New October Opals from Arik Kastan Jewelry

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Let us enchant you with some of Arik Kastan’s newest designs featuring October’s magical and often obsess-worthy birthstone: OPAL. The brand has been working with opals since the very beginning of launching Arik Kastan and they continue to be a favorite of collectors, and we obviously can’t get enough of them ourselves!

Opals can easily transform any design that is created, any outfit we style, or bad moods we’re feeling. We love opals set in the signature rose gold just as much as the yellow gold, so we think you can’t go wrong picking between the two metals. And as far as gemstones that pair well with opals, we’ve been obsessing over some cool tones like sapphires, emeralds and moonstones–even pearls! Yes, you must check out the newest pearl + opal ring fresh off the jeweler’s bench. You’ll flip!

Enjoy checking out the new styles; all are available with a click of a mouse (or touch of a finger on your phone)!

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Arik Kastan drew from Victorian jewelry to create this stunning pearl and opal cluster ring, which is both bold and has feminine touches. We love it paired with jeans or a dress for fall.

Lyla Ring with opals and pearls, Price: $1,500

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These aren’t just any ordinary garnets, they are rose cuts which give these earrings a vintage-inspired look. They’re nice and large, while still being crazy comfortable.

Pebble Stone Drop earrings with garnet & opal, Price: $1,650


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A hint of blue sapphire sets off this sentimental padlock that can be the layer-ready basis for our collection. Start your stack with this one!

Sapphire + Opal Cluster Padlock, Price: $1,260


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A continued favorite, the signature three-stone ring looks glorious in opal and ready for any October baby to make this her special piece.

Signature Three Stone ring in Opal, Price: $1,320

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Quite possibly our newest favorite gemstone combination emeralds and opals! The green really POPS in these earrings; they’re quite breath-taking.

Nouveau Oval drop earrings, Price: $2,250

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This pinwheel pendant has won our hearts–it’s dainty and precious! Again, slaying in our favorite gemstone combo.

Pinwheel pendant with emerald + opals, Price: $1,320


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An instant favorite, combining floral inspiration with geometric vibes, the Mandala ring has us ready for fall.

Framed Mandala ring in sapphires + opals, Price: $2,750


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Some major boldness with this padlock, which we can’t get enough of. If you want a hefty, gorgeous piece…this is it!

Stained Glass Window padlock with emeralds + opals, Price: $2,470


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Feeling some boho vibes? Say no more, these are for you! Open metalwork, opals and a wonderful lever back.

Arabesque Drop earrings set with opals, Price: $2,030


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If you’re one who loves to stack your heart out, we’ve got you covered too! Our thin stacking band is easy to wear and pairs with almost anything else.

Thin Stacking ring done in opal, Price: $1,150


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It’s hip to be a square and this little padlock thinks so too. Outfitted in opals every square inch and a single moonstone in the center to shake things up a bit!

Square Padlock with opals + moonstone, Price: $1,590

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The Isabel ring makes us feel elegant and refined. We love the hint of blue from the sapphire and know you will too!

Isabel ring set with sapphire + opals, Price; $1,760

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Just a tip: Arik Kastan padlocks make the most beautiful gifts and yes, there are lots of holidays approaching but I won’t name any for the sake of getting virtually slapped!

Horizon Cluster Padlock set with moonstone + opals, Price: $1,370

Thanks to Gossip Gem

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Las Vegas Antique Jewelry & Watch Show 2017

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Taking on the Las Vegas Antique Show with Becca of BCE Jewelry, with Lenore Dailey at her booth and we ran into Sheri & Trina of Metier

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Both pieces here (left & right) are from DK Bressler and both are more than meets the eye: the dragonfly is En Tremblant and the diamond brooch can convert into other pieces of jewelry

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Two gorgeous booth photos, the left is Platt Boutique Jewelry and the right I cannot remember for the life of me!

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I loved these three rings from Excalibur Jewelry, especially the open metal work on the pointer, & the right photo features an incredible Lightning Ridge Opal set in a turn-of-the-century ring from M&C Stevens

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This large pendant/medallion made me smile, from Platt Boutique Jewelry and the photo on the right are my three favorites from Jacob’s Estate Jewelry

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Lenore Dailey’s booth is just jaw-dropping in its own right, so I always take a photo of it every year — the photo on the right is an incredible ring box full of the most beautiful pieces from Simon Teakle

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I think Blue Topaz gets a bad rap–this bracelet is crazy gorgeous, from Clayton Antiques and the photo on the right features a museum-worthy suite of early Victorian jewelry

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I always have to stop and stare at the crowns I see at the show! The right photo features some of the best rings I saw throughout the entire show–these three, from Under the Crown. Favorite stack ever.

