Jewelry Collection Stories: Lindsey of @ParkAvenueAntiques

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I’ve followed Lindsey of Park Avenue Antiques for a very long time! My first interaction with her was sort of humorous–I remember being on my way out the door to go antiquing for the day with my mom and sister. I was waiting on a ring to go up on the auction block so I unpleasantly made them wait until it did, not realizing it wouldn’t be until another 45 minutes. I can’t remeber exactly why I lost out on the ring, but while in the car finally on our way, I took a screenshot of the ring and posted it on Instagram with the caption, “Who outbid me on this portrait ring?! Confess!!” Lindsey was sweet enough to message me to tell me she had been the final bidder on it and graciously offered it for sale. A story too good to be made up, I’ve treasured that ring ever since! Over the years, we’ve continued to follow each other–even one point I tried meeting up at an antique show, but kept missing her! Hopefully meeting will be in the cards for us in the future, but until then…let’s check out her amazing jewelry collection!

Like many of you, I have been attracted to sparkly things for as far back as I can remember. As a little girl, I collected rocks and minerals, little buttons and sea glass. My father was an antiques dealer and the two of us were always on an “antiquing adventure”. One of our favorite places to visit was Roycroft Antiques in East Aurora, NY. They had a wooden whisky barrel filled with buttons and beads and I would dig through that barrel until my hands were black! Who knows what I thought I’d find in there! It was all about the hunt….

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I share this silver filigree necklace with my daughter Cameron. The three Edwardian silver bears represent her and her two brothers.

Around the age of 5, we moved to Hershey, Pennsylvania. It was a difficult transition. My parents both worked two jobs and I was home alone a lot. My mother always found ways to show me how much I was loved and that she was thinking of me. She came up with a hide and seek game we called “Rubber Legs” which involved hiding a yellow plastic figure. Before she left for work in the morning, she would hide Rubber Legs somewhere for me to find. Then I would hide him somewhere for her. I almost always hid him in her antique spool cabinet/jewelry box. It was a magical place where I wasn’t supposed to “dig around” but I couldn’t help myself! There were sparkly rings, beautiful strings of trade beads, flapper necklaces and cameos. She had all kinds of treasures but my favorite piece was a little gold acorn charm that rattled when shaken.

Once we moved to Hershey, adventures in antiquing with dad still continued. He opened an antique lighting shop in Adamstown, PA in the Black Angus Antiques Mall. Most Sundays I would tag along to help him but really spent most of my days with other dealers. I was fascinated with their knowledge in various fields and eager to hear their stories. This is where my love for jewelry and antiques really started.

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LEFT: Georgian sapphire and rose cut diamond bow brooch in silver topped gold, purchased at the Las Vegas Antique Jewelry & Watch Show

When collecting jewelry became a serious passion, I invested in books. Jewelry books on private collections, construction, symbolism, intaglios, various periods and markings. My jewelry library has helped me to educate myself and develop a true respect for the craftsmanship and symbolism that these pieces hold. I try to add one book to my collection every month. I would encourage any aspiring jewelry collector to do this as well.

RIGHT: Eight years ago, I was newly divorced and the only jewelry I had was my and my grandmothers wedding ring. I put some money aside and decided I’d like to create a piece of jewelry that would represent my family. I hoped to create a ring that could be passed on to one of my children. The first jeweler I went to was a rather unpleasant experience. I nearly gave up on my idea but decided to give it one more try. This is when I met Skip Colflesh, the owner of The Jeweler’s Bench in Hershey, PA. He helped me create the perfect ring. We used the diamonds in my grandmothers wedding ring, my engagement ring and each of the children’s birthstones. The first time I saw the ring it was an emotional experience. It was a perfect representation of my life’s journey. The diamonds no longer felt like the loss of a loved one or a failed marriage – they were now something beautiful and very personal. But more than that, I was so grateful for the friendship that had come out of designing the ring together. Skip has become one of my dearest friends and also my mentor. Friends make all the difference.

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I really don’t have a specific type of jewelry or period that I collect. I am mostly drawn to gemstones and figural pieces but my collection is quite varied. My most heavily worn pieces of jewelry are my watch chains. I love connecting them together for different looks and wearing them with various pendants.

Here are a few of my favorite necklaces:

LEFT: Painted enamel mourning locket depicting a young girl and her dog. It reads “Mary Rutherfurd Prime April 16, 1810 – Died September 9, 1835”

SECOND FROM LEFT: Opal pendant from Arts & Crafts Movement. This pendant reminds me of my favorite spring flower, lilac, and the opals are absolutely electric. I bought this in an antique store in England.

THIRD FROM LEFT: Not easy to pick a favorite, but if I had to, this would be it! Raj Era moonstone pendant from @saintespritofchelsea Beautifully crafted in silver and gold with huge shimmering moonstone cabochons.

CENTER: 19th c Kerosang with faceted white zircon.

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Here are a few of my favorite rings:

Victorian era amethyst and pearl serpent ring was purchased from David Ashville of Ashville Fine Arts.

The kunzite and diamond ring I bought from @blackamooruk. I believe this ring was originally an early 20th century brooch that was carefully converted. I love the size of the kunzite and it fits my finger perfectly.

The Victorian topaz ring was purchased from @ishyantiques.

The art deco moonstone ring is one of my favorites. It was purchased from Brad Wilson of Wilson’s Estate Jewelry in Philadelphia, PA.

The massive cameo ring I created using a 19th century cameo from @antiquestoreinwayne and a custom gold setting created by Skip Colflesh @thejewelersbenchofhershey.

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LEFT: Agate tree ring – This is one of my creations. I used an agate sourced from an old cufflink mounted in a setting made by @thejewelersbenchofherehey Victorian chrysoberyl and gold band @westandsonjewellery

RIGHT: This is my most recent purchase. My dear friend Will @martindaleasianarts recently took me on a day trip to a quaint town about an hour outside of London where I found it in an antiques shop.

Thank you for giving me this opportunity. I am honored to be a part of the Instagram jewelry community. Your posts have greatly enhanced my knowledge and appreciation for all types of jewelry and the friendships that have developed because of our shared passion for jewelry are priceless to me.

