–right now–reading this blog post, have a favorite number. Wouldn’t you love to have it hanging from your neck? Or chilling on your finger? Maybe even draped on your wrist?

I’m excited to have partnered with Dana to be the one who announces this new birthstone number collection— and stay tuned for another really FUN blog post coming your way! HINT: I’ve never done anything like it before!

You can see the full collection and order your own signature birthstone number piece NOW on the official website–they just launched today!

This sponsored post was brought to you in collaboration with Dana Seng Jewelry.

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Jewels at my Doorstep: MATEO New York

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One to Follow: @DanaRebecca

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Dana Rebecca Designs is a Chicago-based jewelry company founded by Dana Gordon who has diamonds in her DNA! She is third-generation jewelry industry raised and can boast that she launched her first collection at the age of 16. I absolutely love that! It was May of 2007 when Dana Rebecca Designs officially came on to the jewelry scene, and since then these designs have been on hundreds of magazine covers, coveted by lots of celebrities, and built up a large following on social media. I’ve partnered with the company to bring their gorgeous designs to your heart-emoji eyes every month for the past six months and have loved my audience’s response.

The overall consensus–you love Dana Rebecca Designs! And so do we! Every stackable ring, every trend-worthy earring, long necklace layers and everything in between! I also love the fact that each piece is named after someone important and special in Dana’s life…if you look online you can see rings named, “Rochelle Jo” and “Cynthia Rose.” Love that aspect. That’s why she is featured as our One To Follow, so make sure you’re following if you haven’t already.

Click here to follow Dana Rebecca on Instagram.

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