Why I Wear Diamonds: A Look Inside My Diamond Jewelry Collection

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After collecting jewelry for most of my life, I’ve recently realized the reason why the majority of my collection consists of diamonds. I have gone through phases where I buy and acquire, collecting several pieces at once…followed by a breakthrough period where I sell, purge and stash away. Through all of this, I’ve noticed my favorite pieces, ones I would never consider selling and never tire of, are my diamonds. There is something unique about diamonds that is slightly magical — the rarity of one single stone alone is quite breathtaking. Thinking about how it formed deep within the Earth, how it came to be, how it was mined, how it was cut, how it was sold and how it was made to fit a design; all of this fascinates me. Which is why partnering with Real is a Diamond to tell you this story seemed like a no-brainer to me — their platform has been created to educate about diamonds, their rarity, their romance and all that they stand for. As our world is forever evolving, I feel like this message can stop time, just for a moment at least, and initiate people of all walks to evaluate what is rare and authentic in their own lives. One would immediately realize that these are the best parts of our world and we should foster and protect them, as we should diamonds..

My diamond jewelry collection is easily one of the most precious things in my life. Many of my rings date back to the turn-of-the-century, so the diamonds are mostly old mine cuts and old European cuts, which take their rarity to new heights. Heirlooms like these make me stop and think what kind of legacy do I want to leave behind and what items will I pass down. Diamonds are perfect mementos that stand the test of time–they are ideal heirlooms.

Several rings shown above in my collection have been purchased or received to comemorate a special occasion or milestone in my life. As soon as I look at these particular pieces, I automatically am brought back to that moment. My 30th birthday for example, I bought myself an Edwardian diamond ring off of eBay that was probably way more money than I should have been spending at that moment, but looking back now, it was one of the best purchases ever. The ring to me is timeless in every sense, so I wear it all the time–diamonds are like that, they can be worn on any occasion. Another ring was a Christmas gift from my husband, several were to comemorate a trip or jewelry jaunt, and others were from very special people purchased by myself from their personal, private collections. These rings have so many stories to tell and that’s solely with my possession of them–I can’t imagine what their full stories reveal.

Of course the most prominent ring in the bunch is my antique diamond engagement ring. It’s the most worn of them all and most dear to me. It symbolizes my relationship with my husband, our promise to one another and is just as real and rare as our love for one another. There are over 7 billion people on this planet, and we chose each other; and while there are so many kinds of diamonds, I chose this ring as a representation of our love.

We want to know what diamond jewelry is rare and precious to you? What pieces mark a special occasion or milestone in your life? Tag them using the hashtag #RealisRare

This sponsored blog post was brought to you in collaboration with Real is a Diamond.

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Jewelry Collection Stories: @homeoftheland

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Today’s latest installment of Jewelry Collection Stories comes from Jemima who we all know in our jewelry community as @homeoftheland. I love her taste in jewelry and her personal collection reflects just that! She isn’t afraid to wear bold pieces and I’ve enjoyed connecting her with the seller of one of her most exquisite pieces–the elongated diamond ring. I’ll let her tell you about her collection, take it away:

I inherited the jewelry fever from my mother who is pragmatic and no-nonsense in most every other way but still wants her jewels. My father was happy to oblige her with some beautiful antique pieces they picked out together for special occasions and she has no qualms about filling the gaps in her collection herself. She recently bought an outrageous Edwardian emerald and diamond three stone ring at the Hillsborough Antique Show that I lust after constantly. I collected vintage Gucci bags from the 1960’s and 1970’s for many years (I still own and love them) before I started to transition more to jewelry over a decade ago when I could afford some of the pieces I wanted.

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There is something I love in every era but I always look for big, evocative, narrative pieces. I did visuals for retailer Anthropologie for a very long time and jewelry is an integral part of my bougie-boho aesthetic. Dainty pieces just disappear on me (although I love admiring them on other people). I love figurative animal jewelry and have acquired everything from Victorian snakes to a 1980’s Kieselstien-Cord alligator ring to my contemporary Elsa Peretti scorpion necklace. Another one of my favorite pieces is a long Edwardian diamond ring that I first lusted over on a fellow Instagramer. When Danielle at Gem Gossip posted that the owner was letting it go, I jumped on it.

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There have been studies that people get more gratification from spending money on experiences rather than objects. To me beautiful jewelry is both an object and an experience every time you wear it. Rings are my favorite because you can admire them while you wear them. I love the craftsmanship- the touch of the hand. There is an emotional connection to a piece that was exquisitely made. I also love that jewelry speaks to the time and place that it was made whether it be from the Victorian era or the Dynasty/Dallas 1980’s.

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I fell in love with snake jewelry because of the baby sitter that stayed with my brother and I when my parents went off on their world travels. She was an original hippie Deadhead with an old BMW 2002. She had this amazing jeweled gold Victorian snake coil bracelet that she inherited. She’d casually wear it on her upper arm with jeans and a beat up tank top. I convinced her to let me borrow it for my senior prom. I hated my dress and my date, and the hairstylist screwed up my updo but it was worth it because I got to wear the snake.

xoxoGemGossip

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Jewelry Collection Stories: Lindsey of @ParkAvenueAntiques

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I’ve followed Lindsey of Park Avenue Antiques for a very long time! My first interaction with her was sort of humorous–I remember being on my way out the door to go antiquing for the day with my mom and sister. I was waiting on a ring to go up on the auction block so I unpleasantly made them wait until it did, not realizing it wouldn’t be until another 45 minutes. I can’t remeber exactly why I lost out on the ring, but while in the car finally on our way, I took a screenshot of the ring and posted it on Instagram with the caption, “Who outbid me on this portrait ring?! Confess!!” Lindsey was sweet enough to message me to tell me she had been the final bidder on it and graciously offered it for sale. A story too good to be made up, I’ve treasured that ring ever since! Over the years, we’ve continued to follow each other–even one point I tried meeting up at an antique show, but kept missing her! Hopefully meeting will be in the cards for us in the future, but until then…let’s check out her amazing jewelry collection!