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WANT MORE? Check out the other Jewelry Collection Stories

You can follow Lindsey –> @ParkAvenueAntiques

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Doyle & Doyle Debuts Rare Collection of Antique Jewels

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Doyle & Doyle is thrilled to debut pieces from a spectacular cache of rare antique jewels, all acquired from a single collector. Including jewelry from ancient Rome, 17th century Spain, and 19th century France, these are the best examples of their type and many are hallmarked by well known jewelers. Keep reading for a sneak peek of the historic collection before it goes on exhibition at Doyle & Doyle in September.

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These exquisite micromosaic pieces date to the mid-19th century and are hallmarked for the Vatican Workshop of the Papal State.The Vatican’s mosaic studio was founded in the 16th century, its skilled artisans create artworks commissioned by wealthy patrons and pieces for the Pope to give as gifts. The Sistine Chapel ceiling by Michelangelo, Saint Peter’s Square designed by Bernini, and Raphael’s “The School of Athens” are among the many masterpieces you can discover at the Vatican. Originally founded in the 16th century, the skilled artisans working in the Vatican’s mosaic studio create pieces for the Pope to give as gifts and artworks commissioned by wealthy patrons. They also oversee and maintain the ten thousand square meters of colorful mosaics that adorn Saint Peter’s Basilica. This bangle and brooch are beautifully made, featuring glass tesserae so tiny that the designs look like paintings in shades of red, blue, green, and white. Perhaps a wealthy young man purchased them during his Grand Tour through Europe, or they were gifts to an important Church official. No matter their origin, they are little works of art that display the incredible skill of the Vatican’s workshop.

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The collection includes other ecclesiastical jewels in addition to the Vatican micromosaics, including a variety of gem-set and enameled crosses from many different periods. This striking dimensional crucifix cross is Spanish from the 17th century, detailed with enamel and engraving that resembles wood grain. Although probably not original, we love it worn on the black ribbon choker, especially when layered with antique gold guard chains. Although these are museum quality jewels, they’re definitely wearable!

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There are also charming examples of sentimental and devotional jewelry. The rose cut diamond encrusted heart hangs from a sweet rose gold dove. The diamonds are foil backed and you can see hints of pink, gold, and even green reflecting through the stones. The rare late 17th century Spanish reliquary pendant is a small compartment that holds a tiny bit of a saint’s blood. It’s backed by a hand painted figure of a female saint and framed by emeralds and garnets. This type of jewel was probably a private devotional artwork. Spain being an intensely Catholic country, people believed in the power of saints to affect their daily life. In additional to more traditional liturgy, 17th century Spaniards prayed to their personal saint to intervene and make their lives better.

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The other half of this incredible collection is comprised of museum quality Arts & Crafts and Art Nouveau jewelry. The Arts & Crafts Movement was a direct response to the mechanization and poor working conditions engendered by the Industrial Revolution in the mid-19th century. Adherents looked to the Middle Ages, nature, and popular folk art for inspiration, seeking to return to an idyllic time before mass production. Shying away from precious materials, Arts & Crafts jewelers favored readily available gemstones, such as garnet, amethyst, citrine, opal, and moonstone. The delicate gold pendant is British, comprised of hand wrought wirework set with bright blue turquoise and glowing moonstone.

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By the end of the century, Art Nouveau artists took the theme of nature to the next level. Art Nouveau jewelry often incorporated idealized female forms with swirling, whiplash hair framed by sensuous flora, like this striking silver mirror locket. Dating to 1900, this lovely piece is hallmarked for French jeweler Lucien Coudray. Coudray specialized in engraving medals and won several prizes for his artistry. Another popular form was a winged female with gossamer enamel wings studded with tiny gems or pearls. This statuesque dragonfly woman was created around 1900 and bears the hallmark of noted Art Nouveau jeweler, Gaston Laffitte. The light filters through the translucent green plique-a-jour enamel wings, creating a delicate stained glass effect.

This is just a small preview of the incredible historic collection – want to see it all? Doyle & Doyle is putting on a public exhibition in September. Email [email protected] for more information and to get on the invite list!

This post was contributed by Juliet Rotenberg of Doyle & Doyle, thank you!!

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Want more?! To check out the store tour of Doyle & Doyle, click here.

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Summer Getaway: Adventures in New Mexico with Vale Jewelry

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Summertime gives us all the wanderlust vibes you can ever imagine. Our Instagram is typically filled with jewels, gems and all things relating to jewelry design, so it always grabs our attention when our favorite jewelry designers and store owners post an envious getaway pic. We’ve seen glimpses of Paris, tropical islands, Canadian mountains, and everything in between. I’m personally obsessed with the US desert southwest–remember I honeymooned in Sedona, Arizona?–so when I saw a New Mexico landscape scroll onto my screen I had to know more. Luckily the sister duo of Vale Jewelry, Eva & Ava, were more than happy to share about their two-week trip to New Mexico–let’s find out more:

We planned this trip around a visit to Walter de Maria’s groundbreaking land art, The Lightening Field, but it quickly ballooned into a 2-week major road trip around New Mexico. The fifth largest state, but one of the least populated, the vast deserts and scrubland inspired Georgia O’Keeffe body of work as well as numerous other artists. You only have to spend one day there to understand why it’s muse to many creatives, between the sunsets, endless sky, and the ingrained history of crafts. No wonder it picked up the nickname of The Land of Enchantment. Home to most of the US’s oldest Native American and indigenous tribes and pueblos, including the Zuni, Navajo and Hopi, this magical and awe-inspiring land should be on anyone’s travel list.

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Left photo: One of the oldest continuously-inhabited communities in the United States, Taos Pueblo was built in the early 13th century and located right in the Rio Grande Valley. A UNESCO World Heritage Site, it holds a very active Tiwa-speaking Native American tribe residing in multi-storied adobe houses built as two complexes made from mud, wood, grass and water. This historic village is located just 1 mile outside Taos. About 4,500 members still live in this area, but only about 150 still reside inside these structures year-round without the modern convenience of running water and electricity. While it is a private community, they do offer visitors to come see parts of the village where locals sell crafts like pottery and local eats like fried bread.

Right photo: San Geronimo has a storied past as one of the first post-Columbian Spanish Catholic churches in the US. Built by Native Americans of the Taos Pueblo people under the suppression of the Spanish missionaries and colonial powers, this one featured above is actually the third reincarnation. It was one of the many churches destroyed during the Pueblo Revolt when tensions between the native tribes and Spanish colonial presence boiled over. The current church shown above was built in the 18th century.

