Jewelry Collection Stories: Lindsey of @ParkAvenueAntiques

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I’ve followed Lindsey of Park Avenue Antiques for a very long time! My first interaction with her was sort of humorous–I remember being on my way out the door to go antiquing for the day with my mom and sister. I was waiting on a ring to go up on the auction block so I unpleasantly made them wait until it did, not realizing it wouldn’t be until another 45 minutes. I can’t remeber exactly why I lost out on the ring, but while in the car finally on our way, I took a screenshot of the ring and posted it on Instagram with the caption, “Who outbid me on this portrait ring?! Confess!!” Lindsey was sweet enough to message me to tell me she had been the final bidder on it and graciously offered it for sale. A story too good to be made up, I’ve treasured that ring ever since! Over the years, we’ve continued to follow each other–even one point I tried meeting up at an antique show, but kept missing her! Hopefully meeting will be in the cards for us in the future, but until then…let’s check out her amazing jewelry collection!

Like many of you, I have been attracted to sparkly things for as far back as I can remember. As a little girl, I collected rocks and minerals, little buttons and sea glass. My father was an antiques dealer and the two of us were always on an “antiquing adventure”. One of our favorite places to visit was Roycroft Antiques in East Aurora, NY. They had a wooden whisky barrel filled with buttons and beads and I would dig through that barrel until my hands were black! Who knows what I thought I’d find in there! It was all about the hunt….

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I share this silver filigree necklace with my daughter Cameron. The three Edwardian silver bears represent her and her two brothers.

Around the age of 5, we moved to Hershey, Pennsylvania. It was a difficult transition. My parents both worked two jobs and I was home alone a lot. My mother always found ways to show me how much I was loved and that she was thinking of me. She came up with a hide and seek game we called “Rubber Legs” which involved hiding a yellow plastic figure. Before she left for work in the morning, she would hide Rubber Legs somewhere for me to find. Then I would hide him somewhere for her. I almost always hid him in her antique spool cabinet/jewelry box. It was a magical place where I wasn’t supposed to “dig around” but I couldn’t help myself! There were sparkly rings, beautiful strings of trade beads, flapper necklaces and cameos. She had all kinds of treasures but my favorite piece was a little gold acorn charm that rattled when shaken.

Once we moved to Hershey, adventures in antiquing with dad still continued. He opened an antique lighting shop in Adamstown, PA in the Black Angus Antiques Mall. Most Sundays I would tag along to help him but really spent most of my days with other dealers. I was fascinated with their knowledge in various fields and eager to hear their stories. This is where my love for jewelry and antiques really started.

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LEFT: Georgian sapphire and rose cut diamond bow brooch in silver topped gold, purchased at the Las Vegas Antique Jewelry & Watch Show

When collecting jewelry became a serious passion, I invested in books. Jewelry books on private collections, construction, symbolism, intaglios, various periods and markings. My jewelry library has helped me to educate myself and develop a true respect for the craftsmanship and symbolism that these pieces hold. I try to add one book to my collection every month. I would encourage any aspiring jewelry collector to do this as well.

RIGHT: Eight years ago, I was newly divorced and the only jewelry I had was my and my grandmothers wedding ring. I put some money aside and decided I’d like to create a piece of jewelry that would represent my family. I hoped to create a ring that could be passed on to one of my children. The first jeweler I went to was a rather unpleasant experience. I nearly gave up on my idea but decided to give it one more try. This is when I met Skip Colflesh, the owner of The Jeweler’s Bench in Hershey, PA. He helped me create the perfect ring. We used the diamonds in my grandmothers wedding ring, my engagement ring and each of the children’s birthstones. The first time I saw the ring it was an emotional experience. It was a perfect representation of my life’s journey. The diamonds no longer felt like the loss of a loved one or a failed marriage – they were now something beautiful and very personal. But more than that, I was so grateful for the friendship that had come out of designing the ring together. Skip has become one of my dearest friends and also my mentor. Friends make all the difference.

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I really don’t have a specific type of jewelry or period that I collect. I am mostly drawn to gemstones and figural pieces but my collection is quite varied. My most heavily worn pieces of jewelry are my watch chains. I love connecting them together for different looks and wearing them with various pendants.

Here are a few of my favorite necklaces:

LEFT: Painted enamel mourning locket depicting a young girl and her dog. It reads “Mary Rutherfurd Prime April 16, 1810 – Died September 9, 1835”

SECOND FROM LEFT: Opal pendant from Arts & Crafts Movement. This pendant reminds me of my favorite spring flower, lilac, and the opals are absolutely electric. I bought this in an antique store in England.

THIRD FROM LEFT: Not easy to pick a favorite, but if I had to, this would be it! Raj Era moonstone pendant from @saintespritofchelsea Beautifully crafted in silver and gold with huge shimmering moonstone cabochons.

CENTER: 19th c Kerosang with faceted white zircon.

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Here are a few of my favorite rings:

Victorian era amethyst and pearl serpent ring was purchased from David Ashville of Ashville Fine Arts.

