Jewelry Collection Stories: Kate of @LuxCharmJewelry

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This month’s Jewelry Collection Story comes from Kate of @LuxCharmJewelry and it is a good one! Kate is a full-time art teacher and part-time jewelry enthusiast and collector. You may already be following her on Instagram, but if not you must. Her collection is pretty amazing and her story may resonate with many of you. So without further ado, I give you Kate’s collection story:

I’ve always loved jewelry. I have early memories of playing “dress up” and “jewelry store” with my grandmother Louise. She kept her jewelry in the top dresser drawer. Oh how I loved looking inside those little boxes and seeing all the sparkly jewels inside! We would arrange her jewels on top of carefully arranged bits of pretty fabrics and embroidered handkerchiefs and take turns “shopping.” It was so much fun trying on her white dress gloves and high heels and playing with all those pretty things.

When I was around 10 years old, my dad started giving me jewelry every year for Christmas, mostly rings. One year, I received a topaz ring that had the most amazing shade of bright blue. I adored that ring! Another favorite ring given to me by my dad was a gold signet ring that he had monogramed with my initials. I think I was around 15 at the time. It’s a classic look that will never go out of style and one I wear often today.

One of my favorite early jewelry memories was when my family went out to dinner before my high school senior award night. I didn’t know it at the time, but I was about to win the top artist award in my class, and my parents bought me this beautiful southwestern sterling bracelet and turquoise ring to mark the occasion. For high school graduation, I received a large, modernist sterling and gold ring. At the time, I wasn’t into yellow gold, and these bold sterling pieces were among the most beautiful pieces I owned. Luckily, my parents have continued the tradition of gifting me jewelry for special occasions, and I cherish them all. These pieces help to serve as reminders of special times in my life. My sweet husband has also joined in on the tradition and I have received many beautiful pieces from him now over the years, including my very first (and favorite) Victorian bird bangle bracelet and my beloved antique turquoise and diamond halo ring.

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As a teenager, I was really into second-hand shops–mainly for vintage clothes and small decorative items, but eventually I started picking up inexpensive jewelry and odds-and-ends; like pendants, chokers, chains, etc. At about the same time, I started making beaded jewelry and even gifting and selling pieces to my friends.

Years later, I decided to try my hand at selling handmade jewelry on Etsy. It was a fun, challenging, and creative outlet. Those were the relative early days of Etsy, and I grew as it grew. I did this for a couple of years and slowly started incorporating more and more vintage jewelry components and findings into my pieces. Eventually, the competition increased and my enthusiasm waivered, so I put my shop on hold.

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My love affair with antique jewelry began about eight years ago when my mom and I were antiquing at one of my favorite stores in Richmond, IN. My mom fell head-over-heels for this old gold cameo ring. At first, I was like, “What? Cameos? Ugh, I don’t get it.” Then much to my surprise, my mom professed her life-long love affair with cameos, citing stories from her youth. The shop owner quoted her a low price and my mom quickly bought the ring. She wasn’t one to make fine jewelry purchases on our excursions together, so I was intrigued and wanted to know more. I couldn’t stop staring at this unusual reddish-orange cameo ring on our drive back home; I was fascinated by it. It didn’t look like the girly, pink cameos I was used to seeing. It was more masculine in style and the gold was a rich rose color. The shop owner estimated the ring to be about 120 years old.

To my knowledge, I had never seen a ring that old before and now I wanted one for myself! The more I researched, the more I realized what an amazing deal my mom got on that ring. Sure, it was more than I was used to spending on random antique mall purchases (about $85), but still affordable. This made antique jewelry seem obtainable to me for the first time ever. I started reading jewelry books, researching online, and educating myself on antique jewelry. I liked learning the history behind each piece. It’s a perfect fit for me– combining my love of history, research, sentiment, story, etc.

Inspired by my new passion and focus, I reopened my Etsy shop–selling only vintage and antique jewelry. I absolutely loved hunting for old jewelry, even cameos! Thinking back to that special trip to Richmond with my mom, I believe this was the critical moment that later turned this new interest into a full-blown hobby and part-time job for me.

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Today I have such a deep and sincere appreciation for antique jewelry; I tend to collect a little bit of everything. All in all, I tend to go more for Victorian, Art Nouveau, and Art Deco pieces. Rings are probably my favorite type of jewelry to wear and collect. I love everything from dainty to bold, statement rings. I also love antique bangles and Deco necklaces in all sorts of finishes, metals, and styles.

One of my favorite things to collect are watches. My favorite makers are Longines and Bucherer. I have everything from watch pins, watch rings, wristwatches, and pocket watches. And I really love long enamel watch necklaces. My love of watch necklaces probably began when I scored an amazing Bucherer red guilloche enamel watch ball necklace for $60 in a small, local antique shop. I later learned this was a remarkable deal for one with its original enamel chain in perfect condition. I’ve since added about 10 more to my collection over the years. I just can’t stop myself when I see a beautiful one for a good price. I have such a weakness for fine guilloche enamel-work.

