Late Summer Update from Gem Gossip

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I’ve been getting ready for a big trunk show that I’m doing up in Boston on September 7th at M. Flynn, so all the new acquisitions are killing me. So many great pieces I want to keep for myself! These three are my current favorites and I think they go SO WELL together.

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I love acquiring pieces that I’m completely obsessed with and love more and more each day–this medallion is certainly one of them! I got it from Oakgem at the show in Las Vegas this year. It is 18k yellow gold and the blue gemstone is sodalite. To my surprise, the zodiac featured is Virgo (I didn’t know it when I first got it) which is my zodiac, so it makes it even more special. Thanks to my Instagram followers who helped me figure out which zodiac it was.

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I guess I’ve been unaware how drawn I am to spheres lately. My latest purchase was this moon lamp that I can’t get enough of–I bought it from The Apollo Box, which has some really unique gift items on their site. The moon is apparently made using 3D print technology with eco-friendly materials. The photo on the right is from Instagram account @theearthsgems and I love everything about it! Look at all the variety of minerals and gems each are made of!

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I had the pleasure of viewing a brand new jewelry line called Oli and Tess, a new venture for Polly Wheatley who started designing jewelry after 15 years in the fashion industry. She received a Victorian opal ring from her husband as a gift, which sparked her love for opals. After having a daughter, she wanted to design an opal ring to celebrate her birth, which is how her line indirectly began. Her work has an heirloom quality and feel, using all hand-selected opals.

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We know how much I’m obsessed with Egyptian Revival jewelry, so this turquoise scarab collection was an awesome find! TBH it was a large pendant and one bracelet–I had my jeweler turn the bracelet into ten different pendants and I couldn’t be happier with how they turned out! They will be offered for sale over on @shopGEMGOSSIP very soon!

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Some treasures I brought back from my trip to Boston in the left photo–I added a carved Jade Buddha to my charm necklace from Long’s Jewelers and these 14k yellow gold Tuck studs from e scott originals. The photo on the right is from last week at the county fair. I ate way too much fried foods (got super sick actually) and played some games. The games and the baby goats are my favorite part of the fair. Worst part of the fair: ruining your favorite sneakers and getting in the way so you end up being the reason why a sheep escapes. lol

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Some of my newest acquisitions–this Victorian black enamel ring (I think the top piece is Victorian and it was made into a ring) was a really unique find. I’m still adjusting to it and might sell it but I don’t know yet! Sometimes pieces speak to you right away, other times you have to grow to love them. I also got this ’03 date ring from Rusted Anchor Antiques and I think it pair awesome with my big diamond band and gold Saxon chain ring from Walters Faith.

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More favorites from my personal collection — two pieces I want to talk about here: the 9k yellow gold Pacman hoop earrings by Ellie Air Jewellery and the letter D Vadabet charm set with a diamond from Vada Jewelry. Loving these two pieces so much right now.

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I was working hard one day and that sometimes forces me to “disrobe” my jewelry, which is what I did. The pile of rings sitting in my windowsill against the sunlight were perfect in that moment, I had to capture it in a photo. The 1917 date ring was a cool find from Louison Rare & Fine when Angela had a 50% off sale. Yes, that’s why it is important to follow everyone closely on Instagram because you never know when someone is going to have an insane sale.

The photo on the right was snapped in the car on the way back from Kentucky after a day full of antiquing. I somehow created a new collection (not that I need to collect anymore things) which consists of little porcelain dogs. I can’t explain how the collection is not just any porcelain dog–they have to look somewhat cute/creepy in the strangest way possible. It’s a very personal collection lol. The date ring I’m wearing here is from Eddie & Rose and it may be one of my favorite date rings in my collection.

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Latest and greatest ear stack I’ve got going on, here’s what it consists of: Paige Novick ear cuff, tiny huggie hoop from Stacy Nolan Jewelry, Paige Novick‘s newest creation from her Powerful Pretty Things collection the Prism Suspender earring worn upwards, Pacman hoops from Ellie Air Jewellery. My perfect summer ear stack!!

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Seriously might be my favorite piece in my entire collection–I find it so rewarding to collect something for several years before you can finally piece it all together and make something of it. That’s exactly what my figa collection is; years of collecting and one day randomly putting it together with my gold collar from Arrow & Anchor Antiques. These things were meant for each other. And I highly recommend getting a solid gold, stiff collar necklace for your charm collection. It will change the way you wear charms!

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Here’s a fun project I did over the summer: I took these three near and dear pieces that I hardly ever wear and mashed them together to form a giant long stick pendant. I actually am obsessed with it beyond words. Each is special to me, but the tanzanite pendant is most special of all. It was the first piece of jewelry I ever bought for myself…and I was in 7th grade! I learned about Tanzanite from the home shopping channels and fell in love with the stone. I went to the one and only jewelry store in my hometown mall and found this special pendant–it was $150. That was SO much money to me back when I was 13 years old. I put it on layaway and would do chores around the house and babysit. Eventually I earned enough to buy it and I wore it all the time.