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Always a sucker for hearts, I loved this opal brooch from DK Bressler and the photo on the right features three light blue enamel bracelets from Keyamour. Once in a lifetime shot right there!

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I love to see what Joden has and this time around this necklace caught my eye–from the black enamel to the mega gemstones, wow! The photo on the right is a ring tray seen at Mary Ann-tiques

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The combo of moonstone + rubies is so good, I think that is why I loved this bracelet from Mary Ann-tiques so much. Also this tortoise shell butterfly brooch–wow, so unique and all handcrafted. This one belongs to Platt Boutique Jewelry.

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A box of goodies found at Lucy Verity … the photo on the right are my favorites from Mary Ann-tiques, some rectangles and ovals!

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Sapphire stack from Excalibur Jewelry and the jewelry box on the right was seen at Lucy Verity–that snake bracelet is to die for and unfortunately a little too big on my wrist.

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Last photos come from Excalibur–clusters of sapphire and diamonds, which create this amazing bracelet…and the photo on the right are my favorites from Craig Evan Small.

I’ve always associated the Las Vegas Antique Jewelry & Watch Show with The Paris hotel, however this was the first year in a very long time that that particular location was changed. This year’s show was located at the Las Vegas Convention Center. I didn’t know what to expect at all and actually didn’t even know where the convention center was located in regards to where everything else is until the day of the show! To my surprise, I enjoyed the change–but I also will be happy when the show returns to The Paris next year. I attended on opening day and then again the following day, covering as much as I could on day one and attempting to pick up where I left off the next day. I had good company on the second day–Katie of Vada Jewelry (like last year) and Becca of BCE Jewelry who had never attended before! It was cool to see someone experience the show for the first time and she walked away with an awesome diamond cluster ring.

For some reason the reoccurring theme for me this year was large, circular pendants aka medallions. It seemed like every booth I visited, I spotted one or was attracted to one. I like how with every show, I’m not sure what I’m going to find or what I will be drawn to…it is always something different. I brought home a really cool medallion zodiac pendant, which I will share in another post! I also brought back nearly ten pieces to sell for @shopGEMGOSSIP, some of which have already sold but you can certainly browse what is still available.

From the gorgeous diamond crowns I spotted at several booths, to lots of diamond cocktail rings, there was some major selections going on at this show. Lots of buyers were going full force and commenting on what a great show it was. I noticed an up tick in traffic flow up and down the aisles and saw a lot of buying happening.

As always, I have the best time roaming the aisles, running into people I know and chatting with my favorite dealers. It is fun catching up with everyone and I can’t believe this was my sixth year attending the show. And even after six years, I still relish in finding awesome pieces and the thrill of the hunt definitely still lives on at these shows. I hope that never changes!

Thanks for another great year, Las Vegas Antique Jewelry & Watch Show…can’t wait until next year!

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Read my other posts from the same show, years of the past:

2016

2015

2014

2013

2012

2011

Thanks to Gossip Gem

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How to Clean Antique Jewelry: The Important Do’s & Don’ts

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For anyone that’s unfamiliar, antique jewelry is any piece of jewelry that is more than 100 years old. That’s a lot of years for dirt to collect under gemstones, metal to patina, and for grime to take away from the inherent beauty of the heirloom. It’s tempting to pick up a polishing cloth and buff away years of unwanted residue. But wait! Before you do that…

There is a right way and a wrong way to clean antique jewelry. We’ve compiled some basic do’s and don’ts you must know before you potentially ruin your investment.

*Remember, this is a general guide for fine antique jewelry. Some antique jewelry like cameos or hair jewelry require special care beyond what is listed here.

D O N ‘ T


1. Polish away patina on old rose or yellow gold jewelry

Patina is something that takes years to form. Some reproduction jewelry will actually try to fake this patina in order to make an item appear older than it is. For Georgian and Victorian jewelry, it’s important not to go overboard with polishing. You don’t want the yellow gold to be so light and shine like the day it was made.

Be careful if you’re having your rings resized by someone not familiar with antique jewelry. The tendency is to take rings to a high polish once the sizing is done. Advise them only to lightly polish the portion where the gold has been added or taken away on the bottom of the ring shank.

2. Use ultrasonic machines

There are times when it is okay to put antique jewelry into an ultrasonic machine for a very quick clean, and I mean quick. But to err on the side of caution, avoid using them altogether. If you have a platinum and diamond engagement ring from the 1920’s, an ultrasonic machine might be okay if the stones are tight and the prongs are in good shape. Most of the time though, the subtle but intense vibrations from these machines can do more harm than good.

