New October Opals from Arik Kastan Jewelry

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Let us enchant you with some of Arik Kastan’s newest designs featuring October’s magical and often obsess-worthy birthstone: OPAL. The brand has been working with opals since the very beginning of launching Arik Kastan and they continue to be a favorite of collectors, and we obviously can’t get enough of them ourselves!

Opals can easily transform any design that is created, any outfit we style, or bad moods we’re feeling. We love opals set in the signature rose gold just as much as the yellow gold, so we think you can’t go wrong picking between the two metals. And as far as gemstones that pair well with opals, we’ve been obsessing over some cool tones like sapphires, emeralds and moonstones–even pearls! Yes, you must check out the newest pearl + opal ring fresh off the jeweler’s bench. You’ll flip!

Enjoy checking out the new styles; all are available with a click of a mouse (or touch of a finger on your phone)!

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Arik Kastan drew from Victorian jewelry to create this stunning pearl and opal cluster ring, which is both bold and has feminine touches. We love it paired with jeans or a dress for fall.

Lyla Ring with opals and pearls, Price: $1,500

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These aren’t just any ordinary garnets, they are rose cuts which give these earrings a vintage-inspired look. They’re nice and large, while still being crazy comfortable.

Pebble Stone Drop earrings with garnet & opal, Price: $1,650


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A hint of blue sapphire sets off this sentimental padlock that can be the layer-ready basis for our collection. Start your stack with this one!

Sapphire + Opal Cluster Padlock, Price: $1,260


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A continued favorite, the signature three-stone ring looks glorious in opal and ready for any October baby to make this her special piece.

Signature Three Stone ring in Opal, Price: $1,320

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Quite possibly our newest favorite gemstone combination emeralds and opals! The green really POPS in these earrings; they’re quite breath-taking.

Nouveau Oval drop earrings, Price: $2,250

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This pinwheel pendant has won our hearts–it’s dainty and precious! Again, slaying in our favorite gemstone combo.

Pinwheel pendant with emerald + opals, Price: $1,320


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An instant favorite, combining floral inspiration with geometric vibes, the Mandala ring has us ready for fall.

Framed Mandala ring in sapphires + opals, Price: $2,750


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Some major boldness with this padlock, which we can’t get enough of. If you want a hefty, gorgeous piece…this is it!

Stained Glass Window padlock with emeralds + opals, Price: $2,470


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Feeling some boho vibes? Say no more, these are for you! Open metalwork, opals and a wonderful lever back.

Arabesque Drop earrings set with opals, Price: $2,030


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If you’re one who loves to stack your heart out, we’ve got you covered too! Our thin stacking band is easy to wear and pairs with almost anything else.

Thin Stacking ring done in opal, Price: $1,150


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It’s hip to be a square and this little padlock thinks so too. Outfitted in opals every square inch and a single moonstone in the center to shake things up a bit!

Square Padlock with opals + moonstone, Price: $1,590

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The Isabel ring makes us feel elegant and refined. We love the hint of blue from the sapphire and know you will too!

Isabel ring set with sapphire + opals, Price; $1,760

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Just a tip: Arik Kastan padlocks make the most beautiful gifts and yes, there are lots of holidays approaching but I won’t name any for the sake of getting virtually slapped!

Horizon Cluster Padlock set with moonstone + opals, Price: $1,370

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Why Slowly Opening Jewelry Boxes is Instagram’s Latest Rage

Late Victorian Half-Hoop ring in yellow gold featuring 4 of the chunkiest & juicy Old Mine Cut Diamonds weighing 2.58 Cts. in total. • ?For any inquiries please DM or email [email protected] . . . #plattboutiquejewelry #showmeyourrings #victorian #victorianjewelry #victorianring #antiquering #vintage #vintagejewelry #vintagering #engagementring #oldminecut #oldcut #diamond #bridetobe #love #LA #vintageboutique

A post shared by Larry Platt (@plattboutiquejewelry) on Aug 25, 2017 at 10:26pm PDT

There’s always trends on Instagram. Remember when all those filters were completely necessary to add to your blurry iPhone 3 photo before posting? Then the thick, heavy white borders were very popular a few years ago. Now with Instagram Stories, I feel people are posting less on their feed (at least less unnecessary photos) and opting for a quick shot or video posted in their Story. A consistent “aesthetic” has taken over as the it-word of the time, making each post highly thought out and carefully curated. Some people love this, some people hate it. But whatever your feelings are toward this highly obsessed about app, one thing is for sure: it just keeps getting popular.

In our jewelry community on Instagram, there’s one obvious kind of post that has been sweeping everyone off their feet and giving mini heart attacks to jewelry lovers nationwide. I’m talking about the videos where someone opens up a jewelry box ever so suspensefully and ever so slowly, for a BIG REVEAL. I really don’t know who or what started this; it is hard to trace back to a particular person. I feel like Larry of Platt Boutique Jewelry has definitely been doing it the longest and has made an impact because he quite often uses this tactic in his daily postings! Larry says, “When I meet people who follow me, they say they always look forward to seeing a box video because they know it’s going to be something special.” He also states that his clients love how natural the videos feel–the item in the jewelry box is glittering away in the sunshine, untouched by photo editing and as real as it gets!

The video below is one of Larry’s all-time record holding posts, clocking in at over 98k views! This proves my inclination of how easily these types of posts can quickly become viral, which this post did just that!