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This is just another styled look from over the summer–a jewelry look that I really liked paired with an off-the-shoulder top that I really love also. I think I’ve already gone over almost every piece that is pictured here, but if you’re wondering about something in particular, let me know!

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

MFA Boston | Gem Gossip

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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Gem Gossip Visits M. Flynn Jewelry in Boston, MA

Come along with me as I take you inside M. Flynn in Boston!

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Such a gorgeous selection of engagement & wedding — these are a mix of Anna Sheffield & M. Flynn’s own bridal designs, shop bridal

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Getting the store tour from co-founder Megan

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some of Page Sargisson zodiac medallions, a best-seller

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I’m wearing some pieces from M. Flynn’s estate selection, the necklace was created out of a collection of vintage hat charms!

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I love the crystal chandeliers and white fixtures–it is its own jewel box!

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Some more vintage pieces from their estate section: antique buttons turned into pendants, a scottie dog, and a stick pin converted into a pendant

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The entire back wall is covered in crystals floating from invisible wire–it is quite magical!

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M. Flynn has all the right studs to create an epic ear stack, shop earrings — and loving the turquoise selection, Mociun + vintage

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Turquoise has taken over a section of this case and we’re not mad at that.

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A fun line of jewelry called Loquet allows you to customize gems and gold trinkets inside a rock crystal dome

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Wearing rings by Misa Jewelry and necklaces by Page Sargisson

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M. Flynn loves working one-on-one with clients to help them find the perfect piece!

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I can’t get enough of these estate pieces!

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The shop has been open since 2009 and is located amongst some amazing restaurants and walking areas.

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Nautical, New England style fully represented in the Turk’s Head collection by AGA Correa

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Fashion jewelry also lines the shelves of the shop, along with jewelry books and other jewel-inspired gifts

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An up-close shot of the necklaces from Page Sargisson & diamond Misa Jewelry

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Shop M. Flynn’s estate collection

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myself with the founders & owners of M. Flynn, sister duo Megan & Moria

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Gorgeous crystal chandeliers are the perfect touch to the light and airy decor

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Vintage charms found at M. Flynn

A dazzling curtain of crystals which doubles as artwork…all the best jewelry books one can fathom…flawless displays…sparkling jewelry of all kinds…and one mascot named Stu. This reads as the ultimate recipe for a beautiful, successful jewelry store, which happens to be a real-life place. It is called M. Flynn Jewelry and the shop is located in Boston, Massachusetts. I was lucky enough to visit the store on my #JewelryRoadTrip, where I learned all about its beginnings, what it has to offer, as well as the two sisters behind the namesake: Megan & Moria Flynn!

Opened in 2009, the store fostered the sisters’ love for all things sparkly. Elizabeth Taylor is a jewelry icon for all of the world, but for Megan & Moria, she is everything! They wanted to create a space where they can serve multiple needs for their clients and the store has evolved over the past several years, growing along the way. Their are a few important features of M. Flynn Jewelry–so let’s break down each one!

Their own line of jewelry: if you need classic, every day wear pieces the M. Flynn line is just what you’re looking for. Gemstone rings, necklaces, bracelets and earrings make up the line, including bridal options as well. They also have a collaboration collection called the Gates Collection which they’ve created along with an interior designer/blogger that is highly popular–Erin Gates.

Designer jewelry: M. Flynn has been expanding each year, adding new designers they feel are a good fit for both their store and the Boston area. Some of the best selling and favorites are Adel Chefridi, Page Sargisson, EF Collection, Misa Jewelry, Mociun, Loquet, Kelly Bello, and more.

Bridal jewelry: An ideal destination for all your wedding needs, M. Flynn can create your dream ring! They also have a large assortment of finished pieces from their own designs, as well as top designer engagement rings from Anna Sheffield, Mociun, Misa Jewelry, and Page Sargisson. They also have a selection of men’s wedding bands too!

Estate Jewelry: All periods, all styles–M. Flynn loves it all, so if it is delicate and sentimental or retro and unique, you will find it here. Lots of rings, some earrings and necklaces, and a large assortment of charms. This section is ever-changing and always one-of-a-kind, so check back often!

Fashion Jewelry: I know Gem Gossip does not cover fashion jewelry at all, but it is noteworthy that M. Flynn does carry fashion jewelry–lots of different designers, such as Lizzie Fortunato, Pamela Love, and Alexis Bittar–and great price points for gift-giving season.

Gifts/Accessories: Who knew jewelry-related gifts were so fun?! Gem Water bottles, jewelry travel cases, fragrances, cards, candles, jewelry books…you name it, they have it! I need this store in my life during the holidays!

Custom design: Besides all the above amazingness, M. Flynn also can custom design your dream piece. Whether you bring in family stones or have nothing at all except for a few slight ideas, they are here to help with that. You will be loving the finished result and coming back for more.

Hope you enjoy browsing the above photos from my visit–I know you will have heart-emoji eyes while doing so. Megan & Moria are truly so nice and have such a passion for what they do–I also have major respect for Megan getting her gemology degree at GIA. Not many store owners do so and I think that’s amazing! Next time you’re in Boston, pop in and say hi–make sure to pet Stu for me!

