Jewelry Collection Stories: Emily of @GemCircus

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We are kicking off July with an incredible jewelry collection story from Emily, also known as @GemCircus. If you’re a part of the jewelry Instagram community, you’ll easily recognize some of the jaw-dropping pieces in Emily’s personal collection. From the way she styles her necklace layers, to ring stacks, arm parties, and everything in between, we love her taste and enthusiasm for antique jewelry. I’m so excited she has agreed to share her story with us, so let’s sit back and enjoy:

My love for vintage and antique collecting started when I was a teenager, after my family moved to Vancouver, Canada, from Hong Kong in the early 1990s. I remember it was July when we arrived and I would walk to the nearby library every other day to borrow books to read (our container didn’t arrive almost a month later so all I have in my room were merely a bed, a built-in closet and my backpack). I started to notice our neighbours’ garage sales in my walks and I was amused at the things people were selling – from snow cone machines to music records, jewelry to stuff toys. That summer of looking through other people’s belongings and engaging in rapports gave me a sense of belonging and connection to the community. Ever since then I have become a frequent visitor to community flea markets, thrift shops and antique shows.

My jewelry obsession started around early twenties with vintage jewelry, in particular charms and silver filigree bracelets. I love to style them on mixed metal chains and I still love styling them now.

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I wasn’t picky and didn’t have a favourite period at that time so I usually picked up quirky little things like brooches, pins, jewel “plaques” (which I found out they were called “clasps” later) etc. Even though my collecting seemed to be random at that time, I was already drawn to jewelry that have motifs, like this brass crescent with hand and arrow and the clasped hand ring that I found in a thrift store. Looking back, I believe my love for antique sentimental jewelry originates from this pair!

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A lot of my Instagram followers already knew that I adore Georgian and Victorian sentimental and mourning jewelry, as well as portrait jewelry. This probably relates to my “innate sensitiveness” (as Carl Jung coined it) and the way I see jewelry as not merely an adornment but also a medium for expression, an art, an identity of who we are.

After I started reading books on lover’s eye, portrait miniature and mourning jewelry, I became obsessed with researching stories behind the jewelry that I collect. I realized that the brass crescent and the hand motif ring are not ‘funky little things’ as I thought in my teenage days, they actually carry specific meanings – love, new relationship and friendship – in the Victorian era. As my jewelry collection matures over time, I began to search for jewelry with motifs or meanings, like the urn, masquerade (masked lady), hand (figa, clasped hand, claddagh), heart (double-heart, flaming heart), star and crescent, buckle, swallow, snake, fern, acoutistic (“REGARD” and “DEAREST”) and Halley’s comet etc.

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I like to think that every piece of antique jewelry carries its own story of those before us, and I’m a custodian carrying on its legacy while creating my story with my collection. I love styling and always try to mix and match, experiment with different stacking and mixed metal, and do simple conversions to make every piece wearable. You can see from my Instagram photos that I’ve worn a big opal crescent brooch with another monkey brooch in the middle, stacked seven Art Deco wedding bands to make a statement ring, wrapped my wrist with antique chains and added a micromosaic brooch on top, stacked an Art Deco paste bracelet with a Hermes red enamel bangle, wore brooches on hats, and layered antique gold chains with watch chains. The fun is endless!

I shop everywhere but recently it’s largely online as there aren’t any antique jewelry shops in Hong Kong. I love the Instagram community as I’ve met so many wonderful souls (many of whom have become friends for life) around the world that share my obsession in antique jewelry. I always visit antique and jewelry shops when I travel too. It has been a tradition to bring back a piece of jewelry from each city that I visit.

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One of my obsession is Georgian masquerade jewelry: masked lady ring with ruby bonnet and rose cut diamonds from @karendeakin.antiques ; locket from @abrandtandson and the most recently acquired oval ring from @bijouxvictim

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Ring stacking is a daily essential for me: Georgian blue enamel rose cut diamond urn ring from @lenoredailey ; the moonstone on the mourning ring was a gift from my jeweler in Vancouver (he has kept it for 40 years!) and it fits perfectly on the bezel of the once empty mourning ring; flat cut garnet band from @antiqueanimaljewelry

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Mourning rings and figas: these enamel mourning rings are too big to wear so I usually wear them on gold chains as pendants. The twin coral figas were acquired from different continents yet they look so much alike. The one with emerald and diamonds was found in a UK auction and the one with seed pearl top was found in an antique show in Vancouver.

xoxoGemGossip

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Newest Finds from Your Jewelry Finder, June 2017 Edition

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This time of year always seems to provoke a sense of “out with the old, and in with the new!” And by that I don’t mean throw out your antique jewelry and swap it for modern pieces–I mean to take into consideration some of my Spring Cleaning your Jewelry Box suggestions and buy some pieces that really count! Rings that make your jaw drop, necklaces and pendants that make your heart flutter, bracelets that make you feel warm inside and earrings that you know will look amazing on you–that’s what we all need! It seems that Ashley of Jewelry Finds® is not short on remarkable pieces of jewelry. She makes it her mission to bring her customers new acquisitions and is dedicated to working long days and nights to get them up on her website for you! That’s why we’ve teamed up to bring you a monthly digest of all her latest finds, to keep you in the loop and up-to-date. We don’t want you to miss a “piece of a lifetime” or something that you “should’ve, would’ve, could’ve” because as jewelry collectors, we know that happens far too often! So whether you check GemGossip.com religiously or have signed up for our newsletter, be on the lookout for our monthly “new arrivals” post from Jewelry Finds! ® — Something Old. Something New. Something You™

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Left photo:

18k rose yellow gold Victorian 1890’s Blue Sapphire & Old Mine Cut Diamond Bypass Ring, Price: $2,999

14k yellow gold Victorian Sapphire Circa 1880’s Natural Violet Blue Cushion Sapphire Old European Cut Diamond Halo Ring, Price: $3,999

Platinum Antique Sapphire Diamond Circa 1915 Filigree Old European Cut Halo Ring, Price: $7,999

Platinum Art Deco Circa 1930’s Vintage 1.72ct t.w. Old Mine Cut Diamond Engagement Ring, Price: $6,500

Platinum Art Deco 1.63ct t.w. Circa 1930’s Vintage Old European Cut Diamond Engagement Ring, Price: $7,450

14k yellow gold Vintage Yellow Sapphire Circa 1940’s Retro Natural Yellow Sapphire & Diamond Ring, Price: $7,500

Emerald and diamond dinner ring, reserved please inquire, [email protected]

Platinum Art Deco Emerald Engagement Circa 1930’s Vintage 2.53ct t.w. Old Diamond Halo Ring, Price: $4,400

18k yellow gold Vintage Estate 1950’s Cornflower Blue Sapphire Asscher Diamond Halo Ring, Price: $5,999

