Top Five Jewelry Moments in Movies

Jewelry in Movies | Gem Gossip

Who else finds warming satisfaction when a strong female protagonist hits the big screen donning some breathtaking jewels? One of most inspiring qualities in a female role is a strong sense of self, unabashedly confident in expressing her feminine side. A trinket may not make the woman, but it can help the woman embrace and reflect qualities like beauty, grace and sophistication — all of which should be celebrated.

Sure, it’s easy to think of lavish jewelry as unnecessary, ostentatious or vain, but those who only think in such boxed-in terms are missing some integral points. Jewelry may at times reflect things like status, but at its heart, it is art and it is precious. It is sentimental and it is transcendent. Perhaps that’s why I like jewelry in movies. It can be more easily admired in relation to the women that wear it, however complex those women are.

Whether you love jewelry with a story or you just like jewelry, perhaps you’ll enjoy this list of my top five favorite jewelry moments from the movies. They all just so happen to include antique jewelry in one form or another.

Titanic

Kate Winslet’s character, Rose wears some stunning jewelry in Titanic. But none are more regarded than the Heart of the Ocean, which is a fictional blue diamond necklace not to be confused with the Hope Diamond. The necklace used in the movie was made with CZs by Asprey & Garrard.

Gone with the Wind

In the 1938 film, Gone with the Wind, Vivien Leigh’s character, Scarlett has more jewelry moments than I can count. If you’re up for a Google search, find the mourning scene where she wears a large cameo brooch on her collar. The heirloom was borrowed from the costume designer’s mother and depicts a figural riding atop a bird. Amazing.

Moulin Rouge

Set in 19th century Paris, Moulin Rouge is perhaps the most decadent on this list. I mean, look at that necklace! Nicole Kidman’s character, Satine is wearing a gorgeous Belle Epoque festoon necklace with just over 1,300 diamonds. The fictional necklace was made by Stefano Canturi.

Marie Antoinette

Historical and poignant, Kirsten Dunst does a fine job humanizing Marie Antoinette in this film, as directed by Sofia Coppola. It’s worth noting that many argued the film didn’t fairly portray how overly and unnecessarily decadent the royal family was. All the antique jewelry you see is by Fred Leighton.

The Great Gatsby

Art Deco fans rejoice! Whoever was in charge of costume design for the recent adaptation of The Great Gatsby did a marvelous job capturing the era. Carey Mulligan, who plays Daisy, is seen wearing vintage jewelry from Tiffany & Co.

What are your favorite jewelry moments from movies? Let us know in the comments!

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

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The Hottest Celebrity Jewelry Trend Happening Now–Hoops!

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Jennifer Lopez may have been one of the originators, but now there seems to be a resurgence in the popularity of hoop earrings and celebrities are following suit.

What makes this hoop trend new? Crank the typical thin metal circle hoop earrings up a notch… or 12 notches! We’ve spotted all kinds of luxe versions of the hoop earring — from diamond color coated to encrusted opal slices. Hoops are competing as the new statement earrings on the red carpet.

Not to mention they have a remarkable way of framing the face and are extremely adaptable in size to fit anyone’s face shape. They’re quintessential and dependable. Hoop shaped earrings have been a powerful symbol in numerous cultures throughout history. The oldest earrings archaeologists have discovered belong to Sumerian women who lived in 2500 BC, and favoured the classic gold hoop style.

Hoop earrings are a foolproof, classic staple and if you don’t have a pair of hoop earrings in your jewelry box, check out these celebrity looks for inspiration to add a pair now!

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Hailey Baldwin demonstrating that one pair of hoop earrings is never enough. Hailey wearing 2 pairs of gold hoop earrings from Jennifer Fisher Jewelry at the iGo.live launch event.

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Jennifer Lopez wore Harry Winston three row diamond hoop earrings at the ‘Rei Kawakubi/Comme des Garçons: Art of the In-Between’ Costume Institute Gala 2017. She also wore a pair of bold gold Samira hoop earrings by Jennifer Fisher Jewelry in her new music video for ‘Amor Amor Amor’.

