Jewelry Collection Stories: Lindsey of @ParkAvenueAntiques

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I’ve followed Lindsey of Park Avenue Antiques for a very long time! My first interaction with her was sort of humorous–I remember being on my way out the door to go antiquing for the day with my mom and sister. I was waiting on a ring to go up on the auction block so I unpleasantly made them wait until it did, not realizing it wouldn’t be until another 45 minutes. I can’t remeber exactly why I lost out on the ring, but while in the car finally on our way, I took a screenshot of the ring and posted it on Instagram with the caption, “Who outbid me on this portrait ring?! Confess!!” Lindsey was sweet enough to message me to tell me she had been the final bidder on it and graciously offered it for sale. A story too good to be made up, I’ve treasured that ring ever since! Over the years, we’ve continued to follow each other–even one point I tried meeting up at an antique show, but kept missing her! Hopefully meeting will be in the cards for us in the future, but until then…let’s check out her amazing jewelry collection!

Like many of you, I have been attracted to sparkly things for as far back as I can remember. As a little girl, I collected rocks and minerals, little buttons and sea glass. My father was an antiques dealer and the two of us were always on an “antiquing adventure”. One of our favorite places to visit was Roycroft Antiques in East Aurora, NY. They had a wooden whisky barrel filled with buttons and beads and I would dig through that barrel until my hands were black! Who knows what I thought I’d find in there! It was all about the hunt….

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I share this silver filigree necklace with my daughter Cameron. The three Edwardian silver bears represent her and her two brothers.

Around the age of 5, we moved to Hershey, Pennsylvania. It was a difficult transition. My parents both worked two jobs and I was home alone a lot. My mother always found ways to show me how much I was loved and that she was thinking of me. She came up with a hide and seek game we called “Rubber Legs” which involved hiding a yellow plastic figure. Before she left for work in the morning, she would hide Rubber Legs somewhere for me to find. Then I would hide him somewhere for her. I almost always hid him in her antique spool cabinet/jewelry box. It was a magical place where I wasn’t supposed to “dig around” but I couldn’t help myself! There were sparkly rings, beautiful strings of trade beads, flapper necklaces and cameos. She had all kinds of treasures but my favorite piece was a little gold acorn charm that rattled when shaken.

Once we moved to Hershey, adventures in antiquing with dad still continued. He opened an antique lighting shop in Adamstown, PA in the Black Angus Antiques Mall. Most Sundays I would tag along to help him but really spent most of my days with other dealers. I was fascinated with their knowledge in various fields and eager to hear their stories. This is where my love for jewelry and antiques really started.

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LEFT: Georgian sapphire and rose cut diamond bow brooch in silver topped gold, purchased at the Las Vegas Antique Jewelry & Watch Show

When collecting jewelry became a serious passion, I invested in books. Jewelry books on private collections, construction, symbolism, intaglios, various periods and markings. My jewelry library has helped me to educate myself and develop a true respect for the craftsmanship and symbolism that these pieces hold. I try to add one book to my collection every month. I would encourage any aspiring jewelry collector to do this as well.

RIGHT: Eight years ago, I was newly divorced and the only jewelry I had was my and my grandmothers wedding ring. I put some money aside and decided I’d like to create a piece of jewelry that would represent my family. I hoped to create a ring that could be passed on to one of my children. The first jeweler I went to was a rather unpleasant experience. I nearly gave up on my idea but decided to give it one more try. This is when I met Skip Colflesh, the owner of The Jeweler’s Bench in Hershey, PA. He helped me create the perfect ring. We used the diamonds in my grandmothers wedding ring, my engagement ring and each of the children’s birthstones. The first time I saw the ring it was an emotional experience. It was a perfect representation of my life’s journey. The diamonds no longer felt like the loss of a loved one or a failed marriage – they were now something beautiful and very personal. But more than that, I was so grateful for the friendship that had come out of designing the ring together. Skip has become one of my dearest friends and also my mentor. Friends make all the difference.

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I really don’t have a specific type of jewelry or period that I collect. I am mostly drawn to gemstones and figural pieces but my collection is quite varied. My most heavily worn pieces of jewelry are my watch chains. I love connecting them together for different looks and wearing them with various pendants.

Here are a few of my favorite necklaces:

LEFT: Painted enamel mourning locket depicting a young girl and her dog. It reads “Mary Rutherfurd Prime April 16, 1810 – Died September 9, 1835”

SECOND FROM LEFT: Opal pendant from Arts & Crafts Movement. This pendant reminds me of my favorite spring flower, lilac, and the opals are absolutely electric. I bought this in an antique store in England.