In addition, I love bird-themed jewelry and have many bird bangles, lockets, etc. I tend to favor cool-color pieces in general (it must be the Pisces in me!). I am very fond of blue–sapphires, lapis, zircon, and turquoise to name a few. Pale lavender chalcedony, dreamy moonstones, and that particular shade of green commonly used in Art Deco pieces–are all personal favorites. I have a growing collection of snake rings, too.

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I enjoy shopping at small, local places best. The Midwest is a gold mine for antiques of all kinds. The big jewelry enthusiasts seem to live on either coast and being stuck in the middle has its advantages… lower prices and less pickers. But this seems to get harder every year. My favorite display cases and shops seem to be shutting down. The old dealers retire; some pass away. I think part of me has also wanted to open a brick and mortar shop, but the risks are scary.

Currently, I seem to have the most luck shopping at antique shows and online auctions. I’m always on the hunt for new pieces. I would love to own more niello jewelry, antique enamel bracelets, and gutta percha bangles inlaid with gold. I have a thing for portrait paintings but oddly, own no portrait jewelry. I interned at the National Portrait Gallery right after college and it’s a subject I’m really interested in. I would love to find the perfect emerald ring and more “name” or “initial” jewelry to represent the important people in my life.

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Recently I celebrated a milestone birthday (hello, 40!) and had been hunting for the perfect aquamarine birthstone piece of jewelry for months. Then it finally happened…a huge, honking, 14-carat, Victorian, pear-shaped aqua ring in 15K gold popped up on my Instagram feed. Its large size, unfussy setting, and perfect pale-blue color, stopped me dead in my tracks. A direct quote from the seller was, “a mesmerizing, dreamy, huge piece of magic.” Indeed it was. I sold three personal collection rings to make room for this special ring, the latest addition to my jewelry box.

Back when I started wearing, selling, and collecting antique jewelry, I was the only one I knew who did. I just bought what I liked and what I could afford at the time. It wasn’t until I joined IG a couple of years ago that I found other like-minded people who loved and appreciated old jewelry as much as I do. Like most sellers/collectors, I am searching for more high quality and unusual pieces nowadays. Lately, there seems to be more competition, more reproductions, and higher prices on the online auction sites, making it harder to “score” a deal. While I may not be selling forever, I know I will be wearing and enjoying my jewelry for the rest of my life. It brings me so much joy. Marking special occasions and making new memories with jewelry are so important to me. Jewelry has a way of keeping our memories alive…providing a tangible reminder… connecting us to the people, places, and significant moments we cherish in life. Happy hunting!

xoxoGemGossip

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You can follow Kate –> @LuxCharmJewelry

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Why is it so Hard to Find Peridot Jewelry I Like?

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All photos above provided by Market Square Jewelers

Peridot is the birthstone of August, and many of us have come to find that August babies either love it or they hate it. Perhaps the ones that hate peridot haven’t had the same exposure to the gem as myself.

The peridot I know and love is a vibrant yellowish green that pops against yellow gold in such a magnificent and esoteric way. In Ancient Egypt, peridot was known as the Gem of the Sun and rightfully so. A well-cut peridot rivals the beauty of emerald and demantoid garnet, for a fraction of the cost.

In theory, peridot is plentiful and affordable. But while peridot is prized for its lavish and distinct coloring, it can be a struggle finding peridot jewelry that’s worth obsessing over. Unfortunately, so many factors work against peridot becoming an inexpensive jewelry staple like amethyst.

Here are some reasons why it’s so hard to find peridot jewelry I like:

1. Commercial Grade Peridot is Undesirable At Times

As far as amethyst goes, even commercial gems have the ability to be beautiful depending on the cut and hue. In contrast, most commercial peridot on the market looks the same – like small bits of washed out baby food. Too harsh? Based on how many uninformed people hate peridot, maybe not. When the cut is shallow, most of that lovable, vibrant green shade fades to almost clear, and there’s not much left to get excited about.

2. The Lime Green Color Can be Limiting in Design

I can’t recall ever seeing peridot in a white gold design that I liked. Let’s face it, peridot looks best in yellow gold. Most stones have a metal that complements it best, but with peridot, setting the stone in white or rose gold can be absolutely detrimental to the design. If you happen to love peridot in white gold, don’t let me turn you away. But this is why we see less peridot designs on the market than we do more versatile green stones like emerald that happen to look amazing in platinum and rose gold.

3. Large Peridot Stones are Significantly More Expensive

Larger peridot stones tend to maintain their deep coloring better than smaller stones. However, the larger the peridot stone, the more expensive it becomes. I can find affordable amethyst stones that weigh more than 4 carats very easily. Trying to find that same size peridot stone will set me back significantly more money, which is very limiting when jewelry shopping. It’s easy to find smaller peridot stones in places like Arizona and China, but the larger sizes are much more scarce globally, thus impacting the market overall.