3. Submerge jewelry for a long period

Liquid can be detrimental to some antique jewelry, especially jewelry with cameos, opals, seed pearls, or any other soft stone. For fragile jewelry, it’s best not to completely saturate the piece with liquid at all. Instead, lightly clean with a damp brush or cloth.

4. Clean with harsh chemicals like ammonia

The internet will often tell you how wonderful ammonia is for making your diamonds shine. This might work (in moderation) for new jewelry, but antique jewelry deserves a much gentler approach. Avoid harsh detergents, ammonia, and please never use household cleaners containing bleach!

D O


1. Make a gentle cleaning solution

Sometimes the best way to clean your antique jewelry is by making your own DIY cleaning solution. Most jewelry cleaners you find in the store will cost you a lot more money and may not even be as effective. They may even contain harsh chemicals.

To make your own solution, mix lukewarm water with a small amount of mild soap like Dove until it is sudsy. The key here is in the cleaning technique, not necessarily in the solution.

2. Use a soft toothbrush and lint free cloth

Once you make your solution, it’s time to clean your antique jewelry. You’ll either submerge the item for a few minutes to loosen grime, or if your item contains soft stones, you lightly dampen your toothbrush. Before you begin, make sure no stones are loose.

Then, gently brush your jewelry, paying attention to areas like underneath the stone and underneath the prongs. Use slow circular motions using only light pressure. If the piece is extremely dirty, don’t be tempted to use more pressure; instead, implement more patience. Submerge your jewelry into the solution again (if your jewelry can handle it) then gently repeat, repeat, repeat.

3. Make sure to rinse and dry thoroughly

You don’t want to give fragile jewelry a bath, but you want to be sure you remove any soap residue that might build up and defeat the whole purpose of cleaning your jewelry. Run the jewelry under lukewarm water and pat dry. For rings, take a polishing cloth and very lightly buff the shank, avoiding any area near stones or engravings. Let jewelry completely dry before putting it away.

4. Have the right expectations

Antique jewelry is never meant to look new. If this is your intention when cleaning jewelry, think again. Sure, you want to remove dirt, grime, bacteria, and all that other gross stuff. But you don’t want to take away years of character and patina. Is there a scratch in the gold? Leave it, don’t have it buffed away. Is the gold too dark for your liking? Consider a more modern replica like those from Arik Kastan instead.

How do you clean your antique jewelry? Any tips I missed? Let us know in the comments.

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

Source: GossipGem.com

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Jewelry Collection Stories: Danielle of @jasmyntea

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This month’s Jewelry Collection Story comes from a favorite Instagram collector of mine and it’s not because we share the same name, although that helps 😉 It is because Danielle’s style and curation of such a fine collection is unlike any other! She has a fierce eye for what she loves and I’ve been wanting to know her story for quite awhile now. We finally got her story (she is a busy San Francisco dweller, with a full-time job that doesn’t involve jewelry) and she has provided some amazing photos of her personal collection. Let’s dive into her story!

“I have always been a collector. Whether it was collecting vintage jewelry, or vintage clothing, or books on costume and fashion. I’m always looking for unique items that speak to me in some way. I first fell in love with jewelry when I was about 12 and would ride my bike to the thrift store to look for treasures. I always liked vintage clothing, shoes, jewelry and scarves. Old pieces have stories within them. And I always liked to imagine the travels the pieces went through before I became their custodian.

My mother does not really wear much jewelry. Most of the jewelry she wears, except her wedding band, was probably given to her by her sisters or her daughters. She has very few pieces, so I didn’t really grow up surrounded by jewelry. I didn’t know one of my grandmothers as they both passed away before I was born. But I do wear her gold framed glasses from the 1940s every day as my own eyeglasses. I love this connection with my past. My other grandmother didn’t really have much affinity for jewelry either. So I’m not really sure where my love of jewelry and antiques comes from–but I can tell you that I’m obsessed 🙂

When I first started collecting jewelry in high school I liked vintage brooches and small enamel pins. This was what I could afford to purchase. From vintage pins, I branched out to vintage sterling. I always loved going to antique stores and hunting for unusual, inexpensive pieces. My early collection included David Anderson Norwegian pins and bracelets, sterling charm bracelets, bakelite bangles, and funky long beads to layer. I always liked layering, mixing and creating a story with my jewelry. As my style evolved I also liked to support local jewelry artists, so I would go to fairs and stores that sold the work of local jewelry artists and try to pick pieces I liked. My modern collection is made of up certain designers – Marla Aaron, Judy Geib, Gabriela Kiss, Louison Rare and Fine (GemstoneGypsy), Jean Jean Vintage, Gillian Conroy, Variance Objects, Dahlia Khanner, Alberian and Aulde, Amali Jewelry and local San Francisco artists Betsy Barron and Alix Bluh. I tend to gravitate towards jewelry artists versus major designer jewelry. Although one of the first pieces I completely coveted when I was 16 was Tiffany’s Elsa Perreti sterling bean necklace.

