Top Five Jewelry Moments in Movies

Jewelry in Movies | Gem Gossip

Who else finds warming satisfaction when a strong female protagonist hits the big screen donning some breathtaking jewels? One of most inspiring qualities in a female role is a strong sense of self, unabashedly confident in expressing her feminine side. A trinket may not make the woman, but it can help the woman embrace and reflect qualities like beauty, grace and sophistication — all of which should be celebrated.

Sure, it’s easy to think of lavish jewelry as unnecessary, ostentatious or vain, but those who only think in such boxed-in terms are missing some integral points. Jewelry may at times reflect things like status, but at its heart, it is art and it is precious. It is sentimental and it is transcendent. Perhaps that’s why I like jewelry in movies. It can be more easily admired in relation to the women that wear it, however complex those women are.

Whether you love jewelry with a story or you just like jewelry, perhaps you’ll enjoy this list of my top five favorite jewelry moments from the movies. They all just so happen to include antique jewelry in one form or another.

Titanic

Kate Winslet’s character, Rose wears some stunning jewelry in Titanic. But none are more regarded than the Heart of the Ocean, which is a fictional blue diamond necklace not to be confused with the Hope Diamond. The necklace used in the movie was made with CZs by Asprey & Garrard.

Gone with the Wind

In the 1938 film, Gone with the Wind, Vivien Leigh’s character, Scarlett has more jewelry moments than I can count. If you’re up for a Google search, find the mourning scene where she wears a large cameo brooch on her collar. The heirloom was borrowed from the costume designer’s mother and depicts a figural riding atop a bird. Amazing.

Moulin Rouge

Set in 19th century Paris, Moulin Rouge is perhaps the most decadent on this list. I mean, look at that necklace! Nicole Kidman’s character, Satine is wearing a gorgeous Belle Epoque festoon necklace with just over 1,300 diamonds. The fictional necklace was made by Stefano Canturi.

Marie Antoinette

Historical and poignant, Kirsten Dunst does a fine job humanizing Marie Antoinette in this film, as directed by Sofia Coppola. It’s worth noting that many argued the film didn’t fairly portray how overly and unnecessarily decadent the royal family was. All the antique jewelry you see is by Fred Leighton.

The Great Gatsby

Art Deco fans rejoice! Whoever was in charge of costume design for the recent adaptation of The Great Gatsby did a marvelous job capturing the era. Carey Mulligan, who plays Daisy, is seen wearing vintage jewelry from Tiffany & Co.

What are your favorite jewelry moments from movies? Let us know in the comments!

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

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Latest Obsessions for Fall 2017

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My love for the color blue continues, even through fall when oranges & browns are en vogue. I’ve become obsessed with the blue carved lapis ring that I have had listed for sale so much that I’ve decided to move it into my personal collection. I might still let it go but I’m not sure–I think seeing a very similar one in Erie Basin’s sold archives made me want to keep it. Side note: does anyone else just blow through 2-3 hours browsing through Erie Basin’s sold archives?? lol

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I want to say I’ve probably sold about 100+ pieces of my personal collection since I decided to get more organized and curated with my collection. I’m quite happy with where my collection is at right now, although I’m still hunting for an epic man-on-the-moon moonstone ring and a kunzite piece. I’ll probably sell more from my collection but in the meantime, these are my faves.

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Speaking of being obsessed with blue…my 33rd birthday happened earlier this month and this aquamarine and black enamel beauty from Laurel Stearns became mine! Obviously it was purchased by myself, for myself. Haven’t I made it any more clear, year after year, that everyone should buy themselves a birthday gift?! Anyway, I’ve seriously worn it SO much since I got it and I’m incredibly lucky to have scored this ring late on a Saturday night, within minutes of her posting it.

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I’ve been changing up my ear stack since acquiring these David Webb nail earrings and I gotta say I’m fully obsessed with my newest addition, the Vada Jewelry ear hanger. It slides behind your ear and gives the illusion of having some of the more unique piercings done. I’ve got three holes in both ears and I think that’s all I can handle. Ear cuffs & ear hangers for life!