THIRD FROM LEFT: Not easy to pick a favorite, but if I had to, this would be it! Raj Era moonstone pendant from @saintespritofchelsea Beautifully crafted in silver and gold with huge shimmering moonstone cabochons.

CENTER: 19th c Kerosang with faceted white zircon.

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Here are a few of my favorite rings:

Victorian era amethyst and pearl serpent ring was purchased from David Ashville of Ashville Fine Arts.

The kunzite and diamond ring I bought from @blackamooruk. I believe this ring was originally an early 20th century brooch that was carefully converted. I love the size of the kunzite and it fits my finger perfectly.

The Victorian topaz ring was purchased from @ishyantiques.

The art deco moonstone ring is one of my favorites. It was purchased from Brad Wilson of Wilson’s Estate Jewelry in Philadelphia, PA.

The massive cameo ring I created using a 19th century cameo from @antiquestoreinwayne and a custom gold setting created by Skip Colflesh @thejewelersbenchofhershey.

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LEFT: Agate tree ring – This is one of my creations. I used an agate sourced from an old cufflink mounted in a setting made by @thejewelersbenchofherehey Victorian chrysoberyl and gold band @westandsonjewellery

RIGHT: This is my most recent purchase. My dear friend Will @martindaleasianarts recently took me on a day trip to a quaint town about an hour outside of London where I found it in an antiques shop.

Thank you for giving me this opportunity. I am honored to be a part of the Instagram jewelry community. Your posts have greatly enhanced my knowledge and appreciation for all types of jewelry and the friendships that have developed because of our shared passion for jewelry are priceless to me.

xoxoGemGossip

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Jewelry Collection Stories: Kate of @LuxCharmJewelry

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This month’s Jewelry Collection Story comes from Kate of @LuxCharmJewelry and it is a good one! Kate is a full-time art teacher and part-time jewelry enthusiast and collector. You may already be following her on Instagram, but if not you must. Her collection is pretty amazing and her story may resonate with many of you. So without further ado, I give you Kate’s collection story:

I’ve always loved jewelry. I have early memories of playing “dress up” and “jewelry store” with my grandmother Louise. She kept her jewelry in the top dresser drawer. Oh how I loved looking inside those little boxes and seeing all the sparkly jewels inside! We would arrange her jewels on top of carefully arranged bits of pretty fabrics and embroidered handkerchiefs and take turns “shopping.” It was so much fun trying on her white dress gloves and high heels and playing with all those pretty things.

When I was around 10 years old, my dad started giving me jewelry every year for Christmas, mostly rings. One year, I received a topaz ring that had the most amazing shade of bright blue. I adored that ring! Another favorite ring given to me by my dad was a gold signet ring that he had monogramed with my initials. I think I was around 15 at the time. It’s a classic look that will never go out of style and one I wear often today.

One of my favorite early jewelry memories was when my family went out to dinner before my high school senior award night. I didn’t know it at the time, but I was about to win the top artist award in my class, and my parents bought me this beautiful southwestern sterling bracelet and turquoise ring to mark the occasion. For high school graduation, I received a large, modernist sterling and gold ring. At the time, I wasn’t into yellow gold, and these bold sterling pieces were among the most beautiful pieces I owned. Luckily, my parents have continued the tradition of gifting me jewelry for special occasions, and I cherish them all. These pieces help to serve as reminders of special times in my life. My sweet husband has also joined in on the tradition and I have received many beautiful pieces from him now over the years, including my very first (and favorite) Victorian bird bangle bracelet and my beloved antique turquoise and diamond halo ring.

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As a teenager, I was really into second-hand shops–mainly for vintage clothes and small decorative items, but eventually I started picking up inexpensive jewelry and odds-and-ends; like pendants, chokers, chains, etc. At about the same time, I started making beaded jewelry and even gifting and selling pieces to my friends.

Years later, I decided to try my hand at selling handmade jewelry on Etsy. It was a fun, challenging, and creative outlet. Those were the relative early days of Etsy, and I grew as it grew. I did this for a couple of years and slowly started incorporating more and more vintage jewelry components and findings into my pieces. Eventually, the competition increased and my enthusiasm waivered, so I put my shop on hold.

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My love affair with antique jewelry began about eight years ago when my mom and I were antiquing at one of my favorite stores in Richmond, IN. My mom fell head-over-heels for this old gold cameo ring. At first, I was like, “What? Cameos? Ugh, I don’t get it.” Then much to my surprise, my mom professed her life-long love affair with cameos, citing stories from her youth. The shop owner quoted her a low price and my mom quickly bought the ring. She wasn’t one to make fine jewelry purchases on our excursions together, so I was intrigued and wanted to know more. I couldn’t stop staring at this unusual reddish-orange cameo ring on our drive back home; I was fascinated by it. It didn’t look like the girly, pink cameos I was used to seeing. It was more masculine in style and the gold was a rich rose color. The shop owner estimated the ring to be about 120 years old.