The kunzite and diamond ring I bought from @blackamooruk. I believe this ring was originally an early 20th century brooch that was carefully converted. I love the size of the kunzite and it fits my finger perfectly.

The Victorian topaz ring was purchased from @ishyantiques.

The art deco moonstone ring is one of my favorites. It was purchased from Brad Wilson of Wilson’s Estate Jewelry in Philadelphia, PA.

The massive cameo ring I created using a 19th century cameo from @antiquestoreinwayne and a custom gold setting created by Skip Colflesh @thejewelersbenchofhershey.

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LEFT: Agate tree ring – This is one of my creations. I used an agate sourced from an old cufflink mounted in a setting made by @thejewelersbenchofherehey Victorian chrysoberyl and gold band @westandsonjewellery

RIGHT: This is my most recent purchase. My dear friend Will @martindaleasianarts recently took me on a day trip to a quaint town about an hour outside of London where I found it in an antiques shop.

Thank you for giving me this opportunity. I am honored to be a part of the Instagram jewelry community. Your posts have greatly enhanced my knowledge and appreciation for all types of jewelry and the friendships that have developed because of our shared passion for jewelry are priceless to me.

xoxoGemGossip

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Jewelry Collection Stories: Kate of @LuxCharmJewelry

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This month’s Jewelry Collection Story comes from Kate of @LuxCharmJewelry and it is a good one! Kate is a full-time art teacher and part-time jewelry enthusiast and collector. You may already be following her on Instagram, but if not you must. Her collection is pretty amazing and her story may resonate with many of you. So without further ado, I give you Kate’s collection story:

I’ve always loved jewelry. I have early memories of playing “dress up” and “jewelry store” with my grandmother Louise. She kept her jewelry in the top dresser drawer. Oh how I loved looking inside those little boxes and seeing all the sparkly jewels inside! We would arrange her jewels on top of carefully arranged bits of pretty fabrics and embroidered handkerchiefs and take turns “shopping.” It was so much fun trying on her white dress gloves and high heels and playing with all those pretty things.

When I was around 10 years old, my dad started giving me jewelry every year for Christmas, mostly rings. One year, I received a topaz ring that had the most amazing shade of bright blue. I adored that ring! Another favorite ring given to me by my dad was a gold signet ring that he had monogramed with my initials. I think I was around 15 at the time. It’s a classic look that will never go out of style and one I wear often today.

One of my favorite early jewelry memories was when my family went out to dinner before my high school senior award night. I didn’t know it at the time, but I was about to win the top artist award in my class, and my parents bought me this beautiful southwestern sterling bracelet and turquoise ring to mark the occasion. For high school graduation, I received a large, modernist sterling and gold ring. At the time, I wasn’t into yellow gold, and these bold sterling pieces were among the most beautiful pieces I owned. Luckily, my parents have continued the tradition of gifting me jewelry for special occasions, and I cherish them all. These pieces help to serve as reminders of special times in my life. My sweet husband has also joined in on the tradition and I have received many beautiful pieces from him now over the years, including my very first (and favorite) Victorian bird bangle bracelet and my beloved antique turquoise and diamond halo ring.

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As a teenager, I was really into second-hand shops–mainly for vintage clothes and small decorative items, but eventually I started picking up inexpensive jewelry and odds-and-ends; like pendants, chokers, chains, etc. At about the same time, I started making beaded jewelry and even gifting and selling pieces to my friends.

Years later, I decided to try my hand at selling handmade jewelry on Etsy. It was a fun, challenging, and creative outlet. Those were the relative early days of Etsy, and I grew as it grew. I did this for a couple of years and slowly started incorporating more and more vintage jewelry components and findings into my pieces. Eventually, the competition increased and my enthusiasm waivered, so I put my shop on hold.

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My love affair with antique jewelry began about eight years ago when my mom and I were antiquing at one of my favorite stores in Richmond, IN. My mom fell head-over-heels for this old gold cameo ring. At first, I was like, “What? Cameos? Ugh, I don’t get it.” Then much to my surprise, my mom professed her life-long love affair with cameos, citing stories from her youth. The shop owner quoted her a low price and my mom quickly bought the ring. She wasn’t one to make fine jewelry purchases on our excursions together, so I was intrigued and wanted to know more. I couldn’t stop staring at this unusual reddish-orange cameo ring on our drive back home; I was fascinated by it. It didn’t look like the girly, pink cameos I was used to seeing. It was more masculine in style and the gold was a rich rose color. The shop owner estimated the ring to be about 120 years old.

To my knowledge, I had never seen a ring that old before and now I wanted one for myself! The more I researched, the more I realized what an amazing deal my mom got on that ring. Sure, it was more than I was used to spending on random antique mall purchases (about $85), but still affordable. This made antique jewelry seem obtainable to me for the first time ever. I started reading jewelry books, researching online, and educating myself on antique jewelry. I liked learning the history behind each piece. It’s a perfect fit for me– combining my love of history, research, sentiment, story, etc.