M Flynn

40 Waltham St.

Boston, MA 02118

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Gem Gossip Visits e. scott originals in Boston, MA

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Minutes outside of Boston, in a town called Somerville, e. scott originals is a jewelry shop and studio where owner and maker Emily Scott Surette and her sidekick Mayble (an adorable Boston Terrier) make dreams come true. For Emily, this space is perfect in every way possible–it fosters her love for interacting with customers and clients, the studio provides endless moments to create, and Mayble gets to greet everyone as they walk through the door! That’s exactly what the dog did when I entered the shop, wonderfully sweaty from the heat wave that followed us up to Boston from Tennessee. I immediately fell in love with the layout and how Emily has decorated e. scott originals. She has incorporated some antique furnishings and decor into the jewelry displays, with some gold frames and mirrors…even an antique chandelier.

There are a few things that make e. scott originals tick, and working with clients one-on-one, making custom pieces from a very personable interaction, is at the top of the list. Emily loves creating new heirlooms from old, passed down jewelry, diamonds and gemstones. She also uses mainly reclaimed, anitque diamonds and recycled metals within all her designs, which we all can appreciate. Custom engagement rings are a big part of what she does, especially with clients who want something local, made by hand and feel like they are a part of the creation process. Emily’s warm personality and welcoming demeanor is just what the jewelry-creating process needs, not to mention her skills and expertise.

Another large part of what e. scott originals does and creates is their own line of highly wearable jewelry. Items that can easily fit with your every day look, like layer-ready necklaces, unique and fashionable earrings and fun gemstone rings. These fill the shelves and cabinet cases of the store and are ready for purchase. They are also ready for other stores, as Emily is looking to expand her wholesale market. Her target audience is ideal for any self-purchasing woman, gift-giving ease, and the price points are great. I did a little self-purchasing myself when I was there–after trying on the long Tuck studs in 14k yellow gold, I loved the look of them and how they could be worn stacked with other earrings I already own. I had to have them!

Before I left, Emily showed me an “inner circle” box that is presented to every couple who purchases an engagement ring/wedding bands from e. scott originals. The box features local businesses that come highly recommended to help easily plan your wedding day. Anything from cake makers, to photographers, and everything in between. You can see the full list here — I love this idea and I feel it shows what kind of business Emily is running: one full of gratitude, creativity and soul! And in case you’re wondering, she is an awesome recommender, as her restaurant suggestions were top notch!

Check out some of my favorite pieces below that you can shop from home:

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E Scott Originals

199B Highland Ave.

Somerville, MA 02143

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High Jewelry Made a Big Impact at Paris Couture Week

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Haute couture is one-of-a-kind creations crafted from the finest materials by skilled artisans using century-old techniques. Haute couture had humble beginnings. In 1858, an English couturier, Charles Frederick Worth, established the first haute couture house in Paris championing exclusive luxury fashion for the upper-class woman and coining the term “fashion designer” in lieu of the basic dressmaker. Today, haute couture is still synonymous with high-quality materials and workmanship. And when haute couture meets haute joaillerie (high jewelry), the result is transformative! The jewelry becomes an extension of the designer’s vision for his or her collection creating a complete story – one that is truly a work of art!

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GIAMBATTISTA VALLI AND ELEUTERI:

Giambattista Valli accessorized his haute couture collection, comprising of ethereal tulle gowns, draped silk chiffon dresses and embellished minis with exquisite vintage jewels from Eleuteri. The jewels focused mainly on bracelets featuring a glorious 1950s French amethyst and turquoise piece as well as a intricate jade and gold design from David Webb and several Tubogas wristwatches from Bulgari.

PICTURE Credit FROM VOGUE.COM

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GUO PEI AND CHOPARD:

The Chinese designer made a name for herself when she dressed singer Rihanna in yellow couture for the MET’s “China through the Looking Glass” gala and red carpet. For her haute couture collection, she collaborated with Chopard paying homage to the golden era of haute couture and Hollywood icons of the 50s. The results were a perfect fusion of Chinese and Western cultures, high fashion and exquisite jewels.

The deep jewel toned hues of Pei’s dresses paired effortlessly with Chopard’s the Silk Road collection, which featured an emerald bib necklace, diamond and pearl drop earrings and an amethyst pendant necklace. The Chopard jewels complemented the opulence and extravagance of Pei’s couture collection perfectly.

PICTURE credit FROM ZIMBIO.COM /GETTY

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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Ten Facts You Didn’t Know About Gem Gossip

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Above features every “logo” aka Banner I’ve had over the past nine years, from first inception until now. The evolution shows the progression and most recently we dropped our tagline which we’ve had since day one.

With each passing July, I sit and ponder the beginnings of my blog Gem Gossip–all that it has done and accomplished, and all the potential that lies ahead. It was nine years ago that I first started this website with the sole purpose of connecting with others that love jewelry as much as I do. I never imagined that I would be doing this full-time nine years later and creating my own path. And I have YOU to thank for all this–those who read my blog daily, follow my social media accounts, “like” my photos and send encouraging emails. Thank you. You truly don’t know what it means to me and I’m forever grateful.

