Read This Before Buying Antique Jewelry Online or Through Instagram!

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Both Lauren and I have noticed a slightly frightening upsurge in the amount of overnight “antique jewelry dealers” these past few months. I’ve nominated Lauren to give her insight and take on this, along with some important tips we should all be aware of before buying any antique piece online or via Instagram. I’ll let Lauren take it away:

Selling fine second-hand jewelry is no simple task that just anyone can pick up by attending a few estate sales. Dealers must continually strive to expand their education and invest in their business so they can offer the best and most honest experience to their customers.

For me, selling antique jewelry was something I fell into by chance in late 2005. I learned my most basic knowledge by apprenticing under a few dealers that had been in the business for decades. This oral history only took me so far. I then conquered many books, took classes, and met with as many other dealers and jewelers as I could.

This happenstance quickly turned into a full on passion; perhaps it’s even my calling if there is such a thing. Over the next nine years, I evolved my business, Ageless Heirlooms until it took form as a brick and mortar shop on the busiest street in town. The lessons are countless and the experience over these years was immeasurably valuable.

Sometimes life takes you unexpected places, and the moment that I could no longer devote 100% of my time to selling antique jewelry was when I decided to take a huge step backward and regroup in late 2014. I closed my brick and mortar shop and continued writing about jewelry, in the hopes that one day I would get back into retail and help reconnect heirlooms with their next generation keepers.

During my almost three year departure from retail, the antique jewelry business changed a lot. The antique jewelry market, like most any business, has always been prone to scammers and dishonesty. But as this niche market keeps expanding, I’ve noticed that more and more dealers pop in and out of the scene — some legitimate and others that are trying to take advantage of the trend. It saddens me to think that there are dealers out there that are either intentionally or unknowingly misguiding their consumers. It leaves a bad taste in my mouth and perpetuates the idea that buying fine second-hand jewelry is a shady practice. I assure you, it’s not.

Shopping for estate jewelry takes a certain degree of trust in the people you’re buying from, especially if you’re just learning all the ins and outs. Here are some questions you can ask yourself to help you decide if you’re buying from someone who is worth supporting.

1. Are they GIA certified or have any other accreditations?

To have your GIA certification is arguably the most important feat in the fine jewelry world. This certification shows that the dealer has put a tremendous investment in their education and are much more competent at grading gemstones than someone that doesn’t have it. If you’re buying very high-end antique jewelry, this question should be high on your priority list. What schooling has this person gone through? If they haven’t, have they had someone else that is GIA certified look over the item in question?

2. How many years have they been in business?

Ask me in my first few years of selling antique jewelry if this question was important, and I would still agree that yes, it is. I was so fortunate that so many customers took a chance on me in my early years, but I had a full backing from other partners that had many years experience under their belts. It wasn’t until I had over five years experience that I considered going out on my own. Sometimes it’s worth it to take a chance on someone, but make sure you get to know them a little bit first.

3. Are their prices consistent with other dealers?

Antique jewelry isn’t always an apples to apples comparison. But, in the broad scope, prices for similar pieces should fall within a similar range. Anything that is way off the mark, whether priced too high or too low is a red flag for me.

However, sometimes antique jewelry businesses with lots of employees will have higher prices — they need this markup to survive. This higher price is worth it at times because many of these businesses have access to rare antique jewelry that smaller dealers don’t. Pay a higher price only if that item is rare and other reputable dealers don’t have anything similar for less.

Too cheap a price could indicate that the item is a reproduction, is in poor shape, the dealer is a fly by night, or maybe you just found a bargain. Either way, it’s worth looking into more thoroughly.

4. Do they have a brick & mortar shop or a website?

Any signs that this person has invested time, money and energy into their business is a good thing. Do they have a website, an Etsy shop or a brick and mortar that they keep updated? Are they active on social media? That is a good indicator that this business is their primary source of income, and they take pride in it. People who take pride in their online businesses are less likely to jeopardize it by acting shady.

5. How is their feedback/online reviews?

If the person is selling on Etsy or eBay, it is an absolute no brainer to read as much of their feedback as possible before you purchase. This won’t necessarily be a foolproof method, but it certainly helps when you’re buying on the internet.

6. Do you see any reproductions being passed off as old?

It might be hard to know what reproductions look like from a picture, but they are out there in full force! If you have browsed some sites that openly sell reproduction jewelry like Jan’s Jewells, you’ll have some idea which items are being remade. If you catch a reproduction being passed off as old, or the description is vague using terms like “antique-style Art Deco ring”, this is a red flag. Let me know if you’re interested in more ways you can spot reproductions online because there’s a lot that can be said here!

7. Do you notice that some items aren’t dated?

I’ve seen it where some antique jewelry dealers want to sell reproductions (they are easier to find and are cheaper), but they don’t want to be upfront about it for whatever reason. If you spot jewelry on a dealer’s site that has no mention of the item’s age at all, this is a red flag. Ask them openly if the item is new or old, and hopefully, if they passed a lot of these other questions, they’ll be honest and tell you.

Do you have any other ways you vet out antique jewelry sellers? Let me know in the comments and as always, happy hunting!