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I brought along some of Arrow & Anchor Antiques‘ inventory with me when I went to Boston and continued playing with it when I got back. I don’t think most people appreciate the amazingness that is moss agate, pictured in the center. I have a thing for dendritic agate and this combo of rings is just UGHHHHH SO GOOD.

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Photo on the left features pieces from my personal collection and the photo on the right features rings that are for sale! For details on those: instagram.com/shopgemgossip

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BCE Jewelry spent a few days in Nashville and I showed her around town! She also came over to play in my jewelry box and I played with her jewels (seen above). Every year she takes a country-wide road trip and clients secure a spot to view her one-of-a-kind pieces. She usually starts with a full plate of jewels and heads back to California on empty, leaving her to work on some new pieces!

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These “animals on wire” rings are just the cutest and I suggested that they could also be worn on chains as pendants, but this was the first time I actually tried my own suggestion. And omg I am in love!! All three are available and are $55 each. The wire is 14k solid gold.

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SHOW ME YOUR RINGS! XCIII

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from top to bottom:

Colette Jewelry has us green with envy over this lucious emerald stack

Levy’s Fine Jewelry piles on some current favorites from their inventory in Alabama

medeasmix is dreaming of this turquoise horseshoe becoming a ring, we say GO FOR IT

Andrea Hansen, shares some Reign Sapphires that have us swooning since it’s September 1st

Eva Fehren makes us rethink every princess cut diamond we ever doubted

Marie Helene De Taillac always knows how to wear a rainbow

SixthCityStyle stacks up a mystical grouping of gorgeous rings

Tessa Metcalfe known for her claw prongs adds some snakes into the mix, we love!

grandmatigerlilys stacks up some old cut diamonds and garnets, what a great combo

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Book Review: Women Jewellery Designers

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ACC Publishing will release their newest jewelry book–the oversized and highly impressive book is titled Women Jewellery Designers by Juliet Weir-de La Rochefoucauld. My review can be found in my latest article for the Observer: These 4 Women Are the Biggest Innovators in Jewelry Design

Here’s the link:

http://observer.com/2017/08/women-jewelry-design-history-innovators-book-review/

You can order your copy here:

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Leslie Hindman Auction: September Sale is INCREDIBLE

Leslie Hindman: Lot 87

You’ll be enchanted forever by this ring, up for bid at Leslie Hindman Auction in Chicago, IL — this is lot 87 in the three-day bidding extravaganza.

Leslie Hindman: Lot 377 Leslie Hindman: Lot 378 Leslie Hindman: Lot 379 Leslie Hindman: Lot 380

Four mesmerizing opals are on the block at Leslie Hindman, day one, and they come back-to-back in lots 377-380. Get your bidding paddles up!

Earlier this year, I got the opportunity to get a behind-the-scenes look at the Leslie Hindman Auctioneers jewelry headquarters in Chicago, IL. To say I’ve got some perspective on how an auction house runs is far from the truth, but I came away being able to put faces with names, insight into a typical day, and a brief intake of the enormous amount of sparkle the jewelry department works with. It was one of my most favorite experiences of this year! Now when I hear that Leslie Hindman has an upcoming auction this September (the 10th-12th to be exact) I have more context of the event, as they are excited to bring a three-day extravaganza with some heavy and hard-hitting bidding in the future. This three-day auction will feature over 1500 items of all price points and eras. If you like big and bold, Victorian or Modern, opals or rubies, they’ve got something for everyone.

Let’s take a look at some of my top picks:

Leslie Hindman: Lot 6 Leslie Hindman: Lot 55

Lot 6: Nothing beats an Etruscan Revival basketweave wrap bracelet! This is such a fine example and I love the gemstones used on it–sapphire and diamonds! It gives it a cool look against the warm yellow gold. I also love the granulation work, in both excellent and ready-to-wear condition. This piece may date back to 1870, but never looked more trendy than on an elegant wrist in 2017. Estimate: $3,000-5,000

Lot 55: Lately I’ve written several articles on engagement rings and I’ve been finding that women are wanting something traditional but with a twist! This ring speaks volumes with just the small accent sapphires, as it makes the ring totally unique. The piece is Art Deco and set with a 3.24 carat Old European cut diamond in the center. Love the style and think it should belong to someone who will treasure it as an engagement ring. Estimate: $10,000-15,000