Edwardian era 5-Stone Old Mine Cut Diamond #ring is boxed up and ready to go to NYC with me where it will be hand delivered to its new owner. . If you’d like to see more antique & vintage rings then come say hello to me + @thekitvintage this Saturday & Sunday @acurrentaffair vintage show in Brooklyns @industrycity . . #plattboutiquejewelry #showmeyourrings #sold #specialdelivery #nyc #brooklyn #vintage . . @nattyplatt @blanconewyork @laurelstearns @arrowandanchorantiques @circa1700

A post shared by Larry Platt (@plattboutiquejewelry) on Oct 5, 2016 at 9:35pm PDT

Others have joined in on this trend, creating some gorgeous videos of jewels being revealed by opening a box. If I had to guess why this trend is so popular, I would say that it easily resonates with people because it is almost as if they are opening the box themselves, envisioning this as a beautiful gift they are receiving. The suspense factor also plays an important part in why this is trending on Instagram.

Another antique jewelry dealer that has taken part in posting “unboxing” videos is Ismael Khan of Ishy Antiques. He is based in London and finds that these types of videos perform well for his Instagram too. Ishy says, “I’ve done five box opening videos and all five are in my overall top twenty ‘posts’ based on impressions, insights and likes for the past year. My 2 most liked posts are box openings.” If that is not clear evidence to how impactful these kinds of posts are, I don’t know what is! He also adds, “From a social media growth point of view, I believe these types of posts are popular because people have to wait to see what’s inside the box which registers views and impressions, and therefore increases engagement.”

Standing in the yogurt aisle at the supermarket filming jewellery ? This 18ct gold Art Deco onyx and diamond ring is new in today. Wouldn't it make an amazing engagement ring? UK K (US 5 1/8) and sizeable. Please DM for more information #IshyAntiques

A post shared by Ismael K (@ishyantiques) on

So the next time you’re stumped over what to post on Instagram, try your hand at the big box reveal! I’d like to recommend practicing opening the box a few times while filming FIRST before you film and post immediately. I’ve seen a few FAILS that were posted on Instagram and not done in the best way. I won’t give any examples because that would be quite rude, but I’m sure we’ve all seen them! You can even ask a friend to film while you use both hands to open the box OR get a tripod for steady filming. Not everyone has coordination and that’s ok! There’s ways of going about to help with that!

That’s what I did with the video below–I set up my camera on a tripod so I could use both hands. That seemed to work better for me at least. Another necessary part to this is getting some interesting antique boxes! I’ve seen these become quite scarce lately, but there’s always some on Instagram and eBay, although some are priced high because the seller knows how rare they’ve become! I found the hot pink one in my video below at a random antique shop in Kentucky. Talk about getting lucky in Kentucky! Always have your eyes peeled!

If you want to look down at the prettiest ring you’ve ever seen sitting on your finger, say no more. This babe is available — priced at $3200 ♥️??? Details over at @shopgemgossip

A post shared by GEM GOSSIP™ (@gemgossip) on Sep 20, 2017 at 3:28pm PDT

Have you seen this BOX REVEAL trend on your feed? Let us know a seller who does this that you enjoy watching in the comments section, I’d love to see!

xoxoGemGossip

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Why I Wear Diamonds: A Look Inside My Diamond Jewelry Collection

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After collecting jewelry for most of my life, I’ve recently realized the reason why the majority of my collection consists of diamonds. I have gone through phases where I buy and acquire, collecting several pieces at once…followed by a breakthrough period where I sell, purge and stash away. Through all of this, I’ve noticed my favorite pieces, ones I would never consider selling and never tire of, are my diamonds. There is something unique about diamonds that is slightly magical — the rarity of one single stone alone is quite breathtaking. Thinking about how it formed deep within the Earth, how it came to be, how it was mined, how it was cut, how it was sold and how it was made to fit a design; all of this fascinates me. Which is why partnering with Real is a Diamond to tell you this story seemed like a no-brainer to me — their platform has been created to educate about diamonds, their rarity, their romance and all that they stand for. As our world is forever evolving, I feel like this message can stop time, just for a moment at least, and initiate people of all walks to evaluate what is rare and authentic in their own lives. One would immediately realize that these are the best parts of our world and we should foster and protect them, as we should diamonds..

My diamond jewelry collection is easily one of the most precious things in my life. Many of my rings date back to the turn-of-the-century, so the diamonds are mostly old mine cuts and old European cuts, which take their rarity to new heights. Heirlooms like these make me stop and think what kind of legacy do I want to leave behind and what items will I pass down. Diamonds are perfect mementos that stand the test of time–they are ideal heirlooms.

Several rings shown above in my collection have been purchased or received to comemorate a special occasion or milestone in my life. As soon as I look at these particular pieces, I automatically am brought back to that moment. My 30th birthday for example, I bought myself an Edwardian diamond ring off of eBay that was probably way more money than I should have been spending at that moment, but looking back now, it was one of the best purchases ever. The ring to me is timeless in every sense, so I wear it all the time–diamonds are like that, they can be worn on any occasion. Another ring was a Christmas gift from my husband, several were to comemorate a trip or jewelry jaunt, and others were from very special people purchased by myself from their personal, private collections. These rings have so many stories to tell and that’s solely with my possession of them–I can’t imagine what their full stories reveal.

