New October Opals from Arik Kastan Jewelry

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Let us enchant you with some of Arik Kastan’s newest designs featuring October’s magical and often obsess-worthy birthstone: OPAL. The brand has been working with opals since the very beginning of launching Arik Kastan and they continue to be a favorite of collectors, and we obviously can’t get enough of them ourselves!

Opals can easily transform any design that is created, any outfit we style, or bad moods we’re feeling. We love opals set in the signature rose gold just as much as the yellow gold, so we think you can’t go wrong picking between the two metals. And as far as gemstones that pair well with opals, we’ve been obsessing over some cool tones like sapphires, emeralds and moonstones–even pearls! Yes, you must check out the newest pearl + opal ring fresh off the jeweler’s bench. You’ll flip!

Enjoy checking out the new styles; all are available with a click of a mouse (or touch of a finger on your phone)!

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Arik Kastan drew from Victorian jewelry to create this stunning pearl and opal cluster ring, which is both bold and has feminine touches. We love it paired with jeans or a dress for fall.

Lyla Ring with opals and pearls, Price: $1,500

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These aren’t just any ordinary garnets, they are rose cuts which give these earrings a vintage-inspired look. They’re nice and large, while still being crazy comfortable.

Pebble Stone Drop earrings with garnet & opal, Price: $1,650


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A hint of blue sapphire sets off this sentimental padlock that can be the layer-ready basis for our collection. Start your stack with this one!

Sapphire + Opal Cluster Padlock, Price: $1,260


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A continued favorite, the signature three-stone ring looks glorious in opal and ready for any October baby to make this her special piece.

Signature Three Stone ring in Opal, Price: $1,320

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Quite possibly our newest favorite gemstone combination emeralds and opals! The green really POPS in these earrings; they’re quite breath-taking.

Nouveau Oval drop earrings, Price: $2,250

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This pinwheel pendant has won our hearts–it’s dainty and precious! Again, slaying in our favorite gemstone combo.

Pinwheel pendant with emerald + opals, Price: $1,320


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An instant favorite, combining floral inspiration with geometric vibes, the Mandala ring has us ready for fall.

Framed Mandala ring in sapphires + opals, Price: $2,750


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Some major boldness with this padlock, which we can’t get enough of. If you want a hefty, gorgeous piece…this is it!

Stained Glass Window padlock with emeralds + opals, Price: $2,470


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Feeling some boho vibes? Say no more, these are for you! Open metalwork, opals and a wonderful lever back.

Arabesque Drop earrings set with opals, Price: $2,030


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If you’re one who loves to stack your heart out, we’ve got you covered too! Our thin stacking band is easy to wear and pairs with almost anything else.

Thin Stacking ring done in opal, Price: $1,150


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It’s hip to be a square and this little padlock thinks so too. Outfitted in opals every square inch and a single moonstone in the center to shake things up a bit!

Square Padlock with opals + moonstone, Price: $1,590

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The Isabel ring makes us feel elegant and refined. We love the hint of blue from the sapphire and know you will too!

Isabel ring set with sapphire + opals, Price; $1,760

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Just a tip: Arik Kastan padlocks make the most beautiful gifts and yes, there are lots of holidays approaching but I won’t name any for the sake of getting virtually slapped!

Horizon Cluster Padlock set with moonstone + opals, Price: $1,370

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The Hottest Celebrity Jewelry Trend Happening Now–Hoops!

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Jennifer Lopez may have been one of the originators, but now there seems to be a resurgence in the popularity of hoop earrings and celebrities are following suit.

What makes this hoop trend new? Crank the typical thin metal circle hoop earrings up a notch… or 12 notches! We’ve spotted all kinds of luxe versions of the hoop earring — from diamond color coated to encrusted opal slices. Hoops are competing as the new statement earrings on the red carpet.

Not to mention they have a remarkable way of framing the face and are extremely adaptable in size to fit anyone’s face shape. They’re quintessential and dependable. Hoop shaped earrings have been a powerful symbol in numerous cultures throughout history. The oldest earrings archaeologists have discovered belong to Sumerian women who lived in 2500 BC, and favoured the classic gold hoop style.

Hoop earrings are a foolproof, classic staple and if you don’t have a pair of hoop earrings in your jewelry box, check out these celebrity looks for inspiration to add a pair now!