To celebrate this year, I’m reminiscing like crazy and sharing with you some facts you might not have known about Gem Gossip! I thought this would be a fun and personal blog post, and I’d love to hear some interesting tidbits regarding YOU and Gem Gossip. Does a blog post stick out in your memory? How did you find or stumble upon my blog? Did I help you out in a way that I don’t know about? I’d love to know! You can email me, write it in the comments below, or share on Instagram–I’ll be posting this on there as well.

PS: There will also be a giveaway coming up, but I have to hit 160k followers on Instagram first, so stay tuned!

The Facts:

1. I started my blog as a result of moving to Tennessee–after uprooting from the only house I had ever lived in my whole life in Upstate NY to TN, I had a lot of time on my hands. I had no job, no car (I sold my car because I didn’t want to drive it 11 hours by myself lol), and knew no one in my new town. I finally decided to invest my time and energy into learning about my biggest passion I had been carrying around with me my whole life–JEWELRY!

2. I was in a long distance relationship at the time I started Gem Gossip. It was because of my ex-boyfriend who suggested I should start a blog about jewelry after I had constantly filled his inbox daily with long hyperlinks of jewelry that I thought was “really cool.” He told me he didn’t care about the jewelry and that I needed an outlet to share my passion with others who felt the same way!

3. The name “Gem Gossip” was conceived after a brainstorm session with my sisters on what to name my future jewelry blog. I knew I couldn’t have my URL be daniellemiele.com because NO ONE knows how to pronounce my last name. It had to be catchy, simple, relate to jewelry and easy to say. I was looking at my sister’s fashion magazines and saw one of the actresses from Gossip Girl on the front cover (that show was the most popular around that time). I whispered aloud, “Gossip Gem” … and then “Gem Gossip” and it all clicked!

4. One of my first emails I’ve ever received from a jewelry designer was from Carolyn Tyler, after I had featured some of her work on my brand new blog. Her email was so encouraging and the excitement that I felt from receiving positive feedback was worth more than gold to me in that moment. I will never forget that kind exchange.

5. On the flipside of that, I’ve received several negative emails over the past nine years. One that called me Southern white trash (I’m from NY, so nice try) and a few that poked fun of my features that included photos of me modeling jewelry. This is both alarming on many levels but also quite comical, in my opinion.

6. The first seven years of writing Gem Gossip were all done part-time on weekends or after work. I was a nanny for the very first year and a half when I moved to Tennessee, and then eventually worked full-time at an antique jewelry store for five years. I would sit behind a microscope Tuesday through Saturday, with a pile of jewelry in a room without windows and crank out appraisals…and then come home bursting with creative energy, not wanting to do anything else except work on my blog.

7. One of my first big writing gigs was for LoveGold–I had no idea at the time how much I would learn in such a positive way from the 2 1/2 years of working with them. I produced exactly 100 pieces of exclusive content for LoveGold and traveled thousands of miles. And I still can’t get enough of yellow gold.

8. I once had a meeting with a very prestigious celebrity stylist. After learning I lived in Nashville she asked me about my love of country music. I told her I hated country music and she kept saying, “So you don’t like Taylor Swift? Not even Taylor Swift??” and I was adamant about not liking Taylor Swift. It was then and there that I realized I could have easily changed my answer to better fit our conversation; for her to “like” me. But I didn’t. I am who I am and I’m not changing for anyone. It is a memory that still sticks with me to this day…and it was with me a few weeks ago when I had some big meetings in NYC.

9. My #JewelryRoadTrip project involves a lot of travel, appointment making and on-the-spot creativity when visiting stores and designers’ work spaces. My husband Matt usually is the photographer behind all my #JewelryRoadTrip features but there was one big trip he couldn’t make–all my Pennsylvania coverage. My mom ended up coming along with me and taking all the photos. She was SO nervous and wanted to do a good job. I think she did great and it is still such a memorable trip for both of us. It was one of the first literal road trips where we drove my Prius up from Nashville and across the entire state of Pennsylvania over the course of four days. My car surpassed the 100k mileage mark on that trip and we celebrated by eating Arby’s (my favorite road trip fast food place…wait, maybe I am white trash?? See #5).

10. One of my most proud moments was being a co-curator at the Doyle & Doyle Vault series, where the NYC-based antique jewelry store put on their version of a month-long museum exhibition. I chose the topic of Sentimental Rings and several of my personal pieces, including my grandparents’ wedding bands and my grandma’s engagement ring were a part of the exhibit. In order for her ring to get to me, my grandma had to mail me her beloved ring. We both were so nervous for this feat–I had been tracking the package every step of the way. On the day of delivery, it was pouring rain. My alerts told me it had been delivered at my doorstep, but it was nowhere to be found. I was having a full-on panic attack over this. I ran outside in the rain in search of the package. To my surprise, it was sitting on the stoop of my neighbor a few doors down from me. It wasn’t just any neighbor…it was our neighbor that we were in a fully committed “poop war” with. What could I possibly mean by this? Well his dog would go to the bathroom in our yard almost daily…so my husband would take the dog poop and put it on their porch. Dumbest thing ever, but we were totally into it at the time lol. I grabbed the package off their porch and ran back home. That day ended the “poop war” and they moved shortly afterward, so all crisis averted. (By the way, my grandma’s Italian handwriting is the reason for the incorrect delivery–insert Italian hand gesture meaning WTF).