To my knowledge, I had never seen a ring that old before and now I wanted one for myself! The more I researched, the more I realized what an amazing deal my mom got on that ring. Sure, it was more than I was used to spending on random antique mall purchases (about $85), but still affordable. This made antique jewelry seem obtainable to me for the first time ever. I started reading jewelry books, researching online, and educating myself on antique jewelry. I liked learning the history behind each piece. It’s a perfect fit for me– combining my love of history, research, sentiment, story, etc.

Inspired by my new passion and focus, I reopened my Etsy shop–selling only vintage and antique jewelry. I absolutely loved hunting for old jewelry, even cameos! Thinking back to that special trip to Richmond with my mom, I believe this was the critical moment that later turned this new interest into a full-blown hobby and part-time job for me.

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Today I have such a deep and sincere appreciation for antique jewelry; I tend to collect a little bit of everything. All in all, I tend to go more for Victorian, Art Nouveau, and Art Deco pieces. Rings are probably my favorite type of jewelry to wear and collect. I love everything from dainty to bold, statement rings. I also love antique bangles and Deco necklaces in all sorts of finishes, metals, and styles.

One of my favorite things to collect are watches. My favorite makers are Longines and Bucherer. I have everything from watch pins, watch rings, wristwatches, and pocket watches. And I really love long enamel watch necklaces. My love of watch necklaces probably began when I scored an amazing Bucherer red guilloche enamel watch ball necklace for $60 in a small, local antique shop. I later learned this was a remarkable deal for one with its original enamel chain in perfect condition. I’ve since added about 10 more to my collection over the years. I just can’t stop myself when I see a beautiful one for a good price. I have such a weakness for fine guilloche enamel-work.

In addition, I love bird-themed jewelry and have many bird bangles, lockets, etc. I tend to favor cool-color pieces in general (it must be the Pisces in me!). I am very fond of blue–sapphires, lapis, zircon, and turquoise to name a few. Pale lavender chalcedony, dreamy moonstones, and that particular shade of green commonly used in Art Deco pieces–are all personal favorites. I have a growing collection of snake rings, too.

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I enjoy shopping at small, local places best. The Midwest is a gold mine for antiques of all kinds. The big jewelry enthusiasts seem to live on either coast and being stuck in the middle has its advantages… lower prices and less pickers. But this seems to get harder every year. My favorite display cases and shops seem to be shutting down. The old dealers retire; some pass away. I think part of me has also wanted to open a brick and mortar shop, but the risks are scary.

Currently, I seem to have the most luck shopping at antique shows and online auctions. I’m always on the hunt for new pieces. I would love to own more niello jewelry, antique enamel bracelets, and gutta percha bangles inlaid with gold. I have a thing for portrait paintings but oddly, own no portrait jewelry. I interned at the National Portrait Gallery right after college and it’s a subject I’m really interested in. I would love to find the perfect emerald ring and more “name” or “initial” jewelry to represent the important people in my life.

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Recently I celebrated a milestone birthday (hello, 40!) and had been hunting for the perfect aquamarine birthstone piece of jewelry for months. Then it finally happened…a huge, honking, 14-carat, Victorian, pear-shaped aqua ring in 15K gold popped up on my Instagram feed. Its large size, unfussy setting, and perfect pale-blue color, stopped me dead in my tracks. A direct quote from the seller was, “a mesmerizing, dreamy, huge piece of magic.” Indeed it was. I sold three personal collection rings to make room for this special ring, the latest addition to my jewelry box.

Back when I started wearing, selling, and collecting antique jewelry, I was the only one I knew who did. I just bought what I liked and what I could afford at the time. It wasn’t until I joined IG a couple of years ago that I found other like-minded people who loved and appreciated old jewelry as much as I do. Like most sellers/collectors, I am searching for more high quality and unusual pieces nowadays. Lately, there seems to be more competition, more reproductions, and higher prices on the online auction sites, making it harder to “score” a deal. While I may not be selling forever, I know I will be wearing and enjoying my jewelry for the rest of my life. It brings me so much joy. Marking special occasions and making new memories with jewelry are so important to me. Jewelry has a way of keeping our memories alive…providing a tangible reminder… connecting us to the people, places, and significant moments we cherish in life. Happy hunting!

xoxoGemGossip

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You can follow Kate –> @LuxCharmJewelry

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Exclusive Gem Gossip Logo Pins!

