Top Five Jewelry Moments in Movies

Jewelry in Movies | Gem Gossip

Who else finds warming satisfaction when a strong female protagonist hits the big screen donning some breathtaking jewels? One of most inspiring qualities in a female role is a strong sense of self, unabashedly confident in expressing her feminine side. A trinket may not make the woman, but it can help the woman embrace and reflect qualities like beauty, grace and sophistication — all of which should be celebrated.

Sure, it’s easy to think of lavish jewelry as unnecessary, ostentatious or vain, but those who only think in such boxed-in terms are missing some integral points. Jewelry may at times reflect things like status, but at its heart, it is art and it is precious. It is sentimental and it is transcendent. Perhaps that’s why I like jewelry in movies. It can be more easily admired in relation to the women that wear it, however complex those women are.

Whether you love jewelry with a story or you just like jewelry, perhaps you’ll enjoy this list of my top five favorite jewelry moments from the movies. They all just so happen to include antique jewelry in one form or another.

Titanic

Kate Winslet’s character, Rose wears some stunning jewelry in Titanic. But none are more regarded than the Heart of the Ocean, which is a fictional blue diamond necklace not to be confused with the Hope Diamond. The necklace used in the movie was made with CZs by Asprey & Garrard.

Gone with the Wind

In the 1938 film, Gone with the Wind, Vivien Leigh’s character, Scarlett has more jewelry moments than I can count. If you’re up for a Google search, find the mourning scene where she wears a large cameo brooch on her collar. The heirloom was borrowed from the costume designer’s mother and depicts a figural riding atop a bird. Amazing.

Moulin Rouge

Set in 19th century Paris, Moulin Rouge is perhaps the most decadent on this list. I mean, look at that necklace! Nicole Kidman’s character, Satine is wearing a gorgeous Belle Epoque festoon necklace with just over 1,300 diamonds. The fictional necklace was made by Stefano Canturi.

Marie Antoinette

Historical and poignant, Kirsten Dunst does a fine job humanizing Marie Antoinette in this film, as directed by Sofia Coppola. It’s worth noting that many argued the film didn’t fairly portray how overly and unnecessarily decadent the royal family was. All the antique jewelry you see is by Fred Leighton.

The Great Gatsby

Art Deco fans rejoice! Whoever was in charge of costume design for the recent adaptation of The Great Gatsby did a marvelous job capturing the era. Carey Mulligan, who plays Daisy, is seen wearing vintage jewelry from Tiffany & Co.

What are your favorite jewelry moments from movies? Let us know in the comments!

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

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Q & A and Visit with Emily Stoehrer of MFA Boston

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

MFA Boston | Gem Gossip

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Gem Gossip Visits Quadrum Gallery in Boston, MA

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Quadrum Gallery resides inside a mall called The Shops at Chestnut Hill

Quadrum | Gem Gossip

The most mouth-watering stack I’ve ever created, all rings are by Lilly Fitzgerald, shop here

Quadrum | Gem Gossip

Mesmerized by Paul Morelli’s designs, love the moonstones! shop here

Quadrum | Gem Gossip

Director of Quadrum Gallery, Sia Maravelias, shows me around as I’m entranced by all the gorgeous jewels

Quadrum | Gem Gossip

California-based designer Julez Bryant is one of Quadrum’s newest additions, shop here

Quadrum | Gem Gossip

the work of Lilly Fitzgerald inside one of the cases

Quadrum | Gem Gossip

Last year, Quadrum added Spinelli Kilcollin to their repertoire and it has been one of their best sellers, shop here

Quadrum | Gem Gossip

I love when designers’ work complements one another–here I’m wearing Moritz Glik & Sorellina

Quadrum | Gem Gossip

Quadrum understands that one can never have too much Gabriella Kiss Jewelry, so they keep a heavy stock! shop here

Quadrum | Gem Gossip

I fell in love with these whimsical gemstone charms handmade by Maria Beaulieu, shop here