In the recent years I have gravitated towards building my antique collection. I love to go to antique fairs and shows, stop in small antique shops when I travel and I follow many antique jewelry sellers on IG. If you are curious, my first IG discovery was Erie Basin and my early purchases were a Toi et Moi Victorian diamond ring and a French link bracelet that many people have asked if they could purchase from me. Finding the antique jewelry community on IG has been very meaningful to me. I feel like I’ve found a crew of fellow jewelry enthusiasts that I can geek out about Georgian jewels, or old cut diamonds, or how to style antique and modern jewelry together. Before IG I never really participated in social media. Finding the IG community of jewelry lovers has been a nice addition in my life, so I don’t drive my husband and sons nuts with my jewelry interests. I’ve also enjoyed meeting fellow IG collectors on my travels.

I can’t really categorize what I collect, because I look for unusual pieces or pieces that resonate for me in some way. I feel like I am the custodian of the pieces I collect. I can’t always articulate why I fall in love with pieces. Sometimes the piece feels sentimental, sometimes the piece will fill an aspect of my collection that I need for a look I’m striving for. On a broad level, I like Georgian and Victorian jewelry. And then I like modern pieces that provide contrast for the more sweet/sentimental antique pieces. I love to mix antique and modern pieces together. Probably my favorite thing to mix are Marla Aaron locks with my antique necklaces, charms and brooches. Mixing and styling jewelry is a creative outlet for me. It’s self-expression—what I’m trying to put out there on a given day. I mix everything: yellow, rose, green gold, platinum and silver. On most days I have on five types of metal. I actually tend to prefer wearing mixed metals versus monochromatic styling. Although sometimes I like to do all gold or all silver or all one kind of gemstone.

I’m sentimental when it comes to jewelry. I always wear a Marla Aaron lock which to me symbolizes to hold fast to what’s important. I once did post on IG about how my modern jewelry spirit animal is my engraved Marla Aaron lock that has all family initials hidden within the engraved design. If I had to pick an antique spirit animal it would probably either be antique chains or signet rings. My thorn necklace (by Gillian Conroy) symbolizes that life has thorns to deal with but I am strong enough to weather the thorns. My hand bloodstone signet ring from Metier with the word “confido,” which means trust, reminds me to trust myself. And then on any given day, my other jewelry represents other items of importance to me or things I’m trying to stay centered about. My Mizpah ring from TheOneILoveNYC is for my husband and me, and my Souvenir bangle from Lucy Verity hasn’t left my wrist since I got it last year – I look down and remember. My Lenore heart rings: to remember love, my signets: to remember the people who are important to me, my memento mori ring from Nvitblanche: to remember to live in the moment, my ruby locket from Circa 1700 has diamonds in it from my mother-in-law in the amount of Pi carats (ok I’m a definite geek). Recently my husband and I gave each other Gabriela Kiss eye rings to symbolize us watching over each other.

You may wonder what pieces I am on the hunt for next. I try to keep an open mind when I am hunting for jewelry, because you never know what you might find. I always ask myself does this resonate for me, will I really wear it and reach for this piece everyday? I like to purchase pieces that I will wear, I don’t like for jewelry to just sit in my jewelry box. I don’t necessarily keep a running wish list. Although at the beginning of 2016 I did an IG jewelry wishlist post and when I look back on it now, I did end up collecting some of the items on my wishlist during 2016, (like my French cut eternity band from Platt Boutique Jewelry). Right now I’m coveting high carat gold items – 22K gold bands (I just got one from Metier) and poesy rings, a Georgian memento mori ring and chains, always more chains. Recently, I’ve been loving layering a lot of gold watch chains.

In closing, almost every piece I wear holds meaning for me of something I want to remember or a story I want to tell that day with my jewelry. Jewelry wearing and styling is my personal storytelling.”

xoxoGemGossip

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You can follow Danielle –> @jasmyntea

Source: GossipGem.com

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Q & A with Leeorah of Lulu & Shay Jewelry

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Leeorah Betan-Hartman is naturally talented in many ways, but we are so ever thankful she has chosen to hone her skills with jewelry design with Lulu & Shay. Her creations are enchanting. Her finishes are unfinished perfection. Her style is effortless cool. And I want so many of her pieces! I got the chance to meet her and her husband at Metal & Smith in September, happily trying on my favorites and seeing everything in person for the first time. Excited to catch up with her and see what she has going on in the new year!