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Left photo: The ladder above resembles some of the staircases used in many pueblos as well as native and local adobe houses. Typically, the staircases are made of local timber such as pine, spruce and ponderosa. These ladders were precious items since the wood had to be cut down from forests located quite a distance from local desert pueblos. They were passed down from generation to generation. In traditional Pueblo culture, the people of the original land came to this land by the underworld. Hence, many pueblos build ceremonial underground chambers within these adobe houses called kivas that the chieftains use for religious song, prayer and ceremonies. The one above is one from the Acoma pueblo featuring a double ladder for going up and down with a lightening rod shape holding the two together.

Right photo: On our way back from staying overnight at The Lightening Field in Quemado, we stopped by Pie Town. Yes, you read that right, it’s a town named after one of the best desserts having taken its name from an early settler of the town in the 1920s that made the town famous with a highway pie shop. The pies above are at a local pie shop called Pie-O-Neer. The Macaroon Apple Pie and Cherry Cherry Pies are worth the stop. And yes, we ate all 4…and then took a few for the road.

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Left photo: One of our favorite stops for local barbeque, Rudy’s had the most incredible brisket and baby back ribs, this is the place to stop for New Mexican bar-b-q in Albuquerque, friendliest staff and the tastiest homemade cherry and apricot cobblers this side of the Rio Grande! If in Santa Fe and craving local barbeque, stop by a food truck called Santa Fe BBQ.

Right photo: A must when you’re in Santa Fe. The New Mexican picnic above is breakfast at a local favorite called Tia Sophia’s. They make some of the best sopapillas, the pillowy fried quick breads in the image. Order everything ‘Christmas’ which means doused in both the red and green chiles. Also, a stop at Gabriel’s just outside Santa Fe is a must too. Known for their tableside guacamole and carne adovada, neither will disappoint! The local enchiladas and tamales are things to order when in town.

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Left photo: This is the view from Sandia Peak after hopping off the tramway. The crest here reaches over 10,500 feet and the tramway’s the world’s second longest ride. The sunsets and sunrise in New Mexico are unreal, typically fiery red and orange against the bluest backdrop.

Right photo: A quick hike in Kasha-Katuwe Tent Rocks National Park is a must if you’re in central New Mexico. Formed by volcanic ash deposits that have since been weather-worn to form sand-colored cylindrical cone shapes standing side-by-side. A walk in between these canyons is awe-inspiring.

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Left photo: No trip to New Mexico is complete without a stop at White Sands National Park. The world’s largest gypsum dune runs for over 275 square miles. So big, this dune can even be seen from satellite in outer space. Despite temperatures reaching 120F during the afternoon, the gypsum sand never gets hot due to the gypsum crystal’s natural ability to reflect the sun and the fact that it does not convert light into heat. We went barefoot and even did some dune-sledding down the steep cliffs. For a cool experience, plan to camp overnight.

Right photo: Another stop along the way is Carlsbad Caverns and watching the enchanting Bat Flight where over 500,000 local Brazilian Free-Tailed bats make their nightly migration from the cave to feed. It’s a coordinated visual symphony!

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Showing off some vintage Native American silver by Navajo and Zuni tribes made between the 1900s and 1950s. We picked up these older pieces during our travel around New Mexico. Some of our favorite stops include:

Shopping Guide:

  • Rainbow Man (Santa Fe) – amazing selection of fabrics, weavings, jewelry and objects
  • Santa Fe Exchange (Santa Fe) – wide range of both sterling silver, objects and some turn of the century pieces
  • Shalako Indian Store (Santa Fe) – widest vintage sterling silver shop, great for Concho belts, rings, and bangles. Nancy and Marsha are both well-informed on Native American jewelry
  • Palms Trading (Alburquerque) – solid selection of old pawn, blankets, shoes and food stuff
  • Rose’s Pottery (Bernanillo) – housed behind Rose’s is an old theatre that the owner converted to a small private collection of early Pre-Columbian to middle of the century art and pottery. If you’re lucky, she’ll give you a tour of this collection passed down from her father. The front features a beautiful collection of Kachina dolls and pottery from all the major pueblos
  • Old Town Antiques (Alburquerque) – the owner Connie is like an encyclopedia of New Mexican crafts, beautiful selection of both jewelry and objects, she even offers Pre-Columbian artifacts.

Eating Guide:

  • Tia Sophia’s (Santa Fe) – best brunch and breakfast place for New Mexican cuisine
  • Café Pasqual’s (Santa Fe) – modern twist on New Mexican with some delicious homemade cookies
  • Rudy’s Country Store & Bar-B-Q (Alburquerque) – fantastic ribs, brisket, daily special cobblers and desserts
  • Gabriel’s (Santa Fe) – delicious guacamole and carne adovada
  • Frontier (Alburquerque) – a mix of everything, an all-day diner styled location popular with locals, young and old
  • Jimmy’s on Jefferson (Alburquerque) – quick local favorite for breakfast, order Steve’s Breakfast Special featuring a plate of hash with green chile.
  • Grove Cafe & Market (Alburquerque) – modern eatery with homemade granola and breakfast and brunch
  • Cocina Azul (Alburquerque) – great lunch spot for some of the best carne adovada and homemade and fresh sopapillas and posole
  • Farm & Table (Alburquerque) – fresh and modern New Mexican classics as well as farm-to-table dinners with a small working farm on the back
  • Golden Crown Panaderia (Alburquerque) – tasty fruit empanadas

Cultural Guide:

  • Georgia O’Keefe Ghost Ranch (plan advance for an overnight stay, it books up early)
  • Georgia O’Keefe Museum
  • Walter de Maria The Lightening Field (apply in February when they open up spaces, openings close within minutes)
  • Kasha-Katuwe Tent Rocks National Monument (get there early before it gets too hot)
  • White Sands National Park (come here right before sunset for the most magical view)
  • Carlsbad Caverns National Park (don’t miss the last elevator down at 5pm)
  • Rio Grande Gorge & Bridge (shop from the local artists selling at the foot of the bridge, view is not for the faint of heart)
  • Roswell, NW (stop at the museum and eat at Big D’s for their famous green chile burger)
  • Sandia Mountains (go there an hour before sunset)
  • Taos Pueblo
  • Acoma Pueblo

xoxoGemGossip

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High Jewelry Made a Big Impact at Paris Couture Week

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Haute couture is one-of-a-kind creations crafted from the finest materials by skilled artisans using century-old techniques. Haute couture had humble beginnings. In 1858, an English couturier, Charles Frederick Worth, established the first haute couture house in Paris championing exclusive luxury fashion for the upper-class woman and coining the term “fashion designer” in lieu of the basic dressmaker. Today, haute couture is still synonymous with high-quality materials and workmanship. And when haute couture meets haute joaillerie (high jewelry), the result is transformative! The jewelry becomes an extension of the designer’s vision for his or her collection creating a complete story – one that is truly a work of art!