Quadrum | Gem Gossip

Wearing two gorgeous diamond necklaces by TAP by Todd Pownell, shop here

Quadrum | Gem Gossip

Anthony Lent Jewelry is another new addition for Quadrum, shop here

Untitled Quadrum | Gem Gossip

Jewelry by Sorellina both left and right photos, shop here

Quadrum | Gem Gossip

Moonstone magic, all jewelry by Paul Morelli, including the engagement ring

Quadrum | Gem Gossip

the unique earring display for the work of Maria Beaulieu

Quadrum | Gem Gossip

Spinelli Kilcollin rings piled on…they go perfect with my star boots

Quadrum | Gem Gossip

Lilly Fitzgerald jewelry–the necklace is made of apatite, shop here

Quadrum | Gem Gossip

Jamie Joseph is always popular and her work is highly collected, shop here

Quadrum | Gem Gossip

Quadrum is an ideal place to shop for your engagement ring, look at the variety of styles! Shop more here

Quadrum | Gem Gossip

These watermelon tourmaline earrings by Lilly Fitzgerald were a favorite, shop here

Quadrum | Gem Gossip Quadrum | Gem Gossip

We’ve got a mix of Sorellina, Moritz Glik, and Paul Morelli

Quadrum | Gem Gossip

You can stop by Quadrum Gallery any day of the week! Love that about the store…if I lived closer, I would be there all the time 🙂

Quadrum | Gem Gossip

More Gabriella Kiss, this time on my hands! shop here

Quadrum | Gem Gossip

Gabriella Kiss designs lots of unique pieces, all shown here

Quadrum | Gem Gossip

Wearing Julez Bryant–check out my geometric ear stack! shop here

Quadrum | Gem Gossip

Up close shot of the two Moritz Glik rings (“shaker” diamonds) and Sorellina band

Quadrum | Gem Gossip

The outside of Quadrum Gallery, where you can easily spend hours gasping and coveting.

Quadrum | Gem Gossip

Another shot of the Spinelli Kilcollin rings, shop here

Quadrum | Gem Gossip

Gabriella Kiss rings lined up all in a row, ready for new homes!

Quadrum | Gem Gossip

For over 39 years Quadrum Gallery has paved its own way, formed its own niche, and outshined ordinary jewelry stores both locally and across the US. There’s something to be said about a store that can march to the beat of its own drum and their success is because of this. Cynthia Kagan – the owner of Quadrum – had the passion and vision of creating this space known for its unique and exciting mix of artisans and jewelry designers. The artists represented can easily wow with a single glance. I was laughing as I was going through the photos taken from my very fun visit to Quadrum early on a Wednesday morning–every photo of myself I have my mouth open in a state of euphoria, most likely verbalizing the words WHOA or WOW, because that’s all I could say. The jewelry is just as special as each designer’s story is–what inspires them to create, where they are based, how they started…Quadrum is full of magic and I’m excited to share my visit with you all!

Sia Maravelias has been director of Quadrum for over 12 years, with 18 years total of working at the store, and has an enormous passion for jewelry. I also met with Amy Renneisen, assistant director who is equally addicted to jewelry as well. Playing with jewelry all day is just a tiny fraction of what these women do on a daily basis. One of their most favorite things is interacting with their dedicated clients who follow profusely on Instagram, print out their own wish lists from scrolling through the website, and are counting down days until their favorite designers host a trunk show at the store. Sia recalls, “Our Gabriella Kiss trunk shows create some large crowds in our store…it is always so much fun!”

Quadrum is exclusively designer-centered, meaning they don’t create their own in-house line of jewelry or have a repair shop on site. With the focus being on the artists, the store has become a destination. The selection is one of the most unique and distinct out there, having formed some of the longest-running relationships with certain designers. A great example of this is they’ve carried Barbara Heinrich for over 32 years, John Iversen, Reinstein/Ross, and Pat Flynn all over 20 years! Every year the Couture show is a tradeshow the team looks forward to and is often when they scout out a select few new additions to their artist lineup. This year they’ve added Anthony Lent, Sorellina, Moritz Glik and Julez Bryant.