xoxoGemGossip

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Ten Facts You Didn’t Know About Engagement Rings

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History of Engagement Rings

1. The first diamond engagement ring in recorded history was presented by the Emperor Maximilian I of Austria to his betrothed, Mary of Burgundy, in 1477. The ring was set with diamonds in the shape of the letter ‘M’.

2. A new trend for ‘acrostic’ engagement rings emerged during the Victorian period in Britain. These featured words spelled out by the first letters of the gemstones set in the ring. The word ‘regards’ was a favorite, spelled out using a ruby, followed by an emerald, then a garnet and so on.

3. The phrase “Diamonds are forever” has entered the vernacular and lent its name to Sean Connery’s final film as James Bond but did you know that it was originally an advertising slogan? It was coined by De Beers in 1947 to kickstart diamond sales after a lull caused by the Great Depression and World War II.

Diamond Rings

4. Natural diamonds are extremely old and take around a billion years to form in the Earth’s molten interior. Stones used in engagement rings can be anywhere from 900 million years old to an astounding 3.2 billion years old.

5. The ‘carat’ is the main measurement used to judge diamonds and refers to the weight and size of the stone. It is so called because originally carob seeds were used as counterweights for the scales used to weigh diamonds. A modern carat is a metric unit equivalent to 200 milligrams, or 7 thousandths of an ounce!

6. The color of a diamond is another of the major factors that determines how much it costs. Color is graded on a scale that judges how colorless the diamond is, with white stones being the most desirable and thus expensive.

7. Which isn’t to say that other colors of diamonds aren’t much sought after. ‘Fancy diamond’ is the term used to describe a stone when its color falls outside the normal color range. Fancy diamonds can be blue, green, red, yellow, pink and even purple or black.

Alternative Engagement Rings

8. Every precious gem is rated for hardness using the Mohs scale. This is a measure of how resistant the stone is to being scratched. Diamonds top out at 10 on the Mohs scale and are one of the hardest naturally occurring materials in the world.

9. Gemstones with a Mohs rating of 8 or above are generally recommended for engagement rings, because they can stand up to the rigors of daily wear. Sapphires and rubies both score 9 on the Mohs scale while emeralds are only a 7.5 and opals ae just a 6.

10. In some countries, engagement rings don’t feature gemstones at all. The Claddagh ring, a traditional Irish ring, has a motif depicting a pair of hands clasped around a heart and a crown, symbolizing love, friendship and loyalty. While some more modern variants incorporate a ruby or other precious stone, the original version does not have a gemstone set in it.

For dozens more fascinating engagement ring facts, a hundred in all, check out ROX’s guide to All Things Engagement Rings.

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Q & A with Heather B. Moore Jewelry

Heather B. Moore

Heather B. Moore’s story starts with love, laughter and family…and fittingly, just as her jewelry often depicts those words both literally and figuratively, she has brought personalization of jewelry to the highest level. After viewing the video displayed below, you see just how hands-on and multi-faceted her business has become. This interview also touches upon how it all came to be, in the most innocent of ideas and forms. Sometimes we are destined for a certain path and it seems as though Heather was meant to bring memories, quotes and cherished words to life through her jewelry designs. Each piece is heavily sentimental and often instant tear-jerkers. As jewelry enthusiasts, we know how special a personalized piece can be–but how about one that is in the exact handwriting of a loved one? Or an exact doodle from your once 5-year-old son or daughter? I know if and when I start a family, Heather B. Moore‘s designs will be first on my list for a little keepsake!

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We are currently developing an exciting new series based on personal empowerment called the Sculptural Series. Its foundation stems from personalized themes people were requesting for their designs, which usually fell into four common categories: strength, growth, wisdom, and healing. With that as our guide, we started the Sculptural Series to capture moments that feel personal while complementing our other designs.

While we are only launching with a limited selection, this is just the beginning. The world is full of wonderful symbols that have meaningful messages, and Heather B. Moore jewelry is excited to add more sculptural jewelry to the collection in the future.

Heather B Moore | Gem Gossip

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I only took one jewelry class in college. At the time my focus was cast glass, Venetian glass blowing, and steel work. My sister Wendy was an anthropology major and had moved to Kathmandu, Nepal where she lived with a jeweler’s family. That’s where I started getting interested in what she was doing! After college, I was working for an artist welding large-scale art installations across the country for Judy Pfaff. On the weekends, my sister Wendy used to ask me to make jewelry for fashion shows and low-budget movies in Los Angeles.

I started off doing chain work and handmade chain, which we still do today. I also integrated glass beads and stones within the chain, and while we still integrate stones into our chain, we moved away from glass beads to focus on precious stones.