Leslie Hindman: Lot 68 Leslie Hindman: Lot 86

Lot 68: I’ve seen the benefits of purchasing pieces that are convertible and this is a fine example of a two-in-one! Meet the silver-topped diamond pendant/brooch of your dreams. This piece totals over five carats of old cut diamonds and radiates from every angle. I could picture it being worn on a chain or worn pinned to a collar. The possibilities are really endless. Estimate: $4,000-6,000

Lot 86: The only kind of bugs I like are jewelled insects! This guy is one for the books–look how cute he is. Set with rose cut diamonds all-original to the piece and a jaw-dropping opal back. I love the detail on the textured gold legs and the ruby eyes. It’s all in the details. Estimate: $2,000-3,000

Leslie Hindman: Lot 111A Leslie Hindman: Lot 118

Lot 111A: Plique a jour is jewelry’s version of stained glass and I must say, I don’t own a single piece of this beautiful artform. These earrings though, should and would be the best first piece of plique a jour to add to my collection. I love the colors and I love the design. They are 18k yellow gold and feature 12 brilliant cut diamonds. Estimate: $500-700

Lot 118: This diamond and ruby ring stopped me in my tracks. Wow. It is done in platinum and set with a marquise cut in the center, with calibre French cut rubies and round diamond accents. It is pristinely made and you can see the remarkable craftsmanship even in the photo alone–now I want to see it in person! It could be yours on September 10th. Estimate: $4,500-6,500

Leslie Hindman: Lot 124 Leslie Hindman: Lot 300

Lot 124: This ring is so cool for so many reasons! Let’s start with the fact that it has contrasting metals–rose gold and platinum. The design is also pretty amazing, and the different metals really play off this element. The rubies are actually different, if you already couldn’t tell–one is synthetic and the other is genuine. Such a stunning ring. Estimate: $4,500-6,500

Lot 300: The coolest earrings I ever did see. These are actually diamond studs with detachable jackets that easily slip on/off the earring posts. There are four jackets total, so lots of possibilities here! And the style of these has never been more on-trend. Geometric and angular, love them. The diamond studs total 2.26 carats. Estimate: 3,000-5,000

Leslie Hindman: Lot 487 Leslie Hindman: Lot 509

Lot 487: I had to include this insane emerald ring because of its colossal size–then I read further and realized it is a piece by Judy Geib. A true artist who hand makes everything herself–fun fact: did you know she taught herself how to make jewelry? No formal training. Her pieces are known for their juxtapositions–like beauty and rawness, fine gold mixed with silver. Estimate: $4,500-6,500

Lot 509: Iconic and chic, I had to include this cuff bracelet from Verdura into my favorites list! It is easily recognizable as a Verdura statement piece. Done in 18k yellow gold, set with peridot, amethyst, and diamond and complete with the Maltese cross enameled in black. What a special bracelet. Estimate: 28,000-38,000

This sponsored blog post was brought to you in collaboration with Leslie Hindman.

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SEPTEMBER SALE: September 10th-12th

www.lesliehindman.com

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The Knot: 3 Awesome Alternative Engagement Ring Styles to Consider

The Knot | Gem Gossip

We are incredibly pumped to reveal some exciting news–I am going to be contributing monthly features over at The Knot! The online destination and magazine are both leaders in all things bridal, reaching 8 out of 10 brides in America with more than 11 million monthly unique visitors! I’m looking forward to applying my gemological knowledge and style expertise, along with my taste and creative energy, to The Knot and reach a larger audience.

Look out for my posts–I will be sharing them on my social media platforms and I will try to post them here as well!

Here’s my first one–I’ve rounded up some alternative engagement ring styles. Here’s the link:

https://www.theknot.com/content/alternative-engagement-rings

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

MFA Boston | Gem Gossip

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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Summer Getaway: Adventures in New Mexico with Vale Jewelry

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Summertime gives us all the wanderlust vibes you can ever imagine. Our Instagram is typically filled with jewels, gems and all things relating to jewelry design, so it always grabs our attention when our favorite jewelry designers and store owners post an envious getaway pic. We’ve seen glimpses of Paris, tropical islands, Canadian mountains, and everything in between. I’m personally obsessed with the US desert southwest–remember I honeymooned in Sedona, Arizona?–so when I saw a New Mexico landscape scroll onto my screen I had to know more. Luckily the sister duo of Vale Jewelry, Eva & Ava, were more than happy to share about their two-week trip to New Mexico–let’s find out more:

We planned this trip around a visit to Walter de Maria’s groundbreaking land art, The Lightening Field, but it quickly ballooned into a 2-week major road trip around New Mexico. The fifth largest state, but one of the least populated, the vast deserts and scrubland inspired Georgia O’Keeffe body of work as well as numerous other artists. You only have to spend one day there to understand why it’s muse to many creatives, between the sunsets, endless sky, and the ingrained history of crafts. No wonder it picked up the nickname of The Land of Enchantment. Home to most of the US’s oldest Native American and indigenous tribes and pueblos, including the Zuni, Navajo and Hopi, this magical and awe-inspiring land should be on anyone’s travel list.

VALE_TaosPueblo VALE_SanGeronimoChurchTaos

Left photo: One of the oldest continuously-inhabited communities in the United States, Taos Pueblo was built in the early 13th century and located right in the Rio Grande Valley. A UNESCO World Heritage Site, it holds a very active Tiwa-speaking Native American tribe residing in multi-storied adobe houses built as two complexes made from mud, wood, grass and water. This historic village is located just 1 mile outside Taos. About 4,500 members still live in this area, but only about 150 still reside inside these structures year-round without the modern convenience of running water and electricity. While it is a private community, they do offer visitors to come see parts of the village where locals sell crafts like pottery and local eats like fried bread.

Right photo: San Geronimo has a storied past as one of the first post-Columbian Spanish Catholic churches in the US. Built by Native Americans of the Taos Pueblo people under the suppression of the Spanish missionaries and colonial powers, this one featured above is actually the third reincarnation. It was one of the many churches destroyed during the Pueblo Revolt when tensions between the native tribes and Spanish colonial presence boiled over. The current church shown above was built in the 18th century.

VALE_AcomaPueblo VALE_PieTown

Left photo: The ladder above resembles some of the staircases used in many pueblos as well as native and local adobe houses. Typically, the staircases are made of local timber such as pine, spruce and ponderosa. These ladders were precious items since the wood had to be cut down from forests located quite a distance from local desert pueblos. They were passed down from generation to generation. In traditional Pueblo culture, the people of the original land came to this land by the underworld. Hence, many pueblos build ceremonial underground chambers within these adobe houses called kivas that the chieftains use for religious song, prayer and ceremonies. The one above is one from the Acoma pueblo featuring a double ladder for going up and down with a lightening rod shape holding the two together.

Right photo: On our way back from staying overnight at The Lightening Field in Quemado, we stopped by Pie Town. Yes, you read that right, it’s a town named after one of the best desserts having taken its name from an early settler of the town in the 1920s that made the town famous with a highway pie shop. The pies above are at a local pie shop called Pie-O-Neer. The Macaroon Apple Pie and Cherry Cherry Pies are worth the stop. And yes, we ate all 4…and then took a few for the road.

VALE_RudysBBQ VALE_NewMexEats

Left photo: One of our favorite stops for local barbeque, Rudy’s had the most incredible brisket and baby back ribs, this is the place to stop for New Mexican bar-b-q in Albuquerque, friendliest staff and the tastiest homemade cherry and apricot cobblers this side of the Rio Grande! If in Santa Fe and craving local barbeque, stop by a food truck called Santa Fe BBQ.

Right photo: A must when you’re in Santa Fe. The New Mexican picnic above is breakfast at a local favorite called Tia Sophia’s. They make some of the best sopapillas, the pillowy fried quick breads in the image. Order everything ‘Christmas’ which means doused in both the red and green chiles. Also, a stop at Gabriel’s just outside Santa Fe is a must too. Known for their tableside guacamole and carne adovada, neither will disappoint! The local enchiladas and tamales are things to order when in town.

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Left photo: This is the view from Sandia Peak after hopping off the tramway. The crest here reaches over 10,500 feet and the tramway’s the world’s second longest ride. The sunsets and sunrise in New Mexico are unreal, typically fiery red and orange against the bluest backdrop.