Inspired by my new passion and focus, I reopened my Etsy shop–selling only vintage and antique jewelry. I absolutely loved hunting for old jewelry, even cameos! Thinking back to that special trip to Richmond with my mom, I believe this was the critical moment that later turned this new interest into a full-blown hobby and part-time job for me.

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Today I have such a deep and sincere appreciation for antique jewelry; I tend to collect a little bit of everything. All in all, I tend to go more for Victorian, Art Nouveau, and Art Deco pieces. Rings are probably my favorite type of jewelry to wear and collect. I love everything from dainty to bold, statement rings. I also love antique bangles and Deco necklaces in all sorts of finishes, metals, and styles.

One of my favorite things to collect are watches. My favorite makers are Longines and Bucherer. I have everything from watch pins, watch rings, wristwatches, and pocket watches. And I really love long enamel watch necklaces. My love of watch necklaces probably began when I scored an amazing Bucherer red guilloche enamel watch ball necklace for $60 in a small, local antique shop. I later learned this was a remarkable deal for one with its original enamel chain in perfect condition. I’ve since added about 10 more to my collection over the years. I just can’t stop myself when I see a beautiful one for a good price. I have such a weakness for fine guilloche enamel-work.

In addition, I love bird-themed jewelry and have many bird bangles, lockets, etc. I tend to favor cool-color pieces in general (it must be the Pisces in me!). I am very fond of blue–sapphires, lapis, zircon, and turquoise to name a few. Pale lavender chalcedony, dreamy moonstones, and that particular shade of green commonly used in Art Deco pieces–are all personal favorites. I have a growing collection of snake rings, too.

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I enjoy shopping at small, local places best. The Midwest is a gold mine for antiques of all kinds. The big jewelry enthusiasts seem to live on either coast and being stuck in the middle has its advantages… lower prices and less pickers. But this seems to get harder every year. My favorite display cases and shops seem to be shutting down. The old dealers retire; some pass away. I think part of me has also wanted to open a brick and mortar shop, but the risks are scary.

Currently, I seem to have the most luck shopping at antique shows and online auctions. I’m always on the hunt for new pieces. I would love to own more niello jewelry, antique enamel bracelets, and gutta percha bangles inlaid with gold. I have a thing for portrait paintings but oddly, own no portrait jewelry. I interned at the National Portrait Gallery right after college and it’s a subject I’m really interested in. I would love to find the perfect emerald ring and more “name” or “initial” jewelry to represent the important people in my life.

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Recently I celebrated a milestone birthday (hello, 40!) and had been hunting for the perfect aquamarine birthstone piece of jewelry for months. Then it finally happened…a huge, honking, 14-carat, Victorian, pear-shaped aqua ring in 15K gold popped up on my Instagram feed. Its large size, unfussy setting, and perfect pale-blue color, stopped me dead in my tracks. A direct quote from the seller was, “a mesmerizing, dreamy, huge piece of magic.” Indeed it was. I sold three personal collection rings to make room for this special ring, the latest addition to my jewelry box.

Back when I started wearing, selling, and collecting antique jewelry, I was the only one I knew who did. I just bought what I liked and what I could afford at the time. It wasn’t until I joined IG a couple of years ago that I found other like-minded people who loved and appreciated old jewelry as much as I do. Like most sellers/collectors, I am searching for more high quality and unusual pieces nowadays. Lately, there seems to be more competition, more reproductions, and higher prices on the online auction sites, making it harder to “score” a deal. While I may not be selling forever, I know I will be wearing and enjoying my jewelry for the rest of my life. It brings me so much joy. Marking special occasions and making new memories with jewelry are so important to me. Jewelry has a way of keeping our memories alive…providing a tangible reminder… connecting us to the people, places, and significant moments we cherish in life. Happy hunting!

xoxoGemGossip

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Doyle & Doyle Debuts Rare Collection of Antique Jewels

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Doyle & Doyle is thrilled to debut pieces from a spectacular cache of rare antique jewels, all acquired from a single collector. Including jewelry from ancient Rome, 17th century Spain, and 19th century France, these are the best examples of their type and many are hallmarked by well known jewelers. Keep reading for a sneak peek of the historic collection before it goes on exhibition at Doyle & Doyle in September.

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These exquisite micromosaic pieces date to the mid-19th century and are hallmarked for the Vatican Workshop of the Papal State.The Vatican’s mosaic studio was founded in the 16th century, its skilled artisans create artworks commissioned by wealthy patrons and pieces for the Pope to give as gifts. The Sistine Chapel ceiling by Michelangelo, Saint Peter’s Square designed by Bernini, and Raphael’s “The School of Athens” are among the many masterpieces you can discover at the Vatican. Originally founded in the 16th century, the skilled artisans working in the Vatican’s mosaic studio create pieces for the Pope to give as gifts and artworks commissioned by wealthy patrons. They also oversee and maintain the ten thousand square meters of colorful mosaics that adorn Saint Peter’s Basilica. This bangle and brooch are beautifully made, featuring glass tesserae so tiny that the designs look like paintings in shades of red, blue, green, and white. Perhaps a wealthy young man purchased them during his Grand Tour through Europe, or they were gifts to an important Church official. No matter their origin, they are little works of art that display the incredible skill of the Vatican’s workshop.