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You guys, I’m so happy to offer these exclusive Gem Gossip logo pins FINALLY! These have been in the works for quite some time, spearheaded by my sister Bunny Miele. We both are very particular about design, colors, perfection, so after lots of trial and error, my vision finally came to life. These are enamel with a white background and gold lettering.

I’ve collected travel pins since I was in 4th grade and I have an entire black-velvet covered board hanging on my wall full of pins! So cool to create my very own and I hope you all like them. If you’re an avid Gem Gossip reader or fan, these are perfect for you. Show off your support for Gem Gossip–pin them to your collar, shoes, jeans, jean jacket…anything!

Details: White & Gold enamel, Brass plating

Dimensions: 1 1/4″ x 1/3″

Shipping: USA ONLY AT THIS TIME

Price: $10 each


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Doyle & Doyle Debuts Rare Collection of Antique Jewels

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Doyle & Doyle is thrilled to debut pieces from a spectacular cache of rare antique jewels, all acquired from a single collector. Including jewelry from ancient Rome, 17th century Spain, and 19th century France, these are the best examples of their type and many are hallmarked by well known jewelers. Keep reading for a sneak peek of the historic collection before it goes on exhibition at Doyle & Doyle in September.

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These exquisite micromosaic pieces date to the mid-19th century and are hallmarked for the Vatican Workshop of the Papal State.The Vatican’s mosaic studio was founded in the 16th century, its skilled artisans create artworks commissioned by wealthy patrons and pieces for the Pope to give as gifts. The Sistine Chapel ceiling by Michelangelo, Saint Peter’s Square designed by Bernini, and Raphael’s “The School of Athens” are among the many masterpieces you can discover at the Vatican. Originally founded in the 16th century, the skilled artisans working in the Vatican’s mosaic studio create pieces for the Pope to give as gifts and artworks commissioned by wealthy patrons. They also oversee and maintain the ten thousand square meters of colorful mosaics that adorn Saint Peter’s Basilica. This bangle and brooch are beautifully made, featuring glass tesserae so tiny that the designs look like paintings in shades of red, blue, green, and white. Perhaps a wealthy young man purchased them during his Grand Tour through Europe, or they were gifts to an important Church official. No matter their origin, they are little works of art that display the incredible skill of the Vatican’s workshop.

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The collection includes other ecclesiastical jewels in addition to the Vatican micromosaics, including a variety of gem-set and enameled crosses from many different periods. This striking dimensional crucifix cross is Spanish from the 17th century, detailed with enamel and engraving that resembles wood grain. Although probably not original, we love it worn on the black ribbon choker, especially when layered with antique gold guard chains. Although these are museum quality jewels, they’re definitely wearable!

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There are also charming examples of sentimental and devotional jewelry. The rose cut diamond encrusted heart hangs from a sweet rose gold dove. The diamonds are foil backed and you can see hints of pink, gold, and even green reflecting through the stones. The rare late 17th century Spanish reliquary pendant is a small compartment that holds a tiny bit of a saint’s blood. It’s backed by a hand painted figure of a female saint and framed by emeralds and garnets. This type of jewel was probably a private devotional artwork. Spain being an intensely Catholic country, people believed in the power of saints to affect their daily life. In additional to more traditional liturgy, 17th century Spaniards prayed to their personal saint to intervene and make their lives better.

6 doyle doyle arts and crafts turquoise pendant art nouveau enamel winged female pendant Gaston Laffitte

The other half of this incredible collection is comprised of museum quality Arts & Crafts and Art Nouveau jewelry. The Arts & Crafts Movement was a direct response to the mechanization and poor working conditions engendered by the Industrial Revolution in the mid-19th century. Adherents looked to the Middle Ages, nature, and popular folk art for inspiration, seeking to return to an idyllic time before mass production. Shying away from precious materials, Arts & Crafts jewelers favored readily available gemstones, such as garnet, amethyst, citrine, opal, and moonstone. The delicate gold pendant is British, comprised of hand wrought wirework set with bright blue turquoise and glowing moonstone.

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By the end of the century, Art Nouveau artists took the theme of nature to the next level. Art Nouveau jewelry often incorporated idealized female forms with swirling, whiplash hair framed by sensuous flora, like this striking silver mirror locket. Dating to 1900, this lovely piece is hallmarked for French jeweler Lucien Coudray. Coudray specialized in engraving medals and won several prizes for his artistry. Another popular form was a winged female with gossamer enamel wings studded with tiny gems or pearls. This statuesque dragonfly woman was created around 1900 and bears the hallmark of noted Art Nouveau jeweler, Gaston Laffitte. The light filters through the translucent green plique-a-jour enamel wings, creating a delicate stained glass effect.

This is just a small preview of the incredible historic collection – want to see it all? Doyle & Doyle is putting on a public exhibition in September. Email [email protected] for more information and to get on the invite list!