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Nicki Minaj wore oversized diamond hoop earrings by Lynn Ban at the 2017 MTV VMAs.

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Rihanna prefers colored diamond encrusted hoop earrings. She wore Rihanna Loves Chopard pink sapphire hoop earrings to the LA premiere of Valerian and The City of a Thousand Planets. She also wore yellow diamond hoop earrings by Jacob & Co. at the launch of her Fenty Beauty, pictured here.

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Singer Rita Ora wore diamond Tiffany and Co. hoops at the 2017 Teen Choice Awards.

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Sarah Paulson wearing diamond Jasmine hoop earrings by Nirav Modi at the 2017 Screen Actor Guild Awards.

PICTURE credit all GETTY, with the exception of Rihanna photo via WIRE IMAGE

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Dupuis Important Jewels Auction Set for June 11, 2017

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Canadian auction house, Dupuis, has announced their upcoming Important Jewels sale, set for June 11th, 2017. The sale features over 400 lots of fine jewelry, ranging in time period and price points across the board. From antique and vintage engagement rings to designer hallmarked items, the sale is sure to satisfy any type of collector. I’ve highlighted a few of my favorite pieces above, with descriptions below…and I’ve made sure to already sign up to bid online! The sale is on a Sunday, so don’t forget!

Dupuis Important Jewels Auction >> June 11, 2017

Lot 54: Emerald and diamond antique ring, circa 1850 has topped my favorites list so far–this ring immediately caught my attention due to its age and how great of condition it is in. The emerald is approximately three carats with a closed-back setting, typical of the time period. Estimate: $3,655-5,117

Lot 94: Very unique diamond and colored diamond pendant/brooch which depicts the Roman Goddess Diana, a huntress with a bow and arrow. The diamonds are yellow, pink and colorless and form a really neat look when aligned with the outline of the figure. Estimate: $3,655-5,117

Lot 114: This vintage lapis and diamond bracelet steals the show in design and gemstone combination. The piece measures 6.5 inches in length and done in 18k yellow gold. Each lapis is set individually in a plaque-style and the bracelet easily articulates. Estimate: $1,901-2,632

Lot 142: Beauty and elegance; nothing like a Belle Époque piece. This brooch is set with an aquamarine and surrounded by diamonds, portraying a bow. I love the long length of it, as most bows are shorter and wider. By the way, this is all done in platinum! Estimate: $1,316-1,608

Lot 150: I made sure to include this aquamarine ring in my roundup of favorites because it is downright glowing from within! The intense aqua color is striking and I am also a fan of the split-shoulder setting. Can you guess how many carats the aquamarine is?! Try approximately 43! Crazy. Estimate: $9,503-11,696

Lot 173: A great example of a highly unique engagement ring–this ring features a 2.37 carat center diamond with a hexagonal frame around it. The ring is done in 18k yellow gold, is a size 5 and you may not be able to tell from the photo, but the shank is square not round! Estimate: $7,310-10,234

Lot 183: The radiating fire of this black opal is dynamic and striking to say the least! I love the design, as I feel it suits the play-of-color. I’ve learned that opals which exhibit red flashes and red play-of-color are most valuable, so this is truly a rare piece! It is mounted in 18k yellow gold and is an antique piece. Estimate: $1,462-1,901

Lot 184: Another radiant opal, this piece is a pendant that dates back to the early 1900s. It features some diamonds and demantoid garnets (green) and is done in platinum. Such a stunning piece! Estimate: $2,924-4,386

Lot 188: I went for the bold and bright colors on this ring! I also expected this piece to be a signed piece, but I don’t think it is. We’ve got amethyst, pink sapphires, and diamonds mounted in 18k gold. A bold look for a colorful woman! Estimate: $1,462-1,901