Of course the most prominent ring in the bunch is my antique diamond engagement ring. It’s the most worn of them all and most dear to me. It symbolizes my relationship with my husband, our promise to one another and is just as real and rare as our love for one another. There are over 7 billion people on this planet, and we chose each other; and while there are so many kinds of diamonds, I chose this ring as a representation of our love.

We want to know what diamond jewelry is rare and precious to you? What pieces mark a special occasion or milestone in your life? Tag them using the hashtag #RealisRare

This sponsored blog post was brought to you in collaboration with Real is a Diamond.

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Latest Obsessions for Fall 2017

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My love for the color blue continues, even through fall when oranges & browns are en vogue. I’ve become obsessed with the blue carved lapis ring that I have had listed for sale so much that I’ve decided to move it into my personal collection. I might still let it go but I’m not sure–I think seeing a very similar one in Erie Basin’s sold archives made me want to keep it. Side note: does anyone else just blow through 2-3 hours browsing through Erie Basin’s sold archives?? lol

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I want to say I’ve probably sold about 100+ pieces of my personal collection since I decided to get more organized and curated with my collection. I’m quite happy with where my collection is at right now, although I’m still hunting for an epic man-on-the-moon moonstone ring and a kunzite piece. I’ll probably sell more from my collection but in the meantime, these are my faves.

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Speaking of being obsessed with blue…my 33rd birthday happened earlier this month and this aquamarine and black enamel beauty from Laurel Stearns became mine! Obviously it was purchased by myself, for myself. Haven’t I made it any more clear, year after year, that everyone should buy themselves a birthday gift?! Anyway, I’ve seriously worn it SO much since I got it and I’m incredibly lucky to have scored this ring late on a Saturday night, within minutes of her posting it.

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I’ve been changing up my ear stack since acquiring these David Webb nail earrings and I gotta say I’m fully obsessed with my newest addition, the Vada Jewelry ear hanger. It slides behind your ear and gives the illusion of having some of the more unique piercings done. I’ve got three holes in both ears and I think that’s all I can handle. Ear cuffs & ear hangers for life!

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I brought along some of Arrow & Anchor Antiques‘ inventory with me when I went to Boston and continued playing with it when I got back. I don’t think most people appreciate the amazingness that is moss agate, pictured in the center. I have a thing for dendritic agate and this combo of rings is just UGHHHHH SO GOOD.

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Photo on the left features pieces from my personal collection and the photo on the right features rings that are for sale! For details on those: instagram.com/shopgemgossip

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BCE Jewelry spent a few days in Nashville and I showed her around town! She also came over to play in my jewelry box and I played with her jewels (seen above). Every year she takes a country-wide road trip and clients secure a spot to view her one-of-a-kind pieces. She usually starts with a full plate of jewels and heads back to California on empty, leaving her to work on some new pieces!

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These “animals on wire” rings are just the cutest and I suggested that they could also be worn on chains as pendants, but this was the first time I actually tried my own suggestion. And omg I am in love!! All three are available and are $55 each. The wire is 14k solid gold.

xoxoGemGossip

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Late Summer Update from Gem Gossip

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I’ve been getting ready for a big trunk show that I’m doing up in Boston on September 7th at M. Flynn, so all the new acquisitions are killing me. So many great pieces I want to keep for myself! These three are my current favorites and I think they go SO WELL together.

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I love acquiring pieces that I’m completely obsessed with and love more and more each day–this medallion is certainly one of them! I got it from Oakgem at the show in Las Vegas this year. It is 18k yellow gold and the blue gemstone is sodalite. To my surprise, the zodiac featured is Virgo (I didn’t know it when I first got it) which is my zodiac, so it makes it even more special. Thanks to my Instagram followers who helped me figure out which zodiac it was.

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I guess I’ve been unaware how drawn I am to spheres lately. My latest purchase was this moon lamp that I can’t get enough of–I bought it from The Apollo Box, which has some really unique gift items on their site. The moon is apparently made using 3D print technology with eco-friendly materials. The photo on the right is from Instagram account @theearthsgems and I love everything about it! Look at all the variety of minerals and gems each are made of!

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I had the pleasure of viewing a brand new jewelry line called Oli and Tess, a new venture for Polly Wheatley who started designing jewelry after 15 years in the fashion industry. She received a Victorian opal ring from her husband as a gift, which sparked her love for opals. After having a daughter, she wanted to design an opal ring to celebrate her birth, which is how her line indirectly began. Her work has an heirloom quality and feel, using all hand-selected opals.

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We know how much I’m obsessed with Egyptian Revival jewelry, so this turquoise scarab collection was an awesome find! TBH it was a large pendant and one bracelet–I had my jeweler turn the bracelet into ten different pendants and I couldn’t be happier with how they turned out! They will be offered for sale over on @shopGEMGOSSIP very soon!

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Some treasures I brought back from my trip to Boston in the left photo–I added a carved Jade Buddha to my charm necklace from Long’s Jewelers and these 14k yellow gold Tuck studs from e scott originals. The photo on the right is from last week at the county fair. I ate way too much fried foods (got super sick actually) and played some games. The games and the baby goats are my favorite part of the fair. Worst part of the fair: ruining your favorite sneakers and getting in the way so you end up being the reason why a sheep escapes. lol

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Some of my newest acquisitions–this Victorian black enamel ring (I think the top piece is Victorian and it was made into a ring) was a really unique find. I’m still adjusting to it and might sell it but I don’t know yet! Sometimes pieces speak to you right away, other times you have to grow to love them. I also got this ’03 date ring from Rusted Anchor Antiques and I think it pair awesome with my big diamond band and gold Saxon chain ring from Walters Faith.