Right photo:

top bracelet is reserved please inquire, [email protected]

14k yellow gold Art Deco Bracelet Peridot Lattice Bangle Filigree Circa 1930’s Hinged Bangle, Price: $1,450

18k & 14k yellow gold Antique Art Nouveau 2.71ct t.w. Sapphire Rose Cut Diamond Hinged Bangle, Price: $4,999

Platinum Art Deco Diamond Bracelet Circa 1930’s Old Antique Cut Diamond Filigree Geometrical Tennis Bracelet, Price: $8,999

Platinum, 14k yellow gold Antique Edwardian 1920’s Old European Cut Rose Cut Diamond Filigree Heavy Bracelet, Price: $4,499

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Left photo:

Platinum & 18k Large Antique 1900’s 2.95ct t.w. Antique Cut Diamond Bow Necklace, Price: $6,250

14k white gold Vintage 1940’s 12.80ct t.w. Early Retro Persian Turquoise & Transitional Round Brilliant Cut Diamond Pendant Necklace, Price: $5,999

14k & silver Antique Victorian 1880’s Old Mine Cut Diamond Pendant, Price: $4,200

Platinum & 14k white gold Estate Large 5.60ct t.w. Solid Black Opal & Diamonds By The Yard Necklace, Price: $4,999

Emerald cut diamond necklace, reserved please inquire, [email protected]

14k white gold Vintage Art Deco Circa 1930’s Filigree Carved Crystal Old European Cut Diamond Pendant, Price: $799

18k white gold Vintage Aquamarine Diamond Pendant Circa 1970’s Aquamarine Pear Shape Diamond Necklace, Price: $3,800

Right photo:

Platinum Edwardian 1920’s Cultured Pearl & Old European Cut Diamond Ring, Price: $1,899

Platinum, 14k gold Art Deco Double Diamond Ring Circa 1930’s 1.28ct t.w. Old European Cut Diamond Ring, Price: $5,500

Platinum Vintage 8.46ct t.w. Emerald Cut Aquamarine Ring Circa 1940’s Diamond Ring, Price: $3,999

onyx ring, reserved please inquire [email protected]

18k white gold Art Deco Vintage 1930’s Aquamarine Diamond Ring, Price: $1,199

Platinum & 18k Edwardian Diamond Navette Ring Circa 1915 Blue Lab Sapphires & Old Rose Cut Diamonds, Price: $1,995

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Left photo:

14k yellow gold Victorian Sapphire Ring Circa 1880’s Natural Violet Blue Cushion Sapphire Old European Cut Diamond Halo Ring, Price: $3,999

14k yellow gold & platinum Vintage 5.60ct t.w. Emerald Cut Amethyst Circa 1940’s Jones & Woodland Ring, Price: $1,599

14k yellow gold Victorian Enormous 7.03ct 12mm Cabochon Moonstone Ring, Price: $2,999

18k yellow gold Unique Rose Cut Ring Pave’ Diamond Serpent Wrap Cocktail Unique Statement Ring, Price: $5,999

18k yellow gold Vintage Art Deco 1930’s Old European Cut Diamond Milgrain Navette Cocktail Ring, Price: $3,999

14k yellow gold, silver Antique Art Nouveau Peridot Old Mine Cut Diamond Ring Circa 1900’s Floral Statement Ring, Price: $4,400

Opal ring reserved please inquire, [email protected]

Right photo:

Platinum Art Deco Old European Cut Diamond Sapphire Chandelier Earrings, Price: $15,000

Vintage Diamond Art Deco Earrings Circa 1930’s Filigree Old European Cut Single Cut Diamond Chandelier, Price: $4,500

18k yellow gold Estate Large Clover Shaped Multi Colored Cabochon Pink & Green Tourmaline Diamond Chandelier Earrings, Price: $3,500

Platinum, 18k gold Vintage 4.15ct t.w. Art Deco Emerald Diamond Earrings Circa 1930’s Chandelier Earrings, Price: $9,950

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Left photo:

first two necklaces reserved, please inquire [email protected]

18k yellow gold Vintage H.Stern Estate 1980’s Aquamarine Diamond Pendant, Price: $4,200

Art Nouveau 1900’s Antique Old Rose Mine Cut Diamond 18k Yellow Gold Platinum Locket, Price: $2,000

Platinum & 14k Edwardian Vintage .75ct t.w. Circa 1920’s Old European Cut & Rose Cut Diamond Star Motif Pendant, Price: $2,999

Right photo:

Art Deco Wedding Band Platinum Three Stone Baguette Diamond 1930’s Stacking Ring, Price: $995

Platinum Vintage Diamond Wedding 1940’s Seven 7 Stone Diamond Wedding Band, Price: $699

18k white gold Art Deco 1930’s 0.20ct t.w. Ten Diamond Vintage Wedding Band, Price: $599

Platinum Art Deco Circa 1930’s 1.16ct t.w. Old European Cut Diamond Filigree Ring, Price: $3,499

Platinum Antique Diamond Filigree Engraved Wedding Band Circa 1920’s 8 Stone Single Cut Bead Set, Price: $1,350

18k yellow gold Antique Circa 1890’s Victorian 5 Stone Opal Old Mine Cut Diamond Ring, Price: $1,850

18k yellow gold Art Deco Five Stone Wedding Band Circa 1930’s, Price: $2,600

>> Need to see any of these pieces in a video? Check out Jewelry Finds Youtube channel for 360 views!


This sponsored post was brought to you in collaboration with Jewelry Finds. ®

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Q & A with Heather B. Moore Jewelry

Heather B. Moore

Heather B. Moore’s story starts with love, laughter and family…and fittingly, just as her jewelry often depicts those words both literally and figuratively, she has brought personalization of jewelry to the highest level. After viewing the video displayed below, you see just how hands-on and multi-faceted her business has become. This interview also touches upon how it all came to be, in the most innocent of ideas and forms. Sometimes we are destined for a certain path and it seems as though Heather was meant to bring memories, quotes and cherished words to life through her jewelry designs. Each piece is heavily sentimental and often instant tear-jerkers. As jewelry enthusiasts, we know how special a personalized piece can be–but how about one that is in the exact handwriting of a loved one? Or an exact doodle from your once 5-year-old son or daughter? I know if and when I start a family, Heather B. Moore‘s designs will be first on my list for a little keepsake!

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We are currently developing an exciting new series based on personal empowerment called the Sculptural Series. Its foundation stems from personalized themes people were requesting for their designs, which usually fell into four common categories: strength, growth, wisdom, and healing. With that as our guide, we started the Sculptural Series to capture moments that feel personal while complementing our other designs.

