Ten Facts You Didn’t Know About Engagement Rings

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History of Engagement Rings

1. The first diamond engagement ring in recorded history was presented by the Emperor Maximilian I of Austria to his betrothed, Mary of Burgundy, in 1477. The ring was set with diamonds in the shape of the letter ‘M’.

2. A new trend for ‘acrostic’ engagement rings emerged during the Victorian period in Britain. These featured words spelled out by the first letters of the gemstones set in the ring. The word ‘regards’ was a favorite, spelled out using a ruby, followed by an emerald, then a garnet and so on.

3. The phrase “Diamonds are forever” has entered the vernacular and lent its name to Sean Connery’s final film as James Bond but did you know that it was originally an advertising slogan? It was coined by De Beers in 1947 to kickstart diamond sales after a lull caused by the Great Depression and World War II.

Diamond Rings

4. Natural diamonds are extremely old and take around a billion years to form in the Earth’s molten interior. Stones used in engagement rings can be anywhere from 900 million years old to an astounding 3.2 billion years old.

5. The ‘carat’ is the main measurement used to judge diamonds and refers to the weight and size of the stone. It is so called because originally carob seeds were used as counterweights for the scales used to weigh diamonds. A modern carat is a metric unit equivalent to 200 milligrams, or 7 thousandths of an ounce!

6. The color of a diamond is another of the major factors that determines how much it costs. Color is graded on a scale that judges how colorless the diamond is, with white stones being the most desirable and thus expensive.

7. Which isn’t to say that other colors of diamonds aren’t much sought after. ‘Fancy diamond’ is the term used to describe a stone when its color falls outside the normal color range. Fancy diamonds can be blue, green, red, yellow, pink and even purple or black.

Alternative Engagement Rings

8. Every precious gem is rated for hardness using the Mohs scale. This is a measure of how resistant the stone is to being scratched. Diamonds top out at 10 on the Mohs scale and are one of the hardest naturally occurring materials in the world.

9. Gemstones with a Mohs rating of 8 or above are generally recommended for engagement rings, because they can stand up to the rigors of daily wear. Sapphires and rubies both score 9 on the Mohs scale while emeralds are only a 7.5 and opals ae just a 6.

10. In some countries, engagement rings don’t feature gemstones at all. The Claddagh ring, a traditional Irish ring, has a motif depicting a pair of hands clasped around a heart and a crown, symbolizing love, friendship and loyalty. While some more modern variants incorporate a ruby or other precious stone, the original version does not have a gemstone set in it.

For dozens more fascinating engagement ring facts, a hundred in all, check out ROX’s guide to All Things Engagement Rings.

Thanks to Gossip Gem

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Why Some Gemstones Make Terrible Engagement Rings

Some Gems Make Terrible Engagement Rings | Gem Gossip

The above gemstones are all beautiful, but which would make a great engagement ring and which two are bad choices for an everyday wear piece?

Alternative engagement rings have been popular long before Princess Diana (and subsequently Kate Middleton) donned a blue sapphire. In fact, diamonds weren’t commonly used in engagement rings until the early 20th century. Stones were picked based on birthdays, symbolism, and what color was in-vogue at the time.

While it can be exciting to imagine an engagement ring with mystical and trendy stones like opal and moonstone, these gemstones actually make terrible engagement rings. So terrible that you might find yourself sulking over a ruined ring with a stone that has been chipped and gouged beyond repair. Don’t say I didn’t warn you.

Why Won’t Some Gemstones Work?

Even though I don’t recommend wearing your rings ALL the time, most engagement rings are worn nearly every day. Even if you are the gentlest person on the planet, your engagement ring will always be subject to potential damage. Some stones simply shouldn’t take that risk because the gemstone may not be hard enough to handle even the slightest impact.

Every gemstone has a hardness factor, which basically tells us how much bumping and scraping a gem can take before it becomes scratched or damaged. This hardness is ranked between 1-10 on what is known as the Mohs Scale of Hardness. In theory, the higher the number on the Mohs Scale, the harder and more durable the gemstone is. There are exceptions to this rule, but generally, the lower the number, the more you shouldn’t use this stone as an engagement ring.

How Does the Mohs Scale Figure Out Hardness?