4. More Awareness = More Demand

As more people become acquainted with that peridot sweet spot – the stones that are vibrant and well-cut – the demand naturally increases. Supply for quality peridot designs doesn’t fully match this new-found demand, which causes an increase in price and scarcity. This means I’ll have to be hunting for peridot jewelry instead of simply browsing for it. Instead of 10 great options, I may only find 5, and even then, I’ll be competing with other buyers looking for the same item.

With all the reasons why I have so few peridot pieces in my collection, I figured it best to reiterate that it’s not impossible to find worthwhile peridot jewelry. In fact, one of our favorite shops Market Square Jewelers, we feel, has the best selection of peridot jewelry! The photos above are provided by Market Square Jewelers and all the pieces are available for purchase! You can check out their website for more peridot jewelry here.

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

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Ten Facts You Didn’t Know About Engagement Rings

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History of Engagement Rings

1. The first diamond engagement ring in recorded history was presented by the Emperor Maximilian I of Austria to his betrothed, Mary of Burgundy, in 1477. The ring was set with diamonds in the shape of the letter ‘M’.

2. A new trend for ‘acrostic’ engagement rings emerged during the Victorian period in Britain. These featured words spelled out by the first letters of the gemstones set in the ring. The word ‘regards’ was a favorite, spelled out using a ruby, followed by an emerald, then a garnet and so on.

3. The phrase “Diamonds are forever” has entered the vernacular and lent its name to Sean Connery’s final film as James Bond but did you know that it was originally an advertising slogan? It was coined by De Beers in 1947 to kickstart diamond sales after a lull caused by the Great Depression and World War II.

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4. Natural diamonds are extremely old and take around a billion years to form in the Earth’s molten interior. Stones used in engagement rings can be anywhere from 900 million years old to an astounding 3.2 billion years old.

5. The ‘carat’ is the main measurement used to judge diamonds and refers to the weight and size of the stone. It is so called because originally carob seeds were used as counterweights for the scales used to weigh diamonds. A modern carat is a metric unit equivalent to 200 milligrams, or 7 thousandths of an ounce!

6. The color of a diamond is another of the major factors that determines how much it costs. Color is graded on a scale that judges how colorless the diamond is, with white stones being the most desirable and thus expensive.

7. Which isn’t to say that other colors of diamonds aren’t much sought after. ‘Fancy diamond’ is the term used to describe a stone when its color falls outside the normal color range. Fancy diamonds can be blue, green, red, yellow, pink and even purple or black.

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8. Every precious gem is rated for hardness using the Mohs scale. This is a measure of how resistant the stone is to being scratched. Diamonds top out at 10 on the Mohs scale and are one of the hardest naturally occurring materials in the world.

9. Gemstones with a Mohs rating of 8 or above are generally recommended for engagement rings, because they can stand up to the rigors of daily wear. Sapphires and rubies both score 9 on the Mohs scale while emeralds are only a 7.5 and opals ae just a 6.

10. In some countries, engagement rings don’t feature gemstones at all. The Claddagh ring, a traditional Irish ring, has a motif depicting a pair of hands clasped around a heart and a crown, symbolizing love, friendship and loyalty. While some more modern variants incorporate a ruby or other precious stone, the original version does not have a gemstone set in it.

For dozens more fascinating engagement ring facts, a hundred in all, check out ROX’s guide to All Things Engagement Rings.

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Why Some Gemstones Make Terrible Engagement Rings

Some Gems Make Terrible Engagement Rings | Gem Gossip

The above gemstones are all beautiful, but which would make a great engagement ring and which two are bad choices for an everyday wear piece?

Alternative engagement rings have been popular long before Princess Diana (and subsequently Kate Middleton) donned a blue sapphire. In fact, diamonds weren’t commonly used in engagement rings until the early 20th century. Stones were picked based on birthdays, symbolism, and what color was in-vogue at the time.

While it can be exciting to imagine an engagement ring with mystical and trendy stones like opal and moonstone, these gemstones actually make terrible engagement rings. So terrible that you might find yourself sulking over a ruined ring with a stone that has been chipped and gouged beyond repair. Don’t say I didn’t warn you.

Why Won’t Some Gemstones Work?

Even though I don’t recommend wearing your rings ALL the time, most engagement rings are worn nearly every day. Even if you are the gentlest person on the planet, your engagement ring will always be subject to potential damage. Some stones simply shouldn’t take that risk because the gemstone may not be hard enough to handle even the slightest impact.

Every gemstone has a hardness factor, which basically tells us how much bumping and scraping a gem can take before it becomes scratched or damaged. This hardness is ranked between 1-10 on what is known as the Mohs Scale of Hardness. In theory, the higher the number on the Mohs Scale, the harder and more durable the gemstone is. There are exceptions to this rule, but generally, the lower the number, the more you shouldn’t use this stone as an engagement ring.

How Does the Mohs Scale Figure Out Hardness?

The best way I can think to explain this is exactly how I learned it in my Geology 101 class my Freshman year of college. Let’s see if you can follow, and for those of you that already know this, bear with me. The Mohs Scale ranks a gemstone’s hardness by whether or not it can be scratched by other gemstones or materials. If the gemstone being scratched shows a mark or abrasion, it is softer than (or equal to) the material that scratched it. If the hardness is equal, the gemstone that was scratched should also be able to effectively scratch the material that scratched it.