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I am always working on new pieces for not only my next collection, but I find that I often return to the collections that are the foundation of my jewelry line, adding a nuance or a different take on the theme. Right now I am working on some new pieces for my Luna Diaries Collection– an intimate look into Victorian inspired jewelry. Victorian jewelry is rich with meaning. The carved symbols and motifs are not just pretty embellishments; each have hidden symbolism and even the gemstones have multiple meanings. I am so intrigued and amazed by the romanticism of the jewelry of that era. I feel that the rich history of these pieces mix well with the natural and flowing feeling of my pieces that are influenced by nature and our surroundings – completing a full thought and story when layered and worn together.

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Even as a young child I had a deep affinity for jewelry. I would sneak into my mom’s jewelry box and try on each of her pieces of jewelry, gazing at all the different stones and colors. I also made my own jewelry as a child– first with beads and with polymer clay and then evolving into more intricate bead and wire wrap pieces. In college I earned a B.F.A. in film and pursued a fulfilling career in editing film trailers, but I missed working with my hands. I started taking classes in metal-smithing and wax carving in NYC. Wax carving allows me the opportunity to create not only more finely detailed pieces but also freer flowing and organic ones. I just love the freedom and creativity I have while working with wax.

Once I had a cohesive collection, I launched Lulu & Shay. I wanted a name that had personal meaning like the jewelry I was creating. Lulu is a nickname I had as a child, and Shay is my husband’s childhood nickname. My two passions — jewelry and film — are joined as I use the story telling nature of film to apply a narrative element in my jewelry line. Editing films requires distilling a big picture into its key elements, and I strive to mirror that in my jewelry making. Each piece can tell a story of its own while striking a personal connection with the wearer.

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Jewelry Collection Stories: Jennifer of @Dupkaspike

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To end out the year, our last Jewelry Collection Story comes from Jennifer, or as many may know her on Instagram, @Dupkaspike. Her collection is eclectic, heavily sentimental and so fun to look at. She captured her collecting essence perfectly in these photos. Now if only I can meet her one day and she them in person! 😉 …take it away Jennifer:

I can’t say that I have always loved jewelry, but I can pinpoint the moment when the love affair began. When I was 16, my Dad took me into Keil’s, an antique jewelry store on Royal Street in New Orleans, and bought me two rings. One was a mother of pearl cameo with an onyx surround, and another was a rose gold carnelian with a gold inlaid intaglio of a Rose of Sharon.

It was an important moment in my understanding of jewelry. My Mom was a big Southwestern jewelry fan (I’ve inherited her collection), but it wasn’t something that resonated strongly with me, though I admired it. I was drawn more to the sentimental, and to the personal.

I did not do a lot of collecting in early adulthood. My husband is Chinese, and so over the years and when we married, I received traditional Chinese 22k gold and jade pieces as gifts, which I look forward to passing on to my children. Traditional Chinese don’t really like lower-karat gold pieces and I liked history and sentiment; so we were in agreement that mall jewelry wasn’t really for me. The jade pieces are my favorites of these, as is a giant 22k dragon and phoenix ring.

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Over the years I have gravitated to certain genres. As an amateur painter, I adore portrait miniatures, and greatly admire the skill required to produce them. I don’t have many, but I’m always on the lookout for special pieces. Recently I acquired a large Georgian locket brooch, from CJ Antiques, surrounded by amethysts and plan to commission a portrait of my kids and dog. One piece I wear often I got from Duvenay, a pretty portrait of Marie Antoinette, with a diamond halo that was converted from a stickpin.

I’m a strong believer in personalization, so mostly every new piece I own has some engraving or dedication on it. When my kids were born, I bought heavy Tiffany Lucida wedding bands and had their names engraved on the outside and their birthdates on the inside. Similarly, I had their names and birthdates engraved on the inside of gemstone and diamond stacking rings. I have several stacking rings, which I love to mix with larger pieces. One set I wear all the time is two ruby keeper rings from Jewellery Hannah, as well as a giardinetto from Pocket of Rocks. Last year I worked with Hoard Jewelry on engraving to flat gold bands for them with personalized messages. One has the cipher of a “nonsense” love song my son used to sing to me as a child when he was barely verbal; only he and I understand it. He later told me that it was his love song to his Mom, and so of course my heart melted. Other antique engraved pieces of jewelry with dedications or initials I own are mostly amatory, including a Russian rock crystal locket with diamond initials on the face that once held hair; a tiny acrostic locket with engraving and locket space for hair; a large, double heart picture frame, and a banded agate mourning locket. A favorite bangle acquired from Lenore Dailey spells, “Dieu Vous Garde,” or “God Protect You.” I also have a locket with that motif. One of my very favorite pieces it is really quite special. I got it from Glorious Antique Jewelry. It is dated 1790 and has some interesting initials on the back, and a lovely message on the front, “Pour ma Sophie pour toujours ma petite cherie toût, 1790” which roughly translates to, “To my Sophie, you will always be my little darling, 1790.”