Another aspect that I highly admire about Quadrum is something I just learned of when I visited. They do all their own photography, as well as their website and social media. All photography has been self-taught and it is honestly some of the best I’ve seen. Jewelry photography is no easy feat and those in the business know this quite well. I also love how both Sia and Amy have their own Instagram pages aside from the main Quadrum Gallery page. Both of their Instagrams are dripping with inspiration, whether it is how to stack or style some of the pieces from the store or new arrivals headed to the cases. You can follow Sia at @jewelry_maven and Amy at @thegemdiaries

Thanks so much for having me and I will forever be dreaming of all the incredible jewelry I saw while visiting.

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Chestnut Hill, MA 02467

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The Top Jewels that Sparkled in Cannes, 2017

Rihanna Chopard All photos via Getty Images

The Cannes Film Festival is arguably one of the best showcases for the top international jewelry houses to showcase their finest and brightest gems and designs for the world to see.

This 12-day festival brings out the most exceptional designs and creations from the likes of Chopard to Harry Winston.

It’s where you can see leading ladies like Charlize Theron and Jessica Chastain as well as ingénues like Dakota Fanning and Rihanna parading down the red carpet in the latest couture gowns and decadent jewels.

Here are the best jewels from the most revered jewelry houses that were showcased on the festival’s red carpet.

CHOPARD:

The jewelry house has a deep history with the Festival as it’s been the official partner and designer of the coveted Palme d’Or trophy awarded to the most critically-acclaimed movie. This year, the buzz on the red carpet was their collaboration with music super-star Rihanna.

Chopard | Gem Gossip

Singer Rihanna wore emerald, rock crystal quartz and diamond earrings, a black nephrite and diamond bracelet with a 31.95-carat emerald, three emerald and diamond rings and a floral bracelet set with diamonds, all from the Rihanna Loves Chopard High Jewellery collection, at the premiere of the movie ‘Okja’.

Chopard | Gem Gossip

Model Adriana Lima wore a diamond bib by Chopard at the screening of the film ‘Loveless’.

Chopard | Gem Gossip

Actress Miriam Odemba wore a titanium and white gold necklace with kunzites, beryls, tanzanites and diamonds, and matching earrings, from the Red Carpet collection by Chopard.

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Karolina Kurkova wore a sapphire and diamond necklace from the High Jewellery Collection from Chopard at the premiere of ‘Based on a True Story’.

Actress Juliette Binoche wore platinum and diamond earrings by Chopard.

Actress Elizabeth Olsen wore diamond flower stud earrings by Chopard. We simply adore the placement of these earrings.

de GRISOGONO

This jewelry house showcased some of the best and boldest designs to hit the red carpet with their use of brilliant colored stones.

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Model Hailey Baldwin wore stunning drop earrings set with white and brown diamonds, and edged with citrine briolettes.

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Model Jenaye Noah wore a pair of exquisite de Grisogono chandelier earrings that glowed with oval-cut citrines from their Melody of Colours collection. A perfect compliment to her vibrant blue gown.

BVLGARI

This iconic jewelry house showcased their classic Serpenti jewelry and picked up major press when actress and model Emily Ratajkowski was photographed wearing their pieces both on the red carpet and on her personal Instagram.

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Model Bella Hadid wore a Bulgari High Jewellery Serpenti necklace and bracelet in white gold.

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Model and Actress Emily Ratajkowski combined two Bulgari necklaces, one comprised of pearls, rubellites and diamonds from the High Jewelry Collection and the other pendant necklace made with diamonds, emerald and rubies.

BOUCHERON

The design house had some of the most striking statement-making pieces to hit the red carpet at Cannes. Actress Salma Hayek’s necklace rendered us both breathless and speechless!

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Actress Salma Hayek wore the Baïkal necklace with a 78.33-carat Santa Maria aquamarine, moonstones, Akoya pearls and diamonds from the new Hiver Impérial High Jewellery collection by Boucheron

Model Laetitia Casta paired the Lumière de Nuit diamond and pearl earrings from Boucheron’s Hiver Impérial High Jewellery collection with her gown at the premiere of The Meyerowitz Stories in Cannes

De Beers

The classic diamond jewelry house is known for their slogan “a diamond is forever” .This year, Chinese movie actress and taste maker Fan Bingbing embodies the classic elegance of Hollywood that the brand is synonymous with as she modelled a coveted collection of jewels from the house.

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Fan Bingbing wore the Arpeggia five-line earrings, bracelet and Aria ring at the ‘Amant Double’ premiere.