In 2004, I started offering personalization on a number of pieces and everything grew from there. Our personalized collection was created on the foundation that timeless designs start with a blank canvas for our customers, then we collaborate to create the perfect piece. We have the capacity to create the steel stamps of people’s handwriting and children’s drawings as well as a wide variety of fonts and layouts.

I started collecting tools when I was 13. I grew up in the steel industry of Cleveland and loved going to my dad’s factories, so craftsmanship was something that I related to.

The first steel tooling stamps that I purchased were from a garage sale at an old machinist’s house. I carried those stamps around with me for 15 years before knew what to do with them! In 1991, I pulled out those stamps and decided to integrate quotes from my friends and family. I stamped them out onto the silver plaques and then framed it with a handmade cast glass frame.

In 1997, my sister Wendy was in a skiing accident and passed away. Before she passed I stamped a quote she gave me into a piece of metal: “I said to my sister and she said to me, come let’s play laughter together.” I remember loving the quote so much that I took the plaque with her quote off the wall, and I put it in my wallet. To this day I look at it and it makes me smile.

After moving back to Cleveland and receiving the Rising Star Award from the JCK trade show, I had an interview with Real Simple Magazine about why a designer from NYC would move to Cleveland.

During the interview the writer asked a series of silly questions like, “what kind of hair care products do I use?” and, “what is in your purse?” At first I was a little confused, but I pulled out my wallet and got the plaque of my sister’s quote, and they loved it. They photographed it and used it as the focal point of the article.

At the time, I was designing for bigger companies like Banana Republic and I was getting tired of doing trendy jewelry that was “in” one season and “out” the next. I thought it was interesting that they loved the little plaque so much, and that made me think about the unique stamps that I had in the basement, and I knew I wanted to make something for myself. So, I stamped my kids names on some silver discs, framed them in gold, and I created my first personalized necklace.

I fell in love with it because my kids would sit on my lap and flip through the charms and look for their names. That is when it hit me: personalization has more value than the material that it’s on, because personalization is forever. Telling your story is not a trend; it’s a keepsake, an heirloom, and one-of-a-kind… just like the person wearing it.

That is when I knew I was on the right track. I was putting something into the marketplace that I had actually created in 1992… it’s like it all became a full circle.

It’s amazing to think I was so young, but I’m also very proud to say that now we create our own stamps in our steel shop. It’s fun to have the opportunity to create special tooling for each individual customer.

Heather B Moore | Gem Gossip Heather B. Moore | Gem Gossip

Left: the plaque Heather made, with her sister’s special quote Right: a necklace Heather wears almost everyday–it features her new Buddha charm


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I think my proudest moment was winning the Town & Country International Gold Award at the Couture Jewelry Show in Las Vegas.

This is a show where all designers get together and showcase their pieces to stores across the country. Town & Country magazine had sponsored the event, so it was super fancy that year. Most people were in black tie… but I didn’t know that! I showed up late to the party in flip-flops, jeans, a t-shirt and messy hair!

When I thought about designing something for the Gold category, I wanted something no one had yet documented. One topic that came up was that we had never documented someone’s letter, and I had the perfect one. It was a whimsical thank you note from my sister Wendy. She had sent it just days after Christmas and she spoke of the importance of family and new traditions. This was the first year I didn’t spend Christmas with my family because I was with my husband’s family in Canada, so it really hit home for me. It was the last letter I ever got from her. She passed away shortly after Christmas.

We stamped this whole letter on a big yellow gold cuff, with a rose gold frame on the outside and a green gold frame on the inside, then we covered the frame in diamonds.

We arrived late to the awards show party and had already begun to announce the winners, so we quickly grabbed a glass of wine and snuck into some seats just as the announcer said, “And the Gold Award goes to a designer from the city of the Rock ‘n’ Roll Hall of Fame…”

…I thought to myself, “Oh my gosh, there’s another designer here from Cleveland,” but then they called my name!

Heather B Moore | Gem Gossip

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In a broad sense, my hopes, dreams, and goals are to make sure I can continue to create beautiful pieces for people and documenting their stories. I love that we have the opportunity to work with customers hand-in-hand.

And with the sculptural collection, there are so many amazing symbols that empower people. I just love the direction we are going with that!

Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip

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I have so many pieces I love and adore! We have a wide variety of designs within the collection, and I truly love all of them. I have many iterations with my children’s names (Henry, Leo, Oliver and Coral). They are my proudest creation!

I have a yellow gold bangle with their names on it, a leather bracelet with with their names on it, and a necklace where they each have their own charm! I actually named the frames after them. The Henry frame is a braid like the Nantucket braided bracelets. The Leo frame has a granulation frame for him because he really loves the arts. Then there’s the Oliver frame. He’s really an organized child so I did a spiral frame for him. Coral’s got a bubbly personality, so her frame kind of looks like bubbles!

I like to wear my cuff bracelet that has my sister’s letter with jeans and a t-shirt, but I also wore it to the Beastie Boys black tie Rock ‘n’ Roll Hall of Fame induction.