Lot 212: Sea shells fit for an enchanted mermaid–these earrings are made entirely out of gemstones and gold! We’ve got tourmalines, peridot, topaz, and cabochon sapphires here…set in 18k yellow gold and signed by Fochtmann and numbered 0066. Definite masterpieces! Estimate: $1,462-2,193

Lot 254: The amount of funky designs I am thinking up using these unmounted tourmalines has my head spinning! What unique colorings?! Pastels at their finest–what would you create using them? The pale pink round tourmaline and minty blue round tourmaline are a great pair, but when you add in the bi-colored cushion cut, it makes the lot! Estimate: $1,462-2,194

Lot 274: Big and bold; this modern take on an asymmetrical engagement ring design keeps us on our toes and wanting me unique designs! The old marquise cut diamond weighs approximately 1.90 carats and is truly one-of-a-kind. Estimate: $5,117-6,579

Lot 328: I also like this engagement ring because it is both modern and chunky at the same time. The round center diamond is about three carats and is safely set in a bezel of 14k white gold. There are also ring guards done in yellow gold, which turns up the design element. Estimate: $13,158-16,082

Lot 383: A large and rare no-heat sapphire that is pear-shaped and totally gorgeous. The sapphire weighs 10.32 carats and set beautifully amongst a necklace of 18k yellow gold and a wonderful design. Between the pinwheel style of the main design and the attention to detail, this necklace will surely fly off the auction block! Estimate: $23,392-26,316

Lot 395: It doesn’t get much better than antique Tiffany & Co. and this ring is the epitomy of grace and style! Set with a center emerald cut sapphire weighing 4.65 carats, flanked on each side by a pair of old pear-shaped diamonds weighing approximately 2.50 carats, finished in platinum. A stunning piece of history, that is just as beautiful today. Estimate: $87,720-109,650

Lot 397: Large and in charge–this diamond solitaire ring is not playing around! Weighing in at a lofty 6.35 carats and set in 18k white gold. I like the simple, classic mounting with the six-prong setting. It is perfect for a diamond like this! Estimate: $43,860-58,480

This sponsored blog post was brought to you in collaboration with Dupuis.

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Q & A with Nektar De Stagni Fine Jewelry

Spike Jewelry Set by Nektar De Stagni

Transforming soft, elegant pearls into edgy and cool pieces of jewelry, Nektar De Stagni has created a fine jewelry brand that is both fun and here to stay. I’m loving everything about it, including the smiley (and non-smiley) pearl emoji dudes, whether they’re in pendant form, ring form, or earrings, these provoke positivity! I personally own the spike pearl necklace in yellow gold and every time I wear it, someone always asks about it!

Nektar De Stagni has creativity in her blood and first launched her fashion brand at the young age of 21. Both the response and the passion she felt from her jewelry which also launched had led her to solely focus on NDS her fine jewelry identity and brand. Since its inception in 2008, Nektar De Stagni has become a cult favorite and is currently carried at Nordstrom, The Webster, Opening Ceremony, and several other retailers, including her own e-commerce website. We caught up with the busy entrepreneur and DJ to learn the latest:

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We are currently working on expanding on the Pearl Styles to include other cute symbols like Hearts, Peace signs, and Letters/initials!

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I have been designing since I was a little girl. I have sketches of jewelry as early as age 6! When I was 18 I started a ready to wear company and made jewelry accessories to complement the clothes. The jewelry was really popular and it slowly took over. In 2008 I decided to launch Nektar De Stagni Fine Jewelry as a standalone brand.

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Seeing my jewelry in the Wall Street Journal, New York Times, Bergdorf Goodman, and worn by Rihanna is a major thrill!

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I would love to one day collaborate with Tiffany & Co, and Cartier.

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I love all of my jewelry, but the Smiley Emoji Pearl Ring is a great reminder to stay positive and grateful every day 🙂

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Enter to win your own Nektar De Stagni smile emoji pearl ring — click here!