The best way I can think to explain this is exactly how I learned it in my Geology 101 class my Freshman year of college. Let’s see if you can follow, and for those of you that already know this, bear with me. The Mohs Scale ranks a gemstone’s hardness by whether or not it can be scratched by other gemstones or materials. If the gemstone being scratched shows a mark or abrasion, it is softer than (or equal to) the material that scratched it. If the hardness is equal, the gemstone that was scratched should also be able to effectively scratch the material that scratched it.

Since diamonds are ranked highest on the Mohs Scale at a 10, they should essentially be able to scratch every other gemstone’s surface.

Why Diamonds are Forever

One reason diamonds are so prized for engagement rings is because of their rank on the Mohs Scale. At a 10, diamonds are the hardest substance known to man. In fact, no other gemstone comes close to this hardness factor. This doesn’t mean diamonds are indestructible (more on this in a future post), but it does mean that it is much more difficult to damage a diamond than say a garnet that ranks between 6.5 – 7.5.

What Stones are the Absolute Worst for Engagement Rings?

Not to dissuade you, but if a gemstone makes this list, you’ll really want to rethink your strategy before using it in an engagement ring. That’s not to say you couldn’t. Some of these stones are significantly less expensive than diamonds, so if they become damaged, they could easily be replaced.

A word of warning though — take extra care not to get sentimentally attached to the stone itself, since you might be forced to replace it someday. You could also opt to not wear the ring every day. Save it for special occasions and wear your wedding band instead. There are no engagement ring rules stating you have to wear your ring seven days a week, and who says you should only have one!

But, regardless, these gemstones will make the worst non-diamond engagement rings:

  1. Opal: Ranks 5.5 – 6.5 and is very susceptible to crazing and chipping.
  2. Moonstone: Ranks 6 – 6.5 with a polished cab surface that is easy to scratch.
  3. Pearl: Ranks 2.5 – 4.5 and has a nacre coating that can peel away.
  4. Emerald: Ranks 7.5 – 8 which is hard but this stone is very prone to cracking.
  5. Garnet: Ranks 6.5 – 7 and will easily show age around facet edges in time.

Best Engagement Ring Stones Other Than Diamonds:

All hope is not lost if you’re set on using a gemstone other than a diamond for your engagement ring. Even though most of these gemstones aren’t as durable as diamonds, they will stay in great shape for a lifetime as long as you take proper care of your jewelry.

Here are some of my favorite alternative engagement ring stones:

  1. Aquamarine: Ranks 7.5 – 8 and has a gorgeous pale blue color.
  2. Blue Sapphire: Ranks 9 with a classic, timeless appeal.
  3. Ruby: Ranks 9 and is perfect for a more feminine style.
  4. Morganite: Ranks 7.5 – 8, is pale with peach undertones.

There are so many other gemstones not listed here and other factors that affect durability, too. But this guide should at least get you started. Remember to always look up a gemstone’s hardness on the Mohs Scale. If it ranks below a 6, do a little more research and weigh your options. Good luck and happy hunting!

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

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Dupuis Important Jewels Auction Set for June 11, 2017

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Canadian auction house, Dupuis, has announced their upcoming Important Jewels sale, set for June 11th, 2017. The sale features over 400 lots of fine jewelry, ranging in time period and price points across the board. From antique and vintage engagement rings to designer hallmarked items, the sale is sure to satisfy any type of collector. I’ve highlighted a few of my favorite pieces above, with descriptions below…and I’ve made sure to already sign up to bid online! The sale is on a Sunday, so don’t forget!

Dupuis Important Jewels Auction >> June 11, 2017

Lot 54: Emerald and diamond antique ring, circa 1850 has topped my favorites list so far–this ring immediately caught my attention due to its age and how great of condition it is in. The emerald is approximately three carats with a closed-back setting, typical of the time period. Estimate: $3,655-5,117

Lot 94: Very unique diamond and colored diamond pendant/brooch which depicts the Roman Goddess Diana, a huntress with a bow and arrow. The diamonds are yellow, pink and colorless and form a really neat look when aligned with the outline of the figure. Estimate: $3,655-5,117

Lot 114: This vintage lapis and diamond bracelet steals the show in design and gemstone combination. The piece measures 6.5 inches in length and done in 18k yellow gold. Each lapis is set individually in a plaque-style and the bracelet easily articulates. Estimate: $1,901-2,632

Lot 142: Beauty and elegance; nothing like a Belle Époque piece. This brooch is set with an aquamarine and surrounded by diamonds, portraying a bow. I love the long length of it, as most bows are shorter and wider. By the way, this is all done in platinum! Estimate: $1,316-1,608