Piaget

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At the closing of the 70th Cannes Film Festival, actress Jessica Chastain, Piaget’s International Brand ambassador since 2015, paired her show-stopping gown with earrings in white gold set with diamonds from Piaget’s new High Jewellery collection Sunlight Journey.

Piaget | Gem Gossip Piaget | Gem Gossip

Model CoCo Rocha wore earrings in white gold set with diamonds, blue sapphires and black opal from the new High Jewellery Collection Sunlight Journey.

Another noteworthy mention is model Naomi Campbell’s earrings, necklace, ring and cuff in white gold set with emeralds and diamonds from the new High Jewellery Collection Sunlight Journey.

Harry Winston

Known as the “jeweler to the stars” and Nicole Kidman’s ‘go to’ jeweler, Harry Winston notably had Nicole Kidman wear his jewelry on the red carpet. Best bet as she had the most films to debut on the Cannes Red Carpet this year.

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Nicole Kidman wore Secret Cluster diamond earrings, Sunflower ring and diamond bracelet by Harry Winston at ‘How To Talk To Girls At Parties’ premiere.

All above photos via Getty images.

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

Thanks to Gossip Gem

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Newest Finds from Your Jewelry Finder, June 2017 Edition

Jewelry Finds | Gem Gossip

This time of year always seems to provoke a sense of “out with the old, and in with the new!” And by that I don’t mean throw out your antique jewelry and swap it for modern pieces–I mean to take into consideration some of my Spring Cleaning your Jewelry Box suggestions and buy some pieces that really count! Rings that make your jaw drop, necklaces and pendants that make your heart flutter, bracelets that make you feel warm inside and earrings that you know will look amazing on you–that’s what we all need! It seems that Ashley of Jewelry Finds® is not short on remarkable pieces of jewelry. She makes it her mission to bring her customers new acquisitions and is dedicated to working long days and nights to get them up on her website for you! That’s why we’ve teamed up to bring you a monthly digest of all her latest finds, to keep you in the loop and up-to-date. We don’t want you to miss a “piece of a lifetime” or something that you “should’ve, would’ve, could’ve” because as jewelry collectors, we know that happens far too often! So whether you check GemGossip.com religiously or have signed up for our newsletter, be on the lookout for our monthly “new arrivals” post from Jewelry Finds! ® — Something Old. Something New. Something You™

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Left photo:

18k rose yellow gold Victorian 1890’s Blue Sapphire & Old Mine Cut Diamond Bypass Ring, Price: $2,999

14k yellow gold Victorian Sapphire Circa 1880’s Natural Violet Blue Cushion Sapphire Old European Cut Diamond Halo Ring, Price: $3,999

Platinum Antique Sapphire Diamond Circa 1915 Filigree Old European Cut Halo Ring, Price: $7,999

Platinum Art Deco Circa 1930’s Vintage 1.72ct t.w. Old Mine Cut Diamond Engagement Ring, Price: $6,500

Platinum Art Deco 1.63ct t.w. Circa 1930’s Vintage Old European Cut Diamond Engagement Ring, Price: $7,450

14k yellow gold Vintage Yellow Sapphire Circa 1940’s Retro Natural Yellow Sapphire & Diamond Ring, Price: $7,500

Emerald and diamond dinner ring, reserved please inquire, [email protected]

Platinum Art Deco Emerald Engagement Circa 1930’s Vintage 2.53ct t.w. Old Diamond Halo Ring, Price: $4,400

18k yellow gold Vintage Estate 1950’s Cornflower Blue Sapphire Asscher Diamond Halo Ring, Price: $5,999

Right photo:

top bracelet is reserved please inquire, [email protected]

14k yellow gold Art Deco Bracelet Peridot Lattice Bangle Filigree Circa 1930’s Hinged Bangle, Price: $1,450

18k & 14k yellow gold Antique Art Nouveau 2.71ct t.w. Sapphire Rose Cut Diamond Hinged Bangle, Price: $4,999

Platinum Art Deco Diamond Bracelet Circa 1930’s Old Antique Cut Diamond Filigree Geometrical Tennis Bracelet, Price: $8,999