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GIAMBATTISTA VALLI AND ELEUTERI:

Giambattista Valli accessorized his haute couture collection, comprising of ethereal tulle gowns, draped silk chiffon dresses and embellished minis with exquisite vintage jewels from Eleuteri. The jewels focused mainly on bracelets featuring a glorious 1950s French amethyst and turquoise piece as well as a intricate jade and gold design from David Webb and several Tubogas wristwatches from Bulgari.

PICTURE Credit FROM VOGUE.COM

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GUO PEI AND CHOPARD:

The Chinese designer made a name for herself when she dressed singer Rihanna in yellow couture for the MET’s “China through the Looking Glass” gala and red carpet. For her haute couture collection, she collaborated with Chopard paying homage to the golden era of haute couture and Hollywood icons of the 50s. The results were a perfect fusion of Chinese and Western cultures, high fashion and exquisite jewels.

The deep jewel toned hues of Pei’s dresses paired effortlessly with Chopard’s the Silk Road collection, which featured an emerald bib necklace, diamond and pearl drop earrings and an amethyst pendant necklace. The Chopard jewels complemented the opulence and extravagance of Pei’s couture collection perfectly.

PICTURE credit FROM ZIMBIO.COM /GETTY

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

Thanks to Gossip Gem

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The Top Jewels that Sparkled in Cannes, 2017

Rihanna Chopard All photos via Getty Images

The Cannes Film Festival is arguably one of the best showcases for the top international jewelry houses to showcase their finest and brightest gems and designs for the world to see.

This 12-day festival brings out the most exceptional designs and creations from the likes of Chopard to Harry Winston.

It’s where you can see leading ladies like Charlize Theron and Jessica Chastain as well as ingénues like Dakota Fanning and Rihanna parading down the red carpet in the latest couture gowns and decadent jewels.

Here are the best jewels from the most revered jewelry houses that were showcased on the festival’s red carpet.

CHOPARD:

The jewelry house has a deep history with the Festival as it’s been the official partner and designer of the coveted Palme d’Or trophy awarded to the most critically-acclaimed movie. This year, the buzz on the red carpet was their collaboration with music super-star Rihanna.

Chopard | Gem Gossip

Singer Rihanna wore emerald, rock crystal quartz and diamond earrings, a black nephrite and diamond bracelet with a 31.95-carat emerald, three emerald and diamond rings and a floral bracelet set with diamonds, all from the Rihanna Loves Chopard High Jewellery collection, at the premiere of the movie ‘Okja’.

Chopard | Gem Gossip

Model Adriana Lima wore a diamond bib by Chopard at the screening of the film ‘Loveless’.

Chopard | Gem Gossip

Actress Miriam Odemba wore a titanium and white gold necklace with kunzites, beryls, tanzanites and diamonds, and matching earrings, from the Red Carpet collection by Chopard.

Chopard | Gem Gossip Chopard | Gem Gossip Chopard | Gem Gossip

Karolina Kurkova wore a sapphire and diamond necklace from the High Jewellery Collection from Chopard at the premiere of ‘Based on a True Story’.

Actress Juliette Binoche wore platinum and diamond earrings by Chopard.

Actress Elizabeth Olsen wore diamond flower stud earrings by Chopard. We simply adore the placement of these earrings.

de GRISOGONO

This jewelry house showcased some of the best and boldest designs to hit the red carpet with their use of brilliant colored stones.

deGRISOGONO | Gem Gossip deGRISOGONO | Gem Gossip

Model Hailey Baldwin wore stunning drop earrings set with white and brown diamonds, and edged with citrine briolettes.

deGRISOGONO | Gem Gossip deGRISOGONO | Gem Gossip

Model Jenaye Noah wore a pair of exquisite de Grisogono chandelier earrings that glowed with oval-cut citrines from their Melody of Colours collection. A perfect compliment to her vibrant blue gown.

BVLGARI

This iconic jewelry house showcased their classic Serpenti jewelry and picked up major press when actress and model Emily Ratajkowski was photographed wearing their pieces both on the red carpet and on her personal Instagram.

BULGARI | Gem Gossip BULGARI | Gem Gossip

Model Bella Hadid wore a Bulgari High Jewellery Serpenti necklace and bracelet in white gold.

BULGARI | Gem Gossip BULGARI | Gem Gossip

Model and Actress Emily Ratajkowski combined two Bulgari necklaces, one comprised of pearls, rubellites and diamonds from the High Jewelry Collection and the other pendant necklace made with diamonds, emerald and rubies.

BOUCHERON

The design house had some of the most striking statement-making pieces to hit the red carpet at Cannes. Actress Salma Hayek’s necklace rendered us both breathless and speechless!

BOUCHERON | Gem Gossip BOUCHERON | Gem Gossip

Actress Salma Hayek wore the Baïkal necklace with a 78.33-carat Santa Maria aquamarine, moonstones, Akoya pearls and diamonds from the new Hiver Impérial High Jewellery collection by Boucheron

Model Laetitia Casta paired the Lumière de Nuit diamond and pearl earrings from Boucheron’s Hiver Impérial High Jewellery collection with her gown at the premiere of The Meyerowitz Stories in Cannes

De Beers

The classic diamond jewelry house is known for their slogan “a diamond is forever” .This year, Chinese movie actress and taste maker Fan Bingbing embodies the classic elegance of Hollywood that the brand is synonymous with as she modelled a coveted collection of jewels from the house.

debeers | Gem Gossip debeers | Gem Gossip

Fan Bingbing wore the Arpeggia five-line earrings, bracelet and Aria ring at the ‘Amant Double’ premiere.