Lot 150: I made sure to include this aquamarine ring in my roundup of favorites because it is downright glowing from within! The intense aqua color is striking and I am also a fan of the split-shoulder setting. Can you guess how many carats the aquamarine is?! Try approximately 43! Crazy. Estimate: $9,503-11,696

Lot 173: A great example of a highly unique engagement ring–this ring features a 2.37 carat center diamond with a hexagonal frame around it. The ring is done in 18k yellow gold, is a size 5 and you may not be able to tell from the photo, but the shank is square not round! Estimate: $7,310-10,234

Lot 183: The radiating fire of this black opal is dynamic and striking to say the least! I love the design, as I feel it suits the play-of-color. I’ve learned that opals which exhibit red flashes and red play-of-color are most valuable, so this is truly a rare piece! It is mounted in 18k yellow gold and is an antique piece. Estimate: $1,462-1,901

Lot 184: Another radiant opal, this piece is a pendant that dates back to the early 1900s. It features some diamonds and demantoid garnets (green) and is done in platinum. Such a stunning piece! Estimate: $2,924-4,386

Lot 188: I went for the bold and bright colors on this ring! I also expected this piece to be a signed piece, but I don’t think it is. We’ve got amethyst, pink sapphires, and diamonds mounted in 18k gold. A bold look for a colorful woman! Estimate: $1,462-1,901

Lot 212: Sea shells fit for an enchanted mermaid–these earrings are made entirely out of gemstones and gold! We’ve got tourmalines, peridot, topaz, and cabochon sapphires here…set in 18k yellow gold and signed by Fochtmann and numbered 0066. Definite masterpieces! Estimate: $1,462-2,193

Lot 254: The amount of funky designs I am thinking up using these unmounted tourmalines has my head spinning! What unique colorings?! Pastels at their finest–what would you create using them? The pale pink round tourmaline and minty blue round tourmaline are a great pair, but when you add in the bi-colored cushion cut, it makes the lot! Estimate: $1,462-2,194

Lot 274: Big and bold; this modern take on an asymmetrical engagement ring design keeps us on our toes and wanting me unique designs! The old marquise cut diamond weighs approximately 1.90 carats and is truly one-of-a-kind. Estimate: $5,117-6,579

Lot 328: I also like this engagement ring because it is both modern and chunky at the same time. The round center diamond is about three carats and is safely set in a bezel of 14k white gold. There are also ring guards done in yellow gold, which turns up the design element. Estimate: $13,158-16,082

Lot 383: A large and rare no-heat sapphire that is pear-shaped and totally gorgeous. The sapphire weighs 10.32 carats and set beautifully amongst a necklace of 18k yellow gold and a wonderful design. Between the pinwheel style of the main design and the attention to detail, this necklace will surely fly off the auction block! Estimate: $23,392-26,316

Lot 395: It doesn’t get much better than antique Tiffany & Co. and this ring is the epitomy of grace and style! Set with a center emerald cut sapphire weighing 4.65 carats, flanked on each side by a pair of old pear-shaped diamonds weighing approximately 2.50 carats, finished in platinum. A stunning piece of history, that is just as beautiful today. Estimate: $87,720-109,650

Lot 397: Large and in charge–this diamond solitaire ring is not playing around! Weighing in at a lofty 6.35 carats and set in 18k white gold. I like the simple, classic mounting with the six-prong setting. It is perfect for a diamond like this! Estimate: $43,860-58,480

This sponsored blog post was brought to you in collaboration with Dupuis.

Dupuis Auction | Gem Gossip

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How to Clean Antique Jewelry: The Important Do’s & Don’ts

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For anyone that’s unfamiliar, antique jewelry is any piece of jewelry that is more than 100 years old. That’s a lot of years for dirt to collect under gemstones, metal to patina, and for grime to take away from the inherent beauty of the heirloom. It’s tempting to pick up a polishing cloth and buff away years of unwanted residue. But wait! Before you do that…

There is a right way and a wrong way to clean antique jewelry. We’ve compiled some basic do’s and don’ts you must know before you potentially ruin your investment.

*Remember, this is a general guide for fine antique jewelry. Some antique jewelry like cameos or hair jewelry require special care beyond what is listed here.

D O N ‘ T


1. Polish away patina on old rose or yellow gold jewelry

Patina is something that takes years to form. Some reproduction jewelry will actually try to fake this patina in order to make an item appear older than it is. For Georgian and Victorian jewelry, it’s important not to go overboard with polishing. You don’t want the yellow gold to be so light and shine like the day it was made.