This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

Thanks to Gossip Gem

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Ten Facts You Didn’t Know About Gem Gossip

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Above features every “logo” aka Banner I’ve had over the past nine years, from first inception until now. The evolution shows the progression and most recently we dropped our tagline which we’ve had since day one.

With each passing July, I sit and ponder the beginnings of my blog Gem Gossip–all that it has done and accomplished, and all the potential that lies ahead. It was nine years ago that I first started this website with the sole purpose of connecting with others that love jewelry as much as I do. I never imagined that I would be doing this full-time nine years later and creating my own path. And I have YOU to thank for all this–those who read my blog daily, follow my social media accounts, “like” my photos and send encouraging emails. Thank you. You truly don’t know what it means to me and I’m forever grateful.

To celebrate this year, I’m reminiscing like crazy and sharing with you some facts you might not have known about Gem Gossip! I thought this would be a fun and personal blog post, and I’d love to hear some interesting tidbits regarding YOU and Gem Gossip. Does a blog post stick out in your memory? How did you find or stumble upon my blog? Did I help you out in a way that I don’t know about? I’d love to know! You can email me, write it in the comments below, or share on Instagram–I’ll be posting this on there as well.

PS: There will also be a giveaway coming up, but I have to hit 160k followers on Instagram first, so stay tuned!

The Facts:

1. I started my blog as a result of moving to Tennessee–after uprooting from the only house I had ever lived in my whole life in Upstate NY to TN, I had a lot of time on my hands. I had no job, no car (I sold my car because I didn’t want to drive it 11 hours by myself lol), and knew no one in my new town. I finally decided to invest my time and energy into learning about my biggest passion I had been carrying around with me my whole life–JEWELRY!

2. I was in a long distance relationship at the time I started Gem Gossip. It was because of my ex-boyfriend who suggested I should start a blog about jewelry after I had constantly filled his inbox daily with long hyperlinks of jewelry that I thought was “really cool.” He told me he didn’t care about the jewelry and that I needed an outlet to share my passion with others who felt the same way!

3. The name “Gem Gossip” was conceived after a brainstorm session with my sisters on what to name my future jewelry blog. I knew I couldn’t have my URL be daniellemiele.com because NO ONE knows how to pronounce my last name. It had to be catchy, simple, relate to jewelry and easy to say. I was looking at my sister’s fashion magazines and saw one of the actresses from Gossip Girl on the front cover (that show was the most popular around that time). I whispered aloud, “Gossip Gem” … and then “Gem Gossip” and it all clicked!

4. One of my first emails I’ve ever received from a jewelry designer was from Carolyn Tyler, after I had featured some of her work on my brand new blog. Her email was so encouraging and the excitement that I felt from receiving positive feedback was worth more than gold to me in that moment. I will never forget that kind exchange.

5. On the flipside of that, I’ve received several negative emails over the past nine years. One that called me Southern white trash (I’m from NY, so nice try) and a few that poked fun of my features that included photos of me modeling jewelry. This is both alarming on many levels but also quite comical, in my opinion.

6. The first seven years of writing Gem Gossip were all done part-time on weekends or after work. I was a nanny for the very first year and a half when I moved to Tennessee, and then eventually worked full-time at an antique jewelry store for five years. I would sit behind a microscope Tuesday through Saturday, with a pile of jewelry in a room without windows and crank out appraisals…and then come home bursting with creative energy, not wanting to do anything else except work on my blog.

7. One of my first big writing gigs was for LoveGold–I had no idea at the time how much I would learn in such a positive way from the 2 1/2 years of working with them. I produced exactly 100 pieces of exclusive content for LoveGold and traveled thousands of miles. And I still can’t get enough of yellow gold.

8. I once had a meeting with a very prestigious celebrity stylist. After learning I lived in Nashville she asked me about my love of country music. I told her I hated country music and she kept saying, “So you don’t like Taylor Swift? Not even Taylor Swift??” and I was adamant about not liking Taylor Swift. It was then and there that I realized I could have easily changed my answer to better fit our conversation; for her to “like” me. But I didn’t. I am who I am and I’m not changing for anyone. It is a memory that still sticks with me to this day…and it was with me a few weeks ago when I had some big meetings in NYC.

9. My #JewelryRoadTrip project involves a lot of travel, appointment making and on-the-spot creativity when visiting stores and designers’ work spaces. My husband Matt usually is the photographer behind all my #JewelryRoadTrip features but there was one big trip he couldn’t make–all my Pennsylvania coverage. My mom ended up coming along with me and taking all the photos. She was SO nervous and wanted to do a good job. I think she did great and it is still such a memorable trip for both of us. It was one of the first literal road trips where we drove my Prius up from Nashville and across the entire state of Pennsylvania over the course of four days. My car surpassed the 100k mileage mark on that trip and we celebrated by eating Arby’s (my favorite road trip fast food place…wait, maybe I am white trash?? See #5).