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Jewelry Collection Stories: Danielle of @jasmyntea

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This month’s Jewelry Collection Story comes from a favorite Instagram collector of mine and it’s not because we share the same name, although that helps 😉 It is because Danielle’s style and curation of such a fine collection is unlike any other! She has a fierce eye for what she loves and I’ve been wanting to know her story for quite awhile now. We finally got her story (she is a busy San Francisco dweller, with a full-time job that doesn’t involve jewelry) and she has provided some amazing photos of her personal collection. Let’s dive into her story!

“I have always been a collector. Whether it was collecting vintage jewelry, or vintage clothing, or books on costume and fashion. I’m always looking for unique items that speak to me in some way. I first fell in love with jewelry when I was about 12 and would ride my bike to the thrift store to look for treasures. I always liked vintage clothing, shoes, jewelry and scarves. Old pieces have stories within them. And I always liked to imagine the travels the pieces went through before I became their custodian.

My mother does not really wear much jewelry. Most of the jewelry she wears, except her wedding band, was probably given to her by her sisters or her daughters. She has very few pieces, so I didn’t really grow up surrounded by jewelry. I didn’t know one of my grandmothers as they both passed away before I was born. But I do wear her gold framed glasses from the 1940s every day as my own eyeglasses. I love this connection with my past. My other grandmother didn’t really have much affinity for jewelry either. So I’m not really sure where my love of jewelry and antiques comes from–but I can tell you that I’m obsessed 🙂

When I first started collecting jewelry in high school I liked vintage brooches and small enamel pins. This was what I could afford to purchase. From vintage pins, I branched out to vintage sterling. I always loved going to antique stores and hunting for unusual, inexpensive pieces. My early collection included David Anderson Norwegian pins and bracelets, sterling charm bracelets, bakelite bangles, and funky long beads to layer. I always liked layering, mixing and creating a story with my jewelry. As my style evolved I also liked to support local jewelry artists, so I would go to fairs and stores that sold the work of local jewelry artists and try to pick pieces I liked. My modern collection is made of up certain designers – Marla Aaron, Judy Geib, Gabriela Kiss, Louison Rare and Fine (GemstoneGypsy), Jean Jean Vintage, Gillian Conroy, Variance Objects, Dahlia Khanner, Alberian and Aulde, Amali Jewelry and local San Francisco artists Betsy Barron and Alix Bluh. I tend to gravitate towards jewelry artists versus major designer jewelry. Although one of the first pieces I completely coveted when I was 16 was Tiffany’s Elsa Perreti sterling bean necklace.

In the recent years I have gravitated towards building my antique collection. I love to go to antique fairs and shows, stop in small antique shops when I travel and I follow many antique jewelry sellers on IG. If you are curious, my first IG discovery was Erie Basin and my early purchases were a Toi et Moi Victorian diamond ring and a French link bracelet that many people have asked if they could purchase from me. Finding the antique jewelry community on IG has been very meaningful to me. I feel like I’ve found a crew of fellow jewelry enthusiasts that I can geek out about Georgian jewels, or old cut diamonds, or how to style antique and modern jewelry together. Before IG I never really participated in social media. Finding the IG community of jewelry lovers has been a nice addition in my life, so I don’t drive my husband and sons nuts with my jewelry interests. I’ve also enjoyed meeting fellow IG collectors on my travels.

I can’t really categorize what I collect, because I look for unusual pieces or pieces that resonate for me in some way. I feel like I am the custodian of the pieces I collect. I can’t always articulate why I fall in love with pieces. Sometimes the piece feels sentimental, sometimes the piece will fill an aspect of my collection that I need for a look I’m striving for. On a broad level, I like Georgian and Victorian jewelry. And then I like modern pieces that provide contrast for the more sweet/sentimental antique pieces. I love to mix antique and modern pieces together. Probably my favorite thing to mix are Marla Aaron locks with my antique necklaces, charms and brooches. Mixing and styling jewelry is a creative outlet for me. It’s self-expression—what I’m trying to put out there on a given day. I mix everything: yellow, rose, green gold, platinum and silver. On most days I have on five types of metal. I actually tend to prefer wearing mixed metals versus monochromatic styling. Although sometimes I like to do all gold or all silver or all one kind of gemstone.