While we are only launching with a limited selection, this is just the beginning. The world is full of wonderful symbols that have meaningful messages, and Heather B. Moore jewelry is excited to add more sculptural jewelry to the collection in the future.

Heather B Moore | Gem Gossip

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I only took one jewelry class in college. At the time my focus was cast glass, Venetian glass blowing, and steel work. My sister Wendy was an anthropology major and had moved to Kathmandu, Nepal where she lived with a jeweler’s family. That’s where I started getting interested in what she was doing! After college, I was working for an artist welding large-scale art installations across the country for Judy Pfaff. On the weekends, my sister Wendy used to ask me to make jewelry for fashion shows and low-budget movies in Los Angeles.

I started off doing chain work and handmade chain, which we still do today. I also integrated glass beads and stones within the chain, and while we still integrate stones into our chain, we moved away from glass beads to focus on precious stones.

In 2004, I started offering personalization on a number of pieces and everything grew from there. Our personalized collection was created on the foundation that timeless designs start with a blank canvas for our customers, then we collaborate to create the perfect piece. We have the capacity to create the steel stamps of people’s handwriting and children’s drawings as well as a wide variety of fonts and layouts.

I started collecting tools when I was 13. I grew up in the steel industry of Cleveland and loved going to my dad’s factories, so craftsmanship was something that I related to.

The first steel tooling stamps that I purchased were from a garage sale at an old machinist’s house. I carried those stamps around with me for 15 years before knew what to do with them! In 1991, I pulled out those stamps and decided to integrate quotes from my friends and family. I stamped them out onto the silver plaques and then framed it with a handmade cast glass frame.

In 1997, my sister Wendy was in a skiing accident and passed away. Before she passed I stamped a quote she gave me into a piece of metal: “I said to my sister and she said to me, come let’s play laughter together.” I remember loving the quote so much that I took the plaque with her quote off the wall, and I put it in my wallet. To this day I look at it and it makes me smile.

After moving back to Cleveland and receiving the Rising Star Award from the JCK trade show, I had an interview with Real Simple Magazine about why a designer from NYC would move to Cleveland.

During the interview the writer asked a series of silly questions like, “what kind of hair care products do I use?” and, “what is in your purse?” At first I was a little confused, but I pulled out my wallet and got the plaque of my sister’s quote, and they loved it. They photographed it and used it as the focal point of the article.

At the time, I was designing for bigger companies like Banana Republic and I was getting tired of doing trendy jewelry that was “in” one season and “out” the next. I thought it was interesting that they loved the little plaque so much, and that made me think about the unique stamps that I had in the basement, and I knew I wanted to make something for myself. So, I stamped my kids names on some silver discs, framed them in gold, and I created my first personalized necklace.

I fell in love with it because my kids would sit on my lap and flip through the charms and look for their names. That is when it hit me: personalization has more value than the material that it’s on, because personalization is forever. Telling your story is not a trend; it’s a keepsake, an heirloom, and one-of-a-kind… just like the person wearing it.

That is when I knew I was on the right track. I was putting something into the marketplace that I had actually created in 1992… it’s like it all became a full circle.

It’s amazing to think I was so young, but I’m also very proud to say that now we create our own stamps in our steel shop. It’s fun to have the opportunity to create special tooling for each individual customer.

Heather B Moore | Gem Gossip Heather B. Moore | Gem Gossip

Left: the plaque Heather made, with her sister’s special quote Right: a necklace Heather wears almost everyday–it features her new Buddha charm


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I think my proudest moment was winning the Town & Country International Gold Award at the Couture Jewelry Show in Las Vegas.

This is a show where all designers get together and showcase their pieces to stores across the country. Town & Country magazine had sponsored the event, so it was super fancy that year. Most people were in black tie… but I didn’t know that! I showed up late to the party in flip-flops, jeans, a t-shirt and messy hair!

When I thought about designing something for the Gold category, I wanted something no one had yet documented. One topic that came up was that we had never documented someone’s letter, and I had the perfect one. It was a whimsical thank you note from my sister Wendy. She had sent it just days after Christmas and she spoke of the importance of family and new traditions. This was the first year I didn’t spend Christmas with my family because I was with my husband’s family in Canada, so it really hit home for me. It was the last letter I ever got from her. She passed away shortly after Christmas.

We stamped this whole letter on a big yellow gold cuff, with a rose gold frame on the outside and a green gold frame on the inside, then we covered the frame in diamonds.

We arrived late to the awards show party and had already begun to announce the winners, so we quickly grabbed a glass of wine and snuck into some seats just as the announcer said, “And the Gold Award goes to a designer from the city of the Rock ‘n’ Roll Hall of Fame…”

…I thought to myself, “Oh my gosh, there’s another designer here from Cleveland,” but then they called my name!

Heather B Moore | Gem Gossip

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In a broad sense, my hopes, dreams, and goals are to make sure I can continue to create beautiful pieces for people and documenting their stories. I love that we have the opportunity to work with customers hand-in-hand.

And with the sculptural collection, there are so many amazing symbols that empower people. I just love the direction we are going with that!

Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip

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I have so many pieces I love and adore! We have a wide variety of designs within the collection, and I truly love all of them. I have many iterations with my children’s names (Henry, Leo, Oliver and Coral). They are my proudest creation!

I have a yellow gold bangle with their names on it, a leather bracelet with with their names on it, and a necklace where they each have their own charm! I actually named the frames after them. The Henry frame is a braid like the Nantucket braided bracelets. The Leo frame has a granulation frame for him because he really loves the arts. Then there’s the Oliver frame. He’s really an organized child so I did a spiral frame for him. Coral’s got a bubbly personality, so her frame kind of looks like bubbles!

I like to wear my cuff bracelet that has my sister’s letter with jeans and a t-shirt, but I also wore it to the Beastie Boys black tie Rock ‘n’ Roll Hall of Fame induction.

My sister Halley and I both have a charm with Wendy’s phone number on it. She never had business cards, which we always thought was hilarious! We made it in green gold because her birthday was on Saint Patrick’s Day.

My new favorite necklace has a bunch of charms on it, and it’s a story about my boyfriend Jason and me. We went to high school together so I have one charm that says “You were worth the wait,” and another charm that says “Home is when I’m with you.” And I have a little single initial J charm for his name… and a diamond, of course!

I have a 4mm square cuff bracelet that grounds me–it says “When you look at life through the right lens, everything comes into focus.” Life certainly does throw you some curveballs sometimes… so that helps me through those challenges. The fact that I’m a photographer kind of makes it perfect! My dad gave me my first camera when I was 14 and then shipped me off to Africa with 13 rolls of film. I have been an avid photographer ever since.