10. One of my most proud moments was being a co-curator at the Doyle & Doyle Vault series, where the NYC-based antique jewelry store put on their version of a month-long museum exhibition. I chose the topic of Sentimental Rings and several of my personal pieces, including my grandparents’ wedding bands and my grandma’s engagement ring were a part of the exhibit. In order for her ring to get to me, my grandma had to mail me her beloved ring. We both were so nervous for this feat–I had been tracking the package every step of the way. On the day of delivery, it was pouring rain. My alerts told me it had been delivered at my doorstep, but it was nowhere to be found. I was having a full-on panic attack over this. I ran outside in the rain in search of the package. To my surprise, it was sitting on the stoop of my neighbor a few doors down from me. It wasn’t just any neighbor…it was our neighbor that we were in a fully committed “poop war” with. What could I possibly mean by this? Well his dog would go to the bathroom in our yard almost daily…so my husband would take the dog poop and put it on their porch. Dumbest thing ever, but we were totally into it at the time lol. I grabbed the package off their porch and ran back home. That day ended the “poop war” and they moved shortly afterward, so all crisis averted. (By the way, my grandma’s Italian handwriting is the reason for the incorrect delivery–insert Italian hand gesture meaning WTF).

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Weekday Wardrobe: New Favorites

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Since coming back from Vegas and NYC, my days have been long and filled with writing and running all kinds of errands. From Sunday morning brunches, to post office runs, to family dinners, my style has been changing daily and almost always depends on what I have planned. Some days I’m lucky if I get a chance to breathe fresh air outside, while other days I’ve spent more time on the road in my car than normal…but that is what I like about being self-employed and I’m excited for the summer.

Most recently, I was playing in my jewelry box and for some reason or another a lightbulb went off–I took my collection of figas and strung them on my hardwire gold collar necklace. As soon as I put the necklace on I knew that this was one of my greatest moves I’ve ever made. I’m obsessed with the look and it totally caters to my collecting mantra by displaying my pieces perfectly. I actually have 6 more figas that don’t have jumprings, so I’m off now to get them put on by my jeweler.

I’ve also been experimenting with different kinds of earrings to create a “full” look, meaning ALL the way up my ear. To achieve this look without the pain of multiple piercings, I suggest some comfortable ear cuffs. Some are more comfortable than others and it depends on the craftsmanship, so try them out–see if you’re able to wear for a full day before committing to buy.

In the first photo shown, I’m wearing a pair of ombré amethyst ear studs with jackets by Jewelmak. These are so cool and give me a pop of color, which is perfect for summertime. I kept it simple up top with 14k gold balls studs in various sizes, a Paige Novick diamond ear cuff and a vintage swirl motif ear cuff I found on Ruby Lane.

The photo below shows off my figa necklace and a carved opal necklace I recently sold. My earring look is simple to recreate; two pearl stud earrings of various sizes and a gold huggie earring from Stacy Nolan.

Weekday Wardrobe | Gem Gossip

Day One: (spent doing emails all day and typing blog posts, hence the Beavis & Butthead t-shirt)

Elongated lapis and enamel ring, from Sarah’s Vintage & Estate Jewelry in Buffalo, NY

Antique diamond & sapphire ring from Excalibur Jewelry found in Tucson this year

Pear-shaped vintage lapis ring that I can’t stop wearing because it is so comfortable and bold

Weekday Wardrobe | Gem Gossip

Day Two:

Diamond crossover pinky ring by Halleh Jewelry

“Ring One” from my Gem Gossip Jewelry line, since retired

Fringe ring in 14k yellow gold by Ashley Childs

A stack of “Ring One with diamond” from my Gem Gossip Jewelry line, since retired

Weekday Wardrobe | Gem Gossip

Day Three:

Oval vintage Mexican ring done in 14k yellow gold

Crescent moon ring in 14k yellow gold by Amanda Hunt Jewelry

Dendritic agate ring from Joden Jewelry in Grove City, PA

Weekday Wardrobe | Gem Gossip

Day Four:

Glass + 10k yellow gold ring, heirloom from my Gram

elongated diamond ring turn-of-the-century from my friend Priscilla

Diamond shaped ring set with old cut brown diamonds, from STORE 5a

Weekday Wardrobe | Gem Gossip

Day 5:

turquoise baby rings, worn as pinky ring and midi ring

Victorian turquoise ring from eBay

Victorian turquoise ring with engraving on entire closed-back, from Gold Hatpin

Turquoise and diamond cluster ring found at the Nashville Flea Market

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James D. Julia Auction Features 60 Jewelry Items in Upcoming Sale

Hey Gem Gossip readers! As many of you know, writing about upcoming auctions is one of my favorite topics–I’ve written nearly 100 blog posts on this topic throughout the past almost nine years of having this blog! I live it, breathe it, and am constantly talking about jewelry auctions. I love discovering new auction houses and I’m excited to be writing about James D. Julia Auction house today since I never have featured them before. They have an upcoming sale on June 16th, 2017 that is called “June Rare Lamps, Glass & Fine Jewelry Auction” which is of interest, particularly the 60 lots of fine jewelry items which is at the very beginning of the sale.

James D. Julia Inc. is located in Fairfield, Maine and has been in business for over fifty years. The company began in 1965 by Arthur Julia as a small country auction house which quickly grew over the years. Current owner James D. Julia purchased the company from his father in 1974 after graduating college. Always staying current with the times has been a key to the success of this auction house–state-of-the-art catalogs, photos and descriptions as well as an easy interactive website where bidding can take place from anywhere in the world have allowed an auction house located in Maine compete with world-known names. They are currently ranked as one of the top ten antique auction houses in North America.