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Hailey Baldwin demonstrating that one pair of hoop earrings is never enough. Hailey wearing 2 pairs of gold hoop earrings from Jennifer Fisher Jewelry at the iGo.live launch event.

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Jennifer Lopez wore Harry Winston three row diamond hoop earrings at the ‘Rei Kawakubi/Comme des Garçons: Art of the In-Between’ Costume Institute Gala 2017. She also wore a pair of bold gold Samira hoop earrings by Jennifer Fisher Jewelry in her new music video for ‘Amor Amor Amor’.

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Nicki Minaj wore oversized diamond hoop earrings by Lynn Ban at the 2017 MTV VMAs.

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Rihanna prefers colored diamond encrusted hoop earrings. She wore Rihanna Loves Chopard pink sapphire hoop earrings to the LA premiere of Valerian and The City of a Thousand Planets. She also wore yellow diamond hoop earrings by Jacob & Co. at the launch of her Fenty Beauty, pictured here.

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Singer Rita Ora wore diamond Tiffany and Co. hoops at the 2017 Teen Choice Awards.

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Sarah Paulson wearing diamond Jasmine hoop earrings by Nirav Modi at the 2017 Screen Actor Guild Awards.

PICTURE credit all GETTY, with the exception of Rihanna photo via WIRE IMAGE

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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Enter To Win This Antique Lion Charm Ring!

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I’ve recently partnered with Kelly, creator of Velvet’s Edge–a Nashville-based lifestyle blog that has been a personal favorite of mine for quite some time! I don’t always eat, sleep, breathe jewelry…I love learning about ways to do makeup, hair and finding great clothes, and Kelly has such a great style, as well as personality. I love having her blog and Instagram feed as a source of inspiration when I’m wanting to take a break from the jewelry world I live in.

The giveaway ends TODAY at 5pm CST and to enter to win this antique lion charm ring from my personal collection all you have to do is follow the rules in this Instagram post >> http://bit.ly/2xfJoN9

Good luck and hope you win!!

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Jewels at my Doorstep: Paige Novick

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If there’s one piece of jewelry you’ll always see me wearing, even if I’m in pajamas and have no other jewelry on whatsoever, it is my Paige Novick diamond ear cuff. Easily the most worn piece of jewelry that I own (yes, even surpasses my engagement ring) for many reasons, one being comfort, and the second without a doubt is its effortless way of making one look pulled together. That’s why when I found out Paige most recently launched a new collection called Powerful Pretty Things, I knew it was going to be great.

The inspiration on the new collection? Paige puts it best: “The more we disconnect as a culture through our myriad of devices, the more we will need to connect to something higher. Meditation has gone mainstream. We view this paradigm shift as an opportunity to bring the world of luxury and conscious living together. Hence, the genesis of Powerful Pretty Things—a highly-curated collection of modern relevant pieces with a focus on colored gemstones and their healing properties. By taking the concept of “crystals” out of its usual flower-child context into a luxurious space, we are redefining the category.” This adds a whole new dimension to wearing jewelry, and we’ve talked about the overwhelming popularity and intrigue of crystal healing powers just recently. With the help of some extensive research on Paige’s end, she has combined both worlds of jewelry and crystal healing into one, to enveil her new collection.

While mainstream consumers think “birthstone jewelry,” Powerful Pretty Things aims at going above and beyond this overly commercialized category and breathe new life into gemstone jewelry. Every piece in the collection is fun, easy-to-wear, sophisticated and on point! I was able to pick an entire look from the new collection and I kept in mind the cystal-healing properties while doing so. For me, I was drawn to pink tourmaline, opal, peridot and garnet–all four of those gemstone spoke to me and I absolutely love the combination of them.

I think you’ll love this new collection from Paige Novick. Take a look at the photos shot by Lauren Newman Photography against Nashville’s newest mural duo, completed respectively by one east-coast and one west-coast artist.

You can shop my entire look below:

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This sponsored blog post was brought to you in collaboration with Paige Novick.