This post was contributed by Juliet Rotenberg of Doyle & Doyle, thank you!!

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Want more?! To check out the store tour of Doyle & Doyle, click here.

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Why is it so Hard to Find Peridot Jewelry I Like?

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All photos above provided by Market Square Jewelers

Peridot is the birthstone of August, and many of us have come to find that August babies either love it or they hate it. Perhaps the ones that hate peridot haven’t had the same exposure to the gem as myself.

The peridot I know and love is a vibrant yellowish green that pops against yellow gold in such a magnificent and esoteric way. In Ancient Egypt, peridot was known as the Gem of the Sun and rightfully so. A well-cut peridot rivals the beauty of emerald and demantoid garnet, for a fraction of the cost.

In theory, peridot is plentiful and affordable. But while peridot is prized for its lavish and distinct coloring, it can be a struggle finding peridot jewelry that’s worth obsessing over. Unfortunately, so many factors work against peridot becoming an inexpensive jewelry staple like amethyst.

Here are some reasons why it’s so hard to find peridot jewelry I like:

1. Commercial Grade Peridot is Undesirable At Times

As far as amethyst goes, even commercial gems have the ability to be beautiful depending on the cut and hue. In contrast, most commercial peridot on the market looks the same – like small bits of washed out baby food. Too harsh? Based on how many uninformed people hate peridot, maybe not. When the cut is shallow, most of that lovable, vibrant green shade fades to almost clear, and there’s not much left to get excited about.

2. The Lime Green Color Can be Limiting in Design

I can’t recall ever seeing peridot in a white gold design that I liked. Let’s face it, peridot looks best in yellow gold. Most stones have a metal that complements it best, but with peridot, setting the stone in white or rose gold can be absolutely detrimental to the design. If you happen to love peridot in white gold, don’t let me turn you away. But this is why we see less peridot designs on the market than we do more versatile green stones like emerald that happen to look amazing in platinum and rose gold.

3. Large Peridot Stones are Significantly More Expensive

Larger peridot stones tend to maintain their deep coloring better than smaller stones. However, the larger the peridot stone, the more expensive it becomes. I can find affordable amethyst stones that weigh more than 4 carats very easily. Trying to find that same size peridot stone will set me back significantly more money, which is very limiting when jewelry shopping. It’s easy to find smaller peridot stones in places like Arizona and China, but the larger sizes are much more scarce globally, thus impacting the market overall.

4. More Awareness = More Demand

As more people become acquainted with that peridot sweet spot – the stones that are vibrant and well-cut – the demand naturally increases. Supply for quality peridot designs doesn’t fully match this new-found demand, which causes an increase in price and scarcity. This means I’ll have to be hunting for peridot jewelry instead of simply browsing for it. Instead of 10 great options, I may only find 5, and even then, I’ll be competing with other buyers looking for the same item.

With all the reasons why I have so few peridot pieces in my collection, I figured it best to reiterate that it’s not impossible to find worthwhile peridot jewelry. In fact, one of our favorite shops Market Square Jewelers, we feel, has the best selection of peridot jewelry! The photos above are provided by Market Square Jewelers and all the pieces are available for purchase! You can check out their website for more peridot jewelry here.

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

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The Ten Best Rings Currently For Sale at The Three Graces

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One of my most frequently asked questions I get is, “where do you find all these amazing vintage and antique jewels?!” And my answer may surprise you, as most would envision me scouring flea markets, old attics and the like to find things like these featured above. It might be easy for me to say ONLINE and it is totally true. Websites like The Three Graces do the hard work for you, scouting out the most unique, wearable and head-turning jewels out there and we should appreciate that! I like knowing that anytime I go on TheThreeGraces.com I can find a whole new batch of sparkly, rare, vintage and antique pieces that expert Lisa Stockhammer Mial has sourced, authenticated, cleaned up and ready for its next lifetime. They also have some pretty special perks like a “no questions asked, free return policy,” offer layaway, and most every ring can be sized to fit! And what is easier than simply logging on to a website and ogling over New Arrivals?!

I got to do just that when choosing my favorite top ten rings that are currently for sale at The Three Graces. A mix of pieces I would love to own, rings that remind me of some favorites from my personal collection, and some that I can’t believe are still available (quick, grab them before someone else does!). Let’s start from the top!