Piaget

Piaget | Gem Gossip Piaget | Gem Gossip

At the closing of the 70th Cannes Film Festival, actress Jessica Chastain, Piaget’s International Brand ambassador since 2015, paired her show-stopping gown with earrings in white gold set with diamonds from Piaget’s new High Jewellery collection Sunlight Journey.

Piaget | Gem Gossip Piaget | Gem Gossip

Model CoCo Rocha wore earrings in white gold set with diamonds, blue sapphires and black opal from the new High Jewellery Collection Sunlight Journey.

Another noteworthy mention is model Naomi Campbell’s earrings, necklace, ring and cuff in white gold set with emeralds and diamonds from the new High Jewellery Collection Sunlight Journey.

Harry Winston

Known as the “jeweler to the stars” and Nicole Kidman’s ‘go to’ jeweler, Harry Winston notably had Nicole Kidman wear his jewelry on the red carpet. Best bet as she had the most films to debut on the Cannes Red Carpet this year.

Harry Winston | Gem Gossip Harry Winston | Gem Gossip

Nicole Kidman wore Secret Cluster diamond earrings, Sunflower ring and diamond bracelet by Harry Winston at ‘How To Talk To Girls At Parties’ premiere.

All above photos via Getty images.

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

Thanks to Gossip Gem

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Newest Finds from Your Jewelry Finder, June 2017 Edition

Jewelry Finds | Gem Gossip

This time of year always seems to provoke a sense of “out with the old, and in with the new!” And by that I don’t mean throw out your antique jewelry and swap it for modern pieces–I mean to take into consideration some of my Spring Cleaning your Jewelry Box suggestions and buy some pieces that really count! Rings that make your jaw drop, necklaces and pendants that make your heart flutter, bracelets that make you feel warm inside and earrings that you know will look amazing on you–that’s what we all need! It seems that Ashley of Jewelry Finds® is not short on remarkable pieces of jewelry. She makes it her mission to bring her customers new acquisitions and is dedicated to working long days and nights to get them up on her website for you! That’s why we’ve teamed up to bring you a monthly digest of all her latest finds, to keep you in the loop and up-to-date. We don’t want you to miss a “piece of a lifetime” or something that you “should’ve, would’ve, could’ve” because as jewelry collectors, we know that happens far too often! So whether you check GemGossip.com religiously or have signed up for our newsletter, be on the lookout for our monthly “new arrivals” post from Jewelry Finds! ® — Something Old. Something New. Something You™

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Left photo:

18k rose yellow gold Victorian 1890’s Blue Sapphire & Old Mine Cut Diamond Bypass Ring, Price: $2,999

14k yellow gold Victorian Sapphire Circa 1880’s Natural Violet Blue Cushion Sapphire Old European Cut Diamond Halo Ring, Price: $3,999

Platinum Antique Sapphire Diamond Circa 1915 Filigree Old European Cut Halo Ring, Price: $7,999

Platinum Art Deco Circa 1930’s Vintage 1.72ct t.w. Old Mine Cut Diamond Engagement Ring, Price: $6,500

Platinum Art Deco 1.63ct t.w. Circa 1930’s Vintage Old European Cut Diamond Engagement Ring, Price: $7,450

14k yellow gold Vintage Yellow Sapphire Circa 1940’s Retro Natural Yellow Sapphire & Diamond Ring, Price: $7,500

Emerald and diamond dinner ring, reserved please inquire, [email protected]

Platinum Art Deco Emerald Engagement Circa 1930’s Vintage 2.53ct t.w. Old Diamond Halo Ring, Price: $4,400

18k yellow gold Vintage Estate 1950’s Cornflower Blue Sapphire Asscher Diamond Halo Ring, Price: $5,999

Right photo:

top bracelet is reserved please inquire, [email protected]

14k yellow gold Art Deco Bracelet Peridot Lattice Bangle Filigree Circa 1930’s Hinged Bangle, Price: $1,450

18k & 14k yellow gold Antique Art Nouveau 2.71ct t.w. Sapphire Rose Cut Diamond Hinged Bangle, Price: $4,999

Platinum Art Deco Diamond Bracelet Circa 1930’s Old Antique Cut Diamond Filigree Geometrical Tennis Bracelet, Price: $8,999

Platinum, 14k yellow gold Antique Edwardian 1920’s Old European Cut Rose Cut Diamond Filigree Heavy Bracelet, Price: $4,499

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Left photo:

Platinum & 18k Large Antique 1900’s 2.95ct t.w. Antique Cut Diamond Bow Necklace, Price: $6,250

14k white gold Vintage 1940’s 12.80ct t.w. Early Retro Persian Turquoise & Transitional Round Brilliant Cut Diamond Pendant Necklace, Price: $5,999

14k & silver Antique Victorian 1880’s Old Mine Cut Diamond Pendant, Price: $4,200

Platinum & 14k white gold Estate Large 5.60ct t.w. Solid Black Opal & Diamonds By The Yard Necklace, Price: $4,999

Emerald cut diamond necklace, reserved please inquire, [email protected]

14k white gold Vintage Art Deco Circa 1930’s Filigree Carved Crystal Old European Cut Diamond Pendant, Price: $799

18k white gold Vintage Aquamarine Diamond Pendant Circa 1970’s Aquamarine Pear Shape Diamond Necklace, Price: $3,800

Right photo:

Platinum Edwardian 1920’s Cultured Pearl & Old European Cut Diamond Ring, Price: $1,899

Platinum, 14k gold Art Deco Double Diamond Ring Circa 1930’s 1.28ct t.w. Old European Cut Diamond Ring, Price: $5,500

Platinum Vintage 8.46ct t.w. Emerald Cut Aquamarine Ring Circa 1940’s Diamond Ring, Price: $3,999

onyx ring, reserved please inquire [email protected]

18k white gold Art Deco Vintage 1930’s Aquamarine Diamond Ring, Price: $1,199

Platinum & 18k Edwardian Diamond Navette Ring Circa 1915 Blue Lab Sapphires & Old Rose Cut Diamonds, Price: $1,995

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Left photo:

14k yellow gold Victorian Sapphire Ring Circa 1880’s Natural Violet Blue Cushion Sapphire Old European Cut Diamond Halo Ring, Price: $3,999