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Q & A with Shelley Gibbs Sanders of The Last Line

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Discovering new jewelry brands that are trailblazing in unique ways is my absolute favorite–that is why I jumped for joy after learning about The Last Line, a new project recently launched by jewelry veteran Shelley Gibbs Sanders. Bold colors, chic and iconic pieces…and, wait for it…AMAZING prices! You might scroll around the website and wonder, how can these prices be so good for REAL jewelry that is 14k gold and genuine gemstones?! The answer is their philosophy of being direct-to-consumer, never having a middle man, selling new pieces in batches called “drops.” Their latest drop is actually TODAY where they’ve added to all the incredible earring styles you always wished you could find. These ear stacks are what dreams are made of and that is exactly what Shelley set out to do when creating The Last Line. Can her goal of being “the last line” you will ever need hold true for many of you?! Let’s find out!

I had the pleasure of interviewing Shelley and we encourage you to check out the website and find your perfect piece!

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The Last Line is a continued project, I have been designing this collection for pretty much my whole life and I’m so excited to finally share it with everyone. We just launched at the end of July with earrings and there is so much more to come: necklaces, rings, and bracelets! The inspiration behind the name of The Last Line is it is the last place you’ll have need to look for fine jewelry and trust me, I plan to live up to our name.

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I’ve had the rare opportunity of being on both the design and the production side of the process, which is so helpful and, in the end I am ultimately a consumer so basically it is the trifecta of intel! My career technically began in New York where I studied Fine Arts at Parsons School of Design before returning home to California to train with Master Jewelers in San Francisco. After learning the tricks of the trade, I returned to Los Angeles to begin my career as a jewelry designer. Over time (and companies!) my roles evolved and I became the head designer and creative director for dozens of celebrity jewelry brands and high-end jewelry houses, working with everything from gold, diamonds, and precious stones.

When we decided to officially launch The Last Line, it was almost four years ago. I have been designing jewelry for almost fifteen years and in every design job I had, I was always thinking if this was my line, how would I do this, what would I change, etc. I felt like I had seen it all, but really when I started to look there were definite holes in the market. It felt polarizing, there were two distinct buckets: reasonably priced, not-so-great design or great design and quality, outrageous price with nothing in the middle, which as a consumer I found so frustrating. Of course, after that I started to speak to my girlfriends, family, literally, everyone and anyone and I knew I wasn’t alone in that thought. Fast forward to today and voilà, introducing The Last Line.

The brand is two-fold: The Heart and The Soul, everything is designed in Los Angeles where I live with my family. The Heart pieces are the core of the brand and your jewelry box; they’re the staples that you never want to take off and that make you feel instantly put together. The Soul pieces are the jaw dropping, make your girlfriends ask, “where did you get that,” expertly crafted, special pieces you want to treat yourself to. Of course, I believe you need both!

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I did a lot of research before we decided to officially launch, I mean truly did research: price, design, size, color, the list goes on. The symbolism of our brand name The Last Line is that we want to be THE place for all of your fine jewelry wants (and needs!), the last place you’ll ever need to go.

There were a few things that were important for me when launching TLL, one of which was pricing. Fine jewelry shopping can be intimidating, a lot of which can be the result of pricing. Because we are direct to consumer, we can present amazing, quality pieces without the retail mark-up. It was also important for me to be (and stay) hands-on with the line; I think building a relationship from the beginning with your clients is key for any brand’s longevity. Being direct-to-consumer is not only a more personal approach, but it’s service driven, which is important when spending $2,000+ on a piece of jewelry online. All of our pieces focus on craftsmanship, much of the Soul collection being handmade in Los Angeles. Having a background in production (and as I jewelry shopper myself) it was important to use quality materials that look great and merit their cost.

One of the coolest things about the line for me, is the actual assortment of jewelry is personal, I wanted to present options, in each drop you will have classics with a twist and then some really fun special pieces. In the first drop, we have everything from a perfect gold sphere stud (in over 5 sizes!) to our signature flower earring in a variety of stones. In the second earring drop, there are solitaire studs in a variety of stones, lots (!) of diamonds, from line earrings, to ear cuffs, to a perfect tennis drop earring and of course this amazing doubles spiral hoop earring you may have seen Nicole Richie sporting. And in the third earring drop, well that’s a secret for now.