Be careful if you’re having your rings resized by someone not familiar with antique jewelry. The tendency is to take rings to a high polish once the sizing is done. Advise them only to lightly polish the portion where the gold has been added or taken away on the bottom of the ring shank.

2. Use ultrasonic machines

There are times when it is okay to put antique jewelry into an ultrasonic machine for a very quick clean, and I mean quick. But to err on the side of caution, avoid using them altogether. If you have a platinum and diamond engagement ring from the 1920’s, an ultrasonic machine might be okay if the stones are tight and the prongs are in good shape. Most of the time though, the subtle but intense vibrations from these machines can do more harm than good.

3. Submerge jewelry for a long period

Liquid can be detrimental to some antique jewelry, especially jewelry with cameos, opals, seed pearls, or any other soft stone. For fragile jewelry, it’s best not to completely saturate the piece with liquid at all. Instead, lightly clean with a damp brush or cloth.

4. Clean with harsh chemicals like ammonia

The internet will often tell you how wonderful ammonia is for making your diamonds shine. This might work (in moderation) for new jewelry, but antique jewelry deserves a much gentler approach. Avoid harsh detergents, ammonia, and please never use household cleaners containing bleach!

D O


1. Make a gentle cleaning solution

Sometimes the best way to clean your antique jewelry is by making your own DIY cleaning solution. Most jewelry cleaners you find in the store will cost you a lot more money and may not even be as effective. They may even contain harsh chemicals.

To make your own solution, mix lukewarm water with a small amount of mild soap like Dove until it is sudsy. The key here is in the cleaning technique, not necessarily in the solution.

2. Use a soft toothbrush and lint free cloth

Once you make your solution, it’s time to clean your antique jewelry. You’ll either submerge the item for a few minutes to loosen grime, or if your item contains soft stones, you lightly dampen your toothbrush. Before you begin, make sure no stones are loose.

Then, gently brush your jewelry, paying attention to areas like underneath the stone and underneath the prongs. Use slow circular motions using only light pressure. If the piece is extremely dirty, don’t be tempted to use more pressure; instead, implement more patience. Submerge your jewelry into the solution again (if your jewelry can handle it) then gently repeat, repeat, repeat.

3. Make sure to rinse and dry thoroughly

You don’t want to give fragile jewelry a bath, but you want to be sure you remove any soap residue that might build up and defeat the whole purpose of cleaning your jewelry. Run the jewelry under lukewarm water and pat dry. For rings, take a polishing cloth and very lightly buff the shank, avoiding any area near stones or engravings. Let jewelry completely dry before putting it away.

4. Have the right expectations

Antique jewelry is never meant to look new. If this is your intention when cleaning jewelry, think again. Sure, you want to remove dirt, grime, bacteria, and all that other gross stuff. But you don’t want to take away years of character and patina. Is there a scratch in the gold? Leave it, don’t have it buffed away. Is the gold too dark for your liking? Consider a more modern replica like those from Arik Kastan instead.

How do you clean your antique jewelry? Any tips I missed? Let us know in the comments.

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

Source: GossipGem.com

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How Designers Work with Gold: Six Unique Stories

A point of view that needs to be explored more often and more inquisitively is the role of THE MAKER. Every jewelry designer has a story, a technique, preferences and ways of doing things…but a favorite metal? That’s easy, it is usually GOLD. I teamed up with May Is Gold Month to delve further into this perspective, asking six different jewelry designers the same two questions. What will their answers reveal about using gold in their jewelry designs? Let’s find out!

You can also take a look at the MAKERS which May Is Gold Month is featuring on their page here.

Above video features Philadelphia-based jewelry designer Anthony Lent creating a one-of-a-kind engagement ring for a special client. Each piece is handmade by the maker himself in his studio.

Anthony Lent Jewelry Anthony Lent Jewelry

Anthony Lent Jewelry

How is gold important in your work?

For years I only worked in gold and some platinum. For me doing non conventional designs and creating them in a precious metal like 18k yellow gold was sort of an identity- the imagery in my designs was unusual to see in such a fine material.

Why do you like working with gold?

It is the most pleasurable metal to work with! The color of a rich 18 or 22k gold piece of jewelry is unlike anything else in nature. The way light plays off the material, the density of it, and its malleability is in my opinion why people have lusted after it for thousands of years.