Emerald Art Deco Ring & Diamond Filigree Halo Ring

1. There’s something unique about an Art Deco ring shaped like this emerald and diamond one! Not only does it elongate the finger, but it surely gets people staring. I love how delicate yet statement-making this ring is. Set in platinum with a stunning emerald, currently a size 6.5 and ready for a finger to shine on! Price: $4,950

2. At first I thought this would make such a beautiful engagement ring but then I saw the photos created by The Three Graces with my picks and I am really loving how this ring also looks as a right hand ring! I love when rings are versatile like that and this one definitely doesn’t have a bad angle even if you tried. The center diamond is just over a half carat and has a gorgeous sparkle to it. Price: $3,650

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Deco Rock Crystal Ring & Large Moonstone Sapphire Cluster Ring

3. This ring is one of the best examples of rock crystal jewelry I’ve seen! I love the contrast of the blue sapphires along with the frostiness of the crystal and white diamond. This ring would be a perfect anniversary or birthday gift and I can almost guarantee this will get a lot of wear–it goes with everything! It is currently a size 7 1/4 and done in 14k white gold. Price: $1,350

4. If you know my personal collection as well as you know your own, you will understand why I HAD to choose this grand moonstone and sapphire ring! I have an almost identical one in my collection and the compliments that I get on it are nonstop. If you’ve been wanting to find something similar, this is it! Currently a size 5 1/2 with 2.88 carats of bright blue sapphires. Price: $4.450

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Antique Citrine Ring & Vintage Amethyst Halo Ring

5. A pop of yellow added to any outfit instantly brightens everything! That’s why I love this citrine ring so much–I quickly become happy as soon as I look at it. I think this would be an ideal ring to wear in the summer and it could easily transition to fall wardrobes and colors. This art deco ring is currently a size 4 1/2 and can be resized for its new owner. Price: $1,275

6. Purple was my favorite color for most of my childhood. Anyone lucky enough to have a February birthdate can call amethyst their birthstone and this particular ring would be perfect for you. Or if you’re like me and just love the color purple, then yes you deserve this ring too. Currently a size 8 1/4 and can be sized to your liking. Price: $1,350

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Bohemian Turquoise Ring & Bold Opal Cluster Ring

7. Turquoise is one of my most favorite gemstones–I can’t get enough of it! When most people think of turquoise, they think of Persian turquoise and although that is most desirable and valuable, I actually like when turquoise shows veining, different patterns and depth of color. This particular ring has great natural veining and I love the design–simple yet bold! The ring is done in 8k yellow gold and currently a size 6 3/4. Price: $650

8. So we all know my obsession with opals and if I didn’t have so many opal rings, THIS would be in my virtual shopping cart right now. Everything about it is amazing to me–the design (large oval cluster), the opals (a nice play-of-color that glows in the right light), and the size (big and bold). Don’t miss out on this vintage one-of-a-kind, done in 10k yellow gold. Price: $2,195

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Edwardian Diamond Heart Ring & “Four Corners” Sapphire, Diamond Ring

9. Never thought I’d be such a sucker for hearts, but I absolutely love them, especially the antique versions. This is an exceptional ring, dating back to the Edwardian period and set with rose cut diamonds in a silver topped setting. The band is done in 14k yellow gold and currently a size 5 1/2. If you love heart jewelry as much as I do, you won’t let this one slip away! Price: $3,850

10. Ok, this ring is one that will stop you dead in your tracks and I’m so in love with it! The design is really unique–The Three Graces describes it perfectly by saying, “modernist flavor with strong design elements.” The intensity of the blue sapphires is insane and it is one in a million. This ring deserves a good home that provides lots of love and care! ūüėČ Price: $4,450

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This sponsored post was brought to you in collaboration with The Three Graces.

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Antique & Vintage Engagement Rings Perfect for a Summer Proposal

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If you read articles frequently on the Internet about “the perfect time to propose” you’ll find that both jewelry stores and the general public see an up tick in proposals and engagement ring shopping around the holidays (Thanksgiving, Christmas, New Year’s). If you ask any girl awaiting that fateful question of, “will you marry me” you’ll most definitely find that to her, ANYTIME is an ideal time to propose. I personally think that the summer would be a perfect moment to get down on one knee. You could plan a summer getaway, do something fun outdoors, go to the beach…the ideas are endless–and there’s just something special about the summer that one can’t describe.

I’ve teamed up with Bailey’s Fine Jewelry to bring you some enticing engagement ring choices to create ideas for styles you may want to explore or to even find your ring for you (it could be one of these featured!). With four locations across North Carolina, Bailey’s has an incredible selection of engagement ring choices that can’t be beat. And if perhaps you want something vintage or antique, they also specialize in that category as well, which is what we’re going to be focusing on! These rings have just been acquired and have just gotten their close-ups. Now the last step for them is to get slipped onto a forever finger. Will it be yours?