14k yellow gold & platinum Vintage 5.60ct t.w. Emerald Cut Amethyst Circa 1940’s Jones & Woodland Ring, Price: $1,599

14k yellow gold Victorian Enormous 7.03ct 12mm Cabochon Moonstone Ring, Price: $2,999

18k yellow gold Unique Rose Cut Ring Pave’ Diamond Serpent Wrap Cocktail Unique Statement Ring, Price: $5,999

18k yellow gold Vintage Art Deco 1930’s Old European Cut Diamond Milgrain Navette Cocktail Ring, Price: $3,999

14k yellow gold, silver Antique Art Nouveau Peridot Old Mine Cut Diamond Ring Circa 1900’s Floral Statement Ring, Price: $4,400

Opal ring reserved please inquire, [email protected]

Right photo:

Platinum Art Deco Old European Cut Diamond Sapphire Chandelier Earrings, Price: $15,000

Vintage Diamond Art Deco Earrings Circa 1930’s Filigree Old European Cut Single Cut Diamond Chandelier, Price: $4,500

18k yellow gold Estate Large Clover Shaped Multi Colored Cabochon Pink & Green Tourmaline Diamond Chandelier Earrings, Price: $3,500

Platinum, 18k gold Vintage 4.15ct t.w. Art Deco Emerald Diamond Earrings Circa 1930’s Chandelier Earrings, Price: $9,950

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Left photo:

first two necklaces reserved, please inquire [email protected]

18k yellow gold Vintage H.Stern Estate 1980’s Aquamarine Diamond Pendant, Price: $4,200

Art Nouveau 1900’s Antique Old Rose Mine Cut Diamond 18k Yellow Gold Platinum Locket, Price: $2,000

Platinum & 14k Edwardian Vintage .75ct t.w. Circa 1920’s Old European Cut & Rose Cut Diamond Star Motif Pendant, Price: $2,999

Right photo:

Art Deco Wedding Band Platinum Three Stone Baguette Diamond 1930’s Stacking Ring, Price: $995

Platinum Vintage Diamond Wedding 1940’s Seven 7 Stone Diamond Wedding Band, Price: $699

18k white gold Art Deco 1930’s 0.20ct t.w. Ten Diamond Vintage Wedding Band, Price: $599

Platinum Art Deco Circa 1930’s 1.16ct t.w. Old European Cut Diamond Filigree Ring, Price: $3,499

Platinum Antique Diamond Filigree Engraved Wedding Band Circa 1920’s 8 Stone Single Cut Bead Set, Price: $1,350

18k yellow gold Antique Circa 1890’s Victorian 5 Stone Opal Old Mine Cut Diamond Ring, Price: $1,850

18k yellow gold Art Deco Five Stone Wedding Band Circa 1930’s, Price: $2,600

>> Need to see any of these pieces in a video? Check out Jewelry Finds Youtube channel for 360 views!


This sponsored post was brought to you in collaboration with Jewelry Finds. ®

Your Jewelry Finder

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Just in Time for Easter: Fabergé Eggs from A La Vieille Russie

ALVR | Faberge

Miniature white enamel egg set with a red enamel coin of Elizabeth I and four cushion-cut sapphires. By Fabergé, ca. 1895.

ALVR | Faberge

Miniature egg with white enamel stripes and set with a turquoise. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A jouré yellow and green gold egg, punctuated with rose diamonds around the center. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A two-color gold-mounted egg-form aventurine quartz hand seal on brilliant translucent green enamel base. By Faberge, St. Petersburg, ca. 1900.

Legendary Fabergé eggs–eggs so popular, that almost everyone knows what you’re talking about when you mention their name. For me, these were my first obsession above all other types of jewelry. I remember going to my local public library and wanting to check out a book on making crafts out of egg cartons–I saw the recommendation on Reading Rainbow! Instead, I found my way to a book on Fabergé eggs and was infatuated. In fact, for the first time in my life, I loved the book so much I never returned it. I didn’t care it was wrong because this book lit up my life! My second run in with Fabergé eggs happened when I was in high school. I became obsessed with watching Joan Rivers on QVC and admired her love of Fabergé eggs. Back then, she had created her own jewelry line with bundles of three eggs per chain of her own miniature versions of “Fabergé eggs.” I ordered my first trio of eggs and was hooked. I can’t remember how many I collected over the next few years, but after graduating college, I was able to pay for my trip to study abroad from selling my Joan Rivers Egg Collection. It was quite a few. I honestly wish I still had those eggs, but I wouldn’t trade my overseas experience for anything!

It is no myth that Fabergé eggs are enchanting, often mysterious, and full of intrigue. If you were married to a Russian tsar, the ideal Easter gift would be a Fabergé egg designed by none other than Carl Fabergé himself. The first ever Fabergé egg was made in 1885 and presented to Alexander III. Since then, it varies as to how many are apparently out there, but some sources say 65 Imperial eggs were made, some say 50, some say 52, but it is known that only 43 have survived–there is a really comprehensive table that describes each, citing where the egg is now. A few are cited as “Lost” and it is with lots of hope that they will be recovered someday.

ALVR | Faberge ALVR | Faberge

Circular aquamarine and diamond Imperial Presentation brooch with an Imperial crown decoration. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1913.

Natural pearl and diamond floral brooch with blue enamel border. By Fabergé, Moscow, 1896-1908.

ALVR | Faberge ALVR | Faberge

Diamond and green garnet necklace mounted in platinum. By Fabergé, ca. 1900.

Natural pearl ruby and diamond necklace set in platinum and gold. By Fabergé, ca.1900.

ALVR | Faberge ALVR | Faberge

Fabergé gold-mounted lozenge-form brooch, set with diamonds and red enamel wreath over white guilloché enamel ground. By Fabergé, St. Petersburg, ca 1890.

Lozenge brooch with a central cabochon moonstone, set with rose diamonds, and white enamel. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1900.

Fabergé eggs created for the general public, not just zsars, continued being the company’s most popular pieces. In the year 1900, the House of Fabergé was completed which literally was a large building which centralized all the operations–bringing together workshops, artisans, a design department, even Carl Fabergé’s own place of residence, in one large building. Throughout the turn-of-the-century, Fabergé turned out elaborate pieces of jewelry, decorative drinking cups and bowls, items for writing, miniature hardstone animals, a wide variety of photo frames (as Kodak launched its first camera), and much, much more. He employed hundreds of craftsmen under conditions that were very superior, with great pay. As success continued, expansion happened, until the first World War broke out in 1914. The House of Fabergé lost a lot of workers to the draft, precious metals were haulted to use, so the items that were produced during this time were created from materials like copper, nephrite, brass, and silver. Carl Fabergé ultimately fled Russia and died in 1920.