Since diamonds are ranked highest on the Mohs Scale at a 10, they should essentially be able to scratch every other gemstone’s surface.

Why Diamonds are Forever

One reason diamonds are so prized for engagement rings is because of their rank on the Mohs Scale. At a 10, diamonds are the hardest substance known to man. In fact, no other gemstone comes close to this hardness factor. This doesn’t mean diamonds are indestructible (more on this in a future post), but it does mean that it is much more difficult to damage a diamond than say a garnet that ranks between 6.5 – 7.5.

What Stones are the Absolute Worst for Engagement Rings?

Not to dissuade you, but if a gemstone makes this list, you’ll really want to rethink your strategy before using it in an engagement ring. That’s not to say you couldn’t. Some of these stones are significantly less expensive than diamonds, so if they become damaged, they could easily be replaced.

A word of warning though — take extra care not to get sentimentally attached to the stone itself, since you might be forced to replace it someday. You could also opt to not wear the ring every day. Save it for special occasions and wear your wedding band instead. There are no engagement ring rules stating you have to wear your ring seven days a week, and who says you should only have one!

But, regardless, these gemstones will make the worst non-diamond engagement rings:

  1. Opal: Ranks 5.5 – 6.5 and is very susceptible to crazing and chipping.
  2. Moonstone: Ranks 6 – 6.5 with a polished cab surface that is easy to scratch.
  3. Pearl: Ranks 2.5 – 4.5 and has a nacre coating that can peel away.
  4. Emerald: Ranks 7.5 – 8 which is hard but this stone is very prone to cracking.
  5. Garnet: Ranks 6.5 – 7 and will easily show age around facet edges in time.

Best Engagement Ring Stones Other Than Diamonds:

All hope is not lost if you’re set on using a gemstone other than a diamond for your engagement ring. Even though most of these gemstones aren’t as durable as diamonds, they will stay in great shape for a lifetime as long as you take proper care of your jewelry.

Here are some of my favorite alternative engagement ring stones:

  1. Aquamarine: Ranks 7.5 – 8 and has a gorgeous pale blue color.
  2. Blue Sapphire: Ranks 9 with a classic, timeless appeal.
  3. Ruby: Ranks 9 and is perfect for a more feminine style.
  4. Morganite: Ranks 7.5 – 8, is pale with peach undertones.

There are so many other gemstones not listed here and other factors that affect durability, too. But this guide should at least get you started. Remember to always look up a gemstone’s hardness on the Mohs Scale. If it ranks below a 6, do a little more research and weigh your options. Good luck and happy hunting!

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

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James D. Julia Auction Features 60 Jewelry Items in Upcoming Sale

Hey Gem Gossip readers! As many of you know, writing about upcoming auctions is one of my favorite topics–I’ve written nearly 100 blog posts on this topic throughout the past almost nine years of having this blog! I live it, breathe it, and am constantly talking about jewelry auctions. I love discovering new auction houses and I’m excited to be writing about James D. Julia Auction house today since I never have featured them before. They have an upcoming sale on June 16th, 2017 that is called “June Rare Lamps, Glass & Fine Jewelry Auction” which is of interest, particularly the 60 lots of fine jewelry items which is at the very beginning of the sale.

James D. Julia Inc. is located in Fairfield, Maine and has been in business for over fifty years. The company began in 1965 by Arthur Julia as a small country auction house which quickly grew over the years. Current owner James D. Julia purchased the company from his father in 1974 after graduating college. Always staying current with the times has been a key to the success of this auction house–state-of-the-art catalogs, photos and descriptions as well as an easy interactive website where bidding can take place from anywhere in the world have allowed an auction house located in Maine compete with world-known names. They are currently ranked as one of the top ten antique auction houses in North America.

The June 16th auction features 60 lots of jewelry items–pieces from the low 100s on up to six-figure digits–so a pretty large assortment. Diamond rings, lots of emeralds, a high-end Breitling watch, jewelry suites, pearls, gorgeous every day jewelry, and everything in between. One of my favorite lots is the last one in the jewelry section–a group of 40 jewelry books! I am such a jewelry book nerd and this lot features a bunch of rare, out-of-print titles. It is definitely worth checking out and the people of James D. Julia were kind enough to create an interactive catalog (embedded above) which features all 60 of the jewelry lots! It is also worthy to note, many of the pieces, starting with lot #1019 as noted in the catalog, are from a private Texas Estate collection which is completely unreserved and thus could result in some excellent buying opportunities.