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I truly hope that I am working on The Last Line, forever. I love to design of all types of jewelry and I love to create. I can’t stop—it is my obsession. I want to continue to create pieces that connect with women all over the world, it is important for my pieces to speak to the woman who’s just starting her jewelry collection and also excites the existing jewelry client who has her go-to pieces but is looking for that perfect_______. I want our pieces to become heirlooms; they should feel current but not trendy. For me, it is how a woman mixes her jewelry collection that makes it cool. I wanted to create pieces that can be worn but not worried about. The earrings can all be purchased individually, so mixing it up is fully encouraged!

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My engagement ring was one of the first pieces of The Last Line. My husband actually designed it and worked with the jeweler for months. It’s was something we always talked about it and one day there he was with it and it all took off from there —our marriage, our line, everything.

From the line, my favorite piece right now that I own is a 3-way tie between the diamond teddy flower earring with the pave tsavorite stem from the Goldie earring, the medium rose gold diamond safety pin and a special bracelet inspired by childhood which will drop soon.

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This sponsored post was brought to you in collaboration with The Last Line.

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Doyle & Doyle Debuts Rare Collection of Antique Jewels

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Doyle & Doyle is thrilled to debut pieces from a spectacular cache of rare antique jewels, all acquired from a single collector. Including jewelry from ancient Rome, 17th century Spain, and 19th century France, these are the best examples of their type and many are hallmarked by well known jewelers. Keep reading for a sneak peek of the historic collection before it goes on exhibition at Doyle & Doyle in September.

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These exquisite micromosaic pieces date to the mid-19th century and are hallmarked for the Vatican Workshop of the Papal State.The Vatican’s mosaic studio was founded in the 16th century, its skilled artisans create artworks commissioned by wealthy patrons and pieces for the Pope to give as gifts. The Sistine Chapel ceiling by Michelangelo, Saint Peter’s Square designed by Bernini, and Raphael’s “The School of Athens” are among the many masterpieces you can discover at the Vatican. Originally founded in the 16th century, the skilled artisans working in the Vatican’s mosaic studio create pieces for the Pope to give as gifts and artworks commissioned by wealthy patrons. They also oversee and maintain the ten thousand square meters of colorful mosaics that adorn Saint Peter’s Basilica. This bangle and brooch are beautifully made, featuring glass tesserae so tiny that the designs look like paintings in shades of red, blue, green, and white. Perhaps a wealthy young man purchased them during his Grand Tour through Europe, or they were gifts to an important Church official. No matter their origin, they are little works of art that display the incredible skill of the Vatican’s workshop.

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The collection includes other ecclesiastical jewels in addition to the Vatican micromosaics, including a variety of gem-set and enameled crosses from many different periods. This striking dimensional crucifix cross is Spanish from the 17th century, detailed with enamel and engraving that resembles wood grain. Although probably not original, we love it worn on the black ribbon choker, especially when layered with antique gold guard chains. Although these are museum quality jewels, they’re definitely wearable!

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There are also charming examples of sentimental and devotional jewelry. The rose cut diamond encrusted heart hangs from a sweet rose gold dove. The diamonds are foil backed and you can see hints of pink, gold, and even green reflecting through the stones. The rare late 17th century Spanish reliquary pendant is a small compartment that holds a tiny bit of a saint’s blood. It’s backed by a hand painted figure of a female saint and framed by emeralds and garnets. This type of jewel was probably a private devotional artwork. Spain being an intensely Catholic country, people believed in the power of saints to affect their daily life. In additional to more traditional liturgy, 17th century Spaniards prayed to their personal saint to intervene and make their lives better.

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The other half of this incredible collection is comprised of museum quality Arts & Crafts and Art Nouveau jewelry. The Arts & Crafts Movement was a direct response to the mechanization and poor working conditions engendered by the Industrial Revolution in the mid-19th century. Adherents looked to the Middle Ages, nature, and popular folk art for inspiration, seeking to return to an idyllic time before mass production. Shying away from precious materials, Arts & Crafts jewelers favored readily available gemstones, such as garnet, amethyst, citrine, opal, and moonstone. The delicate gold pendant is British, comprised of hand wrought wirework set with bright blue turquoise and glowing moonstone.