>> Learn more about Anthony Lent here.

Jessie V E Jessie V E

Jessie V E Jewelry

How is gold important in your work?

Gold is absolutely essential in my work. The finish and feel of gold is like no other metal, and because I mostly use diamonds in my pieces, it’s really important that the jewellery they’re held in is as precious as the stones. I remember the first time I got to use gold at the bench while I was studying for my jewellery degree at university. I honestly didn’t realise it would be that different to working in silver but i was so wrong! From that moment the love affair with gold started and I physically couldn’t design anything without it. Although I don’t make the pieces at the bench myself for Jessie V E, I work very closely with the workshop, ensuring we use the highest quality gold in each expertly hand made piece.

Why do you like working with gold?

Often my jewellery has a symbolic or emotional feel, with the majority of the pieces being personalised or ‘semi-bespoke’, because I want them to become heirlooms passed down and cherished by future generations. Gold not only has the nostalgic and warm feel of the jewellery you remember seeing your grandparents and parents wearing when you were younger, but also from a more practical sense, gold is a metal that very few people have an allergy to, therefore making it perfect for everyday jewellery that lasts longer than a lifetime. There is just something about the feel, weight and warm glow of a gold piece of jewellery that is perfect for attaching memories and sentiment to, while looking beautiful and timeless.

>> Learn more about Jessie V E here.

Metalicious Jewelry Metalicious Jewelry

Metalicious Jewelry

How is gold important in your work?

Gold is important in my work because it has a rich history that dates back to the ancient Egyptians. Gold never corrodes and it was thought to symbolize immortality. This makes it the perfect ring for wedding and commitment bands.

Why do you like working with gold?

Gold is a beautiful metal to work with, it’s malleable yet extremely durable. I love the range of colors you can achieve by alloying gold with other metals. It gives me the flexibility to create unique alternative engagement rings, to match my customers personalities perfectly.

>> Learn more about Metalicious Jewelry here.

Johnny Ninos Johnny Ninos Johnny Ninos

Johnny Ninos Jewelry

How is gold important in your work?

Gold has played a big role in progressing my work. While transitioning from silver, the cost of gold required me to slow down and focus more intently on the details. I remember honing in on each file stroke and tightening my burr control; skills I now apply to all materials regardless of cost.

Why do you like working with gold?

Gold is an easy metal to love. It’s luscious and has a rich, deep character. When I’m working with gold it’s soft qualities preserve the handmade nature of the piece while still allowing for structure, durability, and precision.

>> Learn more about Johnny Ninos here.

Grace Lee Designs Grace Lee Designs

Grace Lee Designs

How is gold important in your work?

Everything in my collection is solid gold and made locally with ethically sourced materials. When I started my collection, almost 10 years ago now, there was a lack of minimal fine jewelry. Personally, I was at a point in my life when I didn’t want to invest in jewelry that will tarnish or turn my finger green. If the outside of my finger is green then who knows what’s happening on the inside of my body.

Why do you like working with gold?

Gold is intrinsically a soft and malleable metal yet strong and unchanging. Its value comes from these physical properties and its rarity. Gold was discovered thousands of years ago yet still today it remains one of Earth’s most valuable natural resources. I like working with gold because of the creative possibilities with a malleable yet unchanging raw material are endless and lasting. If you look at my collection we have pieces like the iconic Whisper Ring – that is airy and whisper thin yet can be worn everyday. The fact that it is solid 14k gold means you don’t need to take it off to shower or wash your hands. The fact that is solid 14k gold also means your piece will not change and can be passed on for generations.

I think it is rare and valuable to be flexible yet constant simultaneously. It is almost an oxymoron. Think about some of your favorite people – perhaps they are flexible and can adapt to changing circumstances yet you are confident they will also remain the same at a core level. Personally, I like these intrinsic characteristics in gold and in people.

As a designer that’s what I hope to do – to evolve yet stay constant. As I continue to create new collections it is my hope that people will continue to be able to appreciate and recognize my work as distinctively GL.

>> Learn more about Grace Lee here.

SophieHughes SophieHughes SophieHughes

Sophie Hughes Jewelry

How is gold important in your work?

Why do you like working with gold?

There is a very potent mystique intrinsic to gold – it is radiant, lush and seductive. It looks and feels luxurious on the body. The specific alloy of 18 karat gold I use in my work is bright and rich, with an old-world feel supplied by its cool undertones. As a designer, I appreciate its versatility as a material – it stands on its own but also plays nice visually when set with precious stones or fused over the surface of oxidized sterling silver.