I will end with this one:

I have this fantastic ring that has been dubbed “the hockey ring.” It’s my good luck ring for my boys’ games. If it’s not on my finger it’s in my wallet waiting for the next game. I did not put any personalization on it with words… and it’s really quite thick. We call it The Pope Ring at the studio! So when I’m photographing the hockey games (because all three boys are in hockey) if something happens like a goal or a good defensive play, I can bang on the glass with my ring, and I wont hurt my hand! Because of all the banging, overtime it has collected quite a few, great dents! It is essentially personalized from all the dents!

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This sponsored blog post was brought to you in collaboration with Heather B. Moore.

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Vegas Prep: Interview with Randi & Meaghan of For Future Reference

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We’ve got double the fun today, as our Vegas Jewelry Week interviews continue–we’re talking with Randi Molofsky & Meaghan Flynn Petropoulos (can’t wait to ask you to pronounce this for me in Vegas). The duo behind For Future Reference has a lot going on right now, including their first ever booth at Couture (shoutout booth 601), new clients, and a new brick-and-mortar studio located in NYC. Their places in the jewelry industry have evolved over time, but one thing is for certain, both have an intense love for gold, diamonds, gems and the people involved. Also tequila, sequins and vintage…and calling me Poodle. So glad Randi & Meaghan took the time out of their Couture prep schedule to answer our questions:


Randi's Answers

How many times have you attended Vegas jewelry week?

My first year was 2001, when the show took place at the Phoenician hotel in Scottsdale, AZ. Back then, everyone went to JCK AND Couture because they didn’t overlap. So if you think it’s exhausting now, it’s nothing compared to the two week slog it used to be!

Biggest tip for Vegas jewelry week you’d give your rookie self on the eve of your first time going to Vegas?


Wear flats during the day. Took me about 15 years to let go of my vanity and figure this out.

Name five things you ALWAYS bring to Vegas Jewelry Week.


Vitamin B tincture, sequins, business cards, Excedrin Migraine, Kloraine dry shampoo.

One big difference from last year to this year?


We have our own booth!

Favorite things about Vegas Jewelry Week.


Dinner at the SW Steakhouse is definitely up there. But mostly it’s getting to reconnect with everyone in the industry. After doing this for more than 15 years, I can say without question that it’s like a great big family reunion (that you actually want to attend).

Biggest pet peeve about Vegas Jewelry Week.


Not being able to make it to the Antique show because we’re too busy. It’s devastating!

Weirdest thing to happen to you during Vegas Jewelry Week in the past.


I legitimately would not know where to begin, I could probably write a book on this very subject. But maybe it was a private dinner with Steve Wynn, followed by walking around the Vegas strip with him while he told us stories about all the hotels he built. Otherwise, being pregnant with my daughter Goldie and not far along enough to tell people. I carried the same half-full cocktail around all night to avoid suspicion!


Meaghans Answers

How many times have you attended Vegas jewelry week?

THIS IS MY 6TH SHOW

Biggest tip for Vegas jewelry week you’d give your rookie self on the eve of your first time going to Vegas?


DON’T STRESS THE DETAILS. REGARDLESS OF YOUR PREPARATIONS, SETUP DAY WILL BE THE WORST DAY OF YOUR LIFE.

Name five things you ALWAYS bring to Vegas Jewelry Week.


1) BLING GUARDS 2) CHANGES OF CLOTHES. I DON’T BELIEVE IN DAY TO NIGHT OUTFITS. 3) HYDRATING TONER 4) A FLASK OF TEQUILA, JK, BUT SERIOUSLY I ALWAYS HAVE A WATER BOTTLE AND COFFEE QUITE CLOSE. 5) ARGAN OIL

One big difference from last year to this year?


WE HAVE OUR OWN BOOTH!

Favorite things about Vegas Jewelry Week.


CATCHING UP WITH PEOPLE WE ONLY SEE ONCE A YEAR

Biggest pet peeve about Vegas Jewelry Week.


WHEN I MEET PEOPLE WHO CALL WHITE GOLD, ‘SILVER.’

Weirdest thing to happen to you during Vegas Jewelry Week in the past.


SOMETHING WEIRD HAPPENS EVERY 14 SECONDS OR SO IN VEGAS, SO THERE’S TOO MANY TO LIST. ALSO, I DON’T WANT TO GET SUED.

xoxoGemGossip

WANT MORE? Check out my coverage from last year

You can follow For Future Reference —> @for_future_reference

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How Designers Work with Gold: Six Unique Stories

A point of view that needs to be explored more often and more inquisitively is the role of THE MAKER. Every jewelry designer has a story, a technique, preferences and ways of doing things…but a favorite metal? That’s easy, it is usually GOLD. I teamed up with May Is Gold Month to delve further into this perspective, asking six different jewelry designers the same two questions. What will their answers reveal about using gold in their jewelry designs? Let’s find out!

You can also take a look at the MAKERS which May Is Gold Month is featuring on their page here.

Above video features Philadelphia-based jewelry designer Anthony Lent creating a one-of-a-kind engagement ring for a special client. Each piece is handmade by the maker himself in his studio.

Anthony Lent Jewelry Anthony Lent Jewelry

Anthony Lent Jewelry

How is gold important in your work?

For years I only worked in gold and some platinum. For me doing non conventional designs and creating them in a precious metal like 18k yellow gold was sort of an identity- the imagery in my designs was unusual to see in such a fine material.

Why do you like working with gold?

It is the most pleasurable metal to work with! The color of a rich 18 or 22k gold piece of jewelry is unlike anything else in nature. The way light plays off the material, the density of it, and its malleability is in my opinion why people have lusted after it for thousands of years.

>> Learn more about Anthony Lent here.

Jessie V E Jessie V E

Jessie V E Jewelry

How is gold important in your work?

Gold is absolutely essential in my work. The finish and feel of gold is like no other metal, and because I mostly use diamonds in my pieces, it’s really important that the jewellery they’re held in is as precious as the stones. I remember the first time I got to use gold at the bench while I was studying for my jewellery degree at university. I honestly didn’t realise it would be that different to working in silver but i was so wrong! From that moment the love affair with gold started and I physically couldn’t design anything without it. Although I don’t make the pieces at the bench myself for Jessie V E, I work very closely with the workshop, ensuring we use the highest quality gold in each expertly hand made piece.

Why do you like working with gold?

Often my jewellery has a symbolic or emotional feel, with the majority of the pieces being personalised or ‘semi-bespoke’, because I want them to become heirlooms passed down and cherished by future generations. Gold not only has the nostalgic and warm feel of the jewellery you remember seeing your grandparents and parents wearing when you were younger, but also from a more practical sense, gold is a metal that very few people have an allergy to, therefore making it perfect for everyday jewellery that lasts longer than a lifetime. There is just something about the feel, weight and warm glow of a gold piece of jewellery that is perfect for attaching memories and sentiment to, while looking beautiful and timeless.