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I love LOVE, and as such can’t seem to stop seeking out pansy jewelry. I have several enamel and gemstone pieces—a pendant and pocket watch. Pansy jewelry of course was symbolic of the French for “ Pense à moi,” or “ Think of me.” Similarly a Georgian pendant brooch I find myself wearing often simply says, “ L’Amour,” and is decorated with two seed pearl lovebirds. A garnet and white enamel pendant reads in Latin, “ Dulcis Vita::Tibi Vita,” or “ The Good “ Life; Your Life.” One piece I have, ruby hearts with diamond wings, was acquired from Park Avenue Jewelry and I decided to convert it from a brooch to a necklace. I’m a strong believer that jewelry should be worn, and I realized that it would get a lot more use for me personally as a necklace. I got this piece as my mother was dying, and it will always be very special to me as a remembrance of her.

French St. Esprit pieces are also a love and I get a lot of use out of a French regional cross I found. One of the St. Esprits is probably late 18th century and makes a political statement, with its red and blue pastes. A favorite piece of mine is an 1835 rose cut diamond, gold and silver Halley’s Comet pendant (likely converted from a brooch) that I got from Inez Stodel.

xoxoGemGossip

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You can follow Jennifer –> @dupkaspike

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The Ten Best Vintage Engagement Rings from Trumpet & Horn

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Q & A with A La Vieille Russie in NYC

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It only took one quick glance from my whizzing cab on the busy streets of NYC–I locked onto the gilded windows with my eyes and secretly swooned as I sped by A La Vieille Russie. The antique gallery specializes in rare jewelry, Fabergé, decorative arts and Russian treasures, and stands on the corner of 5th Avenue and E. 59th Street in all its glory. It’s a shop unlike any other and it belongs in no other place than NYC. Unfortunately for me, I don’t get to visit NYC as often as I’d like to, but hopefully soon I will get a chance to visit ALVR rather than drive right by it only wishing I could stop.

The inventory on display at A La Vieille Russie is what most would describe as “exquisite,” or in my own words, “museum-worthy.” If you love Art Deco engagment rings, yes ALVR has them…but how about a rare piece of French Victorian jewelry, perfectly executed and in excellent condition?! Or even better, how about a diamond spray brooch with an origin most likely of the Russian Crown Jewels?! That’s what sets ALVR apart from the rest. The jewelry is magnificent and it speaks for itself.

I had to know more about this gallery that stands out from the crowd…about their jewelry, most importantly, and their views on the antique jewelry industry. With such an extraordinary store and resume, I fielded some questions and enjoyed hearing the intriguing responses. Hope you enjoy too!

q1

We source our jewelry from around the world but the majority of it we find in England and the European continent.

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The short answer is no. For instance, we have a postcard in our archives from an antique jewelry dealer, writing to his son in the 1820s saying “I don’t know how you are going to continue in business, I can’t find any merchandise”. We think dealers have always felt this way and really great antique pieces are becoming harder and harder to find. They are out there but along with being harder to find, the quality we seek has become a lot more expensive. It is easy to spend a million dollars but we would actually find it very difficult given the quality and the rarity of the pieces we are on the hunt for. However, as time goes on, pieces become vintage and eventually antique. Most of our collection comes from the 18th, 19th and early 20th century but we are beginning to collect exceptional jewels from the mid-20th century and we even have some “vintage” jewels from the 1970s and ‘80s.

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We are world renown for our Fabergé and have formed some of the most important Fabergé collections in the world. The Messer Schaffer’s father, Alexander Schaffer, is known for introducing Fabergé to America and Fabergé himself was a client of our firm in 19th century Kiev. We are also known for our Imperial Russian treasures and European Objects of Vertu and snuffboxes. Interestingly, snuffboxes are considered by most to be the top end of jewelry. Primarily snuffboxes were made for men, however, in her lifetime, Catherine the Great had the largest collection and the story is that she supposedly had a snuffbox on every window ledge of the Winter Palace, known today as the main building of the Hermitage Museum. Given the number of windows in the Winter Palace, 1,945 to be exact, this story must be an exaggeration. However, it is possible that she had at least one in each of its 1,057 rooms.