The June 16th auction features 60 lots of jewelry items–pieces from the low 100s on up to six-figure digits–so a pretty large assortment. Diamond rings, lots of emeralds, a high-end Breitling watch, jewelry suites, pearls, gorgeous every day jewelry, and everything in between. One of my favorite lots is the last one in the jewelry section–a group of 40 jewelry books! I am such a jewelry book nerd and this lot features a bunch of rare, out-of-print titles. It is definitely worth checking out and the people of James D. Julia were kind enough to create an interactive catalog (embedded above) which features all 60 of the jewelry lots! It is also worthy to note, many of the pieces, starting with lot #1019 as noted in the catalog, are from a private Texas Estate collection which is completely unreserved and thus could result in some excellent buying opportunities.

Here are some of my favorites highlighted:

Lot 1005: A stunning all-diamond bypass style ring, set in 14k white gold and an estimated 1.78 carats total. I love the bypass style, with this piece having three diamonds set at a diagonal. If you’re thinking of a unique alternative engagement ring, this would be a great choice! Estimate: $2,000-3,000

Lot 1007: The most expensive/highest estimate piece in the sale–this 10.02 carat natural fancy intense yellow diamond ring! This rare and unique stone is VS-1 in clarity and comes with a diamond certificate from GIA. To accompany the center stone, it is beautifully flanked on each side by bullet shaped diamonds, VVS/VS clarity and FG in color. The ring is done in platinum and 18k white gold. Estimate: $130,000-160,000

Lot 1016: Elegant and charming, this diamond pendant necklace features gorgeous bright white diamonds set into a Art Nouveau treasure. It features a dangling bezel set diamond at the bottom and hangs from a 16″ chain. Nothing like a piece of history. Estimate: $1,500-2,500

Lot 1020: A vintage Cartier ring of finest quality–composed of one center emerald cut diamond and two emerald cut emeralds on each side. The ring is done in platinum with 18k yellow gold settings. Center diamond weighs 1.98 carats and the emeralds are Columbian. Can’t get much better than that! Estimate: $20,000-30,000

Lot 1023: I like this ring because it has a bypass style but it also has sort of a serpent look to it! The ring is set with a modified-fan cut emerald and lots of diamond accents, 1.75 carats to be exact! This ring is trendy and classic at the same time. I could easily pair with other pieces for a fun look. Estimate: $1,200-1,800

Lot 1035: If you love a good multi-gemstone piece of jewelry, this one is my pick for you! This cuff is done in 18k yellow gold and bezel set with multiple gemstones of all colors! We’ve got rubies, emeralds, sapphires, and an unidentified yellow stone…all of various shapes and sizes. A truly well-made and exquisite piece! Estimate: $500-800

Lot 1052: This necklace caught my attention the first time I ever looked at this catalog. It consists of a multi-serpent pendant that hangs from a gold toggle necklace–the various gemstones are peridot, garnet, amethyst, and citrine. The layers of serpents graduate in size, as do the gemstones. I’ve never seen a pendant quite like this one before and I’ve always been drawn to serpent jewelry. Estimate: $600-900

Lot 1060: Remember the lot of jewelry books I talked about above–this is the lot! It features 40 different jewelry reference books, including several out-of-print titles. 100 Years of Collectible Jewelry, Cameos Old & New, Jewelry in America 1600-1900, and The Art of Fine Jewelry are definitely intriguing me and I feel like I will be bidding on this lot come auction day!

This sponsored blog post was brought to you in collaboration with James D. Julia.

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Q & A with Heather B. Moore Jewelry

Heather B. Moore

Heather B. Moore’s story starts with love, laughter and family…and fittingly, just as her jewelry often depicts those words both literally and figuratively, she has brought personalization of jewelry to the highest level. After viewing the video displayed below, you see just how hands-on and multi-faceted her business has become. This interview also touches upon how it all came to be, in the most innocent of ideas and forms. Sometimes we are destined for a certain path and it seems as though Heather was meant to bring memories, quotes and cherished words to life through her jewelry designs. Each piece is heavily sentimental and often instant tear-jerkers. As jewelry enthusiasts, we know how special a personalized piece can be–but how about one that is in the exact handwriting of a loved one? Or an exact doodle from your once 5-year-old son or daughter? I know if and when I start a family, Heather B. Moore‘s designs will be first on my list for a little keepsake!

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We are currently developing an exciting new series based on personal empowerment called the Sculptural Series. Its foundation stems from personalized themes people were requesting for their designs, which usually fell into four common categories: strength, growth, wisdom, and healing. With that as our guide, we started the Sculptural Series to capture moments that feel personal while complementing our other designs.

While we are only launching with a limited selection, this is just the beginning. The world is full of wonderful symbols that have meaningful messages, and Heather B. Moore jewelry is excited to add more sculptural jewelry to the collection in the future.

Heather B Moore | Gem Gossip

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I only took one jewelry class in college. At the time my focus was cast glass, Venetian glass blowing, and steel work. My sister Wendy was an anthropology major and had moved to Kathmandu, Nepal where she lived with a jeweler’s family. That’s where I started getting interested in what she was doing! After college, I was working for an artist welding large-scale art installations across the country for Judy Pfaff. On the weekends, my sister Wendy used to ask me to make jewelry for fashion shows and low-budget movies in Los Angeles.