>> Learn more about Jessie V E here.

Metalicious Jewelry Metalicious Jewelry

Metalicious Jewelry

How is gold important in your work?

Gold is important in my work because it has a rich history that dates back to the ancient Egyptians. Gold never corrodes and it was thought to symbolize immortality. This makes it the perfect ring for wedding and commitment bands.

Why do you like working with gold?

Gold is a beautiful metal to work with, it’s malleable yet extremely durable. I love the range of colors you can achieve by alloying gold with other metals. It gives me the flexibility to create unique alternative engagement rings, to match my customers personalities perfectly.

>> Learn more about Metalicious Jewelry here.

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Johnny Ninos Jewelry

How is gold important in your work?

Gold has played a big role in progressing my work. While transitioning from silver, the cost of gold required me to slow down and focus more intently on the details. I remember honing in on each file stroke and tightening my burr control; skills I now apply to all materials regardless of cost.

Why do you like working with gold?

Gold is an easy metal to love. It’s luscious and has a rich, deep character. When I’m working with gold it’s soft qualities preserve the handmade nature of the piece while still allowing for structure, durability, and precision.

>> Learn more about Johnny Ninos here.

Grace Lee Designs Grace Lee Designs

Grace Lee Designs

How is gold important in your work?

Everything in my collection is solid gold and made locally with ethically sourced materials. When I started my collection, almost 10 years ago now, there was a lack of minimal fine jewelry. Personally, I was at a point in my life when I didn’t want to invest in jewelry that will tarnish or turn my finger green. If the outside of my finger is green then who knows what’s happening on the inside of my body.

Why do you like working with gold?

Gold is intrinsically a soft and malleable metal yet strong and unchanging. Its value comes from these physical properties and its rarity. Gold was discovered thousands of years ago yet still today it remains one of Earth’s most valuable natural resources. I like working with gold because of the creative possibilities with a malleable yet unchanging raw material are endless and lasting. If you look at my collection we have pieces like the iconic Whisper Ring – that is airy and whisper thin yet can be worn everyday. The fact that it is solid 14k gold means you don’t need to take it off to shower or wash your hands. The fact that is solid 14k gold also means your piece will not change and can be passed on for generations.

I think it is rare and valuable to be flexible yet constant simultaneously. It is almost an oxymoron. Think about some of your favorite people – perhaps they are flexible and can adapt to changing circumstances yet you are confident they will also remain the same at a core level. Personally, I like these intrinsic characteristics in gold and in people.

As a designer that’s what I hope to do – to evolve yet stay constant. As I continue to create new collections it is my hope that people will continue to be able to appreciate and recognize my work as distinctively GL.

>> Learn more about Grace Lee here.

SophieHughes SophieHughes SophieHughes

Sophie Hughes Jewelry

How is gold important in your work?

Why do you like working with gold?

There is a very potent mystique intrinsic to gold – it is radiant, lush and seductive. It looks and feels luxurious on the body. The specific alloy of 18 karat gold I use in my work is bright and rich, with an old-world feel supplied by its cool undertones. As a designer, I appreciate its versatility as a material – it stands on its own but also plays nice visually when set with precious stones or fused over the surface of oxidized sterling silver.

I draw a lot of excitement and inspiration from the unlimited design possibilities of gold. Plus, working with it is an absolute dream! It remains clean when heated, is smooth as butter, and responds beautifully to the textures of the antique hammers I utilize in my work. It’s super forgiving because it has a great capacity to be worked and re-worked.

Gold is also easily recycled so its use aligns with my values as a designer. The metal mining industry is disruptive to the environment and is notorious for unscrupulous labor and business practices, so partnering with refineries who melt and mill precious, reclaimed scrap allows me access to material I feel good about working with and my clients feel good about wearing.

>> Learn more about Sophie Hughes here.

This sponsored post was brought to you in collaboration with May Is Gold Month.

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Jewelry Collection Stories: Danielle of @jasmyntea

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This month’s Jewelry Collection Story comes from a favorite Instagram collector of mine and it’s not because we share the same name, although that helps 😉 It is because Danielle’s style and curation of such a fine collection is unlike any other! She has a fierce eye for what she loves and I’ve been wanting to know her story for quite awhile now. We finally got her story (she is a busy San Francisco dweller, with a full-time job that doesn’t involve jewelry) and she has provided some amazing photos of her personal collection. Let’s dive into her story!

“I have always been a collector. Whether it was collecting vintage jewelry, or vintage clothing, or books on costume and fashion. I’m always looking for unique items that speak to me in some way. I first fell in love with jewelry when I was about 12 and would ride my bike to the thrift store to look for treasures. I always liked vintage clothing, shoes, jewelry and scarves. Old pieces have stories within them. And I always liked to imagine the travels the pieces went through before I became their custodian.

My mother does not really wear much jewelry. Most of the jewelry she wears, except her wedding band, was probably given to her by her sisters or her daughters. She has very few pieces, so I didn’t really grow up surrounded by jewelry. I didn’t know one of my grandmothers as they both passed away before I was born. But I do wear her gold framed glasses from the 1940s every day as my own eyeglasses. I love this connection with my past. My other grandmother didn’t really have much affinity for jewelry either. So I’m not really sure where my love of jewelry and antiques comes from–but I can tell you that I’m obsessed 🙂

When I first started collecting jewelry in high school I liked vintage brooches and small enamel pins. This was what I could afford to purchase. From vintage pins, I branched out to vintage sterling. I always loved going to antique stores and hunting for unusual, inexpensive pieces. My early collection included David Anderson Norwegian pins and bracelets, sterling charm bracelets, bakelite bangles, and funky long beads to layer. I always liked layering, mixing and creating a story with my jewelry. As my style evolved I also liked to support local jewelry artists, so I would go to fairs and stores that sold the work of local jewelry artists and try to pick pieces I liked. My modern collection is made of up certain designers – Marla Aaron, Judy Geib, Gabriela Kiss, Louison Rare and Fine (GemstoneGypsy), Jean Jean Vintage, Gillian Conroy, Variance Objects, Dahlia Khanner, Alberian and Aulde, Amali Jewelry and local San Francisco artists Betsy Barron and Alix Bluh. I tend to gravitate towards jewelry artists versus major designer jewelry. Although one of the first pieces I completely coveted when I was 16 was Tiffany’s Elsa Perreti sterling bean necklace.