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The collection includes other ecclesiastical jewels in addition to the Vatican micromosaics, including a variety of gem-set and enameled crosses from many different periods. This striking dimensional crucifix cross is Spanish from the 17th century, detailed with enamel and engraving that resembles wood grain. Although probably not original, we love it worn on the black ribbon choker, especially when layered with antique gold guard chains. Although these are museum quality jewels, they’re definitely wearable!

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There are also charming examples of sentimental and devotional jewelry. The rose cut diamond encrusted heart hangs from a sweet rose gold dove. The diamonds are foil backed and you can see hints of pink, gold, and even green reflecting through the stones. The rare late 17th century Spanish reliquary pendant is a small compartment that holds a tiny bit of a saint’s blood. It’s backed by a hand painted figure of a female saint and framed by emeralds and garnets. This type of jewel was probably a private devotional artwork. Spain being an intensely Catholic country, people believed in the power of saints to affect their daily life. In additional to more traditional liturgy, 17th century Spaniards prayed to their personal saint to intervene and make their lives better.

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The other half of this incredible collection is comprised of museum quality Arts & Crafts and Art Nouveau jewelry. The Arts & Crafts Movement was a direct response to the mechanization and poor working conditions engendered by the Industrial Revolution in the mid-19th century. Adherents looked to the Middle Ages, nature, and popular folk art for inspiration, seeking to return to an idyllic time before mass production. Shying away from precious materials, Arts & Crafts jewelers favored readily available gemstones, such as garnet, amethyst, citrine, opal, and moonstone. The delicate gold pendant is British, comprised of hand wrought wirework set with bright blue turquoise and glowing moonstone.

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By the end of the century, Art Nouveau artists took the theme of nature to the next level. Art Nouveau jewelry often incorporated idealized female forms with swirling, whiplash hair framed by sensuous flora, like this striking silver mirror locket. Dating to 1900, this lovely piece is hallmarked for French jeweler Lucien Coudray. Coudray specialized in engraving medals and won several prizes for his artistry. Another popular form was a winged female with gossamer enamel wings studded with tiny gems or pearls. This statuesque dragonfly woman was created around 1900 and bears the hallmark of noted Art Nouveau jeweler, Gaston Laffitte. The light filters through the translucent green plique-a-jour enamel wings, creating a delicate stained glass effect.

This is just a small preview of the incredible historic collection – want to see it all? Doyle & Doyle is putting on a public exhibition in September. Email [email protected] for more information and to get on the invite list!

This post was contributed by Juliet Rotenberg of Doyle & Doyle, thank you!!

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Want more?! To check out the store tour of Doyle & Doyle, click here.

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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xoxoGemGossip

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Weekday Wardrobe: New Favorites

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Since coming back from Vegas and NYC, my days have been long and filled with writing and running all kinds of errands. From Sunday morning brunches, to post office runs, to family dinners, my style has been changing daily and almost always depends on what I have planned. Some days I’m lucky if I get a chance to breathe fresh air outside, while other days I’ve spent more time on the road in my car than normal…but that is what I like about being self-employed and I’m excited for the summer.

Most recently, I was playing in my jewelry box and for some reason or another a lightbulb went off–I took my collection of figas and strung them on my hardwire gold collar necklace. As soon as I put the necklace on I knew that this was one of my greatest moves I’ve ever made. I’m obsessed with the look and it totally caters to my collecting mantra by displaying my pieces perfectly. I actually have 6 more figas that don’t have jumprings, so I’m off now to get them put on by my jeweler.

I’ve also been experimenting with different kinds of earrings to create a “full” look, meaning ALL the way up my ear. To achieve this look without the pain of multiple piercings, I suggest some comfortable ear cuffs. Some are more comfortable than others and it depends on the craftsmanship, so try them out–see if you’re able to wear for a full day before committing to buy.

In the first photo shown, I’m wearing a pair of ombré amethyst ear studs with jackets by Jewelmak. These are so cool and give me a pop of color, which is perfect for summertime. I kept it simple up top with 14k gold balls studs in various sizes, a Paige Novick diamond ear cuff and a vintage swirl motif ear cuff I found on Ruby Lane.

The photo below shows off my figa necklace and a carved opal necklace I recently sold. My earring look is simple to recreate; two pearl stud earrings of various sizes and a gold huggie earring from Stacy Nolan.