Like many of you, I have been attracted to sparkly things for as far back as I can remember. As a little girl, I collected rocks and minerals, little buttons and sea glass. My father was an antiques dealer and the two of us were always on an “antiquing adventure”. One of our favorite places to visit was Roycroft Antiques in East Aurora, NY. They had a wooden whisky barrel filled with buttons and beads and I would dig through that barrel until my hands were black! Who knows what I thought I’d find in there! It was all about the hunt….

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I share this silver filigree necklace with my daughter Cameron. The three Edwardian silver bears represent her and her two brothers.

Around the age of 5, we moved to Hershey, Pennsylvania. It was a difficult transition. My parents both worked two jobs and I was home alone a lot. My mother always found ways to show me how much I was loved and that she was thinking of me. She came up with a hide and seek game we called “Rubber Legs” which involved hiding a yellow plastic figure. Before she left for work in the morning, she would hide Rubber Legs somewhere for me to find. Then I would hide him somewhere for her. I almost always hid him in her antique spool cabinet/jewelry box. It was a magical place where I wasn’t supposed to “dig around” but I couldn’t help myself! There were sparkly rings, beautiful strings of trade beads, flapper necklaces and cameos. She had all kinds of treasures but my favorite piece was a little gold acorn charm that rattled when shaken.

Once we moved to Hershey, adventures in antiquing with dad still continued. He opened an antique lighting shop in Adamstown, PA in the Black Angus Antiques Mall. Most Sundays I would tag along to help him but really spent most of my days with other dealers. I was fascinated with their knowledge in various fields and eager to hear their stories. This is where my love for jewelry and antiques really started.

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LEFT: Georgian sapphire and rose cut diamond bow brooch in silver topped gold, purchased at the Las Vegas Antique Jewelry & Watch Show

When collecting jewelry became a serious passion, I invested in books. Jewelry books on private collections, construction, symbolism, intaglios, various periods and markings. My jewelry library has helped me to educate myself and develop a true respect for the craftsmanship and symbolism that these pieces hold. I try to add one book to my collection every month. I would encourage any aspiring jewelry collector to do this as well.

RIGHT: Eight years ago, I was newly divorced and the only jewelry I had was my and my grandmothers wedding ring. I put some money aside and decided I’d like to create a piece of jewelry that would represent my family. I hoped to create a ring that could be passed on to one of my children. The first jeweler I went to was a rather unpleasant experience. I nearly gave up on my idea but decided to give it one more try. This is when I met Skip Colflesh, the owner of The Jeweler’s Bench in Hershey, PA. He helped me create the perfect ring. We used the diamonds in my grandmothers wedding ring, my engagement ring and each of the children’s birthstones. The first time I saw the ring it was an emotional experience. It was a perfect representation of my life’s journey. The diamonds no longer felt like the loss of a loved one or a failed marriage – they were now something beautiful and very personal. But more than that, I was so grateful for the friendship that had come out of designing the ring together. Skip has become one of my dearest friends and also my mentor. Friends make all the difference.

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I really don’t have a specific type of jewelry or period that I collect. I am mostly drawn to gemstones and figural pieces but my collection is quite varied. My most heavily worn pieces of jewelry are my watch chains. I love connecting them together for different looks and wearing them with various pendants.

Here are a few of my favorite necklaces:

LEFT: Painted enamel mourning locket depicting a young girl and her dog. It reads “Mary Rutherfurd Prime April 16, 1810 – Died September 9, 1835”

SECOND FROM LEFT: Opal pendant from Arts & Crafts Movement. This pendant reminds me of my favorite spring flower, lilac, and the opals are absolutely electric. I bought this in an antique store in England.

THIRD FROM LEFT: Not easy to pick a favorite, but if I had to, this would be it! Raj Era moonstone pendant from @saintespritofchelsea Beautifully crafted in silver and gold with huge shimmering moonstone cabochons.

CENTER: 19th c Kerosang with faceted white zircon.

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Here are a few of my favorite rings:

Victorian era amethyst and pearl serpent ring was purchased from David Ashville of Ashville Fine Arts.

The kunzite and diamond ring I bought from @blackamooruk. I believe this ring was originally an early 20th century brooch that was carefully converted. I love the size of the kunzite and it fits my finger perfectly.

The Victorian topaz ring was purchased from @ishyantiques.

The art deco moonstone ring is one of my favorites. It was purchased from Brad Wilson of Wilson’s Estate Jewelry in Philadelphia, PA.

The massive cameo ring I created using a 19th century cameo from @antiquestoreinwayne and a custom gold setting created by Skip Colflesh @thejewelersbenchofhershey.