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More favorites from my personal collection — two pieces I want to talk about here: the 9k yellow gold Pacman hoop earrings by Ellie Air Jewellery and the letter D Vadabet charm set with a diamond from Vada Jewelry. Loving these two pieces so much right now.

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I was working hard one day and that sometimes forces me to “disrobe” my jewelry, which is what I did. The pile of rings sitting in my windowsill against the sunlight were perfect in that moment, I had to capture it in a photo. The 1917 date ring was a cool find from Louison Rare & Fine when Angela had a 50% off sale. Yes, that’s why it is important to follow everyone closely on Instagram because you never know when someone is going to have an insane sale.

The photo on the right was snapped in the car on the way back from Kentucky after a day full of antiquing. I somehow created a new collection (not that I need to collect anymore things) which consists of little porcelain dogs. I can’t explain how the collection is not just any porcelain dog–they have to look somewhat cute/creepy in the strangest way possible. It’s a very personal collection lol. The date ring I’m wearing here is from Eddie & Rose and it may be one of my favorite date rings in my collection.

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Latest and greatest ear stack I’ve got going on, here’s what it consists of: Paige Novick ear cuff, tiny huggie hoop from Stacy Nolan Jewelry, Paige Novick‘s newest creation from her Powerful Pretty Things collection the Prism Suspender earring worn upwards, Pacman hoops from Ellie Air Jewellery. My perfect summer ear stack!!

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Seriously might be my favorite piece in my entire collection–I find it so rewarding to collect something for several years before you can finally piece it all together and make something of it. That’s exactly what my figa collection is; years of collecting and one day randomly putting it together with my gold collar from Arrow & Anchor Antiques. These things were meant for each other. And I highly recommend getting a solid gold, stiff collar necklace for your charm collection. It will change the way you wear charms!

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Here’s a fun project I did over the summer: I took these three near and dear pieces that I hardly ever wear and mashed them together to form a giant long stick pendant. I actually am obsessed with it beyond words. Each is special to me, but the tanzanite pendant is most special of all. It was the first piece of jewelry I ever bought for myself…and I was in 7th grade! I learned about Tanzanite from the home shopping channels and fell in love with the stone. I went to the one and only jewelry store in my hometown mall and found this special pendant–it was $150. That was SO much money to me back when I was 13 years old. I put it on layaway and would do chores around the house and babysit. Eventually I earned enough to buy it and I wore it all the time.

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This is just another styled look from over the summer–a jewelry look that I really liked paired with an off-the-shoulder top that I really love also. I think I’ve already gone over almost every piece that is pictured here, but if you’re wondering about something in particular, let me know!

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Jewelry Collection Stories: Kate of @LuxCharmJewelry

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This month’s Jewelry Collection Story comes from Kate of @LuxCharmJewelry and it is a good one! Kate is a full-time art teacher and part-time jewelry enthusiast and collector. You may already be following her on Instagram, but if not you must. Her collection is pretty amazing and her story may resonate with many of you. So without further ado, I give you Kate’s collection story:

I’ve always loved jewelry. I have early memories of playing “dress up” and “jewelry store” with my grandmother Louise. She kept her jewelry in the top dresser drawer. Oh how I loved looking inside those little boxes and seeing all the sparkly jewels inside! We would arrange her jewels on top of carefully arranged bits of pretty fabrics and embroidered handkerchiefs and take turns “shopping.” It was so much fun trying on her white dress gloves and high heels and playing with all those pretty things.

When I was around 10 years old, my dad started giving me jewelry every year for Christmas, mostly rings. One year, I received a topaz ring that had the most amazing shade of bright blue. I adored that ring! Another favorite ring given to me by my dad was a gold signet ring that he had monogramed with my initials. I think I was around 15 at the time. It’s a classic look that will never go out of style and one I wear often today.

One of my favorite early jewelry memories was when my family went out to dinner before my high school senior award night. I didn’t know it at the time, but I was about to win the top artist award in my class, and my parents bought me this beautiful southwestern sterling bracelet and turquoise ring to mark the occasion. For high school graduation, I received a large, modernist sterling and gold ring. At the time, I wasn’t into yellow gold, and these bold sterling pieces were among the most beautiful pieces I owned. Luckily, my parents have continued the tradition of gifting me jewelry for special occasions, and I cherish them all. These pieces help to serve as reminders of special times in my life. My sweet husband has also joined in on the tradition and I have received many beautiful pieces from him now over the years, including my very first (and favorite) Victorian bird bangle bracelet and my beloved antique turquoise and diamond halo ring.

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As a teenager, I was really into second-hand shops–mainly for vintage clothes and small decorative items, but eventually I started picking up inexpensive jewelry and odds-and-ends; like pendants, chokers, chains, etc. At about the same time, I started making beaded jewelry and even gifting and selling pieces to my friends.