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By the end of the century, Art Nouveau artists took the theme of nature to the next level. Art Nouveau jewelry often incorporated idealized female forms with swirling, whiplash hair framed by sensuous flora, like this striking silver mirror locket. Dating to 1900, this lovely piece is hallmarked for French jeweler Lucien Coudray. Coudray specialized in engraving medals and won several prizes for his artistry. Another popular form was a winged female with gossamer enamel wings studded with tiny gems or pearls. This statuesque dragonfly woman was created around 1900 and bears the hallmark of noted Art Nouveau jeweler, Gaston Laffitte. The light filters through the translucent green plique-a-jour enamel wings, creating a delicate stained glass effect.

This is just a small preview of the incredible historic collection – want to see it all? Doyle & Doyle is putting on a public exhibition in September. Email [email protected] for more information and to get on the invite list!

This post was contributed by Juliet Rotenberg of Doyle & Doyle, thank you!!

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Want more?! To check out the store tour of Doyle & Doyle, click here.

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

MFA Boston | Gem Gossip

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Gem Gossip Visits Quadrum Gallery in Boston, MA

Quadrum | Gem Gossip

Quadrum Gallery resides inside a mall called The Shops at Chestnut Hill

Quadrum | Gem Gossip

The most mouth-watering stack I’ve ever created, all rings are by Lilly Fitzgerald, shop here

Quadrum | Gem Gossip

Mesmerized by Paul Morelli’s designs, love the moonstones! shop here

Quadrum | Gem Gossip

Director of Quadrum Gallery, Sia Maravelias, shows me around as I’m entranced by all the gorgeous jewels

Quadrum | Gem Gossip

California-based designer Julez Bryant is one of Quadrum’s newest additions, shop here

Quadrum | Gem Gossip

the work of Lilly Fitzgerald inside one of the cases

Quadrum | Gem Gossip

Last year, Quadrum added Spinelli Kilcollin to their repertoire and it has been one of their best sellers, shop here

Quadrum | Gem Gossip

I love when designers’ work complements one another–here I’m wearing Moritz Glik & Sorellina

Quadrum | Gem Gossip

Quadrum understands that one can never have too much Gabriella Kiss Jewelry, so they keep a heavy stock! shop here

Quadrum | Gem Gossip

I fell in love with these whimsical gemstone charms handmade by Maria Beaulieu, shop here

Quadrum | Gem Gossip

Wearing two gorgeous diamond necklaces by TAP by Todd Pownell, shop here

Quadrum | Gem Gossip

Anthony Lent Jewelry is another new addition for Quadrum, shop here

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Jewelry by Sorellina both left and right photos, shop here

Quadrum | Gem Gossip

Moonstone magic, all jewelry by Paul Morelli, including the engagement ring

Quadrum | Gem Gossip

the unique earring display for the work of Maria Beaulieu

Quadrum | Gem Gossip

Spinelli Kilcollin rings piled on…they go perfect with my star boots

Quadrum | Gem Gossip

Lilly Fitzgerald jewelry–the necklace is made of apatite, shop here

Quadrum | Gem Gossip

Jamie Joseph is always popular and her work is highly collected, shop here

Quadrum | Gem Gossip

Quadrum is an ideal place to shop for your engagement ring, look at the variety of styles! Shop more here

Quadrum | Gem Gossip

These watermelon tourmaline earrings by Lilly Fitzgerald were a favorite, shop here

Quadrum | Gem Gossip Quadrum | Gem Gossip

We’ve got a mix of Sorellina, Moritz Glik, and Paul Morelli

Quadrum | Gem Gossip

You can stop by Quadrum Gallery any day of the week! Love that about the store…if I lived closer, I would be there all the time 🙂

Quadrum | Gem Gossip

More Gabriella Kiss, this time on my hands! shop here

Quadrum | Gem Gossip

Gabriella Kiss designs lots of unique pieces, all shown here

Quadrum | Gem Gossip

Wearing Julez Bryant–check out my geometric ear stack! shop here

Quadrum | Gem Gossip

Up close shot of the two Moritz Glik rings (“shaker” diamonds) and Sorellina band

Quadrum | Gem Gossip

The outside of Quadrum Gallery, where you can easily spend hours gasping and coveting.

Quadrum | Gem Gossip

Another shot of the Spinelli Kilcollin rings, shop here

Quadrum | Gem Gossip

Gabriella Kiss rings lined up all in a row, ready for new homes!