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LEFT: Agate tree ring – This is one of my creations. I used an agate sourced from an old cufflink mounted in a setting made by @thejewelersbenchofherehey Victorian chrysoberyl and gold band @westandsonjewellery

RIGHT: This is my most recent purchase. My dear friend Will @martindaleasianarts recently took me on a day trip to a quaint town about an hour outside of London where I found it in an antiques shop.

Thank you for giving me this opportunity. I am honored to be a part of the Instagram jewelry community. Your posts have greatly enhanced my knowledge and appreciation for all types of jewelry and the friendships that have developed because of our shared passion for jewelry are priceless to me.

xoxoGemGossip

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Q & A with Shelley Gibbs Sanders of The Last Line

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Discovering new jewelry brands that are trailblazing in unique ways is my absolute favorite–that is why I jumped for joy after learning about The Last Line, a new project recently launched by jewelry veteran Shelley Gibbs Sanders. Bold colors, chic and iconic pieces…and, wait for it…AMAZING prices! You might scroll around the website and wonder, how can these prices be so good for REAL jewelry that is 14k gold and genuine gemstones?! The answer is their philosophy of being direct-to-consumer, never having a middle man, selling new pieces in batches called “drops.” Their latest drop is actually TODAY where they’ve added to all the incredible earring styles you always wished you could find. These ear stacks are what dreams are made of and that is exactly what Shelley set out to do when creating The Last Line. Can her goal of being “the last line” you will ever need hold true for many of you?! Let’s find out!

I had the pleasure of interviewing Shelley and we encourage you to check out the website and find your perfect piece!

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The Last Line is a continued project, I have been designing this collection for pretty much my whole life and I’m so excited to finally share it with everyone. We just launched at the end of July with earrings and there is so much more to come: necklaces, rings, and bracelets! The inspiration behind the name of The Last Line is it is the last place you’ll have need to look for fine jewelry and trust me, I plan to live up to our name.

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I’ve had the rare opportunity of being on both the design and the production side of the process, which is so helpful and, in the end I am ultimately a consumer so basically it is the trifecta of intel! My career technically began in New York where I studied Fine Arts at Parsons School of Design before returning home to California to train with Master Jewelers in San Francisco. After learning the tricks of the trade, I returned to Los Angeles to begin my career as a jewelry designer. Over time (and companies!) my roles evolved and I became the head designer and creative director for dozens of celebrity jewelry brands and high-end jewelry houses, working with everything from gold, diamonds, and precious stones.

When we decided to officially launch The Last Line, it was almost four years ago. I have been designing jewelry for almost fifteen years and in every design job I had, I was always thinking if this was my line, how would I do this, what would I change, etc. I felt like I had seen it all, but really when I started to look there were definite holes in the market. It felt polarizing, there were two distinct buckets: reasonably priced, not-so-great design or great design and quality, outrageous price with nothing in the middle, which as a consumer I found so frustrating. Of course, after that I started to speak to my girlfriends, family, literally, everyone and anyone and I knew I wasn’t alone in that thought. Fast forward to today and voilà, introducing The Last Line.

The brand is two-fold: The Heart and The Soul, everything is designed in Los Angeles where I live with my family. The Heart pieces are the core of the brand and your jewelry box; they’re the staples that you never want to take off and that make you feel instantly put together. The Soul pieces are the jaw dropping, make your girlfriends ask, “where did you get that,” expertly crafted, special pieces you want to treat yourself to. Of course, I believe you need both!

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I did a lot of research before we decided to officially launch, I mean truly did research: price, design, size, color, the list goes on. The symbolism of our brand name The Last Line is that we want to be THE place for all of your fine jewelry wants (and needs!), the last place you’ll ever need to go.

There were a few things that were important for me when launching TLL, one of which was pricing. Fine jewelry shopping can be intimidating, a lot of which can be the result of pricing. Because we are direct to consumer, we can present amazing, quality pieces without the retail mark-up. It was also important for me to be (and stay) hands-on with the line; I think building a relationship from the beginning with your clients is key for any brand’s longevity. Being direct-to-consumer is not only a more personal approach, but it’s service driven, which is important when spending $2,000+ on a piece of jewelry online. All of our pieces focus on craftsmanship, much of the Soul collection being handmade in Los Angeles. Having a background in production (and as I jewelry shopper myself) it was important to use quality materials that look great and merit their cost.

One of the coolest things about the line for me, is the actual assortment of jewelry is personal, I wanted to present options, in each drop you will have classics with a twist and then some really fun special pieces. In the first drop, we have everything from a perfect gold sphere stud (in over 5 sizes!) to our signature flower earring in a variety of stones. In the second earring drop, there are solitaire studs in a variety of stones, lots (!) of diamonds, from line earrings, to ear cuffs, to a perfect tennis drop earring and of course this amazing doubles spiral hoop earring you may have seen Nicole Richie sporting. And in the third earring drop, well that’s a secret for now.

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I truly hope that I am working on The Last Line, forever. I love to design of all types of jewelry and I love to create. I can’t stop—it is my obsession. I want to continue to create pieces that connect with women all over the world, it is important for my pieces to speak to the woman who’s just starting her jewelry collection and also excites the existing jewelry client who has her go-to pieces but is looking for that perfect_______. I want our pieces to become heirlooms; they should feel current but not trendy. For me, it is how a woman mixes her jewelry collection that makes it cool. I wanted to create pieces that can be worn but not worried about. The earrings can all be purchased individually, so mixing it up is fully encouraged!