Here are some of my favorites highlighted:

Lot 1005: A stunning all-diamond bypass style ring, set in 14k white gold and an estimated 1.78 carats total. I love the bypass style, with this piece having three diamonds set at a diagonal. If you’re thinking of a unique alternative engagement ring, this would be a great choice! Estimate: $2,000-3,000

Lot 1007: The most expensive/highest estimate piece in the sale–this 10.02 carat natural fancy intense yellow diamond ring! This rare and unique stone is VS-1 in clarity and comes with a diamond certificate from GIA. To accompany the center stone, it is beautifully flanked on each side by bullet shaped diamonds, VVS/VS clarity and FG in color. The ring is done in platinum and 18k white gold. Estimate: $130,000-160,000

Lot 1016: Elegant and charming, this diamond pendant necklace features gorgeous bright white diamonds set into a Art Nouveau treasure. It features a dangling bezel set diamond at the bottom and hangs from a 16″ chain. Nothing like a piece of history. Estimate: $1,500-2,500

Lot 1020: A vintage Cartier ring of finest quality–composed of one center emerald cut diamond and two emerald cut emeralds on each side. The ring is done in platinum with 18k yellow gold settings. Center diamond weighs 1.98 carats and the emeralds are Columbian. Can’t get much better than that! Estimate: $20,000-30,000

Lot 1023: I like this ring because it has a bypass style but it also has sort of a serpent look to it! The ring is set with a modified-fan cut emerald and lots of diamond accents, 1.75 carats to be exact! This ring is trendy and classic at the same time. I could easily pair with other pieces for a fun look. Estimate: $1,200-1,800

Lot 1035: If you love a good multi-gemstone piece of jewelry, this one is my pick for you! This cuff is done in 18k yellow gold and bezel set with multiple gemstones of all colors! We’ve got rubies, emeralds, sapphires, and an unidentified yellow stone…all of various shapes and sizes. A truly well-made and exquisite piece! Estimate: $500-800

Lot 1052: This necklace caught my attention the first time I ever looked at this catalog. It consists of a multi-serpent pendant that hangs from a gold toggle necklace–the various gemstones are peridot, garnet, amethyst, and citrine. The layers of serpents graduate in size, as do the gemstones. I’ve never seen a pendant quite like this one before and I’ve always been drawn to serpent jewelry. Estimate: $600-900

Lot 1060: Remember the lot of jewelry books I talked about above–this is the lot! It features 40 different jewelry reference books, including several out-of-print titles. 100 Years of Collectible Jewelry, Cameos Old & New, Jewelry in America 1600-1900, and The Art of Fine Jewelry are definitely intriguing me and I feel like I will be bidding on this lot come auction day!

This sponsored blog post was brought to you in collaboration with James D. Julia.

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Jewelry Collection Stories: Danielle of @jasmyntea

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This month’s Jewelry Collection Story comes from a favorite Instagram collector of mine and it’s not because we share the same name, although that helps 😉 It is because Danielle’s style and curation of such a fine collection is unlike any other! She has a fierce eye for what she loves and I’ve been wanting to know her story for quite awhile now. We finally got her story (she is a busy San Francisco dweller, with a full-time job that doesn’t involve jewelry) and she has provided some amazing photos of her personal collection. Let’s dive into her story!

“I have always been a collector. Whether it was collecting vintage jewelry, or vintage clothing, or books on costume and fashion. I’m always looking for unique items that speak to me in some way. I first fell in love with jewelry when I was about 12 and would ride my bike to the thrift store to look for treasures. I always liked vintage clothing, shoes, jewelry and scarves. Old pieces have stories within them. And I always liked to imagine the travels the pieces went through before I became their custodian.

My mother does not really wear much jewelry. Most of the jewelry she wears, except her wedding band, was probably given to her by her sisters or her daughters. She has very few pieces, so I didn’t really grow up surrounded by jewelry. I didn’t know one of my grandmothers as they both passed away before I was born. But I do wear her gold framed glasses from the 1940s every day as my own eyeglasses. I love this connection with my past. My other grandmother didn’t really have much affinity for jewelry either. So I’m not really sure where my love of jewelry and antiques comes from–but I can tell you that I’m obsessed 🙂

When I first started collecting jewelry in high school I liked vintage brooches and small enamel pins. This was what I could afford to purchase. From vintage pins, I branched out to vintage sterling. I always loved going to antique stores and hunting for unusual, inexpensive pieces. My early collection included David Anderson Norwegian pins and bracelets, sterling charm bracelets, bakelite bangles, and funky long beads to layer. I always liked layering, mixing and creating a story with my jewelry. As my style evolved I also liked to support local jewelry artists, so I would go to fairs and stores that sold the work of local jewelry artists and try to pick pieces I liked. My modern collection is made of up certain designers – Marla Aaron, Judy Geib, Gabriela Kiss, Louison Rare and Fine (GemstoneGypsy), Jean Jean Vintage, Gillian Conroy, Variance Objects, Dahlia Khanner, Alberian and Aulde, Amali Jewelry and local San Francisco artists Betsy Barron and Alix Bluh. I tend to gravitate towards jewelry artists versus major designer jewelry. Although one of the first pieces I completely coveted when I was 16 was Tiffany’s Elsa Perreti sterling bean necklace.