Quadrum | Gem Gossip

For over 39 years Quadrum Gallery has paved its own way, formed its own niche, and outshined ordinary jewelry stores both locally and across the US. There’s something to be said about a store that can march to the beat of its own drum and their success is because of this. Cynthia Kagan – the owner of Quadrum – had the passion and vision of creating this space known for its unique and exciting mix of artisans and jewelry designers. The artists represented can easily wow with a single glance. I was laughing as I was going through the photos taken from my very fun visit to Quadrum early on a Wednesday morning–every photo of myself I have my mouth open in a state of euphoria, most likely verbalizing the words WHOA or WOW, because that’s all I could say. The jewelry is just as special as each designer’s story is–what inspires them to create, where they are based, how they started…Quadrum is full of magic and I’m excited to share my visit with you all!

Sia Maravelias has been director of Quadrum for over 12 years, with 18 years total of working at the store, and has an enormous passion for jewelry. I also met with Amy Renneisen, assistant director who is equally addicted to jewelry as well. Playing with jewelry all day is just a tiny fraction of what these women do on a daily basis. One of their most favorite things is interacting with their dedicated clients who follow profusely on Instagram, print out their own wish lists from scrolling through the website, and are counting down days until their favorite designers host a trunk show at the store. Sia recalls, “Our Gabriella Kiss trunk shows create some large crowds in our store…it is always so much fun!”

Quadrum is exclusively designer-centered, meaning they don’t create their own in-house line of jewelry or have a repair shop on site. With the focus being on the artists, the store has become a destination. The selection is one of the most unique and distinct out there, having formed some of the longest-running relationships with certain designers. A great example of this is they’ve carried Barbara Heinrich for over 32 years, John Iversen, Reinstein/Ross, and Pat Flynn all over 20 years! Every year the Couture show is a tradeshow the team looks forward to and is often when they scout out a select few new additions to their artist lineup. This year they’ve added Anthony Lent, Sorellina, Moritz Glik and Julez Bryant.

Another aspect that I highly admire about Quadrum is something I just learned of when I visited. They do all their own photography, as well as their website and social media. All photography has been self-taught and it is honestly some of the best I’ve seen. Jewelry photography is no easy feat and those in the business know this quite well. I also love how both Sia and Amy have their own Instagram pages aside from the main Quadrum Gallery page. Both of their Instagrams are dripping with inspiration, whether it is how to stack or style some of the pieces from the store or new arrivals headed to the cases. You can follow Sia at @jewelry_maven and Amy at @thegemdiaries

Thanks so much for having me and I will forever be dreaming of all the incredible jewelry I saw while visiting.

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The Shops at Chestnut Hills

199 Boylston St.

Chestnut Hill, MA 02467

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How Designers Work with Gold: Six Unique Stories

A point of view that needs to be explored more often and more inquisitively is the role of THE MAKER. Every jewelry designer has a story, a technique, preferences and ways of doing things…but a favorite metal? That’s easy, it is usually GOLD. I teamed up with May Is Gold Month to delve further into this perspective, asking six different jewelry designers the same two questions. What will their answers reveal about using gold in their jewelry designs? Let’s find out!

You can also take a look at the MAKERS which May Is Gold Month is featuring on their page here.

Above video features Philadelphia-based jewelry designer Anthony Lent creating a one-of-a-kind engagement ring for a special client. Each piece is handmade by the maker himself in his studio.

Anthony Lent Jewelry Anthony Lent Jewelry

Anthony Lent Jewelry

How is gold important in your work?

For years I only worked in gold and some platinum. For me doing non conventional designs and creating them in a precious metal like 18k yellow gold was sort of an identity- the imagery in my designs was unusual to see in such a fine material.

Why do you like working with gold?

It is the most pleasurable metal to work with! The color of a rich 18 or 22k gold piece of jewelry is unlike anything else in nature. The way light plays off the material, the density of it, and its malleability is in my opinion why people have lusted after it for thousands of years.

>> Learn more about Anthony Lent here.

Jessie V E Jessie V E

Jessie V E Jewelry

How is gold important in your work?