Platinum, 14k yellow gold Antique Edwardian 1920’s Old European Cut Rose Cut Diamond Filigree Heavy Bracelet, Price: $4,499

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Left photo:

Platinum & 18k Large Antique 1900’s 2.95ct t.w. Antique Cut Diamond Bow Necklace, Price: $6,250

14k white gold Vintage 1940’s 12.80ct t.w. Early Retro Persian Turquoise & Transitional Round Brilliant Cut Diamond Pendant Necklace, Price: $5,999

14k & silver Antique Victorian 1880’s Old Mine Cut Diamond Pendant, Price: $4,200

Platinum & 14k white gold Estate Large 5.60ct t.w. Solid Black Opal & Diamonds By The Yard Necklace, Price: $4,999

Emerald cut diamond necklace, reserved please inquire, [email protected]

14k white gold Vintage Art Deco Circa 1930’s Filigree Carved Crystal Old European Cut Diamond Pendant, Price: $799

18k white gold Vintage Aquamarine Diamond Pendant Circa 1970’s Aquamarine Pear Shape Diamond Necklace, Price: $3,800

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Platinum Edwardian 1920’s Cultured Pearl & Old European Cut Diamond Ring, Price: $1,899

Platinum, 14k gold Art Deco Double Diamond Ring Circa 1930’s 1.28ct t.w. Old European Cut Diamond Ring, Price: $5,500

Platinum Vintage 8.46ct t.w. Emerald Cut Aquamarine Ring Circa 1940’s Diamond Ring, Price: $3,999

onyx ring, reserved please inquire [email protected]

18k white gold Art Deco Vintage 1930’s Aquamarine Diamond Ring, Price: $1,199

Platinum & 18k Edwardian Diamond Navette Ring Circa 1915 Blue Lab Sapphires & Old Rose Cut Diamonds, Price: $1,995

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

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14k yellow gold Victorian Sapphire Ring Circa 1880’s Natural Violet Blue Cushion Sapphire Old European Cut Diamond Halo Ring, Price: $3,999

14k yellow gold & platinum Vintage 5.60ct t.w. Emerald Cut Amethyst Circa 1940’s Jones & Woodland Ring, Price: $1,599

14k yellow gold Victorian Enormous 7.03ct 12mm Cabochon Moonstone Ring, Price: $2,999

18k yellow gold Unique Rose Cut Ring Pave’ Diamond Serpent Wrap Cocktail Unique Statement Ring, Price: $5,999

18k yellow gold Vintage Art Deco 1930’s Old European Cut Diamond Milgrain Navette Cocktail Ring, Price: $3,999

14k yellow gold, silver Antique Art Nouveau Peridot Old Mine Cut Diamond Ring Circa 1900’s Floral Statement Ring, Price: $4,400

Opal ring reserved please inquire, [email protected]

Right photo:

Platinum Art Deco Old European Cut Diamond Sapphire Chandelier Earrings, Price: $15,000

Vintage Diamond Art Deco Earrings Circa 1930’s Filigree Old European Cut Single Cut Diamond Chandelier, Price: $4,500

18k yellow gold Estate Large Clover Shaped Multi Colored Cabochon Pink & Green Tourmaline Diamond Chandelier Earrings, Price: $3,500

Platinum, 18k gold Vintage 4.15ct t.w. Art Deco Emerald Diamond Earrings Circa 1930’s Chandelier Earrings, Price: $9,950

Jewelry Finds | Gem Gossip Jewelry Finds | Gem Gossip

Left photo:

first two necklaces reserved, please inquire [email protected]

18k yellow gold Vintage H.Stern Estate 1980’s Aquamarine Diamond Pendant, Price: $4,200

Art Nouveau 1900’s Antique Old Rose Mine Cut Diamond 18k Yellow Gold Platinum Locket, Price: $2,000

Platinum & 14k Edwardian Vintage .75ct t.w. Circa 1920’s Old European Cut & Rose Cut Diamond Star Motif Pendant, Price: $2,999

Right photo:

Art Deco Wedding Band Platinum Three Stone Baguette Diamond 1930’s Stacking Ring, Price: $995

Platinum Vintage Diamond Wedding 1940’s Seven 7 Stone Diamond Wedding Band, Price: $699