I’m sentimental when it comes to jewelry. I always wear a Marla Aaron lock which to me symbolizes to hold fast to what’s important. I once did post on IG about how my modern jewelry spirit animal is my engraved Marla Aaron lock that has all family initials hidden within the engraved design. If I had to pick an antique spirit animal it would probably either be antique chains or signet rings. My thorn necklace (by Gillian Conroy) symbolizes that life has thorns to deal with but I am strong enough to weather the thorns. My hand bloodstone signet ring from Metier with the word “confido,” which means trust, reminds me to trust myself. And then on any given day, my other jewelry represents other items of importance to me or things I’m trying to stay centered about. My Mizpah ring from TheOneILoveNYC is for my husband and me, and my Souvenir bangle from Lucy Verity hasn’t left my wrist since I got it last year – I look down and remember. My Lenore heart rings: to remember love, my signets: to remember the people who are important to me, my memento mori ring from Nvitblanche: to remember to live in the moment, my ruby locket from Circa 1700 has diamonds in it from my mother-in-law in the amount of Pi carats (ok I’m a definite geek). Recently my husband and I gave each other Gabriela Kiss eye rings to symbolize us watching over each other.

You may wonder what pieces I am on the hunt for next. I try to keep an open mind when I am hunting for jewelry, because you never know what you might find. I always ask myself does this resonate for me, will I really wear it and reach for this piece everyday? I like to purchase pieces that I will wear, I don’t like for jewelry to just sit in my jewelry box. I don’t necessarily keep a running wish list. Although at the beginning of 2016 I did an IG jewelry wishlist post and when I look back on it now, I did end up collecting some of the items on my wishlist during 2016, (like my French cut eternity band from Platt Boutique Jewelry). Right now I’m coveting high carat gold items – 22K gold bands (I just got one from Metier) and poesy rings, a Georgian memento mori ring and chains, always more chains. Recently, I’ve been loving layering a lot of gold watch chains.

In closing, almost every piece I wear holds meaning for me of something I want to remember or a story I want to tell that day with my jewelry. Jewelry wearing and styling is my personal storytelling.”

xoxoGemGossip

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Top Ten Best Jewelry Looks of the 2017 Met Gala

Met Gala | Gem Gossip Met Gala | Gem Gossip

This year’s theme for the evening’s Met Gala was “The Art of the In-Between”. The exhibit offers a retrospective of designer Rei Kawakubo of the famed design house Comme des Garçons. Stars and socialites embraced the juxtaposition of redefining the traditional placement of jewelry by wearing key pieces around the ear, in the hair and in some cases even backwards. The red carpet dazzled with both futuristic, avant-garde statement pieces and traditional vintage diamonds from iconic jewelers.

Below is a selection of the most striking examples we found to be featured on the red carpet. We are counting down our top ten looks, including the above look worn by Chinese fashion model Liu Wen.

1. Liu Wen wearing Chanel fine jewelry, photos via NY Mag.

Met Gala | Gem Gossip

2. Claire Danes wore an antique yellow gold and seed pearl earrings and antique cut steel arrow brooch, circa 1850, worn in the hair by Fred Leighton.

Met Gala | Gem Gossip

3. Karen Elson stuns in Tiffany & Co. earrings and ring.

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4. Mary Kate & Ashley Olsen wearing a plethora of what looks like vintage baubles.

Met Gala | Gem Gossip

5. Actress Elle Fanning wore an Art Deco aquamarine and diamond bandeau, circa 1920s, in platinum along with 6.0 tcw diamond studs in platinum by Fred Leighton.