I started off doing chain work and handmade chain, which we still do today. I also integrated glass beads and stones within the chain, and while we still integrate stones into our chain, we moved away from glass beads to focus on precious stones.

In 2004, I started offering personalization on a number of pieces and everything grew from there. Our personalized collection was created on the foundation that timeless designs start with a blank canvas for our customers, then we collaborate to create the perfect piece. We have the capacity to create the steel stamps of people’s handwriting and children’s drawings as well as a wide variety of fonts and layouts.

I started collecting tools when I was 13. I grew up in the steel industry of Cleveland and loved going to my dad’s factories, so craftsmanship was something that I related to.

The first steel tooling stamps that I purchased were from a garage sale at an old machinist’s house. I carried those stamps around with me for 15 years before knew what to do with them! In 1991, I pulled out those stamps and decided to integrate quotes from my friends and family. I stamped them out onto the silver plaques and then framed it with a handmade cast glass frame.

In 1997, my sister Wendy was in a skiing accident and passed away. Before she passed I stamped a quote she gave me into a piece of metal: “I said to my sister and she said to me, come let’s play laughter together.” I remember loving the quote so much that I took the plaque with her quote off the wall, and I put it in my wallet. To this day I look at it and it makes me smile.

After moving back to Cleveland and receiving the Rising Star Award from the JCK trade show, I had an interview with Real Simple Magazine about why a designer from NYC would move to Cleveland.

During the interview the writer asked a series of silly questions like, “what kind of hair care products do I use?” and, “what is in your purse?” At first I was a little confused, but I pulled out my wallet and got the plaque of my sister’s quote, and they loved it. They photographed it and used it as the focal point of the article.

At the time, I was designing for bigger companies like Banana Republic and I was getting tired of doing trendy jewelry that was “in” one season and “out” the next. I thought it was interesting that they loved the little plaque so much, and that made me think about the unique stamps that I had in the basement, and I knew I wanted to make something for myself. So, I stamped my kids names on some silver discs, framed them in gold, and I created my first personalized necklace.

I fell in love with it because my kids would sit on my lap and flip through the charms and look for their names. That is when it hit me: personalization has more value than the material that it’s on, because personalization is forever. Telling your story is not a trend; it’s a keepsake, an heirloom, and one-of-a-kind… just like the person wearing it.

That is when I knew I was on the right track. I was putting something into the marketplace that I had actually created in 1992… it’s like it all became a full circle.

It’s amazing to think I was so young, but I’m also very proud to say that now we create our own stamps in our steel shop. It’s fun to have the opportunity to create special tooling for each individual customer.

Heather B Moore | Gem Gossip Heather B. Moore | Gem Gossip

Left: the plaque Heather made, with her sister’s special quote Right: a necklace Heather wears almost everyday–it features her new Buddha charm


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I think my proudest moment was winning the Town & Country International Gold Award at the Couture Jewelry Show in Las Vegas.

This is a show where all designers get together and showcase their pieces to stores across the country. Town & Country magazine had sponsored the event, so it was super fancy that year. Most people were in black tie… but I didn’t know that! I showed up late to the party in flip-flops, jeans, a t-shirt and messy hair!

When I thought about designing something for the Gold category, I wanted something no one had yet documented. One topic that came up was that we had never documented someone’s letter, and I had the perfect one. It was a whimsical thank you note from my sister Wendy. She had sent it just days after Christmas and she spoke of the importance of family and new traditions. This was the first year I didn’t spend Christmas with my family because I was with my husband’s family in Canada, so it really hit home for me. It was the last letter I ever got from her. She passed away shortly after Christmas.

We stamped this whole letter on a big yellow gold cuff, with a rose gold frame on the outside and a green gold frame on the inside, then we covered the frame in diamonds.

We arrived late to the awards show party and had already begun to announce the winners, so we quickly grabbed a glass of wine and snuck into some seats just as the announcer said, “And the Gold Award goes to a designer from the city of the Rock ‘n’ Roll Hall of Fame…”

…I thought to myself, “Oh my gosh, there’s another designer here from Cleveland,” but then they called my name!

Heather B Moore | Gem Gossip

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In a broad sense, my hopes, dreams, and goals are to make sure I can continue to create beautiful pieces for people and documenting their stories. I love that we have the opportunity to work with customers hand-in-hand.

And with the sculptural collection, there are so many amazing symbols that empower people. I just love the direction we are going with that!

Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip

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I have so many pieces I love and adore! We have a wide variety of designs within the collection, and I truly love all of them. I have many iterations with my children’s names (Henry, Leo, Oliver and Coral). They are my proudest creation!

I have a yellow gold bangle with their names on it, a leather bracelet with with their names on it, and a necklace where they each have their own charm! I actually named the frames after them. The Henry frame is a braid like the Nantucket braided bracelets. The Leo frame has a granulation frame for him because he really loves the arts. Then there’s the Oliver frame. He’s really an organized child so I did a spiral frame for him. Coral’s got a bubbly personality, so her frame kind of looks like bubbles!