Weekday Wardrobe | Gem Gossip

Day One: (spent doing emails all day and typing blog posts, hence the Beavis & Butthead t-shirt)

Elongated lapis and enamel ring, from Sarah’s Vintage & Estate Jewelry in Buffalo, NY

Antique diamond & sapphire ring from Excalibur Jewelry found in Tucson this year

Pear-shaped vintage lapis ring that I can’t stop wearing because it is so comfortable and bold

Weekday Wardrobe | Gem Gossip

Day Two:

Diamond crossover pinky ring by Halleh Jewelry

“Ring One” from my Gem Gossip Jewelry line, since retired

Fringe ring in 14k yellow gold by Ashley Childs

A stack of “Ring One with diamond” from my Gem Gossip Jewelry line, since retired

Weekday Wardrobe | Gem Gossip

Day Three:

Oval vintage Mexican ring done in 14k yellow gold

Crescent moon ring in 14k yellow gold by Amanda Hunt Jewelry

Dendritic agate ring from Joden Jewelry in Grove City, PA

Weekday Wardrobe | Gem Gossip

Day Four:

Glass + 10k yellow gold ring, heirloom from my Gram

elongated diamond ring turn-of-the-century from my friend Priscilla

Diamond shaped ring set with old cut brown diamonds, from STORE 5a

Weekday Wardrobe | Gem Gossip

Day 5:

turquoise baby rings, worn as pinky ring and midi ring

Victorian turquoise ring from eBay

Victorian turquoise ring with engraving on entire closed-back, from Gold Hatpin

Turquoise and diamond cluster ring found at the Nashville Flea Market

xoxoGemGossip

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30 Ways to Incorporate Your Love of Jewelry into Summertime!

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Summer is next week–can you believe it?! Are you ready?! One of my most favorite things to do in the summer is to plan activities that I wouldn’t normally get to do…this involves taking days off from work, surrounding myself with people I love, and living my best life. I also like making lists or a group of goals to complete over the summer–they can be wishful thinking or very, very serious. I thought it would be fun to put together a list of 30 Ways to Incorporate Your Love of Jewelry just in time for summer!

1. Pick a gemstone, any gemstone, and learn all about it.

2. Find a gem show that is coming to your area and attend!

3. Have a gem or mineral specimen collection? Reorganize it in a cool way.

4. Plan a trip to go gem mining.

5. Do you have a favorite Instagrammer in our jewelry community? Plan a summer meetup.

6. Pick a state that is somewhat close to you, and research the best jewelry store they have to offer. Plan a visit!

7. Make a cool treat on a hot day–these gem ice trays can be filled with any fruity liquid!

8. Find a gemstone print top, bathing suit or towel and wear it to the beach.

9. Reserve a day at the nail salon and go for a gemstone manicure!

10. Buy that jewelry book you’ve been eyeing and lay by the pool with it!

11. Scout out some amazing flowers in your city, buy them, and take some jewelry photos with them.

12. Find a new way of wearing some of your favorite pieces of jewelry.

13. Take a day to clean your most-worn pieces of jewelry.

14. Plan a SWAP party with friends that also love jewelry.

15. Pick a time period you don’t know as much about as your favorite jewelry period, and learn about it!

16. Spend an entire day “hunting” for antique jewelry online–but do it by a pool.

17. Learn about crystal healing and depending on where you live, schedule an appointment with an expert.

18. Throw a gemstone-themed party!

19. Learn about a new designer you’ve never heard of before.

20. Need a new way to store your jewelry? Splurge on a jewelry cabinet and reconfigure it if necessary.

21. Take a jewelry making class.

22. Decide on creating a charm bracelet or necklace–gather charms, buy some new ones and put it together.

23. Get something very special and sentimental made into a piece of jewelry.

24. Size all of your fingers and keep it written down.

25. Get registered to bid at your favorite auction houses.

26. Put on all your favorite Art Deco jewels and watch a 1920s old movie.

27. Hit up your local estate sales or garage sales. You never know!

28. Tell someone thank you by gifting them a piece of jewelry.

29. Get lost on Pinterest by searching “antique jewelry” or “jewelry.”

30. Pick your favorite medium (water colors, arcryllics, pencil, etc) and try drawing/painting a diamond.

xoxoGemGossip

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Let me know which of these you want to do! –> @gemgossip

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Gem Gossip Visits Leslie Hindman Auctioneers in Chicago, IL

Leslie Hindman | Gem Gossip

Victorian Earrings: Lot 30, Moonstone Necklace: Lot 17

Leslie Hindman | Gem Gossip

Bird brooch: Lot 36, Insect brooch: Lot 43

Leslie Hindman | Gem Gossip

Amethyst dangle earrings: Lot 11

Leslie Hindman | Gem Gossip

Cartier cigar band: Lot 214, snake ring: Lot 24, emerald ring: Lot 49

Leslie Hindman | Gem Gossip

Opal ring: Lot 264, Elongated diamond ring: Lot 515, sapphire ring: Lot 69

Leslie Hindman | Gem Gossip

Georgian emerald bracelet: Lot 4

Leslie Hindman | Gem Gossip

Peridot necklace (comes with matching earrings): Lot 27

Leslie Hindman | Gem Gossip Leslie Hindman | Gem Gossip

Opal ring: Lot 264, Morganite ring: Lot 61

Leslie Hindman | Gem Gossip

Turquoise and enamel brooch: Lot 33A, blue enamel and diamond brooch: Lot 54, Georgian pearl brooch: Lot 31