In the recent years I have gravitated towards building my antique collection. I love to go to antique fairs and shows, stop in small antique shops when I travel and I follow many antique jewelry sellers on IG. If you are curious, my first IG discovery was Erie Basin and my early purchases were a Toi et Moi Victorian diamond ring and a French link bracelet that many people have asked if they could purchase from me. Finding the antique jewelry community on IG has been very meaningful to me. I feel like I’ve found a crew of fellow jewelry enthusiasts that I can geek out about Georgian jewels, or old cut diamonds, or how to style antique and modern jewelry together. Before IG I never really participated in social media. Finding the IG community of jewelry lovers has been a nice addition in my life, so I don’t drive my husband and sons nuts with my jewelry interests. I’ve also enjoyed meeting fellow IG collectors on my travels.

I can’t really categorize what I collect, because I look for unusual pieces or pieces that resonate for me in some way. I feel like I am the custodian of the pieces I collect. I can’t always articulate why I fall in love with pieces. Sometimes the piece feels sentimental, sometimes the piece will fill an aspect of my collection that I need for a look I’m striving for. On a broad level, I like Georgian and Victorian jewelry. And then I like modern pieces that provide contrast for the more sweet/sentimental antique pieces. I love to mix antique and modern pieces together. Probably my favorite thing to mix are Marla Aaron locks with my antique necklaces, charms and brooches. Mixing and styling jewelry is a creative outlet for me. It’s self-expression—what I’m trying to put out there on a given day. I mix everything: yellow, rose, green gold, platinum and silver. On most days I have on five types of metal. I actually tend to prefer wearing mixed metals versus monochromatic styling. Although sometimes I like to do all gold or all silver or all one kind of gemstone.

I’m sentimental when it comes to jewelry. I always wear a Marla Aaron lock which to me symbolizes to hold fast to what’s important. I once did post on IG about how my modern jewelry spirit animal is my engraved Marla Aaron lock that has all family initials hidden within the engraved design. If I had to pick an antique spirit animal it would probably either be antique chains or signet rings. My thorn necklace (by Gillian Conroy) symbolizes that life has thorns to deal with but I am strong enough to weather the thorns. My hand bloodstone signet ring from Metier with the word “confido,” which means trust, reminds me to trust myself. And then on any given day, my other jewelry represents other items of importance to me or things I’m trying to stay centered about. My Mizpah ring from TheOneILoveNYC is for my husband and me, and my Souvenir bangle from Lucy Verity hasn’t left my wrist since I got it last year – I look down and remember. My Lenore heart rings: to remember love, my signets: to remember the people who are important to me, my memento mori ring from Nvitblanche: to remember to live in the moment, my ruby locket from Circa 1700 has diamonds in it from my mother-in-law in the amount of Pi carats (ok I’m a definite geek). Recently my husband and I gave each other Gabriela Kiss eye rings to symbolize us watching over each other.

You may wonder what pieces I am on the hunt for next. I try to keep an open mind when I am hunting for jewelry, because you never know what you might find. I always ask myself does this resonate for me, will I really wear it and reach for this piece everyday? I like to purchase pieces that I will wear, I don’t like for jewelry to just sit in my jewelry box. I don’t necessarily keep a running wish list. Although at the beginning of 2016 I did an IG jewelry wishlist post and when I look back on it now, I did end up collecting some of the items on my wishlist during 2016, (like my French cut eternity band from Platt Boutique Jewelry). Right now I’m coveting high carat gold items – 22K gold bands (I just got one from Metier) and poesy rings, a Georgian memento mori ring and chains, always more chains. Recently, I’ve been loving layering a lot of gold watch chains.

In closing, almost every piece I wear holds meaning for me of something I want to remember or a story I want to tell that day with my jewelry. Jewelry wearing and styling is my personal storytelling.”

xoxoGemGossip

WANT MORE? Check out the other Jewelry Collection Stories

You can follow Danielle –> @jasmyntea

Source: GossipGem.com

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Original Miami Antique Show 2017

The biggest change this year: the new location–the Miami-Dade County Expo Center where the fair happens every year

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Left: I always flock to Lucy Verity for her jewel box of treasures–both her original antique displays and wealth of knowledge, paired with her hilarious demeanor always gives me good energy. Right: The back of a pocket watch that I wish I would’ve bought!

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Left: Spiders creep me out, but this necklace is on a different level! I LOVE it! Right: A box of chocolates has nothing on this box of Jogani jewels!

Miami Antique Show | Gem Gossip

Stopped by DK Bressler to “oooh & awe” and this made my heart beat faster! A very early piece with original fitted box.

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These case photos give me life and make me excited for next year!

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Left: We felt amethyst was a huge sensation at the antique show–this relatively inexpensive stone will be trending for sure. Right: Rows of mourning rings from Spare Room Antiques are always so interesting and never macabre.

Miami Antique Show | Gem Gossip Miami Antique Show | Gem Gossip

Left: I couldn’t tell you how many amazing pieces Mary Anntiques had, so if I had to narrow it down to only two, it would be this carved emerald cameo and lapis ring. Right: I zoomed in on a ring I had been trying to track down for forever–but the booth was busy and I was leaving!