In the recent years I have gravitated towards building my antique collection. I love to go to antique fairs and shows, stop in small antique shops when I travel and I follow many antique jewelry sellers on IG. If you are curious, my first IG discovery was Erie Basin and my early purchases were a Toi et Moi Victorian diamond ring and a French link bracelet that many people have asked if they could purchase from me. Finding the antique jewelry community on IG has been very meaningful to me. I feel like I’ve found a crew of fellow jewelry enthusiasts that I can geek out about Georgian jewels, or old cut diamonds, or how to style antique and modern jewelry together. Before IG I never really participated in social media. Finding the IG community of jewelry lovers has been a nice addition in my life, so I don’t drive my husband and sons nuts with my jewelry interests. I’ve also enjoyed meeting fellow IG collectors on my travels.

I can’t really categorize what I collect, because I look for unusual pieces or pieces that resonate for me in some way. I feel like I am the custodian of the pieces I collect. I can’t always articulate why I fall in love with pieces. Sometimes the piece feels sentimental, sometimes the piece will fill an aspect of my collection that I need for a look I’m striving for. On a broad level, I like Georgian and Victorian jewelry. And then I like modern pieces that provide contrast for the more sweet/sentimental antique pieces. I love to mix antique and modern pieces together. Probably my favorite thing to mix are Marla Aaron locks with my antique necklaces, charms and brooches. Mixing and styling jewelry is a creative outlet for me. It’s self-expression—what I’m trying to put out there on a given day. I mix everything: yellow, rose, green gold, platinum and silver. On most days I have on five types of metal. I actually tend to prefer wearing mixed metals versus monochromatic styling. Although sometimes I like to do all gold or all silver or all one kind of gemstone.

I’m sentimental when it comes to jewelry. I always wear a Marla Aaron lock which to me symbolizes to hold fast to what’s important. I once did post on IG about how my modern jewelry spirit animal is my engraved Marla Aaron lock that has all family initials hidden within the engraved design. If I had to pick an antique spirit animal it would probably either be antique chains or signet rings. My thorn necklace (by Gillian Conroy) symbolizes that life has thorns to deal with but I am strong enough to weather the thorns. My hand bloodstone signet ring from Metier with the word “confido,” which means trust, reminds me to trust myself. And then on any given day, my other jewelry represents other items of importance to me or things I’m trying to stay centered about. My Mizpah ring from TheOneILoveNYC is for my husband and me, and my Souvenir bangle from Lucy Verity hasn’t left my wrist since I got it last year – I look down and remember. My Lenore heart rings: to remember love, my signets: to remember the people who are important to me, my memento mori ring from Nvitblanche: to remember to live in the moment, my ruby locket from Circa 1700 has diamonds in it from my mother-in-law in the amount of Pi carats (ok I’m a definite geek). Recently my husband and I gave each other Gabriela Kiss eye rings to symbolize us watching over each other.

You may wonder what pieces I am on the hunt for next. I try to keep an open mind when I am hunting for jewelry, because you never know what you might find. I always ask myself does this resonate for me, will I really wear it and reach for this piece everyday? I like to purchase pieces that I will wear, I don’t like for jewelry to just sit in my jewelry box. I don’t necessarily keep a running wish list. Although at the beginning of 2016 I did an IG jewelry wishlist post and when I look back on it now, I did end up collecting some of the items on my wishlist during 2016, (like my French cut eternity band from Platt Boutique Jewelry). Right now I’m coveting high carat gold items – 22K gold bands (I just got one from Metier) and poesy rings, a Georgian memento mori ring and chains, always more chains. Recently, I’ve been loving layering a lot of gold watch chains.

In closing, almost every piece I wear holds meaning for me of something I want to remember or a story I want to tell that day with my jewelry. Jewelry wearing and styling is my personal storytelling.”

xoxoGemGossip

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Q & A with Ashley of Jewelry Finds

Jewelry Finds | Gem Gossip

One of the most abundant comments I receive from people is gratitude for instilling a love for antique items, specifically jewelry, into the younger generation. If all else fails, I feel like I’ve contributed to the greater good of this world by promoting an appreciation for the past, rather than buying fast and new products. I’m always excited to profile someone that is younger than me and exudes a passion for antique jewelry which they’ve been fostering on their own, making it their occupation and being successful at it! That’s why I’m really excited to feature Ashley of Jewelry Finds, an online-based antique and vintage jewelry shop that has been run by her and her mother since 2013. Let’s find out more, shall we?

Q&A

I was 20 years old enjoying burgers and shakes around midnight with my friends at a diner in my hometown of Bethesda, Maryland. Suddenly, a woman I had never met walked right up my table and asked if I had ever considered selling jewelry before. Maybe she liked way I laughed? How I talked to people? The way I scarfed down my cheeseburger in 30 seconds? Whatever it was, I now know it was fate. Fast forward two months later and I had my first big city job at Washington D.C.’s oldest antique jeweler. Shortly thereafter, my antique jewelry fairytale was written and I was given an old brooch that changed my life!

Visit my website to read my magical and true story: https://www.jewelryfinds.com/about.html

Jewelry Finds | Gem Gossip

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Q&A

So my love affair of jewelry professionally goes back 13+ years but I actually used to model in jewelry stores for their holiday trunk shows in high school! So I think 17 years?! I am a GIA alumni and love learning about any type of jewelry from any era on any given day! To acquire my pieces I have hundreds of contacts with jewelry wholesalers and auction houses. They know how particular I am and how I like to hand select everything myself! I only pick unique, well preserved and heirloom quality pieces for my clients. I don’t offer pieces in my collection unless I would want it for myself!

I joined the online retail world in 2013 with four pieces of my own jewelry for sale and since it has grown to over 200 carefully hand curated heirloom quality pieces of art! I am strictly a web-based business so I have the time to add new pieces weekly! Check back often! Just click on my ‘Newest Finds’ section on my website or click on the link below:

https://www.jewelryfinds.com/products/newest-finds.html

In case you were wondering how I got ALL of this done, I didn’t want to forget the backbone of the company and co-owner of Jewelry Finds®, my mom Janet! She is Jewelry Finds® amazing photographer, videographer, bookkeeper, graphic designer, website designer, shipping expert and my BEST FRIEND! She loves jewelry just as much as I do and I make sure to spoil her every chance I get! We both share a love for antique jewelry, cute animals and Joni Mitchell. She’s the web guru. I’m the jewelry guru. It was a match made in heaven for a web based antique fine jewelry business from the very start.

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Q&A

Hands down, my favorite piece in my collection for sale is this enormous and rare Art Nouveau enamel and diamond ring! It features gorgeous shaded green and pastel yellow enameling, chunky old mine cut diamonds, and a central Peruzzi cut diamond weighing approximately .80cts . This ring is made entirely in era appropriate brushed 18k green-yellow gold. It’s a museum worthy piece!