Gold is absolutely essential in my work. The finish and feel of gold is like no other metal, and because I mostly use diamonds in my pieces, it’s really important that the jewellery they’re held in is as precious as the stones. I remember the first time I got to use gold at the bench while I was studying for my jewellery degree at university. I honestly didn’t realise it would be that different to working in silver but i was so wrong! From that moment the love affair with gold started and I physically couldn’t design anything without it. Although I don’t make the pieces at the bench myself for Jessie V E, I work very closely with the workshop, ensuring we use the highest quality gold in each expertly hand made piece.

Why do you like working with gold?

Often my jewellery has a symbolic or emotional feel, with the majority of the pieces being personalised or ‘semi-bespoke’, because I want them to become heirlooms passed down and cherished by future generations. Gold not only has the nostalgic and warm feel of the jewellery you remember seeing your grandparents and parents wearing when you were younger, but also from a more practical sense, gold is a metal that very few people have an allergy to, therefore making it perfect for everyday jewellery that lasts longer than a lifetime. There is just something about the feel, weight and warm glow of a gold piece of jewellery that is perfect for attaching memories and sentiment to, while looking beautiful and timeless.

>> Learn more about Jessie V E here.

Metalicious Jewelry Metalicious Jewelry

Metalicious Jewelry

How is gold important in your work?

Gold is important in my work because it has a rich history that dates back to the ancient Egyptians. Gold never corrodes and it was thought to symbolize immortality. This makes it the perfect ring for wedding and commitment bands.

Why do you like working with gold?

Gold is a beautiful metal to work with, it’s malleable yet extremely durable. I love the range of colors you can achieve by alloying gold with other metals. It gives me the flexibility to create unique alternative engagement rings, to match my customers personalities perfectly.

>> Learn more about Metalicious Jewelry here.

Johnny Ninos Johnny Ninos Johnny Ninos

Johnny Ninos Jewelry

How is gold important in your work?

Gold has played a big role in progressing my work. While transitioning from silver, the cost of gold required me to slow down and focus more intently on the details. I remember honing in on each file stroke and tightening my burr control; skills I now apply to all materials regardless of cost.

Why do you like working with gold?

Gold is an easy metal to love. It’s luscious and has a rich, deep character. When I’m working with gold it’s soft qualities preserve the handmade nature of the piece while still allowing for structure, durability, and precision.

>> Learn more about Johnny Ninos here.

Grace Lee Designs Grace Lee Designs

Grace Lee Designs

How is gold important in your work?

Everything in my collection is solid gold and made locally with ethically sourced materials. When I started my collection, almost 10 years ago now, there was a lack of minimal fine jewelry. Personally, I was at a point in my life when I didn’t want to invest in jewelry that will tarnish or turn my finger green. If the outside of my finger is green then who knows what’s happening on the inside of my body.

Why do you like working with gold?

Gold is intrinsically a soft and malleable metal yet strong and unchanging. Its value comes from these physical properties and its rarity. Gold was discovered thousands of years ago yet still today it remains one of Earth’s most valuable natural resources. I like working with gold because of the creative possibilities with a malleable yet unchanging raw material are endless and lasting. If you look at my collection we have pieces like the iconic Whisper Ring – that is airy and whisper thin yet can be worn everyday. The fact that it is solid 14k gold means you don’t need to take it off to shower or wash your hands. The fact that is solid 14k gold also means your piece will not change and can be passed on for generations.

I think it is rare and valuable to be flexible yet constant simultaneously. It is almost an oxymoron. Think about some of your favorite people – perhaps they are flexible and can adapt to changing circumstances yet you are confident they will also remain the same at a core level. Personally, I like these intrinsic characteristics in gold and in people.

As a designer that’s what I hope to do – to evolve yet stay constant. As I continue to create new collections it is my hope that people will continue to be able to appreciate and recognize my work as distinctively GL.

>> Learn more about Grace Lee here.

SophieHughes SophieHughes SophieHughes

Sophie Hughes Jewelry

How is gold important in your work?

Why do you like working with gold?

There is a very potent mystique intrinsic to gold – it is radiant, lush and seductive. It looks and feels luxurious on the body. The specific alloy of 18 karat gold I use in my work is bright and rich, with an old-world feel supplied by its cool undertones. As a designer, I appreciate its versatility as a material – it stands on its own but also plays nice visually when set with precious stones or fused over the surface of oxidized sterling silver.