Alternative Elongated Antique Styles

One of my favorite antique styles is this elongated look, which I think makes such a stunning engagement ring choice. These will make anyone do a double take, especially if you want a bold look. Who says all engagement rings need to be a single stone? There are so many different styles with this design–some more scalloped than others, some more floral in design, others very geometric and pointy. All these below would make great choices. You can shop and get more info on each by clicking directly on each photo.

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Fancy Floral Alternative Choices

Flowers are more than just a pretty plant–they are highly symbolic, especially in vintage and antique jewelry and are timeless choices for an engagement ring. Every wedding includes a gorgeous bouquet, but the sad part is that bouquet will die. I have mine sitting at the top of my closet, collecting dust and I’m unsure if I should throw it out or keep it. With a flower arrangement worn on your finger made of diamonds, you never have to worry about it dying! Below are some wonderful choices if you’re into floral engagement rings–click on the photos to get more info and pricing.

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Bring Back the Band

For a sleek, easy going engagement ring style that is can be worn every day, a simple band style is becoming quite popular. The wider style allows you to not have to wear a wedding band–so a two-in-one kind of ring is a smart choice for many. The vintage styles above showcase diamonds and design styles unlike any solitaire you’ll find and it is the unique patterns that often draw people to this choice. You can shop the below styles by clicking on the photos!

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Add a Splash of Color

Sometimes an all-diamond look is not for everyone. Some women prefer color and live colorful lives – and so should their engagement ring! Lucky for you, gemstones come in all sorts of colors, and with an educated choice, you can find the perfect stone for you. Whether you are a lover of pinks, greens, blues or even orange, vintage and antique jewelry utilize lots of stone examples, and the possibilities are endless. When choosing softer stones, be aware that you shouldn’t wear them everyday! Below are some great examples and if you click on the photos you can shop each one!

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This sponsored blog post was brought to you in collaboration with Bailey’s Fine Jewelry.

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Gem Gossip Visits M. Flynn Jewelry in Boston, MA

Come along with me as I take you inside M. Flynn in Boston!

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Such a gorgeous selection of engagement & wedding — these are a mix of Anna Sheffield & M. Flynn’s own bridal designs, shop bridal

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Getting the store tour from co-founder Megan

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some of Page Sargisson zodiac medallions, a best-seller

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I’m wearing some pieces from M. Flynn’s estate selection, the necklace was created out of a collection of vintage hat charms!

M Flynn | Gem Gossip

I love the crystal chandeliers and white fixtures–it is its own jewel box!

M Flynn | Gem Gossip

Some more vintage pieces from their estate section: antique buttons turned into pendants, a scottie dog, and a stick pin converted into a pendant

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The entire back wall is covered in crystals floating from invisible wire–it is quite magical!

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M. Flynn has all the right studs to create an epic ear stack, shop earrings — and loving the turquoise selection, Mociun + vintage

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Turquoise has taken over a section of this case and we’re not mad at that.

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A fun line of jewelry called Loquet allows you to customize gems and gold trinkets inside a rock crystal dome

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Wearing rings by Misa Jewelry and necklaces by Page Sargisson

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M. Flynn loves working one-on-one with clients to help them find the perfect piece!

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I can’t get enough of these estate pieces!

M Flynn | Gem Gossip

The shop has been open since 2009 and is located amongst some amazing restaurants and walking areas.

M Flynn | Gem Gossip

Nautical, New England style fully represented in the Turk’s Head collection by AGA Correa

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Fashion jewelry also lines the shelves of the shop, along with jewelry books and other jewel-inspired gifts

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An up-close shot of the necklaces from Page Sargisson & diamond Misa Jewelry

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Shop M. Flynn’s estate collection

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myself with the founders & owners of M. Flynn, sister duo Megan & Moria

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Gorgeous crystal chandeliers are the perfect touch to the light and airy decor

M Flynn | Gem Gossip

Vintage charms found at M. Flynn

A dazzling curtain of crystals which doubles as artwork…all the best jewelry books one can fathom…flawless displays…sparkling jewelry of all kinds…and one mascot named Stu. This reads as the ultimate recipe for a beautiful, successful jewelry store, which happens to be a real-life place. It is called M. Flynn Jewelry and the shop is located in Boston, Massachusetts. I was lucky enough to visit the store on my #JewelryRoadTrip, where I learned all about its beginnings, what it has to offer, as well as the two sisters behind the namesake: Megan & Moria Flynn!

Opened in 2009, the store fostered the sisters’ love for all things sparkly. Elizabeth Taylor is a jewelry icon for all of the world, but for Megan & Moria, she is everything! They wanted to create a space where they can serve multiple needs for their clients and the store has evolved over the past several years, growing along the way. Their are a few important features of M. Flynn Jewelry–so let’s break down each one!