Many of the pieces of jewlery and decorative arts which Fabergé created during its height of success are highly collectible. A La Vieille Russie, a shop in NYC, has specialized in Fabergé since opening in 1961. You’ll be amazed by these authentic, one-of-a-kind Fabergé items, including some eggs that ALVR currently has in their inventory. If you haven’t read the blog post featuring my visit to ALVR, you must! Here is the link.

ALVR | Faberge ALVR | Faberge ALVR | Faberge

White enamel and two-color gold hanging bellpush. Contained in original fitted hollywood box. By Fabergé, St. Petersburg, workmaster H. Wigström, ca. 1915.

Carved two-color jasper miniature egg in the form of a Kingfisher with diamond eyes. By Fabergé, Moscow, ca. 1900.

Gold-mounted brilliant pink guilloché enamel egg-form pendant locket, the opening set with rose diamonds. By Fabergé, workmaster M. Perchin. St. Petersburg, ca. 1895.

Anyway, I thought the quick history on Fabergé paired with some pieces that are available would make my readers very happy on Easter! Hope you enjoyed!

Works Cited:

https://en.wikipedia.org/wiki/Fabergé_egg

Virginia Museum of Fine Arts app called Fabergé at VMFA

This sponsored blog post was brought to you in collaboration with A La Vieille Russie.

ALVR

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Gem Gossip Visits Sunday & Sunday Antiques, NE Ohio

Sunday & Sunday | Gem Gossip

A look into one of Sunday & Sunday Antiques’ ring boxes

Sunday & Sunday | Gem Gossip

Diamonds rings and pocket watch chains are just some of their specialties

Sunday & Sunday | Gem Gossip

You can shop these: turquoise, opal & garnet, opal cluster

Sunday & Sunday | Gem Gossip

You can shop these: Rhodolite garnet dangle, opal cluster, rhodolite and pearl dangle

Sunday & Sunday | Gem Gossip

Cameos are one of Carolyn’s most favorite kind of jewelry

Sunday & Sunday | Gem Gossip

This Topaz is beckoning you to dive in!

Sunday & Sunday | Gem Gossip

Lots of diamond rings and two bangles

Sunday & Sunday | Gem Gossip

You can shop these: opal & garnet, turquoise, opal cluster

Sunday & Sunday | Gem Gossip

Shop my necklaces here & here

Sunday & Sunday | Gem Gossip

Some of my personal favorites, all are available!

Sunday & Sunday | Gem Gossip

Where shall I begin???

Sunday & Sunday | Gem Gossip

Shop these from left to right: here, here, here, here

Sunday & Sunday | Gem Gossip

Just a cool cat cameo, shop him here

Sunday & Sunday | Gem Gossip

Love these three dainty necklaces, shop these here, here, here

Sunday & Sunday | Gem Gossip

One of the most intricate and fancy blackamoors I’ve ever seen!

Sunday & Sunday | Gem Gossip Sunday & Sunday | Gem Gossip

Sunday & Sunday has a great selection of signet rings

Sunday & Sunday | Gem Gossip

A diamond and sapphire Art Deco brooch/necklace pendant, so stunning!

Sunday & Sunday | Gem Gossip

A closer look into the ring box…

Sunday & Sunday | Gem Gossip

Which elongated diamond ring is your favorite?!

Sunday & Sunday | Gem Gossip

Love the variety of turquoise rings, shop here, here, here

Sunday & Sunday Antiques | Gem Gossip Sunday & Sunday | Gem Gossip Sunday & Sunday | Gem Gossip Sunday & Sunday | Gem Gossip

Shop the snake ring, synthetic ruby navette, lava cameo

Sunday & Sunday | Gem Gossip Sunday & Sunday | Gem Gossip Sunday & Sunday | Gem Gossip Sunday & Sunday | Gem Gossip

Shop the onyx & diamond, blue wedgwood

Sunday & Sunday | Gem Gossip

Putting Ohio on the Jewelry Road Trip map was a goal of mine for this year, and I’m so happy that it started out with an adventurous and jewel-filled excursion to the Northeastern portion of this great state. Carolyn & Ed are a husband and wife dream team that are known as Sunday & Sunday Antiques. With nearly 35 years in the antique business, they are ones you’ll want to bookmark and constantly check their inventory, because with their experience, collectors’ eye and connections, they find some amazing pieces. For me, it all started when I first connected with Carolyn a couple Decembers ago. I stumbled upon an onyx ring with tri-colored gold details from the 1920s and had to have it. I usually discover virtual shops and jewelry to buy via Instagram, and this was an Etsy-browse find–so I made sure to encourage Sunday & Sunday Antiques to join Instagram! A few years later, Carolyn has been hooked since the day she joined and boasts over 31k followers.

I knew visiting with Sunday & Sunday Antiques was going to be fun–lots of inventory (with the best part being that most of it is actually listed, ready to purchase), lots of laughs, and lots of stories. Growing up, Carolyn had always been attracted to shiny things and she even worked at a jewelry store briefly before meeting her sparkliest treasure–her husband Ed! He had grown up in the business, having his dad as his apprentice, learning how to fix and restore watches, as well as repairing jewelry since he was a teenager. While most kids were out running around causing chaos, Ed was tinkering at flea markets and finding things that caught his eye. Once Carolyn & Ed were married, they formed Sunday & Sunday Antiques and set up at antique shows all across the US. They would travel all around, buying and selling, making memories and friends along the way.

Carolyn made a really smart move by being an early adopter of the Internet. In the antique jewelry world, 8-10 years ago NO ONE was really on the world wide web–only a few big names that have continued to lead the pack had a website, if anything. Sunday & Sunday is a proud member of Ruby Lane, with a platinum status since joining in 2000. They also are on Etsy, which they joined in early 2009. The husband and wife duo complement each other in terms of putting their strengths to work to run their online antique business. Carolyn has got the photography down to a science, with a position-shoot-next method that will turn heads. She also is in charge of listing, answering emails, shipping and appraising. Ed does a lot of the buying and meticulously restores and checks each piece before listing. He has a knack for perfection and in a business like this, customers appreciate that. Transitioning their business from traveling shows to strictly online-only has been a great leap of faith, but one they are enjoying to the fullest and very thankful for every step of the way. And don’t mention the word retirement to either of them–antiques are a way of life!