Years later, I decided to try my hand at selling handmade jewelry on Etsy. It was a fun, challenging, and creative outlet. Those were the relative early days of Etsy, and I grew as it grew. I did this for a couple of years and slowly started incorporating more and more vintage jewelry components and findings into my pieces. Eventually, the competition increased and my enthusiasm waivered, so I put my shop on hold.

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My love affair with antique jewelry began about eight years ago when my mom and I were antiquing at one of my favorite stores in Richmond, IN. My mom fell head-over-heels for this old gold cameo ring. At first, I was like, “What? Cameos? Ugh, I don’t get it.” Then much to my surprise, my mom professed her life-long love affair with cameos, citing stories from her youth. The shop owner quoted her a low price and my mom quickly bought the ring. She wasn’t one to make fine jewelry purchases on our excursions together, so I was intrigued and wanted to know more. I couldn’t stop staring at this unusual reddish-orange cameo ring on our drive back home; I was fascinated by it. It didn’t look like the girly, pink cameos I was used to seeing. It was more masculine in style and the gold was a rich rose color. The shop owner estimated the ring to be about 120 years old.

To my knowledge, I had never seen a ring that old before and now I wanted one for myself! The more I researched, the more I realized what an amazing deal my mom got on that ring. Sure, it was more than I was used to spending on random antique mall purchases (about $85), but still affordable. This made antique jewelry seem obtainable to me for the first time ever. I started reading jewelry books, researching online, and educating myself on antique jewelry. I liked learning the history behind each piece. It’s a perfect fit for me– combining my love of history, research, sentiment, story, etc.

Inspired by my new passion and focus, I reopened my Etsy shop–selling only vintage and antique jewelry. I absolutely loved hunting for old jewelry, even cameos! Thinking back to that special trip to Richmond with my mom, I believe this was the critical moment that later turned this new interest into a full-blown hobby and part-time job for me.

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Today I have such a deep and sincere appreciation for antique jewelry; I tend to collect a little bit of everything. All in all, I tend to go more for Victorian, Art Nouveau, and Art Deco pieces. Rings are probably my favorite type of jewelry to wear and collect. I love everything from dainty to bold, statement rings. I also love antique bangles and Deco necklaces in all sorts of finishes, metals, and styles.

One of my favorite things to collect are watches. My favorite makers are Longines and Bucherer. I have everything from watch pins, watch rings, wristwatches, and pocket watches. And I really love long enamel watch necklaces. My love of watch necklaces probably began when I scored an amazing Bucherer red guilloche enamel watch ball necklace for $60 in a small, local antique shop. I later learned this was a remarkable deal for one with its original enamel chain in perfect condition. I’ve since added about 10 more to my collection over the years. I just can’t stop myself when I see a beautiful one for a good price. I have such a weakness for fine guilloche enamel-work.

In addition, I love bird-themed jewelry and have many bird bangles, lockets, etc. I tend to favor cool-color pieces in general (it must be the Pisces in me!). I am very fond of blue–sapphires, lapis, zircon, and turquoise to name a few. Pale lavender chalcedony, dreamy moonstones, and that particular shade of green commonly used in Art Deco pieces–are all personal favorites. I have a growing collection of snake rings, too.

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I enjoy shopping at small, local places best. The Midwest is a gold mine for antiques of all kinds. The big jewelry enthusiasts seem to live on either coast and being stuck in the middle has its advantages… lower prices and less pickers. But this seems to get harder every year. My favorite display cases and shops seem to be shutting down. The old dealers retire; some pass away. I think part of me has also wanted to open a brick and mortar shop, but the risks are scary.

Currently, I seem to have the most luck shopping at antique shows and online auctions. I’m always on the hunt for new pieces. I would love to own more niello jewelry, antique enamel bracelets, and gutta percha bangles inlaid with gold. I have a thing for portrait paintings but oddly, own no portrait jewelry. I interned at the National Portrait Gallery right after college and it’s a subject I’m really interested in. I would love to find the perfect emerald ring and more “name” or “initial” jewelry to represent the important people in my life.

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Recently I celebrated a milestone birthday (hello, 40!) and had been hunting for the perfect aquamarine birthstone piece of jewelry for months. Then it finally happened…a huge, honking, 14-carat, Victorian, pear-shaped aqua ring in 15K gold popped up on my Instagram feed. Its large size, unfussy setting, and perfect pale-blue color, stopped me dead in my tracks. A direct quote from the seller was, “a mesmerizing, dreamy, huge piece of magic.” Indeed it was. I sold three personal collection rings to make room for this special ring, the latest addition to my jewelry box.

Back when I started wearing, selling, and collecting antique jewelry, I was the only one I knew who did. I just bought what I liked and what I could afford at the time. It wasn’t until I joined IG a couple of years ago that I found other like-minded people who loved and appreciated old jewelry as much as I do. Like most sellers/collectors, I am searching for more high quality and unusual pieces nowadays. Lately, there seems to be more competition, more reproductions, and higher prices on the online auction sites, making it harder to “score” a deal. While I may not be selling forever, I know I will be wearing and enjoying my jewelry for the rest of my life. It brings me so much joy. Marking special occasions and making new memories with jewelry are so important to me. Jewelry has a way of keeping our memories alive…providing a tangible reminder… connecting us to the people, places, and significant moments we cherish in life. Happy hunting!

xoxoGemGossip

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Doyle & Doyle Debuts Rare Collection of Antique Jewels

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Doyle & Doyle is thrilled to debut pieces from a spectacular cache of rare antique jewels, all acquired from a single collector. Including jewelry from ancient Rome, 17th century Spain, and 19th century France, these are the best examples of their type and many are hallmarked by well known jewelers. Keep reading for a sneak peek of the historic collection before it goes on exhibition at Doyle & Doyle in September.