I like to wear my cuff bracelet that has my sister’s letter with jeans and a t-shirt, but I also wore it to the Beastie Boys black tie Rock ‘n’ Roll Hall of Fame induction.

My sister Halley and I both have a charm with Wendy’s phone number on it. She never had business cards, which we always thought was hilarious! We made it in green gold because her birthday was on Saint Patrick’s Day.

My new favorite necklace has a bunch of charms on it, and it’s a story about my boyfriend Jason and me. We went to high school together so I have one charm that says “You were worth the wait,” and another charm that says “Home is when I’m with you.” And I have a little single initial J charm for his name… and a diamond, of course!

I have a 4mm square cuff bracelet that grounds me–it says “When you look at life through the right lens, everything comes into focus.” Life certainly does throw you some curveballs sometimes… so that helps me through those challenges. The fact that I’m a photographer kind of makes it perfect! My dad gave me my first camera when I was 14 and then shipped me off to Africa with 13 rolls of film. I have been an avid photographer ever since.

I will end with this one:

I have this fantastic ring that has been dubbed “the hockey ring.” It’s my good luck ring for my boys’ games. If it’s not on my finger it’s in my wallet waiting for the next game. I did not put any personalization on it with words… and it’s really quite thick. We call it The Pope Ring at the studio! So when I’m photographing the hockey games (because all three boys are in hockey) if something happens like a goal or a good defensive play, I can bang on the glass with my ring, and I wont hurt my hand! Because of all the banging, overtime it has collected quite a few, great dents! It is essentially personalized from all the dents!

Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip

This sponsored blog post was brought to you in collaboration with Heather B. Moore.

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Just in Time for Easter: Fabergé Eggs from A La Vieille Russie

ALVR | Faberge

Miniature white enamel egg set with a red enamel coin of Elizabeth I and four cushion-cut sapphires. By Fabergé, ca. 1895.

ALVR | Faberge

Miniature egg with white enamel stripes and set with a turquoise. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A jouré yellow and green gold egg, punctuated with rose diamonds around the center. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A two-color gold-mounted egg-form aventurine quartz hand seal on brilliant translucent green enamel base. By Faberge, St. Petersburg, ca. 1900.

Legendary Fabergé eggs–eggs so popular, that almost everyone knows what you’re talking about when you mention their name. For me, these were my first obsession above all other types of jewelry. I remember going to my local public library and wanting to check out a book on making crafts out of egg cartons–I saw the recommendation on Reading Rainbow! Instead, I found my way to a book on Fabergé eggs and was infatuated. In fact, for the first time in my life, I loved the book so much I never returned it. I didn’t care it was wrong because this book lit up my life! My second run in with Fabergé eggs happened when I was in high school. I became obsessed with watching Joan Rivers on QVC and admired her love of Fabergé eggs. Back then, she had created her own jewelry line with bundles of three eggs per chain of her own miniature versions of “Fabergé eggs.” I ordered my first trio of eggs and was hooked. I can’t remember how many I collected over the next few years, but after graduating college, I was able to pay for my trip to study abroad from selling my Joan Rivers Egg Collection. It was quite a few. I honestly wish I still had those eggs, but I wouldn’t trade my overseas experience for anything!

It is no myth that Fabergé eggs are enchanting, often mysterious, and full of intrigue. If you were married to a Russian tsar, the ideal Easter gift would be a Fabergé egg designed by none other than Carl Fabergé himself. The first ever Fabergé egg was made in 1885 and presented to Alexander III. Since then, it varies as to how many are apparently out there, but some sources say 65 Imperial eggs were made, some say 50, some say 52, but it is known that only 43 have survived–there is a really comprehensive table that describes each, citing where the egg is now. A few are cited as “Lost” and it is with lots of hope that they will be recovered someday.

ALVR | Faberge ALVR | Faberge

Circular aquamarine and diamond Imperial Presentation brooch with an Imperial crown decoration. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1913.

Natural pearl and diamond floral brooch with blue enamel border. By Fabergé, Moscow, 1896-1908.

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Diamond and green garnet necklace mounted in platinum. By Fabergé, ca. 1900.

Natural pearl ruby and diamond necklace set in platinum and gold. By Fabergé, ca.1900.

ALVR | Faberge ALVR | Faberge

Fabergé gold-mounted lozenge-form brooch, set with diamonds and red enamel wreath over white guilloché enamel ground. By Fabergé, St. Petersburg, ca 1890.

Lozenge brooch with a central cabochon moonstone, set with rose diamonds, and white enamel. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1900.

Fabergé eggs created for the general public, not just zsars, continued being the company’s most popular pieces. In the year 1900, the House of Fabergé was completed which literally was a large building which centralized all the operations–bringing together workshops, artisans, a design department, even Carl Fabergé’s own place of residence, in one large building. Throughout the turn-of-the-century, Fabergé turned out elaborate pieces of jewelry, decorative drinking cups and bowls, items for writing, miniature hardstone animals, a wide variety of photo frames (as Kodak launched its first camera), and much, much more. He employed hundreds of craftsmen under conditions that were very superior, with great pay. As success continued, expansion happened, until the first World War broke out in 1914. The House of Fabergé lost a lot of workers to the draft, precious metals were haulted to use, so the items that were produced during this time were created from materials like copper, nephrite, brass, and silver. Carl Fabergé ultimately fled Russia and died in 1920.