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My engagement ring was one of the first pieces of The Last Line. My husband actually designed it and worked with the jeweler for months. It’s was something we always talked about it and one day there he was with it and it all took off from there —our marriage, our line, everything.

From the line, my favorite piece right now that I own is a 3-way tie between the diamond teddy flower earring with the pave tsavorite stem from the Goldie earring, the medium rose gold diamond safety pin and a special bracelet inspired by childhood which will drop soon.

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This sponsored post was brought to you in collaboration with The Last Line.

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Jewelry Collection Stories: Kate of @LuxCharmJewelry

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This month’s Jewelry Collection Story comes from Kate of @LuxCharmJewelry and it is a good one! Kate is a full-time art teacher and part-time jewelry enthusiast and collector. You may already be following her on Instagram, but if not you must. Her collection is pretty amazing and her story may resonate with many of you. So without further ado, I give you Kate’s collection story:

I’ve always loved jewelry. I have early memories of playing “dress up” and “jewelry store” with my grandmother Louise. She kept her jewelry in the top dresser drawer. Oh how I loved looking inside those little boxes and seeing all the sparkly jewels inside! We would arrange her jewels on top of carefully arranged bits of pretty fabrics and embroidered handkerchiefs and take turns “shopping.” It was so much fun trying on her white dress gloves and high heels and playing with all those pretty things.

When I was around 10 years old, my dad started giving me jewelry every year for Christmas, mostly rings. One year, I received a topaz ring that had the most amazing shade of bright blue. I adored that ring! Another favorite ring given to me by my dad was a gold signet ring that he had monogramed with my initials. I think I was around 15 at the time. It’s a classic look that will never go out of style and one I wear often today.

One of my favorite early jewelry memories was when my family went out to dinner before my high school senior award night. I didn’t know it at the time, but I was about to win the top artist award in my class, and my parents bought me this beautiful southwestern sterling bracelet and turquoise ring to mark the occasion. For high school graduation, I received a large, modernist sterling and gold ring. At the time, I wasn’t into yellow gold, and these bold sterling pieces were among the most beautiful pieces I owned. Luckily, my parents have continued the tradition of gifting me jewelry for special occasions, and I cherish them all. These pieces help to serve as reminders of special times in my life. My sweet husband has also joined in on the tradition and I have received many beautiful pieces from him now over the years, including my very first (and favorite) Victorian bird bangle bracelet and my beloved antique turquoise and diamond halo ring.

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As a teenager, I was really into second-hand shops–mainly for vintage clothes and small decorative items, but eventually I started picking up inexpensive jewelry and odds-and-ends; like pendants, chokers, chains, etc. At about the same time, I started making beaded jewelry and even gifting and selling pieces to my friends.

Years later, I decided to try my hand at selling handmade jewelry on Etsy. It was a fun, challenging, and creative outlet. Those were the relative early days of Etsy, and I grew as it grew. I did this for a couple of years and slowly started incorporating more and more vintage jewelry components and findings into my pieces. Eventually, the competition increased and my enthusiasm waivered, so I put my shop on hold.

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My love affair with antique jewelry began about eight years ago when my mom and I were antiquing at one of my favorite stores in Richmond, IN. My mom fell head-over-heels for this old gold cameo ring. At first, I was like, “What? Cameos? Ugh, I don’t get it.” Then much to my surprise, my mom professed her life-long love affair with cameos, citing stories from her youth. The shop owner quoted her a low price and my mom quickly bought the ring. She wasn’t one to make fine jewelry purchases on our excursions together, so I was intrigued and wanted to know more. I couldn’t stop staring at this unusual reddish-orange cameo ring on our drive back home; I was fascinated by it. It didn’t look like the girly, pink cameos I was used to seeing. It was more masculine in style and the gold was a rich rose color. The shop owner estimated the ring to be about 120 years old.

To my knowledge, I had never seen a ring that old before and now I wanted one for myself! The more I researched, the more I realized what an amazing deal my mom got on that ring. Sure, it was more than I was used to spending on random antique mall purchases (about $85), but still affordable. This made antique jewelry seem obtainable to me for the first time ever. I started reading jewelry books, researching online, and educating myself on antique jewelry. I liked learning the history behind each piece. It’s a perfect fit for me– combining my love of history, research, sentiment, story, etc.

Inspired by my new passion and focus, I reopened my Etsy shop–selling only vintage and antique jewelry. I absolutely loved hunting for old jewelry, even cameos! Thinking back to that special trip to Richmond with my mom, I believe this was the critical moment that later turned this new interest into a full-blown hobby and part-time job for me.

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Today I have such a deep and sincere appreciation for antique jewelry; I tend to collect a little bit of everything. All in all, I tend to go more for Victorian, Art Nouveau, and Art Deco pieces. Rings are probably my favorite type of jewelry to wear and collect. I love everything from dainty to bold, statement rings. I also love antique bangles and Deco necklaces in all sorts of finishes, metals, and styles.

One of my favorite things to collect are watches. My favorite makers are Longines and Bucherer. I have everything from watch pins, watch rings, wristwatches, and pocket watches. And I really love long enamel watch necklaces. My love of watch necklaces probably began when I scored an amazing Bucherer red guilloche enamel watch ball necklace for $60 in a small, local antique shop. I later learned this was a remarkable deal for one with its original enamel chain in perfect condition. I’ve since added about 10 more to my collection over the years. I just can’t stop myself when I see a beautiful one for a good price. I have such a weakness for fine guilloche enamel-work.