Met Gala | Gem Gossip

6. Kate Bosworth wore vintage ruby and diamond earrings and a vintage diamond necklace by Cartier.

Met Gala | Gem Gossip

7. Katie Holmes wore a fabulous set of antique diamond and paste necklaces from Kentshire.

Met Gala | Gem Gossip

8. Kerry Washington wore a safety- pin choker by Michael Kors Collection.

Met Gala | Gem Gossip

9. Sarah Paulson wore custom Calder-inspired sapphire in oxidized gold chandelier earrings by Irene Neuwirth.

Met Gala | Gem Gossip

10. Cassie wore a custom-made diamond ear cuff by Indonesian designer Rinaldy A. Yunardi.

All above photos via Getty images.

This post was collaboratively written by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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Q & A with Ashley of Jewelry Finds

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One of the most abundant comments I receive from people is gratitude for instilling a love for antique items, specifically jewelry, into the younger generation. If all else fails, I feel like I’ve contributed to the greater good of this world by promoting an appreciation for the past, rather than buying fast and new products. I’m always excited to profile someone that is younger than me and exudes a passion for antique jewelry which they’ve been fostering on their own, making it their occupation and being successful at it! That’s why I’m really excited to feature Ashley of Jewelry Finds, an online-based antique and vintage jewelry shop that has been run by her and her mother since 2013. Let’s find out more, shall we?

Q&A

I was 20 years old enjoying burgers and shakes around midnight with my friends at a diner in my hometown of Bethesda, Maryland. Suddenly, a woman I had never met walked right up my table and asked if I had ever considered selling jewelry before. Maybe she liked way I laughed? How I talked to people? The way I scarfed down my cheeseburger in 30 seconds? Whatever it was, I now know it was fate. Fast forward two months later and I had my first big city job at Washington D.C.’s oldest antique jeweler. Shortly thereafter, my antique jewelry fairytale was written and I was given an old brooch that changed my life!

Visit my website to read my magical and true story: https://www.jewelryfinds.com/about.html

Jewelry Finds | Gem Gossip

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Q&A

So my love affair of jewelry professionally goes back 13+ years but I actually used to model in jewelry stores for their holiday trunk shows in high school! So I think 17 years?! I am a GIA alumni and love learning about any type of jewelry from any era on any given day! To acquire my pieces I have hundreds of contacts with jewelry wholesalers and auction houses. They know how particular I am and how I like to hand select everything myself! I only pick unique, well preserved and heirloom quality pieces for my clients. I don’t offer pieces in my collection unless I would want it for myself!

I joined the online retail world in 2013 with four pieces of my own jewelry for sale and since it has grown to over 200 carefully hand curated heirloom quality pieces of art! I am strictly a web-based business so I have the time to add new pieces weekly! Check back often! Just click on my ‘Newest Finds’ section on my website or click on the link below:

https://www.jewelryfinds.com/products/newest-finds.html

In case you were wondering how I got ALL of this done, I didn’t want to forget the backbone of the company and co-owner of Jewelry Finds®, my mom Janet! She is Jewelry Finds® amazing photographer, videographer, bookkeeper, graphic designer, website designer, shipping expert and my BEST FRIEND! She loves jewelry just as much as I do and I make sure to spoil her every chance I get! We both share a love for antique jewelry, cute animals and Joni Mitchell. She’s the web guru. I’m the jewelry guru. It was a match made in heaven for a web based antique fine jewelry business from the very start.

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Q&A

Hands down, my favorite piece in my collection for sale is this enormous and rare Art Nouveau enamel and diamond ring! It features gorgeous shaded green and pastel yellow enameling, chunky old mine cut diamonds, and a central Peruzzi cut diamond weighing approximately .80cts . This ring is made entirely in era appropriate brushed 18k green-yellow gold. It’s a museum worthy piece!

Here is the link everyone and don’t forget to watch it’s YouTube video!

https://www.jewelryfinds.com/product/antique-diamond-ring-art-nouveau-1900s-green-enamel-cushion-cut-peruzzi-diamond-18k-yellow-gold-statement-ring.html

Featured front-and-center in photo below:

Jewelry Finds | Gem Gossip

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Q&A

1) A pristine and classic ‘Moi Et Toi’ early Edwardian ‘Tiffany & Co.’ old European cut diamond and natural emerald bypass ring with original hallmarks.