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These exquisite micromosaic pieces date to the mid-19th century and are hallmarked for the Vatican Workshop of the Papal State.The Vatican’s mosaic studio was founded in the 16th century, its skilled artisans create artworks commissioned by wealthy patrons and pieces for the Pope to give as gifts. The Sistine Chapel ceiling by Michelangelo, Saint Peter’s Square designed by Bernini, and Raphael’s “The School of Athens” are among the many masterpieces you can discover at the Vatican. Originally founded in the 16th century, the skilled artisans working in the Vatican’s mosaic studio create pieces for the Pope to give as gifts and artworks commissioned by wealthy patrons. They also oversee and maintain the ten thousand square meters of colorful mosaics that adorn Saint Peter’s Basilica. This bangle and brooch are beautifully made, featuring glass tesserae so tiny that the designs look like paintings in shades of red, blue, green, and white. Perhaps a wealthy young man purchased them during his Grand Tour through Europe, or they were gifts to an important Church official. No matter their origin, they are little works of art that display the incredible skill of the Vatican’s workshop.

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The collection includes other ecclesiastical jewels in addition to the Vatican micromosaics, including a variety of gem-set and enameled crosses from many different periods. This striking dimensional crucifix cross is Spanish from the 17th century, detailed with enamel and engraving that resembles wood grain. Although probably not original, we love it worn on the black ribbon choker, especially when layered with antique gold guard chains. Although these are museum quality jewels, they’re definitely wearable!

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There are also charming examples of sentimental and devotional jewelry. The rose cut diamond encrusted heart hangs from a sweet rose gold dove. The diamonds are foil backed and you can see hints of pink, gold, and even green reflecting through the stones. The rare late 17th century Spanish reliquary pendant is a small compartment that holds a tiny bit of a saint’s blood. It’s backed by a hand painted figure of a female saint and framed by emeralds and garnets. This type of jewel was probably a private devotional artwork. Spain being an intensely Catholic country, people believed in the power of saints to affect their daily life. In additional to more traditional liturgy, 17th century Spaniards prayed to their personal saint to intervene and make their lives better.

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The other half of this incredible collection is comprised of museum quality Arts & Crafts and Art Nouveau jewelry. The Arts & Crafts Movement was a direct response to the mechanization and poor working conditions engendered by the Industrial Revolution in the mid-19th century. Adherents looked to the Middle Ages, nature, and popular folk art for inspiration, seeking to return to an idyllic time before mass production. Shying away from precious materials, Arts & Crafts jewelers favored readily available gemstones, such as garnet, amethyst, citrine, opal, and moonstone. The delicate gold pendant is British, comprised of hand wrought wirework set with bright blue turquoise and glowing moonstone.

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By the end of the century, Art Nouveau artists took the theme of nature to the next level. Art Nouveau jewelry often incorporated idealized female forms with swirling, whiplash hair framed by sensuous flora, like this striking silver mirror locket. Dating to 1900, this lovely piece is hallmarked for French jeweler Lucien Coudray. Coudray specialized in engraving medals and won several prizes for his artistry. Another popular form was a winged female with gossamer enamel wings studded with tiny gems or pearls. This statuesque dragonfly woman was created around 1900 and bears the hallmark of noted Art Nouveau jeweler, Gaston Laffitte. The light filters through the translucent green plique-a-jour enamel wings, creating a delicate stained glass effect.

This is just a small preview of the incredible historic collection – want to see it all? Doyle & Doyle is putting on a public exhibition in September. Email [email protected] for more information and to get on the invite list!

This post was contributed by Juliet Rotenberg of Doyle & Doyle, thank you!!

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Want more?! To check out the store tour of Doyle & Doyle, click here.

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Q & A and Visit with Raquel Alonso Perez of Harvard’s Museum of Natural History

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My very last stop while in Boston, hours before my flight took off, I had planned the best parting gift–a visit to Harvard University’s Museum of Natural History! Sounds dreamy, right?! Well it is and then some. An entire room filled with thousands of minerals and gems is open to the public on Harvard’s campus, and Raquel Alonso Perez was there to give me a full tour, including some majorly fun behind-the-scenes stuff. I honestly think my one-on-one time with Raquel had taught me more in one hour than my entire Freshman year at college! I didn’t want to leave! I got to hold pieces of gold that came out of the ground looking like sculptures, play with rough diamonds, see some incredible gemstones, and the highlight of my day was getting to spend some time with the Hamlin Necklace–rare and notable because of its gigantic tourmalines it showcases, which are all from the same mine in Maine!

Raquel’s hospitality, warmth and passion to share with me what she does at the Mineralogical & Geological Museum was accepted with much gratitude and I had so much fun! Here’s some insight into what Raquel does, illustrated with photos from my visit! Enjoy!