Miami Antique Show | Gem Gossip

Insane diamonds found at Dover Jewelry–the one on my pointer is nearly 20 carats! This will probably be on a celebrity’s finger in the future…just wonder which one?!

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Left: Died for opals at the show–especially this brooch from Gold Hatpin. Right: Ah, this ring. Fit like a glove and is probably the best thing I’ve ever seen. From Select Antique Jewelry.

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Valentine’s Day Picks from KAVADOR

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Launched in 2015, Kavador was created with a main goal in mind: to dig into the vaults of jewelry stores around the country and give these hidden jewels their time to shine online! Jennie Pastor, CEO and Founder of Kavador, and myself have a few things in common. One of them being that we both realize there are so many amazing pieces of jewelry out there belonging to smaller, independent jewelers that don’t have the means to promote their inventory online. Websites are expensive and having one that is fully functional with e-commerce capability is often way over a jewelry store owner’s head. Just as I like to travel the US, visiting jewelry stores to showcase all that is out there, Kavador does as well! Only they have a whole team dedicated to curating items they find and listing them online, available for purchase. Kavador has quickly become a growing marketplace for stores to sell their pieces and for jewelry lovers to frequent often to find new treasures. And if you glance at their inventory, you’ll recognize right away how this website needs to be on your radar and checked regularly! Their SOLD gallery is fun to look at as well, although it is slightly sad because they’ve already found their forever home.

I’m so excited to partner with Kavador–not only have I gotten the chance to learn more about this amazing company and speak with Jennie (interview below) but I also got to curate my own favorites just in time for Valentine’s Day. I’ve also got a special treat for everyone–have $150 credit on me! Have fun exploring the vaults of Kavador and use code GEMGOSSIP150 from now until the end of February for your $150 credit.

As a kid, I have always been attracted to glitter and sparkle – I made my own accessories, tinkered with colorful nails and clothes and hair… No surprise then that I married into a family of jewelers and gemologists!

My family has been in the fine jewelry business for over 40 years, owning and operating independent retail jewelry stores and developing relationships with jewelry lovers and buyers as they select and maintain jewelry for generations. I’ve personally watched how dramatically the industry has changed in the last decade, specifically the challenges faced by independent local retailers in the face of changing consumer buying patterns and reduced in-store foot traffic.

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Beadfest Summer 2016 part II

Whenever I show the pieces that I made at Beadfest to my relatives, they ask with wonderment – “How did you make so much in four days?” My answer was and is that after years of instructing students to concentrate in class, I took my own advice and applied it to the workshops. Still, I too was amazed to see how much one can accomplish with hard work.

Whenever I show the pieces that I made at Beadfest to my relatives, they ask with wonderment – “How did you make so much in four days?” My answer was and is that after years of instructing students to concentrate in class, I took my own advice and applied it to the workshops. Still, I too was amazed to see how much one can accomplish with hard work. But it wouldn’t have been possible if I didn’t have wonderful and generous instructors. I spoke about Jean Breaderoe and Marti Brown in the part one of the Beadfest post. In this post, I would like to share my experiences of the other two workshops that I attended with Richard Salley and Lisel Crowley.


Day 3: Stacking Stones
When I was selecting workshops to attend, I was very particularly that I learn at least 4 different skills. I chose metal as my common link and wanted to pick one metal clay, one coloring or patina, one bezel setting and an another class for some extra soldering input. I kept changing the classes to fit into the available time, skill level and their affordability. But, however, I chose I kept coming back to the stacking stones class by Richard Salley. His pieces looked so chunky and store bought (meaning so well made that it could be casted using a machine mould) I backed off thinking that I don’t have enough soldering experience to do justice to it and then he wanted us to bring tools. How was I going to carry saw blades and hammers on an international flight? Finally, I summoned up some courage and wrote to him. He was very sweet and offered to teach me if I was interested. Ofcourse, I was interested! He stayed true to his word at the workshop and taught me very patiently, calling me “Little girl” all the while 🙂
In a few hours, I learned how to size a cab, drill a hole in an agate cab (it was super hard!!), make a bezel, saw the backplate, make silver balls, rivets stones, set a stone, and solder a ring base to the bezel. I did that all at one shot for the first time. My very first bezel was a perfect fit for the stone OMG!! Though I melted one of the silver beads during the final solder and had a normal redo with the riveting (flaring) the turquoise stone setting to agate, the ring turned out to be pretty decent.

I was super thrilled that I bought more silver from him to try and set a chunky lapis lazuli cab that I had bought in Mt.Abu in 2012. Then disaster struck at every stage, I melted the bezel wire, burnt away silver beads and my base plate became shapeless. How much ever I tried I couldn’t fix it, even after Richard taught me how. By this time, even those participants who were trying complicated cutouts for their first piece had finished them and left. But Richard was extremely patient, and he fixed the bezel for me and showed me how to smooth a setting over a large stone. The “D” is slightly tilted and the texturing has flared out the metal in a couple of places but overall I am happy with it. So I patina-ed and sealed it after coming home but I am yet to string it.