Leslie Hindman | Gem Gossip

Blue topaz collar necklace: Lot 247

Leslie Hindman | Gem Gossip

Aquamarine ring: Lot 48, Moonstone ring: Lot 260, Emerald & diamond ring: Lot 57 —- Glass scarab ring: Lot 8, Amethyst ring: Lot 683, Fire opal ring: Lot 5

Leslie Hindman | Gem Gossip

Blue enamel (made to look like lapis) and diamond brooch: Lot 54

Leslie Hindman | Gem Gossip

Georgian emerald bracelet: Lot 4, Gothic Revival bracelet: Lot 9, Emerald & diamond ring: Lot 49

Leslie Hindman | Gem Gossip

Peridot necklace and matching earrings suite: Lot 27

Leslie Hindman | Gem Gossip

Emerald & diamond ring: Lot 12, Emerald & diamond dome lattice ring: Lot 482A, oval opal ring: Lot 42

Leslie Hindman | Gem Gossip

Oval opal ring: Lot 42, Emerald & diamond dome lattice ring: Lot 482A, Emerald & diamond ring: Lot 12 —– Sapphire ring: Lot Lot 69, Elongated diamond ring: Lot 515, Opal ring: Lot 264,

Leslie Hindman | Gem Gossip

Moonstone Y-Necklace: Lot 17

Leslie Hindman | Gem Gossip

Cartier cigar band: Lot 214

Leslie Hindman | Gem Gossip

Gothic Revival bracelet: Lot 9

Leslie Hindman | Gem Gossip

I couldn’t tell you how much I was looking forward to meeting the jewelry team behind the Fine Jewelry Department at Leslie Hindman Auctioneers in Chicago, IL. I’ve been in touch with the infamous windy-city based auction house since finding them online a few years ago. It started off with me registering to bid online at a few of their highlighted jewelry auctions, then I started to feature some of my favorite picks right here on Gem Gossip…then last year I consigned a ring of mine for Leslie Hindman to sell at auction. I was so pleased with how the whole experience panned out, from beginning to end, that I yet again consigned another ring from my personal collection. And what a treat it was to visit in person! Looking through auction catalogs is probably one of my most favorite activities, and to have that experience come to life is a dream come true.

Just as Leslie Hindman Auctioneers seeks out the finest in art, furniture, decorative arts and jewelry, their loyal clients have been bidding with the auction house for years, and have a distinct eye for the best too! Imagine my excitement as I entered the building to find a live auction going on right in front of my eyes–can you believe I’ve never actually been to an auction in real time (besides the car auctions with my dad, but those are outside and umm, unrefined to say the least)?! I received the grand tour and timing was great because all the furniture, fine art and decorative pieces that were currently selling in the auction room were neatly displayed between two large, sun-filled rooms. It looked like walking through an interior decorator’s portfolio. I spotted some gold mirrors and portrait paintings that I couldn’t stop staring at, but headed toward the jewelry department to get down to business.

Leslie Hindman’s Fine Jewelry & Timepieces department consists of Alex Eblen, graduate gemologist and director, James Wallace, graduate gemologist and timepieces specialist, two account specialists Madeline Schroeder & Katie Meyer, another graduate gemologist Meredith Derman, and finally, a cataloguer and jewelry specialist Jamie Henderson. Everyone had set up my favorite jewels in a large spread, front and center of the jewelry department, waiting for their time to shine. This experience for me, is comparable to visiting a dog adoption center–these pieces of jewelry were once loved, worn, and for whatever reason need to find new homes. Just like a dogs, I can’t help but want to take everything home with me! Instead of “cute and cuddly,” the jewels are so gorgeous and jaw-dropping.

Speaking of the jewelry I got to see, everything will be auctioned off on Sunday, April 23rd, 2017 starting at noon CST with the second round starting the following day at 10am, and ultimately complete when the last lot is sold. This auction features 1,238 lots of some of the best pieces of fine jewelry, loose gemstones and timepieces. I’ve gone through and picked my favorites, which are seen here in these photos–a neat glimpse into seeing what the jewelry looks like on! I know every cataloguer in the game does the utmost to fully describe each item, including measurements of how wide and long pieces are, but it’s the buyers that can often overlook those details. I’ve been guilty of this myself–the garnet comet ring I bought at auction surprised me so much when I received it in the mail. It was WAY bigger than what I had thought it would be, even though the millimeter size of the stone was given. It ended up being a good surprise–and I hope these photos help put into perspective what each piece would look like on and how they could potentially fit into your collection!

Here’s all the important links you need to know if you plan on bidding at this sale.

Date: Day One April 23, 2017 NOON CST, Day Two April 24, 2017 10am CST

Link to online catalog

Link to register to bid online

Have questions? email someone from the jewelry department directly at [email protected]


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1338 W Lake St.