2) This Victorian moonstone and old mine cut diamond heart locket with intricate enameling & hand engraving.

3) And last but not least, a pair of late Victorian chandelier earrings measuring over just over 2.5” inches long made in era appropriate 14k yellow gold with sterling silver tops. These earrings featured almost three carats of chunky and sparkling old mine cut, table cut, and antique pear cut diamonds. Ugh. Officially depressed!

one two three Jewelry Finds | Gem Gossip

Q&A

My Victorian 14k Yellow Gold & Old Mine Cut Diamond Brooch, of course!

(This brooch changed Ashley’s life, read the full story & see it here >> https://www.jewelryfinds.com/about.html )

Jewelry Finds | Gem Gossip

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

This sponsored post was brought to you in collaboration with Jewelry Finds.

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Bonhams New York Fine Jewelry Sale Set for April 24, 2017

An important fancy colored diamond and diamond ring 124 (2) A pair of diamond day-night earrings, Van Cleef & Arpels, 129

Bonhams New York, April 24, 2017

133 lots of jewelry top off the upcoming New York sale from Bonhams. This is my first blog post featuring the highly respected auction house which is a global enterprise, having eight different locations worldwide. Their history as an auction house is one for the books, as they’ve been shattering records and facilitating some of the best exchanges in the world. In the US, we have three Bonhams locations, New York, Los Angeles and San Francisco (primary sales rooms are New York, Los Angeles, London and Hong Kong), with their online presence @BonhamsJewels Instagram which focuses on all things jewelry. It is a delight to look at and with every upcoming sale, the excitement and momentum is contagious. There are some serious lust-worthy jewels in their New York sale, which I’m going to be covering within this blog post.

The sale date is April 24th, 2017 and the start time is 3pm EST. If you want to get in on the fun, be sure to register to bid in advance of the sale date and surely don’t be intimidated by bidding online! If I can do it, you can do it! Let’s talk highlights…

I can’t pinpoint one particular pièce de résistance of the entire sale, so I’m going to choose these four jewels and make them my final answer! One aspect of Bonhams’ sales is the wow-factor. There are always pieces that make you stop and stare–whether they are big diamonds, fancy colored stones, bold sapphires or juicy emeralds–this is exactly what I’m talking about!

Leading Highlights:

Lot 124: If you know a thing or two about fancy yellow diamonds, you’ll realize this ring is IT. The center stone clocks in at 6.32 carats–color rating of fancy vivid yellow and clarity is VVS-1. I can’t even fathom something so remarkable as the center stone, however to make it even more amazing, it also is set in a ring with two diamonds on each side. These said diamonds are GIA certified as well and are a 2.08 ct & 2.07 ct, both F color stones with VS-1/2 clarity. If you want to see this baby on a hand, click here. Estimate: $400,000-600,000

Lot 129: Nothing more chic than a pair of day/night diamond earrings from Van Cleef & Arpels. A definite highlight of the sale, these earrings are set with nearly 30 carats of diamonds! Wow! All rounds, pear and marquise cuts which are done in platinum and 18k white gold for a stunning pair. The dangles can be removed to reveal stud earrings for an easy, on-the-go look! Estimate: $60,000-80,000

A fine ruby and diamond clip brooch, Cartier, circa 1935 132 A diamond rivière necklace 133

Lot 132: Ok, if you’ve been following me lately, you’ve realized I’ve kind of been obsessed over dress clips lately. For some reason, I keep seeing them pop up everywhere, including some great ones at auction. This one is crème de la crème, being signed Cartier and circa 1935. This Art Deco clip is set with a stunning Burmese ruby, over five carats of diamonds and sugarloaf and cabochon cut rubies. Such an elegant piece of history. Estimate: $300,000-400,000