Their own line of jewelry: if you need classic, every day wear pieces the M. Flynn line is just what you’re looking for. Gemstone rings, necklaces, bracelets and earrings make up the line, including bridal options as well. They also have a collaboration collection called the Gates Collection which they’ve created along with an interior designer/blogger that is highly popular–Erin Gates.

Designer jewelry: M. Flynn has been expanding each year, adding new designers they feel are a good fit for both their store and the Boston area. Some of the best selling and favorites are Adel Chefridi, Page Sargisson, EF Collection, Misa Jewelry, Mociun, Loquet, Kelly Bello, and more.

Bridal jewelry: An ideal destination for all your wedding needs, M. Flynn can create your dream ring! They also have a large assortment of finished pieces from their own designs, as well as top designer engagement rings from Anna Sheffield, Mociun, Misa Jewelry, and Page Sargisson. They also have a selection of men’s wedding bands too!

Estate Jewelry: All periods, all styles–M. Flynn loves it all, so if it is delicate and sentimental or retro and unique, you will find it here. Lots of rings, some earrings and necklaces, and a large assortment of charms. This section is ever-changing and always one-of-a-kind, so check back often!

Fashion Jewelry: I know Gem Gossip does not cover fashion jewelry at all, but it is noteworthy that M. Flynn does carry fashion jewelry–lots of different designers, such as Lizzie Fortunato, Pamela Love, and Alexis Bittar–and great price points for gift-giving season.

Gifts/Accessories: Who knew jewelry-related gifts were so fun?! Gem Water bottles, jewelry travel cases, fragrances, cards, candles, jewelry books…you name it, they have it! I need this store in my life during the holidays!

Custom design: Besides all the above amazingness, M. Flynn also can custom design your dream piece. Whether you bring in family stones or have nothing at all except for a few slight ideas, they are here to help with that. You will be loving the finished result and coming back for more.

Hope you enjoy browsing the above photos from my visit–I know you will have heart-emoji eyes while doing so. Megan & Moria are truly so nice and have such a passion for what they do–I also have major respect for Megan getting her gemology degree at GIA. Not many store owners do so and I think that’s amazing! Next time you’re in Boston, pop in and say hi–make sure to pet Stu for me!

M Flynn

40 Waltham St.

Boston, MA 02118

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Gem Gossip Visits e. scott originals in Boston, MA

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Minutes outside of Boston, in a town called Somerville, e. scott originals is a jewelry shop and studio where owner and maker Emily Scott Surette and her sidekick Mayble (an adorable Boston Terrier) make dreams come true. For Emily, this space is perfect in every way possible–it fosters her love for interacting with customers and clients, the studio provides endless moments to create, and Mayble gets to greet everyone as they walk through the door! That’s exactly what the dog did when I entered the shop, wonderfully sweaty from the heat wave that followed us up to Boston from Tennessee. I immediately fell in love with the layout and how Emily has decorated e. scott originals. She has incorporated some antique furnishings and decor into the jewelry displays, with some gold frames and mirrors…even an antique chandelier.

There are a few things that make e. scott originals tick, and working with clients one-on-one, making custom pieces from a very personable interaction, is at the top of the list. Emily loves creating new heirlooms from old, passed down jewelry, diamonds and gemstones. She also uses mainly reclaimed, anitque diamonds and recycled metals within all her designs, which we all can appreciate. Custom engagement rings are a big part of what she does, especially with clients who want something local, made by hand and feel like they are a part of the creation process. Emily’s warm personality and welcoming demeanor is just what the jewelry-creating process needs, not to mention her skills and expertise.

Another large part of what e. scott originals does and creates is their own line of highly wearable jewelry. Items that can easily fit with your every day look, like layer-ready necklaces, unique and fashionable earrings and fun gemstone rings. These fill the shelves and cabinet cases of the store and are ready for purchase. They are also ready for other stores, as Emily is looking to expand her wholesale market. Her target audience is ideal for any self-purchasing woman, gift-giving ease, and the price points are great. I did a little self-purchasing myself when I was there–after trying on the long Tuck studs in 14k yellow gold, I loved the look of them and how they could be worn stacked with other earrings I already own. I had to have them!

Before I left, Emily showed me an “inner circle” box that is presented to every couple who purchases an engagement ring/wedding bands from e. scott originals. The box features local businesses that come highly recommended to help easily plan your wedding day. Anything from cake makers, to photographers, and everything in between. You can see the full list here — I love this idea and I feel it shows what kind of business Emily is running: one full of gratitude, creativity and soul! And in case you’re wondering, she is an awesome recommender, as her restaurant suggestions were top notch!

Check out some of my favorite pieces below that you can shop from home:

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E Scott Originals

199B Highland Ave.

Somerville, MA 02143

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