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I serve as the Curator of the Mineralogical and Geological Museum (MGMH). Our collections date back to 1798! After 230 years of collecting, the MGMH is one of the oldest, largest and continuously operated mineralogical and geological museum, built for the nation and world-renowned for its fine quality collections, broad representation of species, unique occurrences and large number of type, described, and illustrated specimens. Our repository has become a true library of the earth with over 400,000 objects divided in 4 main collections: minerals, gems, meteorites and rocks. My role as Curator is to provide access to the world-class Earth Science collections at Harvard University, encouraging its use for teaching, research and public education. The favorite part of my job is research and all teaching and academic related activities, in addition to working with the dedicated team of people at the MGMH, the Earth and Planetary Science Department and the Harvard Museums of Science and Culture, HSMC, where our public gallery is located.

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In total, the museum has around 400,000 objects divided in 4 main collections: minerals, gems, meteorites and rocks and ore deposits. Only 3550 individual mineral specimens are on display at the Museum, 145 of these include a gemstone of the same variety. My favorite examples are in the wider variety of crystals and gemstones. For example, the beryls, we have a whole case of them displaying 40 specimens full of light and color. I also love the tourmalines, with all of the different kinds displayed with bi-color and watermelon elbaites from Maine, USA. As you can imagine, we have a strong collection of New England minerals, gems, and rare species. We receive a lot of donations, but we couldn’t display our entire collection, even if we wanted! Space is a major constraint, but not the only one. We also have to make hard choices about what to share in order to fulfill the Museum’s mission. Our museum is not only about highlighting aesthetics. We also need to prioritize the display of specimens that will also serve reference and research purposes.

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I am a geologist by training specialized in mineralogy, gemology, geochemistry and petrology. There are too many “logy’s” in there! These branches of Earth Sciences come together in a fascinating way, giving color and texture to the world we inhabit. In 2006 I completed my PhD at the ETH in Zurich, Switzerland, where I studied how the earth crust is formed, by comparing it with artificial rocks produced in the lab. After graduation, I took a short break to have my two children, Marco and Amaya, and returned in 2009 to professional life to work as a research assistant at the Earth and Planetary Science Department, Harvard University. A year later I was hired as Assistant Curator to take care of the rock collection at the MGMH and got appointed head Curator of the entire MGMH collections in 2011.

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I’ve always wondered why minerals acquire a color and not other colors. We know so little about the chemistry and the physics involved! My passion, stimulated by my daily encounter with Harvard’s amazing collections, is to uncover the story behind nature’s color choices! My work in the past 2 years has been focused in tourmalines and beryls. The most common color of elbaites from Main, USA is green but they also come in blue, yellow, pink, colorless and with many different hues and tones. With the use of non-destructive analytical techniques, I was able to determine the chemical distribution, trace element patterns and color correlation in a suite of elbaites from Maine, Hamlin Collection. In addition, this non-destructive dual-technique used in this study (Confocal Micro Raman Spectroscopy and LA- ICPMS, laser ablation-induced coupled plasma-mass spectrometry) has great potential to be applied to other gemmological materials to also distinguish provenance, natural versus synthetic materials and treatments. My current project aims to better understand the formation of emeralds, and is focused on the geology of the emerald deposit of Irondro, Madagascar. In fact, I mostly focus on rocks from Madagascar, which is a blessing, since the MGMH is quickly becoming the main repository of minerals, rocks and gemstones from this part of the world. I also benefit from the museum’s vast network. I sometimes end up requesting research material from friends, donors and supporters of the Museum from faraway lands! However, my main priority and where most of my work goes is into ensuring that the MGMH’s collections are curated according to the highest standards of museum best practices for their preservation in perpetuity and use by future generations. Digitization plays an important role to achieve these goals and our ambition to open them up to a wider audience, especially those concerning research, education and public outreach, which will result in an online database of our collections sometime in the fall of 2017.

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Every day, in the environment I am, could end up being a highlight and making you proud of the work you do, especially when it can impact other people life’s. I would like to share with you a portion of an e-mail I received from one of the female students attending my class at the Harvard Summer school as a beautiful example. “..Here again I want to say thank you for bringing me my best summer ever. I really enjoyed the lecture. Every time when listening to the lecture, I really feel I’m being educated and have more knowledge on mineralogy and gemology. The happiness of gaining knowledge is hard to express; it’s like seeing the moon coming out of the clouds and lighting up a street in the dark midnight. Also, I love the labs. I feel so good identifying minerals by myself, putting everything I learnt into use. I’m also fascinated by the gemstone experiments. I can’t wait to get a full set of tools and practice in the gem markets back in China. What I really want to appreciate is that for all your support for me to do more microscope experiments. I know that doing the experiment before class means you have to skip lunch, I’m really sorry. The experiment is so incredible, I never see those features before, and I couldn’t fully understand everything without doing the actual experiment. The image is fantastic. I gasp that people ever create those ways for examine stones. What I like most is the field trip. The behind the scene of the museum is awesome. I never thought that museum work would be so interesting. There are so many stories behind every collection! I also really really like the field trip to mine. You became my idol when you drove the van packed with all of us and fed us snacks. Working in the field is so different and I think I need more field work to really become a geology people. I sometimes feel so shame that I learned so much knowledge but still like a baby when put in the field. However, going to the field makes a lot of knowledge easier to understand. In the mine, when I saw you standing on the shiny mica mountain, I feel like you are one of the best women in the world—- a woman who could stand in the field with knowledge, and explore the earth, go right after the unknown, a kind of woman I really want to be. It is this summer that I, for the first time in forever, really willing to go to university; not because it is what everybody do, but because all the knowledge and skills I could get, all the resource I could access, and all the fantastic professors in the future I will meet to motivate my life..”