In terms of jewelry, we consider ourselves to be “where the unusual is usual.” We look for the highest level of craftsmanship, the finest materials as well as unusual and innovative designs. We get most excited about delightfully unusual jewels and over the years, some of our favorite pieces have included materials such as wood, leather, gunmetal, human hair, copper, brass, celluloid etc. Of course, rings do very well for us as they are easily worn with today’s fashions. We try to carry a range of momento mori rings, hardstone cameo rings, Georgian, Victorian, Art Nouveau, Edwardian, Art Deco and cocktail rings. Rare, high quality rings always sell and oddly enough, at the moment we are also all out of tiaras.

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Art Deco is eternally popular. Lately, we have also seen a returned interest in mid-nineteenth century jewelry (1830-1870) in the Georgian, Victorian and Revival styles. Art Nouveau ebbs and flows in popularity but we love it always. Artist jewelry such as pieces by Salvador Dalí or jewels by Hollywood celebrity jeweler Paul Flato also always has an audience. There is definitely an increase in the salability and desirability of antique jewels and we think it is due to two main factors: 1) People are looking for individuality and do not want to be a part of the herd. So much of today’s jewelry is ubiquitous or a continuation of branding and people are favoring unique antique pieces more and more. 2) Some of our jewelry we consider “subway jewelry”, as in you can wear it anytime, anywhere, depending on the audience. Some of our best pieces do not appear as obvious bling and are quite understated. You could wear these pieces on the subway without anyone realizing what you had on and then once you got to the opening night of the Opera, everyone would know what you’re wearing.

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q5

Any? We have several! One of our favorites is from a few years back. A friend and client came into our gallery one day saying that her sister had passed away and was wondering if we would be interested in looking at her massive collection of jewelry in Jersey. Of course, we said yes and when the subject was broached with one of our firm’s principals, he immediately said “get in a car and drive out there”. To which the response was “No can do, it is the Isle of Jersey… off of the coast of France!” We ended up with over three hundred and fifty pieces of fabulous jewelry.

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This post was brought to you in collaboration with A La Vieille Russie.

ALVR

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Jewelry Collection Stories: Sheri of Metier SF

Sheri Metier Collection | Gem Gossip Sheri Metier Collection | Gem Gossip Sheri Metier Collection | Gem Gossip Sheri Metier Collection | Gem Gossip Sheri Metier Collection | Gem Gossip

Continuing with our week of Jewelry Collection Stories, today’s collection features Sheri of Metier SF. If you don’t know, Metier is a boutique store located in San Francisco which went from selling mostly clothing and some jewelry, to mostly jewelry and some curiosities. Sheri and Trina curate some of the finest antique jewels you will ever lay your eyes on, so I knew the moment I asked Sheri to share her personal collection with Gem Gossip, it was going to be great! Take it away, Sheri:

“I am a collector of jewels of all kinds. I like that they are a testament to the past and beautiful reminders of events or people, or particular moments when you put them on. I like that they decorate the way you talk. I’m fond of mingling antique pieces with modern gems, the ethos of craftsmanship binding the different time periods and jewelry styles. I’m obsessed with references to natural forms in jewelry. I love snakes and animal motifs, and am drawn to unusual natural stones, old diamonds, coral, emeralds, turquoise and agates of all sorts. I mix my metals and adore stacks of gold bands and bracelets.

I’m very sentimental and wear a curb­link chain with collected antique and Philip Crangi charms everyday. Without this talismanic necklace I feel naked. French angel charms with the names and birthdates of each of my children and a beautiful parrot locket filled with family pictures are among my most treasured pieces.

I collect bangles and love Etruscan Revival next to Victorian next to Mid­Century. The diamond snake bangle was given to me by husband for my 35th birthday and the pair of wedding bangles were an anniversary gift. The silver floral bangle with rose gold edges was one of the first pieces I ever bought more than 20 years ago.

Ever drawn to contrasting shapes and textures, my wedding day cameo necklace pairs unexpectedly with vintage branch coral or the Gabriella Kiss ivy necklace and rough emerald earrings from Variance Objects.

Fashion always plays a big part in how I style my jewelry. Lately larger earrings for day have been calling out to me and my carved antique horn urns or intricate studded hoops from Philip Crangi again feel very au courant.