Here is the link everyone and don’t forget to watch it’s YouTube video!

https://www.jewelryfinds.com/product/antique-diamond-ring-art-nouveau-1900s-green-enamel-cushion-cut-peruzzi-diamond-18k-yellow-gold-statement-ring.html

Featured front-and-center in photo below:

Jewelry Finds | Gem Gossip

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Q&A

1) A pristine and classic ‘Moi Et Toi’ early Edwardian ‘Tiffany & Co.’ old European cut diamond and natural emerald bypass ring with original hallmarks.

2) This Victorian moonstone and old mine cut diamond heart locket with intricate enameling & hand engraving.

3) And last but not least, a pair of late Victorian chandelier earrings measuring over just over 2.5” inches long made in era appropriate 14k yellow gold with sterling silver tops. These earrings featured almost three carats of chunky and sparkling old mine cut, table cut, and antique pear cut diamonds. Ugh. Officially depressed!

one two three Jewelry Finds | Gem Gossip

Q&A

My Victorian 14k Yellow Gold & Old Mine Cut Diamond Brooch, of course!

(This brooch changed Ashley’s life, read the full story & see it here >> https://www.jewelryfinds.com/about.html )

Jewelry Finds | Gem Gossip

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Just in Time for Easter: Fabergé Eggs from A La Vieille Russie

ALVR | Faberge

Miniature white enamel egg set with a red enamel coin of Elizabeth I and four cushion-cut sapphires. By Fabergé, ca. 1895.

ALVR | Faberge

Miniature egg with white enamel stripes and set with a turquoise. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A jouré yellow and green gold egg, punctuated with rose diamonds around the center. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A two-color gold-mounted egg-form aventurine quartz hand seal on brilliant translucent green enamel base. By Faberge, St. Petersburg, ca. 1900.

Legendary Fabergé eggs–eggs so popular, that almost everyone knows what you’re talking about when you mention their name. For me, these were my first obsession above all other types of jewelry. I remember going to my local public library and wanting to check out a book on making crafts out of egg cartons–I saw the recommendation on Reading Rainbow! Instead, I found my way to a book on Fabergé eggs and was infatuated. In fact, for the first time in my life, I loved the book so much I never returned it. I didn’t care it was wrong because this book lit up my life! My second run in with Fabergé eggs happened when I was in high school. I became obsessed with watching Joan Rivers on QVC and admired her love of Fabergé eggs. Back then, she had created her own jewelry line with bundles of three eggs per chain of her own miniature versions of “Fabergé eggs.” I ordered my first trio of eggs and was hooked. I can’t remember how many I collected over the next few years, but after graduating college, I was able to pay for my trip to study abroad from selling my Joan Rivers Egg Collection. It was quite a few. I honestly wish I still had those eggs, but I wouldn’t trade my overseas experience for anything!

It is no myth that Fabergé eggs are enchanting, often mysterious, and full of intrigue. If you were married to a Russian tsar, the ideal Easter gift would be a Fabergé egg designed by none other than Carl Fabergé himself. The first ever Fabergé egg was made in 1885 and presented to Alexander III. Since then, it varies as to how many are apparently out there, but some sources say 65 Imperial eggs were made, some say 50, some say 52, but it is known that only 43 have survived–there is a really comprehensive table that describes each, citing where the egg is now. A few are cited as “Lost” and it is with lots of hope that they will be recovered someday.

ALVR | Faberge ALVR | Faberge

Circular aquamarine and diamond Imperial Presentation brooch with an Imperial crown decoration. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1913.

Natural pearl and diamond floral brooch with blue enamel border. By Fabergé, Moscow, 1896-1908.

ALVR | Faberge ALVR | Faberge

Diamond and green garnet necklace mounted in platinum. By Fabergé, ca. 1900.

Natural pearl ruby and diamond necklace set in platinum and gold. By Fabergé, ca.1900.

ALVR | Faberge ALVR | Faberge

Fabergé gold-mounted lozenge-form brooch, set with diamonds and red enamel wreath over white guilloché enamel ground. By Fabergé, St. Petersburg, ca 1890.

Lozenge brooch with a central cabochon moonstone, set with rose diamonds, and white enamel. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1900.

Fabergé eggs created for the general public, not just zsars, continued being the company’s most popular pieces. In the year 1900, the House of Fabergé was completed which literally was a large building which centralized all the operations–bringing together workshops, artisans, a design department, even Carl Fabergé’s own place of residence, in one large building. Throughout the turn-of-the-century, Fabergé turned out elaborate pieces of jewelry, decorative drinking cups and bowls, items for writing, miniature hardstone animals, a wide variety of photo frames (as Kodak launched its first camera), and much, much more. He employed hundreds of craftsmen under conditions that were very superior, with great pay. As success continued, expansion happened, until the first World War broke out in 1914. The House of Fabergé lost a lot of workers to the draft, precious metals were haulted to use, so the items that were produced during this time were created from materials like copper, nephrite, brass, and silver. Carl Fabergé ultimately fled Russia and died in 1920.

Many of the pieces of jewlery and decorative arts which Fabergé created during its height of success are highly collectible. A La Vieille Russie, a shop in NYC, has specialized in Fabergé since opening in 1961. You’ll be amazed by these authentic, one-of-a-kind Fabergé items, including some eggs that ALVR currently has in their inventory. If you haven’t read the blog post featuring my visit to ALVR, you must! Here is the link.

ALVR | Faberge ALVR | Faberge ALVR | Faberge

White enamel and two-color gold hanging bellpush. Contained in original fitted hollywood box. By Fabergé, St. Petersburg, workmaster H. Wigström, ca. 1915.

Carved two-color jasper miniature egg in the form of a Kingfisher with diamond eyes. By Fabergé, Moscow, ca. 1900.

Gold-mounted brilliant pink guilloché enamel egg-form pendant locket, the opening set with rose diamonds. By Fabergé, workmaster M. Perchin. St. Petersburg, ca. 1895.

Anyway, I thought the quick history on Fabergé paired with some pieces that are available would make my readers very happy on Easter! Hope you enjoyed!

Works Cited:

https://en.wikipedia.org/wiki/Fabergé_egg

Virginia Museum of Fine Arts app called Fabergé at VMFA

This sponsored blog post was brought to you in collaboration with A La Vieille Russie.

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How 3 Nashville Entrepreneurs Style Their Dana Seng Jewelry

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The life of an entrepreneur: forever in motion, on the go, and fast-paced. Sometimes you need your jewelry to be that way too! I’m always on the hunt for something I know I can throw on and automatically look good, something I can style with a variety of different outfits, and something that is timeless and will withstand a hectic lifestyle. The piece of jewelry that does it for me is my Dana Seng birthstone initial charm necklace, without a doubt! It goes with just about anything…when I put it on I already feel put together…and the best part is that it was made for me! I picked out the letter I wanted and the gemstone I wanted–D for Danielle (my first name) and sapphire for my birthstone (and luckily blue is a color that goes great with almost my entire wardrobe).