In addition, I love bird-themed jewelry and have many bird bangles, lockets, etc. I tend to favor cool-color pieces in general (it must be the Pisces in me!). I am very fond of blue–sapphires, lapis, zircon, and turquoise to name a few. Pale lavender chalcedony, dreamy moonstones, and that particular shade of green commonly used in Art Deco pieces–are all personal favorites. I have a growing collection of snake rings, too.

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I enjoy shopping at small, local places best. The Midwest is a gold mine for antiques of all kinds. The big jewelry enthusiasts seem to live on either coast and being stuck in the middle has its advantages… lower prices and less pickers. But this seems to get harder every year. My favorite display cases and shops seem to be shutting down. The old dealers retire; some pass away. I think part of me has also wanted to open a brick and mortar shop, but the risks are scary.

Currently, I seem to have the most luck shopping at antique shows and online auctions. I’m always on the hunt for new pieces. I would love to own more niello jewelry, antique enamel bracelets, and gutta percha bangles inlaid with gold. I have a thing for portrait paintings but oddly, own no portrait jewelry. I interned at the National Portrait Gallery right after college and it’s a subject I’m really interested in. I would love to find the perfect emerald ring and more “name” or “initial” jewelry to represent the important people in my life.

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Recently I celebrated a milestone birthday (hello, 40!) and had been hunting for the perfect aquamarine birthstone piece of jewelry for months. Then it finally happened…a huge, honking, 14-carat, Victorian, pear-shaped aqua ring in 15K gold popped up on my Instagram feed. Its large size, unfussy setting, and perfect pale-blue color, stopped me dead in my tracks. A direct quote from the seller was, “a mesmerizing, dreamy, huge piece of magic.” Indeed it was. I sold three personal collection rings to make room for this special ring, the latest addition to my jewelry box.

Back when I started wearing, selling, and collecting antique jewelry, I was the only one I knew who did. I just bought what I liked and what I could afford at the time. It wasn’t until I joined IG a couple of years ago that I found other like-minded people who loved and appreciated old jewelry as much as I do. Like most sellers/collectors, I am searching for more high quality and unusual pieces nowadays. Lately, there seems to be more competition, more reproductions, and higher prices on the online auction sites, making it harder to “score” a deal. While I may not be selling forever, I know I will be wearing and enjoying my jewelry for the rest of my life. It brings me so much joy. Marking special occasions and making new memories with jewelry are so important to me. Jewelry has a way of keeping our memories alive…providing a tangible reminder… connecting us to the people, places, and significant moments we cherish in life. Happy hunting!

xoxoGemGossip

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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xoxoGemGossip

WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Jewelry Collection Stories: Emily of @GemCircus

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We are kicking off July with an incredible jewelry collection story from Emily, also known as @GemCircus. If you’re a part of the jewelry Instagram community, you’ll easily recognize some of the jaw-dropping pieces in Emily’s personal collection. From the way she styles her necklace layers, to ring stacks, arm parties, and everything in between, we love her taste and enthusiasm for antique jewelry. I’m so excited she has agreed to share her story with us, so let’s sit back and enjoy:

My love for vintage and antique collecting started when I was a teenager, after my family moved to Vancouver, Canada, from Hong Kong in the early 1990s. I remember it was July when we arrived and I would walk to the nearby library every other day to borrow books to read (our container didn’t arrive almost a month later so all I have in my room were merely a bed, a built-in closet and my backpack). I started to notice our neighbours’ garage sales in my walks and I was amused at the things people were selling – from snow cone machines to music records, jewelry to stuff toys. That summer of looking through other people’s belongings and engaging in rapports gave me a sense of belonging and connection to the community. Ever since then I have become a frequent visitor to community flea markets, thrift shops and antique shows.

My jewelry obsession started around early twenties with vintage jewelry, in particular charms and silver filigree bracelets. I love to style them on mixed metal chains and I still love styling them now.

Gem Circus | Gem Gossip

I wasn’t picky and didn’t have a favourite period at that time so I usually picked up quirky little things like brooches, pins, jewel “plaques” (which I found out they were called “clasps” later) etc. Even though my collecting seemed to be random at that time, I was already drawn to jewelry that have motifs, like this brass crescent with hand and arrow and the clasped hand ring that I found in a thrift store. Looking back, I believe my love for antique sentimental jewelry originates from this pair!

Gem Circus | Gem Gossip

A lot of my Instagram followers already knew that I adore Georgian and Victorian sentimental and mourning jewelry, as well as portrait jewelry. This probably relates to my “innate sensitiveness” (as Carl Jung coined it) and the way I see jewelry as not merely an adornment but also a medium for expression, an art, an identity of who we are.

After I started reading books on lover’s eye, portrait miniature and mourning jewelry, I became obsessed with researching stories behind the jewelry that I collect. I realized that the brass crescent and the hand motif ring are not ‘funky little things’ as I thought in my teenage days, they actually carry specific meanings – love, new relationship and friendship – in the Victorian era. As my jewelry collection matures over time, I began to search for jewelry with motifs or meanings, like the urn, masquerade (masked lady), hand (figa, clasped hand, claddagh), heart (double-heart, flaming heart), star and crescent, buckle, swallow, snake, fern, acoutistic (“REGARD” and “DEAREST”) and Halley’s comet etc.