I draw a lot of excitement and inspiration from the unlimited design possibilities of gold. Plus, working with it is an absolute dream! It remains clean when heated, is smooth as butter, and responds beautifully to the textures of the antique hammers I utilize in my work. It’s super forgiving because it has a great capacity to be worked and re-worked.

Gold is also easily recycled so its use aligns with my values as a designer. The metal mining industry is disruptive to the environment and is notorious for unscrupulous labor and business practices, so partnering with refineries who melt and mill precious, reclaimed scrap allows me access to material I feel good about working with and my clients feel good about wearing.

>> Learn more about Sophie Hughes here.

This sponsored post was brought to you in collaboration with May Is Gold Month.

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Gem Gossip Visits Gold Hatpin in Chicago, IL

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Just as many would associate deep dish pizza with Chicago, I like to associate Gold Hatpin as the windy city staple which abundantly feeds my sparkle appetite. A literal hidden gem–the store is tucked away in the back of an antique shop–owner Diane Richardson has been in business for over 30 years. I’ve been visiting Diane every time I’d attend the Vegas or Miami antique shows, as she has continually set up at both, including the Baltimore show which I have yet to see (which she won’t be attending this year). What is fun about her store in Oak Park is that her entire inventory is there–so you’ll see way more jewelry when you visit her in Chicago than seeing her at a show!

Jewelry slowly came into Diane’s life and antique jewelry became her passion overtime. Although not her main path in the beginning, she ultimately was destined for a life of learning, treasure hunting, dealing and showcasing antique jewelry, all of which her lifelong clients know her for and love her for. Piece by piece things came together–from her love of colorful fabrics from Home Economics studies, to an interest in archaeology and antiques, to a deep connection with a sentimental heirloom that had ties to the California Gold Rush, a topic she had coincidently just learned about in school at the time, everything fell into place.

The Gold Hatpin stands out to me as a shop you cannot miss for several reasons. One is its treasure hunting vibe–what I mean by this is it has a very large amount of inventory, which you could look at for hours, leave for lunch, and then come back again and still see “new” things you missed the first time around. Another reason, and one of the most important–Diane’s amazing prices. If this shop were in LA or NYC everything would be at least double the price. I like buying from shop owners that are fair and reasonable, two things which Diane gets gold stars for. Other qualities include trustworthiness, sweetness & kindness, and always fun to talk to! I also am continually stunned by the variety of jewelry that Gold Hatpin has–from rare Georgian pieces, to sentimental Victorian items, sparkly Art Deco engagement rings, a large assortment of wedding bands, unique mid-century jewels, and even some modern pieces. I tell people, no matter what era of jewelry you’re into or if you’re hunting for something very specific, chances are, if you visit Diane at her store or at a show you won’t leave empty-handed!

Speaking of not leaving empty-handed, I found a very unique turquoise ring while on my visit to Gold Hatpin that had to come home with me! It’s in a few of the photos above–I couldn’t resist the unusual coloring of the turquoise (it has a yellow-blue color) and also a long engraving on the inside, behind the stone not on the shank. The engraving reads, “Cherished Memories 17 Aug 1918 Eddie to Cal” Can’t leave something that special behind! I also had serious contemplations with A LOT of the jewelry I featured above–so if you’re feeling the same way, feel free to call Diane to ask about a piece at 708-445-0610 or go to www.goldhatpin.com (you can send one of the photos from above of any of the things you’re interested in).

Some of my favorite pieces from Diane’s current inventory include the carved lapis necklace and earrings set from the 1940s (the necklace clasp is also a piece of carved lapis), and the onyx and rock crystal chandelier style earrings made in Italy and done in 18k white gold. I could have played with just the rings for hours and hours. Like the coral and onyx bypass ring is such a cool piece and it sure is photogenic! The lapis ring selection was plentiful–a gemstone that I seem to gravitate toward and really love. I also wear a lot of black and onyx is one gemstone I can’t seem to get enough of–when I saw that geometric shaped, calibre-cut onyx ring I immediately knew it was something special! That ring belongs in an eclectic collection, for sure! The serpent necklace, the amethyst Erté ring, the diamond navette rings…my wish list goes on and on.

Next time you are in the Chicago area, make certain you set aside some time to visit Gold Hatpin. You won’t be disappointed!

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