Many of the pieces of jewlery and decorative arts which Fabergé created during its height of success are highly collectible. A La Vieille Russie, a shop in NYC, has specialized in Fabergé since opening in 1961. You’ll be amazed by these authentic, one-of-a-kind Fabergé items, including some eggs that ALVR currently has in their inventory. If you haven’t read the blog post featuring my visit to ALVR, you must! Here is the link.

ALVR | Faberge ALVR | Faberge ALVR | Faberge

White enamel and two-color gold hanging bellpush. Contained in original fitted hollywood box. By Fabergé, St. Petersburg, workmaster H. Wigström, ca. 1915.

Carved two-color jasper miniature egg in the form of a Kingfisher with diamond eyes. By Fabergé, Moscow, ca. 1900.

Gold-mounted brilliant pink guilloché enamel egg-form pendant locket, the opening set with rose diamonds. By Fabergé, workmaster M. Perchin. St. Petersburg, ca. 1895.

Anyway, I thought the quick history on Fabergé paired with some pieces that are available would make my readers very happy on Easter! Hope you enjoyed!

Works Cited:

https://en.wikipedia.org/wiki/Fabergé_egg

Virginia Museum of Fine Arts app called Fabergé at VMFA

This sponsored blog post was brought to you in collaboration with A La Vieille Russie.

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How 3 Nashville Entrepreneurs Style Their Dana Seng Jewelry

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The life of an entrepreneur: forever in motion, on the go, and fast-paced. Sometimes you need your jewelry to be that way too! I’m always on the hunt for something I know I can throw on and automatically look good, something I can style with a variety of different outfits, and something that is timeless and will withstand a hectic lifestyle. The piece of jewelry that does it for me is my Dana Seng birthstone initial charm necklace, without a doubt! It goes with just about anything…when I put it on I already feel put together…and the best part is that it was made for me! I picked out the letter I wanted and the gemstone I wanted–D for Danielle (my first name) and sapphire for my birthstone (and luckily blue is a color that goes great with almost my entire wardrobe).

Dana Seng Jewelry prides itself on creating jewelry that fits this exact remedy–for “every style” and for “every woman.” I thought it would be fun to see how three different women style their own Dana Seng Jewelry pieces, so I took three Nashville entrepreneurs (myself included) and without any direction, told everyone to style their piece with what fits their lifestyle and how it fits in their everyday look. It was so interesting to see how a simple initial gemstone necklace or ring could be worn in different ways, suit unique styles and become a staple to someone’s wardrobe. One thing is for sure, we all agreed how simple, yet statement-making our birthstone initial pieces are and how much they’ve become an everyday occurrence within our style.

Let’s find out more:

Dana Seng Jewelry | Gem Gossip Dana Seng Jewelry | Gem Gossip

Danielle

By day, I’m writing my blog Gem Gossip, editing photos, pulling ideas and planning my next move…by night, I’m cooking the latest Blue Apron, catching up on Shameless, playing with my dogs and most likely ripping out carpet somewhere in my house. Even if there are days where I don’t leave my office, I like to at least throw on a piece of jewelry that makes me feel good and oftentimes it is my Dana Seng Jewelry initial necklace. My style is casual, always pants (I’ve never been a dress-wearer, but I’m trying) and I love a good blouse, like the one I’m wearing. I mostly wear vintage or antique jewelry, and my initial necklace from Dana Seng fits in perfectly.

Dana Seng Jewelry | Gem Gossip Dana Seng Jewelry | Gem Gossip

Lauren

When she’s not busy building her photography empire, Lauren Newman, a Florida-born, California-dreaming entrepreneur is exploring Nashville, always on the lookout for new places to shoot. Photography is her passion and so is traveling. Her style is romantic with an edge, often pairing a pretty dress with a leather jacket. Her Dana Seng Jewelry is an initial birthstone ring–she chose an L for her first name, done in garnets for her birth month of January. It pairs perfectly with her other gold, delicate rings and is exactly her jewelry style. She likes wearing rings when she’s out on a photoshoot because every time she clicks the camera, they sparkle!

You can follow Lauren on Instagram here.

Dana Seng Jewelry | Gem Gossip Dana Seng Jewelry | Gem Gossip

Alyssa

Documenting her daily outfits and inspirations has been something that has come natural for Nashville fashion blogger Alyssa. She has been writing Dreaming Trees since 2014 where her creativity flows and her bohemian style is put front and center. Her Dana Seng birthstone initial charm necklace easily transitions from her nine to five day job, to her photoshoots she executes for her blog. She chose an A for her first name set with Peridot for her August birthday in a necklace. As you can see, mixing her initial necklace with her usual Southwestern silver rings and other delicate gold necklaces fits her style and she makes it her own! Whether Alyssa is wearing a vintage dress or a new trendy designer, her Dana Seng necklace can blend with either and easily layer with other jewelry.

You can follow Alyssa on Instagram here.

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All photos by Lauren Newman Photography.

This sponsored post was brought to you in collaboration with Dana Seng Jewelry.