Lot 133: Leading the sale is this catalog cover star–an exquisite diamond riviére necklace. This piece is composed of 63 diamonds which graduate in size; the biggest diamond in the center weighing 3.05 carats. All in all, the grand total carat weight is approximately 44 carats! A once-in-a-lifetime necklace for a very special lady…and if you’re wondering, it’s done in platinum. Estimate: $200,000-300,000

Other Favorites:

A black opal, demantoid and sapphire necklace, attributed to Louis Comfort Tiffany for Tiffany & Co.,  6 An Arts and Crafts citrine, diamond and gem-set pendant,  8 A diamond solitaire pendant necklace, Golconda  104

Necklaces

Lot 6: Anytime I see the words “black opal” I know it’s going to be pretty incredible. I don’t think I’ve ever met a black opal I didn’t like. This particular necklace is extra special because it is circa 1915 and attributed to Louis Comfort Tiffany for Tiffany & Co. The detail in this piece is great as the chain is accented by demantoid garnets and sapphire–and also love the gold filigree. Estimate: $15,000-25,000

Lot 8: An Arts & Crafts necklace that is quite unique–set with a citrine and some diamonds, circa 1915. I love the silhouette of this piece, with the draped chains and dangle. The craftsmanship of the chain sets it apart from others I’ve seen. And the colors–perfect for fall! Estimate: $7,000-9,000

Lot 104: As we’ve seen lately, heart shaped gem cuts are going strong. This pendant necklace is a bold 4.46 carats of a heart cut diamond, done in platinum. The specs on the diamond are VS-1 clarity and D color. I can picture it sparkling from a neck and looking gorgeous. It is simple, however anything but dainty! Estimate: $75,000-95,000

An emerald, diamond and onyx ring 20 A coral, diamond and enamel ring, Donald Claflin for Tiffany & Co. 22 A diamond solitaire ring 69

Rings

Lot 20: I think this is one of the most beautiful rings I’ve seen up at auction in awhile. Mounted in platinum, set with a large 8.36 carat emerald and surrounded by diamonds, onyx and smaller emeralds. I love everything about this ring–from the style, to the gemstone combination, to the width of it. An heirloom that will be treasured for years to come–I am already jealous of whomever places the winning bid. Estimate: $15,000-20,000

Lot 22: This fun Tiffany & Co. ring has a striking color combination made up by the coral and blue enamel. Of course it is from the 1970s, a time period I’m obsessed with–their jewels and music, yes please. Done in 18k yellow gold with some diamond accent to finish off the design, this ring will stop people in their tracks! Bet! Estimate: $5,000-7,000

Lot 69: A ring that could single-handedly bring back the marquise cut as the most popular diamond cut! The ring is set with a VVS-2 clarity, I color diamond that is GIA certified. It weighs 6.07 carats and one request–making a major impact on the finger. I also love the fact that it is done in 18k yellow gold. Estimate: $70,000-80,000

A diamond and emerald pendant-brooch  5 An art deco diamond, sapphire, spinel and black onyx dress clip  17 A pair of fancy colored diamond and diamond earrings 125

Miscellaneous

Lot 5: This pendant/brooch is two pieces of jewelry in one! And did I mention the style and design is just breath-taking?! Lozenge-shaped emeralds dazzle with old European cut and old mine cut diamonds are set in this plaque style pendant, set in platinum. Estimate: $9,000-12,000

Lot 17: Of course I had to include another dress clip because I’m smitten with them. This one is more affordable than the amazing Cartier one mentioned earlier–but still just as gorgeous. And this one is also Art Deco, done in diamonds, sapphire, spinel and black onyx, all set in platinum. Estimate: $5,000-7,000

Lot 125: THESE. The cuts on these diamonds make them look like real ice–they are pear-shaped rose cut diamonds as petals and then the center of each flower is a fancy pink diamond. Such a great combination. The earrings total 17.59 carats of diamonds and are done in 18k white and rose gold. Estimate: $70,000-90,000

This sponsored blog post was brought to you in collaboration with Bonhams New York.

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Gem Gossip Visits J.S. Fearnley in Atlanta, GA

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