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I like to think that every piece of antique jewelry carries its own story of those before us, and I’m a custodian carrying on its legacy while creating my story with my collection. I love styling and always try to mix and match, experiment with different stacking and mixed metal, and do simple conversions to make every piece wearable. You can see from my Instagram photos that I’ve worn a big opal crescent brooch with another monkey brooch in the middle, stacked seven Art Deco wedding bands to make a statement ring, wrapped my wrist with antique chains and added a micromosaic brooch on top, stacked an Art Deco paste bracelet with a Hermes red enamel bangle, wore brooches on hats, and layered antique gold chains with watch chains. The fun is endless!

I shop everywhere but recently it’s largely online as there aren’t any antique jewelry shops in Hong Kong. I love the Instagram community as I’ve met so many wonderful souls (many of whom have become friends for life) around the world that share my obsession in antique jewelry. I always visit antique and jewelry shops when I travel too. It has been a tradition to bring back a piece of jewelry from each city that I visit.

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One of my obsession is Georgian masquerade jewelry: masked lady ring with ruby bonnet and rose cut diamonds from @karendeakin.antiques ; locket from @abrandtandson and the most recently acquired oval ring from @bijouxvictim

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Ring stacking is a daily essential for me: Georgian blue enamel rose cut diamond urn ring from @lenoredailey ; the moonstone on the mourning ring was a gift from my jeweler in Vancouver (he has kept it for 40 years!) and it fits perfectly on the bezel of the once empty mourning ring; flat cut garnet band from @antiqueanimaljewelry

Gem Circus | Gem Gossip

Mourning rings and figas: these enamel mourning rings are too big to wear so I usually wear them on gold chains as pendants. The twin coral figas were acquired from different continents yet they look so much alike. The one with emerald and diamonds was found in a UK auction and the one with seed pearl top was found in an antique show in Vancouver.

xoxoGemGossip

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Jewelry Collection Stories: Nathalie of @NathaliesDesk

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We are back with this month’s Jewelry Collection Story and it comes from Nathalie whom I discovered on Instagram! She has been posting eye-catching and droolworthy images of her personal collection, including her incredible and rare antique ring case collection. It was awesome to see that she found my #JewelryRoadTrip to Ohio alluring enough to buy two of the rings I featured–I love when people are able to connect that way with items that I showcase, it is honestly why I started the #JewelryRoadTrip project in the first place! I had to know more about her and her story, as well as see first-hand her gorgeous collection. Take it away Nathalie:

My journey with jewelry began with a 24K yellow gold bracelet. It was a Sweet Sixteen birthday gift from my mother, my first jewelry piece from her – and I was disappointed. At that age, I was hoping for new clothes, new shoes, or the latest coolest CD player. I thanked my mother and tucked it away because I thought yellow gold was for old ladies. Every year after that, she continued to bestow yellow gold to me on my birthdays. They came in the form of more bracelets, necklaces, and pendants. Each time, I would thank her, put away the pieces, and never wear them.

On my 21st birthday, after receiving another piece of yellow gold jewelry it finally occurred to me to ask my mother why she chose this as my annual gift over other things. To this she replied, “When you were 7 months old, your father and I had to escape our mother country (Vietnam) and when we arrived to our new country (France), I had to sell my jewelry in order to get things like food.” And she kept on talking and sharing. And I felt shame for being ungrateful, heartbreak for the hardships my parents endured. I also started to see and love my mother in a whole new light. She is my Wonder Woman. And this was also the day I truly fell in love with jewelry and became a collector.

A while back, there was a question floating around in the Instagram world asking “Does jewelry make you a better person?” To that I say “Yes, it does!” It can lift your spirits up, it can create a bond between people, it can commemorate the loss of a loved one, or punctuate a special occasion. Sometimes it is just downright magical. If you are reading this blog, then I am sure you have chased or currently chasing some unicorn in the form of a ring, bracelet, necklace, or earrings.

I look for treasures in all kinds of places: at my local shops, fairs, and online (eBay, Etsy, Ruby Lane). Collecting has its ebbs and flows. I have gone years without buying a single piece, and other times when that is all I can think about! What attracts me also seems to have its cycles which is why I rarely part with any of my pieces. I am an equal bling opportunist, but I tend to gravitate towards rings. I do think I am at a point where I need to par down a bit to make room for some new fabulous pieces. Discovering the Instagram community truly enriched my knowledge and appreciation for past and current jewelry, in addition to making some lovely connections with others who understand this passion.

When I became a mom two and half years ago, I started daydreaming about what stories I would share with my daughter. Every time I bring out my jewelry to play she is always by my side asking to play along. It is so fun to see her light up as I let her try on my pieces. Little does she know that she is already the owner of something very special. When she had turned one month old my mother had gifted her the sweetest 24K gold bracelet. And there will be many more treasures waiting for her.


xoxoGemGossip

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The Top Jewels that Sparkled in Cannes, 2017

Rihanna Chopard All photos via Getty Images

The Cannes Film Festival is arguably one of the best showcases for the top international jewelry houses to showcase their finest and brightest gems and designs for the world to see.

This 12-day festival brings out the most exceptional designs and creations from the likes of Chopard to Harry Winston.

It’s where you can see leading ladies like Charlize Theron and Jessica Chastain as well as ingénues like Dakota Fanning and Rihanna parading down the red carpet in the latest couture gowns and decadent jewels.

Here are the best jewels from the most revered jewelry houses that were showcased on the festival’s red carpet.