Day Four – Romancing the Stone
On the final day I took up he Precious metal clay class with the PMC queen Lisel Crowley. I am not a clay person to begin with, so I took up this class to challenge myself knowing fully well that I will not be working with PMC anytime in the near future as its very expensive and I don’t have a kiln to fire my pieces in. As expected I didn’t enjoy this class much. My clay was extremely dry and it had to be reconditioned many times and I had to redo my bezel over 5 times as it kept cracking. Also the stone that I initially picked turned out to be too big for the amount of clay that we were given so I had to change my design as well. But somehow I figured things out and made one Art Nouveau style vine pendant and another mini charm using a cubic zirconia stone that I had with me and scraps of leftover clay.

I did learn a lot about what not to do with clay in this class – like, if you want a textured impression at the back plate then you must be careful during the final cleanup before firing and you must not sand after dehydrating but after firing. I also found that cold hands like mine are actually an advantage when working with PMC.


I brushed it clean, patinaed and sealed this piece after I came back but I am yet to string it or wear it. I like the fact that it is quite heavy and looks like an antique heirloom (probably worn by some medieval princess)


I cannot conclude writing about my beadfest experiences without mentioning all the wonderful people I met there. Everyone was so friendly and even extra nice when they found out that I had come all the way from India.I had a fan girl moment when I clicked a selfie with the Susan Lenart Kazmer of Ice Resin and Justin Russo of Ranger inks. I cannot forget the ever helpful and ever Ellie who manned Beadfest’s FB page and answered all my queries patiently. On the second day after the niobium I met Lori Schneider and Robin Showstack who stayed with me as roommates for the rest of the fest. It was so much fun being with them – listening to their stories, learning from their experiences and at night showing off each others haul of the day. I have never stayed with or even spent a lot of time with people (in person of course, nah, Social media doesn’t count!) who share my love for all things jewelry in a very long time. Thank you guys for making my beadfest trip very enjoyable and memorable.
If I ever get an opportunity to attend beadfest or a similar event with beads and jewelry I would definitely be there. It the meanwhile I need to work on my completely diminished physical health and slightly shaky financial health and get back to normal boring life.
I hope you found it interesting
Cheers

[||||Thanks to:jewelsofsayuri blog|Special thanks to:jewelsofsayuri blog|Greetings to:jewelsofsayuri blog |Source: jewelsofsayuri|More at:jewelsofsayuri blog|

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Beadfest Summer 2016 – a retrospection

Beadfest Fall is almost upon us (from October 13-16th 2016) at Tacoma but I realise that I am yet to write about my experiences at Beadfest Summer 2016. The last month has been pretty exacting – I have been extremely sick yet was working full time.

Beadfest Fall is almost upon us (from October 13-16th 2016) at Tacoma but I realise that I am yet to write about my experiences at Beadfest Summer 2016. The last month has been pretty exacting – I have been extremely sick yet was working full time. I was the organiser of a 2 week long event with competitions and ceremonies at work and then came the navaratri display. But slowly I am getting a handle on things so without much ado here are the highlights of my beadfest workshop experience – well in two quick successive posts. Beadfest Summer 2016 happened at Oaks, Pennsylvania, near Philadelphia. From King of Prussia (where I stayed at) I had to go through the valley Forge park to get to Audoban and Oaks. The first morning I was pretty scared, for the route looked like a hill station roa d- completely green and devoid of houses or stores for a few miles but then slowly I began to enjoy it for it is impossible to find such beautiful trails in Chennai. So coming back to the workshops – I had such fantastic learning and so many experiences in four days that I cannot do it justice by by cramming it all into one post. Hence in this post I am going to only talk about the first two workshops.

Crackle Enamel necklace by sayuri


Day 1: Celestial Fusion
I couldn’t have asked for a better class to start my beadfest experience or a better teacher than Jean Van Brederode of Charmed I’m Sure Studio. Jean was very sweet and patient and her work with both Crackle Enamel and stamped solder was fantastic and very inspiring. Including me there were only five of us in the class so we got to learn and experiment a lot. At first, we learnt was to create the back piece for prong setting – cutting the plate and wire, making the bail and soldering them together using sheet solder which was all very new for me.

Then we domed another disc and enamelled it in layers. I was working with full dedication at great speed (inspite of cutting my thumb in the first 10 minutes) until I spilled a load of enamel powder on my disc and panicked. Jean calmed me down and helped me streamline it. I did a couple of firing adding colors each time that I had a fabulous piece in the end that I set and wore it immediately. I then made another piece to practice – this time using black crackle enamel.
Crackle Enamel necklace by sayuri

Some instructors do not like to part with extra supplies but Jean encouraged us to make as many pieces as we wanted in the 7-hour class which was so refreshing. I made three extra discs and 2 sets of earring charms. I also tried counter enamelling. In the Beadfest site this class was referred to as “Kiln enamelling” which troubled me as I wanted to learn torch enamelling (something that I could do at home) but it turned out to be torch enamelling only. Jean had brought a kiln but we never used it.

black Crackle Enamel by sayuri
Using black Crackle Enamel
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