My sister Halley and I both have a charm with Wendy’s phone number on it. She never had business cards, which we always thought was hilarious! We made it in green gold because her birthday was on Saint Patrick’s Day.

My new favorite necklace has a bunch of charms on it, and it’s a story about my boyfriend Jason and me. We went to high school together so I have one charm that says “You were worth the wait,” and another charm that says “Home is when I’m with you.” And I have a little single initial J charm for his name… and a diamond, of course!

I have a 4mm square cuff bracelet that grounds me–it says “When you look at life through the right lens, everything comes into focus.” Life certainly does throw you some curveballs sometimes… so that helps me through those challenges. The fact that I’m a photographer kind of makes it perfect! My dad gave me my first camera when I was 14 and then shipped me off to Africa with 13 rolls of film. I have been an avid photographer ever since.

I will end with this one:

I have this fantastic ring that has been dubbed “the hockey ring.” It’s my good luck ring for my boys’ games. If it’s not on my finger it’s in my wallet waiting for the next game. I did not put any personalization on it with words… and it’s really quite thick. We call it The Pope Ring at the studio! So when I’m photographing the hockey games (because all three boys are in hockey) if something happens like a goal or a good defensive play, I can bang on the glass with my ring, and I wont hurt my hand! Because of all the banging, overtime it has collected quite a few, great dents! It is essentially personalized from all the dents!

Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip

This sponsored blog post was brought to you in collaboration with Heather B. Moore.

Heather B. Moore Jewelry

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Q & A with Nektar De Stagni Fine Jewelry

Spike Jewelry Set by Nektar De Stagni

Transforming soft, elegant pearls into edgy and cool pieces of jewelry, Nektar De Stagni has created a fine jewelry brand that is both fun and here to stay. I’m loving everything about it, including the smiley (and non-smiley) pearl emoji dudes, whether they’re in pendant form, ring form, or earrings, these provoke positivity! I personally own the spike pearl necklace in yellow gold and every time I wear it, someone always asks about it!

Nektar De Stagni has creativity in her blood and first launched her fashion brand at the young age of 21. Both the response and the passion she felt from her jewelry which also launched had led her to solely focus on NDS her fine jewelry identity and brand. Since its inception in 2008, Nektar De Stagni has become a cult favorite and is currently carried at Nordstrom, The Webster, Opening Ceremony, and several other retailers, including her own e-commerce website. We caught up with the busy entrepreneur and DJ to learn the latest:

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We are currently working on expanding on the Pearl Styles to include other cute symbols like Hearts, Peace signs, and Letters/initials!

Nektar De Stagni | Gem Gossip Nektar De Stagni | Gem Gossip

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I have been designing since I was a little girl. I have sketches of jewelry as early as age 6! When I was 18 I started a ready to wear company and made jewelry accessories to complement the clothes. The jewelry was really popular and it slowly took over. In 2008 I decided to launch Nektar De Stagni Fine Jewelry as a standalone brand.

Nektar De Stagni | Gem Gossip Nektar De Stagni | Gem Gossip

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Seeing my jewelry in the Wall Street Journal, New York Times, Bergdorf Goodman, and worn by Rihanna is a major thrill!

Nektar De Stagni | Gem Gossip Nektar De Stagni | Gem Gossip

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I would love to one day collaborate with Tiffany & Co, and Cartier.

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I love all of my jewelry, but the Smiley Emoji Pearl Ring is a great reminder to stay positive and grateful every day 🙂

Nektar De Stagni | Gem Gossip Nektar De Stagni | Gem Gossip

Nektar De Stagni | Gem Gossip

Enter to win your own Nektar De Stagni smile emoji pearl ring — click here!

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Jewelry Collection Stories: Danielle of @jasmyntea

Jasmyntea | Gem Gossip Jasmyntea | Gem Gossop Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip Jasmyntea | Gem Gossip

This month’s Jewelry Collection Story comes from a favorite Instagram collector of mine and it’s not because we share the same name, although that helps 😉 It is because Danielle’s style and curation of such a fine collection is unlike any other! She has a fierce eye for what she loves and I’ve been wanting to know her story for quite awhile now. We finally got her story (she is a busy San Francisco dweller, with a full-time job that doesn’t involve jewelry) and she has provided some amazing photos of her personal collection. Let’s dive into her story!

“I have always been a collector. Whether it was collecting vintage jewelry, or vintage clothing, or books on costume and fashion. I’m always looking for unique items that speak to me in some way. I first fell in love with jewelry when I was about 12 and would ride my bike to the thrift store to look for treasures. I always liked vintage clothing, shoes, jewelry and scarves. Old pieces have stories within them. And I always liked to imagine the travels the pieces went through before I became their custodian.