CHOPARD:

The jewelry house has a deep history with the Festival as it’s been the official partner and designer of the coveted Palme d’Or trophy awarded to the most critically-acclaimed movie. This year, the buzz on the red carpet was their collaboration with music super-star Rihanna.

Chopard | Gem Gossip

Singer Rihanna wore emerald, rock crystal quartz and diamond earrings, a black nephrite and diamond bracelet with a 31.95-carat emerald, three emerald and diamond rings and a floral bracelet set with diamonds, all from the Rihanna Loves Chopard High Jewellery collection, at the premiere of the movie ‘Okja’.

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Model Adriana Lima wore a diamond bib by Chopard at the screening of the film ‘Loveless’.

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Actress Miriam Odemba wore a titanium and white gold necklace with kunzites, beryls, tanzanites and diamonds, and matching earrings, from the Red Carpet collection by Chopard.

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Karolina Kurkova wore a sapphire and diamond necklace from the High Jewellery Collection from Chopard at the premiere of ‘Based on a True Story’.

Actress Juliette Binoche wore platinum and diamond earrings by Chopard.

Actress Elizabeth Olsen wore diamond flower stud earrings by Chopard. We simply adore the placement of these earrings.

de GRISOGONO

This jewelry house showcased some of the best and boldest designs to hit the red carpet with their use of brilliant colored stones.

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Model Hailey Baldwin wore stunning drop earrings set with white and brown diamonds, and edged with citrine briolettes.

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Model Jenaye Noah wore a pair of exquisite de Grisogono chandelier earrings that glowed with oval-cut citrines from their Melody of Colours collection. A perfect compliment to her vibrant blue gown.

BVLGARI

This iconic jewelry house showcased their classic Serpenti jewelry and picked up major press when actress and model Emily Ratajkowski was photographed wearing their pieces both on the red carpet and on her personal Instagram.

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Model Bella Hadid wore a Bulgari High Jewellery Serpenti necklace and bracelet in white gold.

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Model and Actress Emily Ratajkowski combined two Bulgari necklaces, one comprised of pearls, rubellites and diamonds from the High Jewelry Collection and the other pendant necklace made with diamonds, emerald and rubies.

BOUCHERON

The design house had some of the most striking statement-making pieces to hit the red carpet at Cannes. Actress Salma Hayek’s necklace rendered us both breathless and speechless!

BOUCHERON | Gem Gossip BOUCHERON | Gem Gossip

Actress Salma Hayek wore the Baïkal necklace with a 78.33-carat Santa Maria aquamarine, moonstones, Akoya pearls and diamonds from the new Hiver Impérial High Jewellery collection by Boucheron

Model Laetitia Casta paired the Lumière de Nuit diamond and pearl earrings from Boucheron’s Hiver Impérial High Jewellery collection with her gown at the premiere of The Meyerowitz Stories in Cannes

De Beers

The classic diamond jewelry house is known for their slogan “a diamond is forever” .This year, Chinese movie actress and taste maker Fan Bingbing embodies the classic elegance of Hollywood that the brand is synonymous with as she modelled a coveted collection of jewels from the house.

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Fan Bingbing wore the Arpeggia five-line earrings, bracelet and Aria ring at the ‘Amant Double’ premiere.

Piaget

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At the closing of the 70th Cannes Film Festival, actress Jessica Chastain, Piaget’s International Brand ambassador since 2015, paired her show-stopping gown with earrings in white gold set with diamonds from Piaget’s new High Jewellery collection Sunlight Journey.

Piaget | Gem Gossip Piaget | Gem Gossip

Model CoCo Rocha wore earrings in white gold set with diamonds, blue sapphires and black opal from the new High Jewellery Collection Sunlight Journey.

Another noteworthy mention is model Naomi Campbell’s earrings, necklace, ring and cuff in white gold set with emeralds and diamonds from the new High Jewellery Collection Sunlight Journey.

Harry Winston

Known as the “jeweler to the stars” and Nicole Kidman’s ‘go to’ jeweler, Harry Winston notably had Nicole Kidman wear his jewelry on the red carpet. Best bet as she had the most films to debut on the Cannes Red Carpet this year.

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Nicole Kidman wore Secret Cluster diamond earrings, Sunflower ring and diamond bracelet by Harry Winston at ‘How To Talk To Girls At Parties’ premiere.

All above photos via Getty images.

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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Jewelry Collection Stories: Danielle of @jasmyntea

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This month’s Jewelry Collection Story comes from a favorite Instagram collector of mine and it’s not because we share the same name, although that helps 😉 It is because Danielle’s style and curation of such a fine collection is unlike any other! She has a fierce eye for what she loves and I’ve been wanting to know her story for quite awhile now. We finally got her story (she is a busy San Francisco dweller, with a full-time job that doesn’t involve jewelry) and she has provided some amazing photos of her personal collection. Let’s dive into her story!

“I have always been a collector. Whether it was collecting vintage jewelry, or vintage clothing, or books on costume and fashion. I’m always looking for unique items that speak to me in some way. I first fell in love with jewelry when I was about 12 and would ride my bike to the thrift store to look for treasures. I always liked vintage clothing, shoes, jewelry and scarves. Old pieces have stories within them. And I always liked to imagine the travels the pieces went through before I became their custodian.