18k white gold Art Deco 1930’s 0.20ct t.w. Ten Diamond Vintage Wedding Band, Price: $599

Platinum Art Deco Circa 1930’s 1.16ct t.w. Old European Cut Diamond Filigree Ring, Price: $3,499

Platinum Antique Diamond Filigree Engraved Wedding Band Circa 1920’s 8 Stone Single Cut Bead Set, Price: $1,350

18k yellow gold Antique Circa 1890’s Victorian 5 Stone Opal Old Mine Cut Diamond Ring, Price: $1,850

18k yellow gold Art Deco Five Stone Wedding Band Circa 1930’s, Price: $2,600

>> Need to see any of these pieces in a video? Check out Jewelry Finds Youtube channel for 360 views!


This sponsored post was brought to you in collaboration with Jewelry Finds. ®

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Top Ten Best Jewelry Looks of the 2017 Met Gala

Met Gala | Gem Gossip Met Gala | Gem Gossip

This year’s theme for the evening’s Met Gala was “The Art of the In-Between”. The exhibit offers a retrospective of designer Rei Kawakubo of the famed design house Comme des Garçons. Stars and socialites embraced the juxtaposition of redefining the traditional placement of jewelry by wearing key pieces around the ear, in the hair and in some cases even backwards. The red carpet dazzled with both futuristic, avant-garde statement pieces and traditional vintage diamonds from iconic jewelers.

Below is a selection of the most striking examples we found to be featured on the red carpet. We are counting down our top ten looks, including the above look worn by Chinese fashion model Liu Wen.

1. Liu Wen wearing Chanel fine jewelry, photos via NY Mag.

Met Gala | Gem Gossip

2. Claire Danes wore an antique yellow gold and seed pearl earrings and antique cut steel arrow brooch, circa 1850, worn in the hair by Fred Leighton.

Met Gala | Gem Gossip

3. Karen Elson stuns in Tiffany & Co. earrings and ring.

Met Gala | Gem Gossip

4. Mary Kate & Ashley Olsen wearing a plethora of what looks like vintage baubles.

Met Gala | Gem Gossip

5. Actress Elle Fanning wore an Art Deco aquamarine and diamond bandeau, circa 1920s, in platinum along with 6.0 tcw diamond studs in platinum by Fred Leighton.

Met Gala | Gem Gossip

6. Kate Bosworth wore vintage ruby and diamond earrings and a vintage diamond necklace by Cartier.

Met Gala | Gem Gossip

7. Katie Holmes wore a fabulous set of antique diamond and paste necklaces from Kentshire.

Met Gala | Gem Gossip

8. Kerry Washington wore a safety- pin choker by Michael Kors Collection.

Met Gala | Gem Gossip

9. Sarah Paulson wore custom Calder-inspired sapphire in oxidized gold chandelier earrings by Irene Neuwirth.

Met Gala | Gem Gossip

10. Cassie wore a custom-made diamond ear cuff by Indonesian designer Rinaldy A. Yunardi.

All above photos via Getty images.

This post was collaboratively written by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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Just in Time for Easter: Fabergé Eggs from A La Vieille Russie

ALVR | Faberge

Miniature white enamel egg set with a red enamel coin of Elizabeth I and four cushion-cut sapphires. By Fabergé, ca. 1895.

ALVR | Faberge

Miniature egg with white enamel stripes and set with a turquoise. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A jouré yellow and green gold egg, punctuated with rose diamonds around the center. By Fabergé , workmaster A. Hollming, ca. 1900.

ALVR | Faberge

A two-color gold-mounted egg-form aventurine quartz hand seal on brilliant translucent green enamel base. By Faberge, St. Petersburg, ca. 1900.