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My best piece of advice for anyone in general is to follow their passion, work hard, overcome challenges, focus and don’t give up! The combination of passion and perseverance will bring you where you want to be.

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WANT MORE? You can follow Raquel on Instagram —> @raquelalonsoperez

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The Ten Best Rings Currently For Sale at The Three Graces

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One of my most frequently asked questions I get is, “where do you find all these amazing vintage and antique jewels?!” And my answer may surprise you, as most would envision me scouring flea markets, old attics and the like to find things like these featured above. It might be easy for me to say ONLINE and it is totally true. Websites like The Three Graces do the hard work for you, scouting out the most unique, wearable and head-turning jewels out there and we should appreciate that! I like knowing that anytime I go on TheThreeGraces.com I can find a whole new batch of sparkly, rare, vintage and antique pieces that expert Lisa Stockhammer Mial has sourced, authenticated, cleaned up and ready for its next lifetime. They also have some pretty special perks like a “no questions asked, free return policy,” offer layaway, and most every ring can be sized to fit! And what is easier than simply logging on to a website and ogling over New Arrivals?!

I got to do just that when choosing my favorite top ten rings that are currently for sale at The Three Graces. A mix of pieces I would love to own, rings that remind me of some favorites from my personal collection, and some that I can’t believe are still available (quick, grab them before someone else does!). Let’s start from the top!

Emerald Art Deco Ring & Diamond Filigree Halo Ring

1. There’s something unique about an Art Deco ring shaped like this emerald and diamond one! Not only does it elongate the finger, but it surely gets people staring. I love how delicate yet statement-making this ring is. Set in platinum with a stunning emerald, currently a size 6.5 and ready for a finger to shine on! Price: $4,950

2. At first I thought this would make such a beautiful engagement ring but then I saw the photos created by The Three Graces with my picks and I am really loving how this ring also looks as a right hand ring! I love when rings are versatile like that and this one definitely doesn’t have a bad angle even if you tried. The center diamond is just over a half carat and has a gorgeous sparkle to it. Price: $3,650

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Deco Rock Crystal Ring & Large Moonstone Sapphire Cluster Ring

3. This ring is one of the best examples of rock crystal jewelry I’ve seen! I love the contrast of the blue sapphires along with the frostiness of the crystal and white diamond. This ring would be a perfect anniversary or birthday gift and I can almost guarantee this will get a lot of wear–it goes with everything! It is currently a size 7 1/4 and done in 14k white gold. Price: $1,350

4. If you know my personal collection as well as you know your own, you will understand why I HAD to choose this grand moonstone and sapphire ring! I have an almost identical one in my collection and the compliments that I get on it are nonstop. If you’ve been wanting to find something similar, this is it! Currently a size 5 1/2 with 2.88 carats of bright blue sapphires. Price: $4.450

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Antique Citrine Ring & Vintage Amethyst Halo Ring

5. A pop of yellow added to any outfit instantly brightens everything! That’s why I love this citrine ring so much–I quickly become happy as soon as I look at it. I think this would be an ideal ring to wear in the summer and it could easily transition to fall wardrobes and colors. This art deco ring is currently a size 4 1/2 and can be resized for its new owner. Price: $1,275

6. Purple was my favorite color for most of my childhood. Anyone lucky enough to have a February birthdate can call amethyst their birthstone and this particular ring would be perfect for you. Or if you’re like me and just love the color purple, then yes you deserve this ring too. Currently a size 8 1/4 and can be sized to your liking. Price: $1,350

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Bohemian Turquoise Ring & Bold Opal Cluster Ring

7. Turquoise is one of my most favorite gemstones–I can’t get enough of it! When most people think of turquoise, they think of Persian turquoise and although that is most desirable and valuable, I actually like when turquoise shows veining, different patterns and depth of color. This particular ring has great natural veining and I love the design–simple yet bold! The ring is done in 8k yellow gold and currently a size 6 3/4. Price: $650

8. So we all know my obsession with opals and if I didn’t have so many opal rings, THIS would be in my virtual shopping cart right now. Everything about it is amazing to me–the design (large oval cluster), the opals (a nice play-of-color that glows in the right light), and the size (big and bold). Don’t miss out on this vintage one-of-a-kind, done in 10k yellow gold. Price: $2,195

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Edwardian Diamond Heart Ring & “Four Corners” Sapphire, Diamond Ring

9. Never thought I’d be such a sucker for hearts, but I absolutely love them, especially the antique versions. This is an exceptional ring, dating back to the Edwardian period and set with rose cut diamonds in a silver topped setting. The band is done in 14k yellow gold and currently a size 5 1/2. If you love heart jewelry as much as I do, you won’t let this one slip away! Price: $3,850

10. Ok, this ring is one that will stop you dead in your tracks and I’m so in love with it! The design is really unique–The Three Graces describes it perfectly by saying, “modernist flavor with strong design elements.” The intensity of the blue sapphires is insane and it is one in a million. This ring deserves a good home that provides lots of love and care! 😉 Price: $4,450

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This sponsored post was brought to you in collaboration with The Three Graces.

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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