I draw a lot of excitement and inspiration from the unlimited design possibilities of gold. Plus, working with it is an absolute dream! It remains clean when heated, is smooth as butter, and responds beautifully to the textures of the antique hammers I utilize in my work. It’s super forgiving because it has a great capacity to be worked and re-worked.

Gold is also easily recycled so its use aligns with my values as a designer. The metal mining industry is disruptive to the environment and is notorious for unscrupulous labor and business practices, so partnering with refineries who melt and mill precious, reclaimed scrap allows me access to material I feel good about working with and my clients feel good about wearing.

>> Learn more about Sophie Hughes here.

This sponsored post was brought to you in collaboration with May Is Gold Month.

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How 3 Nashville Entrepreneurs Style Their Dana Seng Jewelry

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The life of an entrepreneur: forever in motion, on the go, and fast-paced. Sometimes you need your jewelry to be that way too! I’m always on the hunt for something I know I can throw on and automatically look good, something I can style with a variety of different outfits, and something that is timeless and will withstand a hectic lifestyle. The piece of jewelry that does it for me is my Dana Seng birthstone initial charm necklace, without a doubt! It goes with just about anything…when I put it on I already feel put together…and the best part is that it was made for me! I picked out the letter I wanted and the gemstone I wanted–D for Danielle (my first name) and sapphire for my birthstone (and luckily blue is a color that goes great with almost my entire wardrobe).

Dana Seng Jewelry prides itself on creating jewelry that fits this exact remedy–for “every style” and for “every woman.” I thought it would be fun to see how three different women style their own Dana Seng Jewelry pieces, so I took three Nashville entrepreneurs (myself included) and without any direction, told everyone to style their piece with what fits their lifestyle and how it fits in their everyday look. It was so interesting to see how a simple initial gemstone necklace or ring could be worn in different ways, suit unique styles and become a staple to someone’s wardrobe. One thing is for sure, we all agreed how simple, yet statement-making our birthstone initial pieces are and how much they’ve become an everyday occurrence within our style.

Let’s find out more:

Dana Seng Jewelry | Gem Gossip Dana Seng Jewelry | Gem Gossip

Danielle

By day, I’m writing my blog Gem Gossip, editing photos, pulling ideas and planning my next move…by night, I’m cooking the latest Blue Apron, catching up on Shameless, playing with my dogs and most likely ripping out carpet somewhere in my house. Even if there are days where I don’t leave my office, I like to at least throw on a piece of jewelry that makes me feel good and oftentimes it is my Dana Seng Jewelry initial necklace. My style is casual, always pants (I’ve never been a dress-wearer, but I’m trying) and I love a good blouse, like the one I’m wearing. I mostly wear vintage or antique jewelry, and my initial necklace from Dana Seng fits in perfectly.

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Lauren

When she’s not busy building her photography empire, Lauren Newman, a Florida-born, California-dreaming entrepreneur is exploring Nashville, always on the lookout for new places to shoot. Photography is her passion and so is traveling. Her style is romantic with an edge, often pairing a pretty dress with a leather jacket. Her Dana Seng Jewelry is an initial birthstone ring–she chose an L for her first name, done in garnets for her birth month of January. It pairs perfectly with her other gold, delicate rings and is exactly her jewelry style. She likes wearing rings when she’s out on a photoshoot because every time she clicks the camera, they sparkle!

You can follow Lauren on Instagram here.

Dana Seng Jewelry | Gem Gossip Dana Seng Jewelry | Gem Gossip

Alyssa

Documenting her daily outfits and inspirations has been something that has come natural for Nashville fashion blogger Alyssa. She has been writing Dreaming Trees since 2014 where her creativity flows and her bohemian style is put front and center. Her Dana Seng birthstone initial charm necklace easily transitions from her nine to five day job, to her photoshoots she executes for her blog. She chose an A for her first name set with Peridot for her August birthday in a necklace. As you can see, mixing her initial necklace with her usual Southwestern silver rings and other delicate gold necklaces fits her style and she makes it her own! Whether Alyssa is wearing a vintage dress or a new trendy designer, her Dana Seng necklace can blend with either and easily layer with other jewelry.

You can follow Alyssa on Instagram here.

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All photos by Lauren Newman Photography.

This sponsored post was brought to you in collaboration with Dana Seng Jewelry.

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Check out the Q&A Interview I did with Dana!

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