My mother does not really wear much jewelry. Most of the jewelry she wears, except her wedding band, was probably given to her by her sisters or her daughters. She has very few pieces, so I didn’t really grow up surrounded by jewelry. I didn’t know one of my grandmothers as they both passed away before I was born. But I do wear her gold framed glasses from the 1940s every day as my own eyeglasses. I love this connection with my past. My other grandmother didn’t really have much affinity for jewelry either. So I’m not really sure where my love of jewelry and antiques comes from–but I can tell you that I’m obsessed 🙂

When I first started collecting jewelry in high school I liked vintage brooches and small enamel pins. This was what I could afford to purchase. From vintage pins, I branched out to vintage sterling. I always loved going to antique stores and hunting for unusual, inexpensive pieces. My early collection included David Anderson Norwegian pins and bracelets, sterling charm bracelets, bakelite bangles, and funky long beads to layer. I always liked layering, mixing and creating a story with my jewelry. As my style evolved I also liked to support local jewelry artists, so I would go to fairs and stores that sold the work of local jewelry artists and try to pick pieces I liked. My modern collection is made of up certain designers – Marla Aaron, Judy Geib, Gabriela Kiss, Louison Rare and Fine (GemstoneGypsy), Jean Jean Vintage, Gillian Conroy, Variance Objects, Dahlia Khanner, Alberian and Aulde, Amali Jewelry and local San Francisco artists Betsy Barron and Alix Bluh. I tend to gravitate towards jewelry artists versus major designer jewelry. Although one of the first pieces I completely coveted when I was 16 was Tiffany’s Elsa Perreti sterling bean necklace.

In the recent years I have gravitated towards building my antique collection. I love to go to antique fairs and shows, stop in small antique shops when I travel and I follow many antique jewelry sellers on IG. If you are curious, my first IG discovery was Erie Basin and my early purchases were a Toi et Moi Victorian diamond ring and a French link bracelet that many people have asked if they could purchase from me. Finding the antique jewelry community on IG has been very meaningful to me. I feel like I’ve found a crew of fellow jewelry enthusiasts that I can geek out about Georgian jewels, or old cut diamonds, or how to style antique and modern jewelry together. Before IG I never really participated in social media. Finding the IG community of jewelry lovers has been a nice addition in my life, so I don’t drive my husband and sons nuts with my jewelry interests. I’ve also enjoyed meeting fellow IG collectors on my travels.

I can’t really categorize what I collect, because I look for unusual pieces or pieces that resonate for me in some way. I feel like I am the custodian of the pieces I collect. I can’t always articulate why I fall in love with pieces. Sometimes the piece feels sentimental, sometimes the piece will fill an aspect of my collection that I need for a look I’m striving for. On a broad level, I like Georgian and Victorian jewelry. And then I like modern pieces that provide contrast for the more sweet/sentimental antique pieces. I love to mix antique and modern pieces together. Probably my favorite thing to mix are Marla Aaron locks with my antique necklaces, charms and brooches. Mixing and styling jewelry is a creative outlet for me. It’s self-expression—what I’m trying to put out there on a given day. I mix everything: yellow, rose, green gold, platinum and silver. On most days I have on five types of metal. I actually tend to prefer wearing mixed metals versus monochromatic styling. Although sometimes I like to do all gold or all silver or all one kind of gemstone.

I’m sentimental when it comes to jewelry. I always wear a Marla Aaron lock which to me symbolizes to hold fast to what’s important. I once did post on IG about how my modern jewelry spirit animal is my engraved Marla Aaron lock that has all family initials hidden within the engraved design. If I had to pick an antique spirit animal it would probably either be antique chains or signet rings. My thorn necklace (by Gillian Conroy) symbolizes that life has thorns to deal with but I am strong enough to weather the thorns. My hand bloodstone signet ring from Metier with the word “confido,” which means trust, reminds me to trust myself. And then on any given day, my other jewelry represents other items of importance to me or things I’m trying to stay centered about. My Mizpah ring from TheOneILoveNYC is for my husband and me, and my Souvenir bangle from Lucy Verity hasn’t left my wrist since I got it last year – I look down and remember. My Lenore heart rings: to remember love, my signets: to remember the people who are important to me, my memento mori ring from Nvitblanche: to remember to live in the moment, my ruby locket from Circa 1700 has diamonds in it from my mother-in-law in the amount of Pi carats (ok I’m a definite geek). Recently my husband and I gave each other Gabriela Kiss eye rings to symbolize us watching over each other.

You may wonder what pieces I am on the hunt for next. I try to keep an open mind when I am hunting for jewelry, because you never know what you might find. I always ask myself does this resonate for me, will I really wear it and reach for this piece everyday? I like to purchase pieces that I will wear, I don’t like for jewelry to just sit in my jewelry box. I don’t necessarily keep a running wish list. Although at the beginning of 2016 I did an IG jewelry wishlist post and when I look back on it now, I did end up collecting some of the items on my wishlist during 2016, (like my French cut eternity band from Platt Boutique Jewelry). Right now I’m coveting high carat gold items – 22K gold bands (I just got one from Metier) and poesy rings, a Georgian memento mori ring and chains, always more chains. Recently, I’ve been loving layering a lot of gold watch chains.

In closing, almost every piece I wear holds meaning for me of something I want to remember or a story I want to tell that day with my jewelry. Jewelry wearing and styling is my personal storytelling.”

xoxoGemGossip

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You can follow Danielle –> @jasmyntea

Source: GossipGem.com

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