Last are my beloved rings. I’m drawn to stones and styles that seduce the mind and the eye. Two are snake rings, one a wedding band and the other a Gemstone Gypsy snake, twin to one my teenage daughter wears. My work partner, Trina and I recently bought each other the Gabriella Kiss eye rings. My mother’s diamond was set by Gillian Conroy and the extra­wide rose gold wedding band and turquoise pave navette ring have remained among my very favorite rings since I began collecting. These rings and all of my pieces are the lovely keys to my life.”

You can check out her store in San Francisco or online, here. Special thanks to photographer Rebecca Goldschmidt for photos.

Metier SF

546 Laguna Street

San Francisco, CA 94102

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Find Your Color Palette at Fellows’ Antique & Modern Sale

Fellows Auction December 2015 A&M sale Fellows Auction December 2015 A&M sale Fellows Auction December 2015 A&M sale Fellows Auction December 2015 A&M sale

As you can tell, December is FULL of the best jewelry auctions–it truly is the most wonderful time of the year! Fellows does not disappoint, with their December 10th Antique & Modern Sale lineup now online for your enjoyment. If you’re struggling to find that “perfect” piece for a holiday gift this year, make sure you check out their catalogue. It is brimming with fun antique jewelry, rare items and collectible pieces. I’ve put together a color palette to get some ideas flowing. Whether you’re drawn to moody blues, epic greens, festive florals or vibrant orange, these will surely get you inspired!

> Fellows Antique & Modern Sale, Thursday, December 10th, 2015 <

Image One:

Lot 26: A bright blue enamel ring, finished off with white enamel around the edge, is set with five rose cut diamonds in silver settings. This is a fine piece of Georgian jewelry and I love the openwork shoulders–gives it some nice detailing!

Lot 37: A mashup of my current muses all in one piece of jewelry–a tri-colored figa pendant! I love the detailing with the different colored gold. The uniqueness of this piece is really something else! It is all 18k gold and the piece measures a little over two inches.

Lot 45: A moody mid-19th century gold Holbeinesque pendant, consisting of a garnet, pearl and some enamel. The garnet cabochon in the center is foil-backed, flanked by pearls with rose-cut diamonds, blue, red and green enamel in a circular-shape. The backside features some beautiful etching. So exquisite!

Lot 134: An Egyptian-revival plique-a-jour brooch. The coloring is bright and vibrant, depicting an Egyptian King in a headdress with wings. Nothing like that stained glass window effect on a piece of jewelry.

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Image Two:

Lot 38: This emerald and diamond dress ring features a crowned heart, an enchanting jewelry motif! Pear-shaped emeralds team up to form a heart shape, along with a bow of diamonds to form the crown. Such a pretty piece!

Lot 56: A fun waterfall of diamonds is depicted in this pendant, which is set with Old European cut diamonds and some rose cut diamonds, accented with black enamel. The two diamond scrolls which start at the top of the piece set it off beautifully!

Lot 399: Such a fantastic piece of Art Deco history, this drop pendant features emerald and diamonds in platinum in a chandelier style. The necklace that is comes on also has some special detailing–dispersedly set with pearls throughout. Gives off a very romantic vibe!

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Image Three:

Lot 114: A gem-set ruby band ring featuring cushion cuts which graduate in size, each bold and juicy as ever. The ring is done in yellow gold and would make a gorgeous right hand ring or stackable within your collection. Be a lady in red!

Lot 157: An epic pair of Victorian fringe earrings, each set with an oval cabochon garnet in a scalloped motif with hanging chains at the bottom. I love the bow detail at the very top–it is unexpected and gives it a nice character.

Lot 384: Jewelry featuring hands is a personal favorite–this claddagh ring has French assay marks and a gorgeous trillion cut pink sapphire. The hands are articulated and show enough detail to be just right!

Lot 443: Fiery garnets create this striking necklace, which is rather delicate and modern looking. A medium-sized round garnet at the very top, followed by four smaller garnets, ending with the biggest garnet at the bottom. A simple design but very powerful.

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Image Four:

Lot 100: A mid-20th century enamel pansy brooch. This one features an old cut diamond in the center that is approximately 0.15 carats, with pink and white petals. The center shows purple as well.

Lot 108: Another mid-20th century enamel pansy brooch, this time featuring a pearl in the center and mostly purple and white enamel colors with some yellow detailing. Love these enamel pansies–my collection is lacking one!

Lot 269: An incredible Carlo Giuliano brooch which is a bumble bee reverse crystal intaglio brooch, surrounded by amethyst and half pearls. What is even more amazing about this lot is it comes with the original box and the maker’s mark is clearly on there. What a fantastic piece!

This post was brought to you in collaboration with Fellows Auctions

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Source: GossipGem.com

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