The passion that both Ed & Carolyn have for antiques and antique jewelry resonates throughout every part of their life. It was awesome to connect with such great people and get an inside look into their world. I hope you’ve enjoyed seeing it as well through my eyes and be sure to check out more from Sunday & Sunday Antiques around the web:

Sunday & Sunday Antiques

Sunday & Sunday Antiques

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Spring Cleaning Your Jewelry Box: Gem Gossip’s Tips!

Gem Gossip

It’s that time of year–spring cleaning! I tried Googling some spring cleaning facts and came up with 77% of people say they spring clean every year. I’m not sure how accurate that is, but I would think that is a decent amount and glad to know that. I guess the other 23% are either lazy or have a hoarding problem…? I am definitely in the percentage that spring cleans…and I actually like to do a deep cleaning a couple times a year, not just once. When people mention spring cleaning, most think of their house–but I’d like to focus in on spring cleaning jewelry for this article. And just like spring cleaning your house, there are several similarities to spring cleaning your jewelry and the end results will have you feeling revitalized and happy.

Let’s get started:

1. Storage Solutions:

Keeping your jewelry safe, all in one place and consistently visible are three key points for a superb storage solution. I highly recommend the jewelry box that I own, however I did make a lot of changes to it–like ripping out shelves and swapping them out for more ring storage. The jewelry box that I have is from Lori Greiner and I bought mine off QVC about 8 years ago. Since then, they have made a few modifications to the design, but overall it is the same: a mirrored “cabinet” that has built-in everything! Here’s a similar one for sale at Target. It’s ok to have other jewelry boxes–I have several antique ones that I use for either travel or taking photos with–but for the most part, I keep everything in one home base.

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2. Clean Your Actual Jewelry:

After you’ve established your storing options, it wouldn’t be called “spring cleaning” unless we actually cleaned our jewelry! I will admit that I don’t clean my jewelry daily…or weekly…or even monthly for that matter. The only exception to this would be my engagement ring which I make sure to clean monthly and earrings that I wear often. Because I have so many rings, there are very many that get worn only a handful of times in one year, so I often wear and return back to its storing spot without cleaning.

An occasion like spring cleaning is the best time to give all your jewelry a good soak. For this step, I want to stress that many antique pieces should not be cleaned at all. Items like foiled backed gemstones, hair jewelry, mourning pieces, tiny rose cut diamonds that are often irreplaceable, pearls and seed pearls, and other soft gemstone jewelry. This cleaning step I mostly do with my all gold pieces, 80% of my diamond jewelry, sapphire and ruby pieces. First, I get a soft toothbrush and run warm water and dunk the brush in Mr. Clean. I gently brush over each piece and then stick it in my ultrasonic cleaner. I have one I bought from Gesswein–the one that has a steamer and cleaner in one (but my steamer broke after one year of working beautifully). Those who know the power and strength of a steam cleaner will never go back to cleaning diamonds any other way–so sadly my broken steamer is also breaking my heart. Need a new one! I usually use water and either a small cap full of Mr. Clean or whatever cleaning solution your machine comes with.

Depending on how dirty each piece is would equal how long you put each item in the cleaner, but I would say 15-20 minutes is plenty. Another perk of having a jewelry background is having a really handy tool at my grasp–a microscope! I usually take a peek at my gemstone jewelry pieces and check all the stones before throwing them into the cleaner. Loose stones will only get looser, or even worse–fall out in the cleaner. That’s my only other pre-caution.

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3. Go Through Each Item:

Now that you have all your jewelry out of storage and mystery boxes, under beds, and out of old socks (yes, people stash things everywhere), it is a great idea to give each item a thorough evaluation. This is when you decide if you want to keep, trade, or sell–maybe even redesign. You should also take some photos of all your jewelry for inventory purposes and insurance purposes. I couldn’t tell you how many times I’ve looked through old photos and said, “hey, whatever happened to THAT ring??”

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4. Clean Your Actual Jewelry Box:

Day in and day out you open up your jewelry box, make your selections and then move on with your daily routine. A lot of dust, debris and dirty fingers can add up on your jewelry box, so it is just as important to clean your jewelry storage solution. I made a video of myself doing this and posted it on Instagram–it got a lot of attention because I was using a vaccuum hose attachment and using it without taking any of my rings out of the case. Of course I was being careful, but it is much smarter to do this step when everything is out. My biggest problem is Chiefy’s white hairs that somehow get on the black velvet padding of my jewelry cabinet. Using a hose attachment on my vaccuum is the best solution for this, but you can also use a lint roller. I also make sure to Windex the mirror on the front of my jewelry box and dust/polish the outer wood.

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5. The Finishing Touch:

You’re now on the last and final step to spring cleaning your jewelry box! You should feel really good by now and the best part is about to start. I suggest you put on your favorite tunes (obviously I will suggest Girl Talk Radio on Pandora) and get to work.

Start with organizing within each category–earrings, necklaces, bracelets, charms, and rings. I organize my earrings by studs, dangles, ear cuffs, etc. I have a row of pearl studs, a row of diamond studs…even yellow gold and white gold are separated. I used to organize my rings by how I acquired them–so I would just add my newest acquistion in the next available spot. I realized this wasn’t working out very well and one day I took everything out and organized it differently. I put similar styles together, similar stones together and motifs together. All my moonstone rings are together and they look way cooler that way. You can group by color of gemstone if you’d like–similar to how a closet is organized (definitely not my closet, but coveted closets). I have all my baby rings in a section of their own. I don’t have a particular way of organizing my bracelets or necklaces because I simply don’t have that many.

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I hope these tips will help you and motivate you to SPRING CLEAN your jewelry box! If you have any specific questions, feel free to ask me–you can email me at [email protected] or Tweet me! @gemgossip

I’d love to see your photos or videos of you spring cleaning your jewelry box–please tag me!!

xoxoGemGossip

WANT MORE? Check out my tips on how to EDIT your collection

Source: GossipGem.com

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