Chicago, IL 60607

www.lesliehindman.com

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Book Review: Christie’s The Jewellery Archives Revealed

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Have you ever dreamed of going into the vaults and archives of the infamous, world-renowned auction house Christie’s?! I feel like I dream about that on a daily basis and although I’ve never gotten my chance, author Vincent Meylan may hold the key to unlocking that door with his latest book called Christie’s The Jewellery Archives Revealed. In it, he chronicles some of the most headlining jewelry auctions–from British Royalty jewels, to Elizabeth Taylor’s collection, and everything in between. Mr. Meylan had insider’s access to the Christie’s archives to research for this book, where he brings hundreds of color illustrations, including more than 100 original documents reproduced just for the pages of this tome.

The history behind Christie’s is even more extensive than what I thought–with their first sale being on December 5, 1766! It is interesting to read that during this revolutionary time, the events that took place may have actually benefited Christie’s because so many people of royalty were being sent to the guillotine. Chapter two has quite the attention-grabbing title of “Murdered Queens.” The extensive stories behind each historical piece are quite fascinating, and I am thoroughly enjoying the paintings of the royals as well as photos of the jewels which illustrate the book. It gives you insight into European royalty as well, including history and intriquing stories behind many of their ill-fated lives.

Chapter 11 is a favorite, titled “Diamonds are Christie’s Best Friends,” it chronicles a few of the top-selling, biggest, rarest and most stunning diamonds to ever grace Christie’s auction floor. This chapter opens up about how mysterious and extensive their diamond sales were over the past couple centuries. The earliest diamond consignments reveal not much on where they came from…and in the same breadth, where did they end up once sold? A trio of rubies, for example, went up for auction in 1891. The weight and rarity of any one of these, if they were to resurface, would shatter any record ever set. So astonishing.

Aside from the last chapter, it is noteworthy to check out the Appendix. It lists significant names of pieces/collections that went up for auction by year, starting with the year 1767. It is a great, quick reference as well as a “who’s who” amongst those who sold pieces through Christie’s.

The auction world is quite mysterious, legendary and totally unique. It is one of my favorite parts of my jewelry hobby. This book encompasses all this and more, and should you find yourself daydreaming of all the jaw-dropping jewels that once passed through Christie’s auction house–you might want to buy yourself this book to know exactly how incredible they truly are!

To purchase your own copy of Christie’s The Jewellery Archives Revealed, click below:

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Jewelry Collection Stories: Jennifer of @Dupkaspike

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To end out the year, our last Jewelry Collection Story comes from Jennifer, or as many may know her on Instagram, @Dupkaspike. Her collection is eclectic, heavily sentimental and so fun to look at. She captured her collecting essence perfectly in these photos. Now if only I can meet her one day and she them in person! 😉 …take it away Jennifer:

I can’t say that I have always loved jewelry, but I can pinpoint the moment when the love affair began. When I was 16, my Dad took me into Keil’s, an antique jewelry store on Royal Street in New Orleans, and bought me two rings. One was a mother of pearl cameo with an onyx surround, and another was a rose gold carnelian with a gold inlaid intaglio of a Rose of Sharon.

It was an important moment in my understanding of jewelry. My Mom was a big Southwestern jewelry fan (I’ve inherited her collection), but it wasn’t something that resonated strongly with me, though I admired it. I was drawn more to the sentimental, and to the personal.

I did not do a lot of collecting in early adulthood. My husband is Chinese, and so over the years and when we married, I received traditional Chinese 22k gold and jade pieces as gifts, which I look forward to passing on to my children. Traditional Chinese don’t really like lower-karat gold pieces and I liked history and sentiment; so we were in agreement that mall jewelry wasn’t really for me. The jade pieces are my favorites of these, as is a giant 22k dragon and phoenix ring.

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Over the years I have gravitated to certain genres. As an amateur painter, I adore portrait miniatures, and greatly admire the skill required to produce them. I don’t have many, but I’m always on the lookout for special pieces. Recently I acquired a large Georgian locket brooch, from CJ Antiques, surrounded by amethysts and plan to commission a portrait of my kids and dog. One piece I wear often I got from Duvenay, a pretty portrait of Marie Antoinette, with a diamond halo that was converted from a stickpin.