Dana Seng Jewelry prides itself on creating jewelry that fits this exact remedy–for “every style” and for “every woman.” I thought it would be fun to see how three different women style their own Dana Seng Jewelry pieces, so I took three Nashville entrepreneurs (myself included) and without any direction, told everyone to style their piece with what fits their lifestyle and how it fits in their everyday look. It was so interesting to see how a simple initial gemstone necklace or ring could be worn in different ways, suit unique styles and become a staple to someone’s wardrobe. One thing is for sure, we all agreed how simple, yet statement-making our birthstone initial pieces are and how much they’ve become an everyday occurrence within our style.

Let’s find out more:

Dana Seng Jewelry | Gem Gossip Dana Seng Jewelry | Gem Gossip

Danielle

By day, I’m writing my blog Gem Gossip, editing photos, pulling ideas and planning my next move…by night, I’m cooking the latest Blue Apron, catching up on Shameless, playing with my dogs and most likely ripping out carpet somewhere in my house. Even if there are days where I don’t leave my office, I like to at least throw on a piece of jewelry that makes me feel good and oftentimes it is my Dana Seng Jewelry initial necklace. My style is casual, always pants (I’ve never been a dress-wearer, but I’m trying) and I love a good blouse, like the one I’m wearing. I mostly wear vintage or antique jewelry, and my initial necklace from Dana Seng fits in perfectly.

Dana Seng Jewelry | Gem Gossip Dana Seng Jewelry | Gem Gossip

Lauren

When she’s not busy building her photography empire, Lauren Newman, a Florida-born, California-dreaming entrepreneur is exploring Nashville, always on the lookout for new places to shoot. Photography is her passion and so is traveling. Her style is romantic with an edge, often pairing a pretty dress with a leather jacket. Her Dana Seng Jewelry is an initial birthstone ring–she chose an L for her first name, done in garnets for her birth month of January. It pairs perfectly with her other gold, delicate rings and is exactly her jewelry style. She likes wearing rings when she’s out on a photoshoot because every time she clicks the camera, they sparkle!

You can follow Lauren on Instagram here.

Dana Seng Jewelry | Gem Gossip Dana Seng Jewelry | Gem Gossip

Alyssa

Documenting her daily outfits and inspirations has been something that has come natural for Nashville fashion blogger Alyssa. She has been writing Dreaming Trees since 2014 where her creativity flows and her bohemian style is put front and center. Her Dana Seng birthstone initial charm necklace easily transitions from her nine to five day job, to her photoshoots she executes for her blog. She chose an A for her first name set with Peridot for her August birthday in a necklace. As you can see, mixing her initial necklace with her usual Southwestern silver rings and other delicate gold necklaces fits her style and she makes it her own! Whether Alyssa is wearing a vintage dress or a new trendy designer, her Dana Seng necklace can blend with either and easily layer with other jewelry.

You can follow Alyssa on Instagram here.

– – – – – – – –

All photos by Lauren Newman Photography.

This sponsored post was brought to you in collaboration with Dana Seng Jewelry.

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Jewelry Collection Stories: Amanda of Maejean Vintage

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I’m so excited to share this month’s Jewelry Collection Story with you all because I know how much we collectively love the Maejean Vintage sisters! You probably own at least one piece from their Etsy shop, with over 12,000 sales made to date, I’m more apt to say you probably own several pieces! I know I do! It is fascinating to think over 12,000+ items have passed through these sisters’ hands–it leads one to be curious as to what is in their personal collections?! What pieces have they come across over the years that they just couldn’t bear to sell?! What jewels struck a chord with Laura and Amanda?

We are so lucky both were eager to share and put together these photos and stories of their collections. We decided to do a two-day, back-to-back event featuring the collections of both sisters–first up is Amanda’s collection, the younger of the two sisters!

Amanda’s Collection:

Amanda | Maejean Vintage Collection

These are some of the necklaces in my collection. The most special one is the dog tag that belonged to my Pop-Pop when he was in the USMC. I feel honored to have inherited it. The garnet cluster pendant was a Valentine’s Day present from my honey. I adore it! Sometimes I wear it on a long gold chain and other times I wear it as a choker.

Amanda | Maejean Vintage Collection

My most recent acquisition: an antique pale amethyst with a seed pearl halo which I wear in memory of my Aunt Cindy.

Amanda | Maejean Vintage Collection

My favorite bracelets are the gold filled bangles that I love to stack, and the two silver bracelets I inherited from my mother (the charm and the cuff), which she use to wear when she was in her twenties. The platinum and diamond pin is a family heirloom that I occasionally wear on a chain or a dress for special occasions!

Amanda | Maejean Vintage Collection Amanda | Maejean Vintage Collection

Left: I don’t wear earrings often, but when I do I keep it simple with the Victorian paste stones, or dress it up with my garnet dangles. Right: Vintage and antique rings in my jewelry collection. I am always on the look out for rings that feature sparkly old cut diamonds, endearing terms (my PET ring is one of my favorites!), or unique shapes!

My vintage jewelry collection really started around the time my sister and I opened our online vintage jewelry store, Maejean Vintage, in 2010. My collection is definitely smaller than I would ideally like, because I have such a hard time keeping pieces for myself! I know a lot of other sellers have that same guilty feeling when keeping a piece instead of selling it! Because of this, I only keep a piece in my collection if I absolutely ADORE it and it speaks to me on a personal level.

When I first started collecting, I was drawn to dainty and intricate pieces, mostly from the Art Deco Era. As my knowledge of different eras developed, so did my collection! My jewelry consists of pieces from the Victorian, Edwardian, Art Deco, Mid Century, and Modern eras. I am finding myself more drawn to bigger and bolder pieces as time goes on. I especially have a soft spot for rings!

Being a student at GIA has introduced me to the wonderful world of gemstones, so I am definitely drawn to gemstone jewelry — especially diamonds, garnets, emeralds and sapphires!

I have had the best luck finding jewelry for my personal collection at antique flea markets – especially the large flea market that happens three times a year in Brimfield, MA! I love flea markets because it really is like a big treasure hunt and I also enjoy the ability to haggle ;). eBay and Etsy have also been great marketplaces for finding unique pieces from all over the globe!

A lot of my pieces have strong sentimental value to me and represent people, places, or different times in my life. I recently acquired this amethyst and seed pearl ring which I wear in memory of my aunt, who adored the color purple. Seed pearls can represent tears, which is also very fitting.

Antique jewelry is my biggest passion – I love imagining where the pieces have been, and who cherished them before they came to me. I feel so lucky to have a career in connecting other people with sparkly old gems! <3

xoxoGemGossip

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