My mother does not really wear much jewelry. Most of the jewelry she wears, except her wedding band, was probably given to her by her sisters or her daughters. She has very few pieces, so I didn’t really grow up surrounded by jewelry. I didn’t know one of my grandmothers as they both passed away before I was born. But I do wear her gold framed glasses from the 1940s every day as my own eyeglasses. I love this connection with my past. My other grandmother didn’t really have much affinity for jewelry either. So I’m not really sure where my love of jewelry and antiques comes from–but I can tell you that I’m obsessed 🙂

When I first started collecting jewelry in high school I liked vintage brooches and small enamel pins. This was what I could afford to purchase. From vintage pins, I branched out to vintage sterling. I always loved going to antique stores and hunting for unusual, inexpensive pieces. My early collection included David Anderson Norwegian pins and bracelets, sterling charm bracelets, bakelite bangles, and funky long beads to layer. I always liked layering, mixing and creating a story with my jewelry. As my style evolved I also liked to support local jewelry artists, so I would go to fairs and stores that sold the work of local jewelry artists and try to pick pieces I liked. My modern collection is made of up certain designers – Marla Aaron, Judy Geib, Gabriela Kiss, Louison Rare and Fine (GemstoneGypsy), Jean Jean Vintage, Gillian Conroy, Variance Objects, Dahlia Khanner, Alberian and Aulde, Amali Jewelry and local San Francisco artists Betsy Barron and Alix Bluh. I tend to gravitate towards jewelry artists versus major designer jewelry. Although one of the first pieces I completely coveted when I was 16 was Tiffany’s Elsa Perreti sterling bean necklace.

In the recent years I have gravitated towards building my antique collection. I love to go to antique fairs and shows, stop in small antique shops when I travel and I follow many antique jewelry sellers on IG. If you are curious, my first IG discovery was Erie Basin and my early purchases were a Toi et Moi Victorian diamond ring and a French link bracelet that many people have asked if they could purchase from me. Finding the antique jewelry community on IG has been very meaningful to me. I feel like I’ve found a crew of fellow jewelry enthusiasts that I can geek out about Georgian jewels, or old cut diamonds, or how to style antique and modern jewelry together. Before IG I never really participated in social media. Finding the IG community of jewelry lovers has been a nice addition in my life, so I don’t drive my husband and sons nuts with my jewelry interests. I’ve also enjoyed meeting fellow IG collectors on my travels.

I can’t really categorize what I collect, because I look for unusual pieces or pieces that resonate for me in some way. I feel like I am the custodian of the pieces I collect. I can’t always articulate why I fall in love with pieces. Sometimes the piece feels sentimental, sometimes the piece will fill an aspect of my collection that I need for a look I’m striving for. On a broad level, I like Georgian and Victorian jewelry. And then I like modern pieces that provide contrast for the more sweet/sentimental antique pieces. I love to mix antique and modern pieces together. Probably my favorite thing to mix are Marla Aaron locks with my antique necklaces, charms and brooches. Mixing and styling jewelry is a creative outlet for me. It’s self-expression—what I’m trying to put out there on a given day. I mix everything: yellow, rose, green gold, platinum and silver. On most days I have on five types of metal. I actually tend to prefer wearing mixed metals versus monochromatic styling. Although sometimes I like to do all gold or all silver or all one kind of gemstone.

I’m sentimental when it comes to jewelry. I always wear a Marla Aaron lock which to me symbolizes to hold fast to what’s important. I once did post on IG about how my modern jewelry spirit animal is my engraved Marla Aaron lock that has all family initials hidden within the engraved design. If I had to pick an antique spirit animal it would probably either be antique chains or signet rings. My thorn necklace (by Gillian Conroy) symbolizes that life has thorns to deal with but I am strong enough to weather the thorns. My hand bloodstone signet ring from Metier with the word “confido,” which means trust, reminds me to trust myself. And then on any given day, my other jewelry represents other items of importance to me or things I’m trying to stay centered about. My Mizpah ring from TheOneILoveNYC is for my husband and me, and my Souvenir bangle from Lucy Verity hasn’t left my wrist since I got it last year – I look down and remember. My Lenore heart rings: to remember love, my signets: to remember the people who are important to me, my memento mori ring from Nvitblanche: to remember to live in the moment, my ruby locket from Circa 1700 has diamonds in it from my mother-in-law in the amount of Pi carats (ok I’m a definite geek). Recently my husband and I gave each other Gabriela Kiss eye rings to symbolize us watching over each other.

You may wonder what pieces I am on the hunt for next. I try to keep an open mind when I am hunting for jewelry, because you never know what you might find. I always ask myself does this resonate for me, will I really wear it and reach for this piece everyday? I like to purchase pieces that I will wear, I don’t like for jewelry to just sit in my jewelry box. I don’t necessarily keep a running wish list. Although at the beginning of 2016 I did an IG jewelry wishlist post and when I look back on it now, I did end up collecting some of the items on my wishlist during 2016, (like my French cut eternity band from Platt Boutique Jewelry). Right now I’m coveting high carat gold items – 22K gold bands (I just got one from Metier) and poesy rings, a Georgian memento mori ring and chains, always more chains. Recently, I’ve been loving layering a lot of gold watch chains.

In closing, almost every piece I wear holds meaning for me of something I want to remember or a story I want to tell that day with my jewelry. Jewelry wearing and styling is my personal storytelling.”

xoxoGemGossip

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