I’m a strong believer in personalization, so mostly every new piece I own has some engraving or dedication on it. When my kids were born, I bought heavy Tiffany Lucida wedding bands and had their names engraved on the outside and their birthdates on the inside. Similarly, I had their names and birthdates engraved on the inside of gemstone and diamond stacking rings. I have several stacking rings, which I love to mix with larger pieces. One set I wear all the time is two ruby keeper rings from Jewellery Hannah, as well as a giardinetto from Pocket of Rocks. Last year I worked with Hoard Jewelry on engraving to flat gold bands for them with personalized messages. One has the cipher of a “nonsense” love song my son used to sing to me as a child when he was barely verbal; only he and I understand it. He later told me that it was his love song to his Mom, and so of course my heart melted. Other antique engraved pieces of jewelry with dedications or initials I own are mostly amatory, including a Russian rock crystal locket with diamond initials on the face that once held hair; a tiny acrostic locket with engraving and locket space for hair; a large, double heart picture frame, and a banded agate mourning locket. A favorite bangle acquired from Lenore Dailey spells, “Dieu Vous Garde,” or “God Protect You.” I also have a locket with that motif. One of my very favorite pieces it is really quite special. I got it from Glorious Antique Jewelry. It is dated 1790 and has some interesting initials on the back, and a lovely message on the front, “Pour ma Sophie pour toujours ma petite cherie toût, 1790” which roughly translates to, “To my Sophie, you will always be my little darling, 1790.”

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I love LOVE, and as such can’t seem to stop seeking out pansy jewelry. I have several enamel and gemstone pieces—a pendant and pocket watch. Pansy jewelry of course was symbolic of the French for “ Pense à moi,” or “ Think of me.” Similarly a Georgian pendant brooch I find myself wearing often simply says, “ L’Amour,” and is decorated with two seed pearl lovebirds. A garnet and white enamel pendant reads in Latin, “ Dulcis Vita::Tibi Vita,” or “ The Good “ Life; Your Life.” One piece I have, ruby hearts with diamond wings, was acquired from Park Avenue Jewelry and I decided to convert it from a brooch to a necklace. I’m a strong believer that jewelry should be worn, and I realized that it would get a lot more use for me personally as a necklace. I got this piece as my mother was dying, and it will always be very special to me as a remembrance of her.

French St. Esprit pieces are also a love and I get a lot of use out of a French regional cross I found. One of the St. Esprits is probably late 18th century and makes a political statement, with its red and blue pastes. A favorite piece of mine is an 1835 rose cut diamond, gold and silver Halley’s Comet pendant (likely converted from a brooch) that I got from Inez Stodel.

xoxoGemGossip

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Jewels at my Doorstep: FREYWILLE Jewelry

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FREYWILLE is a name synonymous with quality and fine craftsmanship. When the Austrian-based company reached out to me to feature their jewelry, I knew exactly how to make it come alive. After all, jewelry is just metal, gems and in FREYWILLE’s case, fine enamel–the moment you wear that jewelry it fulfills its destiny of what the designer intended his or her creation to become. Frey Wille’s new Ultimate Kiss Collection is the latest launch of jewels to be released. The collection is inspired by Gustav Klimt’s world famous masterpiece “The Kiss” and each piece, like all their jewelry, is handmade in their Vienna headquarters where it all started in 1951.

You may have noticed that FREYWILLE often uses famous paintings as inspiration for their fire enameled jewelry and you’re absolutely right! They’ve depicted several artists’ work, many of them being Austrian-born painters. Their first approach at using artwork as inspiration came in the 90s when the Claude Monet Foundation had FREYWILLE create a collection based off the artist. Since then, it has become their signature and their collectors eagerly await to see what the next beautiful scene will be depicted in the designs. As stated, the Ultimate Kiss Collection features Gustav Klimt’s work; the same artist has been featured in previous collections and it has a whimsical, colorful feel–perfect for an 18k yellow gold backdrop.

I love the jewels that were sent to me for this feature. I’ve been a fan of FREYWILLE for awhile now and particularly love their round ring design, which I made sure to be a part of the shoot. Something about the well-made disc, with a dome of enamel and a central diamond just gets me! FREYWILLE has boutiques worldwide–in fact they have over 100 in several different countries, spanning four continents! For my US fans, there are two locations stateside: one in NYC and one in Beverly Hills. For me, this was my first time ever holding a piece of FREYWILLE, as I’ve only seen their jewelry behind glass. And wow, what an experience! To touch the beauty and feel the hard work that has gone into each piece is fulfilling.

The ever-changing, bustling downtown streets of Nashville provided the perfect cool and modern backdrop for this shoot. Each piece popped against the bright orange crushed velvet and proved to be wearable in every sense of the word. Whether your style is sophisticated chic or laidback cool, these jewels from FREYWILLE will pair great with either look. I can’t wait to learn more about this creative company and see what new collections and artwork they will incorporate into their fine line. Happy 65 years FREYWILLE!

Jewels I wore in this feature; all can be found and purchased at shop.freywille.com:

18k Donna Bangle from the Ultimate Kiss Collection

18k and Diamond Nautilus Ring from the Ultimate Kiss Collection

18k Tango Ring from the Ultimate Kiss Collection

18k and Diamond Luna Piccolissima Ring from the Ultimate Kiss Collection

18k and Diamond Luna Piccolissima Pendant with Angel Hair chain from the Ultimate Kiss Collection ​

18k and Diamond Luna Piccolissima Earrings from the Ultimate Kiss Collection

All photography shot by Lauren Newman for GemGossip.com

This post was brought to you in collaboration with FREYWILLE.


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