Right photo: A quick hike in Kasha-Katuwe Tent Rocks National Park is a must if you’re in central New Mexico. Formed by volcanic ash deposits that have since been weather-worn to form sand-colored cylindrical cone shapes standing side-by-side. A walk in between these canyons is awe-inspiring.

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Left photo: No trip to New Mexico is complete without a stop at White Sands National Park. The world’s largest gypsum dune runs for over 275 square miles. So big, this dune can even be seen from satellite in outer space. Despite temperatures reaching 120F during the afternoon, the gypsum sand never gets hot due to the gypsum crystal’s natural ability to reflect the sun and the fact that it does not convert light into heat. We went barefoot and even did some dune-sledding down the steep cliffs. For a cool experience, plan to camp overnight.

Right photo: Another stop along the way is Carlsbad Caverns and watching the enchanting Bat Flight where over 500,000 local Brazilian Free-Tailed bats make their nightly migration from the cave to feed. It’s a coordinated visual symphony!

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Showing off some vintage Native American silver by Navajo and Zuni tribes made between the 1900s and 1950s. We picked up these older pieces during our travel around New Mexico. Some of our favorite stops include:

Shopping Guide:

  • Rainbow Man (Santa Fe) – amazing selection of fabrics, weavings, jewelry and objects
  • Santa Fe Exchange (Santa Fe) – wide range of both sterling silver, objects and some turn of the century pieces
  • Shalako Indian Store (Santa Fe) – widest vintage sterling silver shop, great for Concho belts, rings, and bangles. Nancy and Marsha are both well-informed on Native American jewelry
  • Palms Trading (Alburquerque) – solid selection of old pawn, blankets, shoes and food stuff
  • Rose’s Pottery (Bernanillo) – housed behind Rose’s is an old theatre that the owner converted to a small private collection of early Pre-Columbian to middle of the century art and pottery. If you’re lucky, she’ll give you a tour of this collection passed down from her father. The front features a beautiful collection of Kachina dolls and pottery from all the major pueblos
  • Old Town Antiques (Alburquerque) – the owner Connie is like an encyclopedia of New Mexican crafts, beautiful selection of both jewelry and objects, she even offers Pre-Columbian artifacts.

Eating Guide:

  • Tia Sophia’s (Santa Fe) – best brunch and breakfast place for New Mexican cuisine
  • Café Pasqual’s (Santa Fe) – modern twist on New Mexican with some delicious homemade cookies
  • Rudy’s Country Store & Bar-B-Q (Alburquerque) – fantastic ribs, brisket, daily special cobblers and desserts
  • Gabriel’s (Santa Fe) – delicious guacamole and carne adovada
  • Frontier (Alburquerque) – a mix of everything, an all-day diner styled location popular with locals, young and old
  • Jimmy’s on Jefferson (Alburquerque) – quick local favorite for breakfast, order Steve’s Breakfast Special featuring a plate of hash with green chile.
  • Grove Cafe & Market (Alburquerque) – modern eatery with homemade granola and breakfast and brunch
  • Cocina Azul (Alburquerque) – great lunch spot for some of the best carne adovada and homemade and fresh sopapillas and posole
  • Farm & Table (Alburquerque) – fresh and modern New Mexican classics as well as farm-to-table dinners with a small working farm on the back
  • Golden Crown Panaderia (Alburquerque) – tasty fruit empanadas

Cultural Guide:

  • Georgia O’Keefe Ghost Ranch (plan advance for an overnight stay, it books up early)
  • Georgia O’Keefe Museum
  • Walter de Maria The Lightening Field (apply in February when they open up spaces, openings close within minutes)
  • Kasha-Katuwe Tent Rocks National Monument (get there early before it gets too hot)
  • White Sands National Park (come here right before sunset for the most magical view)
  • Carlsbad Caverns National Park (don’t miss the last elevator down at 5pm)
  • Rio Grande Gorge & Bridge (shop from the local artists selling at the foot of the bridge, view is not for the faint of heart)
  • Roswell, NW (stop at the museum and eat at Big D’s for their famous green chile burger)
  • Sandia Mountains (go there an hour before sunset)
  • Taos Pueblo
  • Acoma Pueblo

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Source: GossipGem.com

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