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Jewelry Marketing 101: What’s NOT Working

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So you’re the creative type…or the type that has a unique eye. You’re a jewelry designer, an antique jewelry seller, or someone that has jewelry ready to sell. Jewelry marketing is a whole different realm of what most would consider typical jewelry business tasks. It is something I never thought I would be able to give my opinion on, but I can because I’ve lived it and found myself in this sector of the business more than I realized. I’m trying to break down my tips into simple steps anyone can take, whether you’re a veteran in this business and want to try something new or if you just graduated from a trade school with a jewelry collection on the horizon. So here is my list of ways you can market your brand or your jewelry line, with an emphasis on things that also DON’T work!

1. Photography is everything! Invest in a good camera or better yet, someone that is a photographer with jewelry or product photography as their specialty. If you ask anyone, they will tell you–jewelry is so hard to photograph! And they’re right.

Good photos may be a key aspect to showing off jewelry and that isn’t groundbreaking news. But what I’m about to say next might be: don’t use photos that are highly photoshopped or unrealistic. As a consumer, we want to see the actual piece of jewelry in a real setting–make it relatable, attainable. I don’t want to see an overphotoshopped model wearing jewelry in a posed setting with a fake smile. I want to see real women wearing jewelry in their everyday lives. Editorial shoots are cool, but just don’t overphotoshop.

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2. Social media platforms are SO important. Set yours up to look professional, concise and engaging. You want someone to look at your page and become interested. Grab their attention. Something that is quite popular right now is having a condensed, clean look that all flows together. Basically, a uniform and on-brand look. Every picture fits with your brand and is professionally executed.

This sounds all good, but I’m actually going to tell you the opposite. I like when jewelry brands mix things up, keep me on my toes and post photos that are off-the-cusp. Keep me INTERESTED. Uniform branding is often BORING. For example, here’s what not to do: first post is a high res image of a ring, next photo is a quote, next photo is the jewelry worn on a model, next image is a bunch of flowers, and then it repeats without missing a step. Nothing random ever thrown in the mix. Don’t do that!

I’ve asked Brooke of Arrow & Anchor Antiques, which boasts nearly 18k followers on Instagram with only 550 posts ever, what her opinion on the matter is…she says,“I am hesitant to have a uniform branding for my company. My aesthetic is my brand and it’s all over the place. I dig that. It may not appeal to the masses, but is that really my target audience? I’m selling one-of-a-kind vintage and antique pieces that might be better sold in an intimate setting like a trunk show or private sale.”

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Metal Cloud Earrings

I have a confession to make – “I am crazy about clouds and I love taking pictures of the sky!” If I could photograph anything I wanted to, I would probably photograph clouds.

I have a confession to make – “I am crazy about clouds and I love taking pictures of the sky!” If I could photograph anything I wanted to, I would probably photograph clouds. For me there is no “ordinary” cloud – every cloud is special and beautiful in its own way. I have pissed off many with this compulsion of mine, to stop, admire, and photograph clouds even when I am in the middle of something important. From dates to functions, from roadtrips to photoshoots – none have been spared. So to hear Keith Christiansen, a curator at the MET museum speak about his attachment for clouds was very satisfying.

Photographs taken at New York City, Udaipur and Chennai

At one point he explains why he takes pictures of clouds and the sky – “it is not a record of a place that I have been too but rather an emotion that I felt standing there and looking at it.” I do not think that I can summarise my feelings for the sky and clouds any better than how Keith feels.
Many, Many artists have taken inspiration from clouds, from Sunrise and sunset skies to fuel their imagination. Next only to flowers, I consider the ever changing nature of clouds as the universal definition of strong inspirational direction.
This Month’s we’re all ears challenge is all about Weather – wind patterns, clouds and rain and as inspiration Erin had provided us with Van Gogh’s Wheat Field with Cypresses that I had posted in the September ABS challenge here

I had great plans for all sorts of earrings when I started writing this post a week back and was then struck down by 102 deg fever. But I have made 2 pairs at the last moment. One is a direct realisation of cloud earring showcasing deep dark booming clouds and the other is a more stylised version of cloud movement in the evening just before the golden hour. The long stud meant to be worn as evening or party wear. Both are studs and are made of brass – brass flower stamping blanks (cut into the cloud shape) and brass wire. I have used my new texture hammer from Parawire to add interest to both pieces. I somehow like the texture on the wire better, what do you guys think?

We’re all ears – its cloudy

I have blinged up both earrings with swarovski crystals and lots of pearls. I also like how the loreals in the first earrings move a lot without making much sound, an attribute I prefer in my earrings. On hindsight, I think I should have not wrapped such heavy pearls to the earrings. As it quite long and tilts to the side (as per the design) it feels even more heavy. But it would be nice to wear it on an evening out and be the cynosure of all eyes. That’s it for this reveal folks and as I close I am going to leave you with more cloud pictures I took in the last few years all over the world.
Photographs taken at Chennai, Kathmandu, New Jersey, and Philadephia

I just realised that even though my inspiration pictures are colorful, vibrant with a happy vibe my designs are dull and melancholic, maybe reflecting my current state of mind and body. Maybe looking at all the beady baubles that the other participants made would cheer me up so I am off to visit the challenge reveal page. Why don’t you all join me ?

I hope you found it interesting
Cheers

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