Legendary Fabergé eggs–eggs so popular, that almost everyone knows what you’re talking about when you mention their name. For me, these were my first obsession above all other types of jewelry. I remember going to my local public library and wanting to check out a book on making crafts out of egg cartons–I saw the recommendation on Reading Rainbow! Instead, I found my way to a book on Fabergé eggs and was infatuated. In fact, for the first time in my life, I loved the book so much I never returned it. I didn’t care it was wrong because this book lit up my life! My second run in with Fabergé eggs happened when I was in high school. I became obsessed with watching Joan Rivers on QVC and admired her love of Fabergé eggs. Back then, she had created her own jewelry line with bundles of three eggs per chain of her own miniature versions of “Fabergé eggs.” I ordered my first trio of eggs and was hooked. I can’t remember how many I collected over the next few years, but after graduating college, I was able to pay for my trip to study abroad from selling my Joan Rivers Egg Collection. It was quite a few. I honestly wish I still had those eggs, but I wouldn’t trade my overseas experience for anything!

It is no myth that Fabergé eggs are enchanting, often mysterious, and full of intrigue. If you were married to a Russian tsar, the ideal Easter gift would be a Fabergé egg designed by none other than Carl Fabergé himself. The first ever Fabergé egg was made in 1885 and presented to Alexander III. Since then, it varies as to how many are apparently out there, but some sources say 65 Imperial eggs were made, some say 50, some say 52, but it is known that only 43 have survived–there is a really comprehensive table that describes each, citing where the egg is now. A few are cited as “Lost” and it is with lots of hope that they will be recovered someday.

ALVR | Faberge ALVR | Faberge

Circular aquamarine and diamond Imperial Presentation brooch with an Imperial crown decoration. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1913.

Natural pearl and diamond floral brooch with blue enamel border. By Fabergé, Moscow, 1896-1908.

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Diamond and green garnet necklace mounted in platinum. By Fabergé, ca. 1900.

Natural pearl ruby and diamond necklace set in platinum and gold. By Fabergé, ca.1900.

ALVR | Faberge ALVR | Faberge

Fabergé gold-mounted lozenge-form brooch, set with diamonds and red enamel wreath over white guilloché enamel ground. By Fabergé, St. Petersburg, ca 1890.

Lozenge brooch with a central cabochon moonstone, set with rose diamonds, and white enamel. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1900.

Fabergé eggs created for the general public, not just zsars, continued being the company’s most popular pieces. In the year 1900, the House of Fabergé was completed which literally was a large building which centralized all the operations–bringing together workshops, artisans, a design department, even Carl Fabergé’s own place of residence, in one large building. Throughout the turn-of-the-century, Fabergé turned out elaborate pieces of jewelry, decorative drinking cups and bowls, items for writing, miniature hardstone animals, a wide variety of photo frames (as Kodak launched its first camera), and much, much more. He employed hundreds of craftsmen under conditions that were very superior, with great pay. As success continued, expansion happened, until the first World War broke out in 1914. The House of Fabergé lost a lot of workers to the draft, precious metals were haulted to use, so the items that were produced during this time were created from materials like copper, nephrite, brass, and silver. Carl Fabergé ultimately fled Russia and died in 1920.

Many of the pieces of jewlery and decorative arts which Fabergé created during its height of success are highly collectible. A La Vieille Russie, a shop in NYC, has specialized in Fabergé since opening in 1961. You’ll be amazed by these authentic, one-of-a-kind Fabergé items, including some eggs that ALVR currently has in their inventory. If you haven’t read the blog post featuring my visit to ALVR, you must! Here is the link.

ALVR | Faberge ALVR | Faberge ALVR | Faberge

White enamel and two-color gold hanging bellpush. Contained in original fitted hollywood box. By Fabergé, St. Petersburg, workmaster H. Wigström, ca. 1915.

Carved two-color jasper miniature egg in the form of a Kingfisher with diamond eyes. By Fabergé, Moscow, ca. 1900.

Gold-mounted brilliant pink guilloché enamel egg-form pendant locket, the opening set with rose diamonds. By Fabergé, workmaster M. Perchin. St. Petersburg, ca. 1895.

Anyway, I thought the quick history on Fabergé paired with some pieces that are available would make my readers very happy on Easter! Hope you enjoyed!

Works Cited:

https://en.wikipedia.org/wiki/Fabergé_egg

Virginia Museum of Fine Arts app called Fabergé at VMFA

This sponsored blog post was brought to you in collaboration with A La Vieille Russie.

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Q & A with LA BRUNE & LA BLONDE Jewelry

Q&A LA BRUNE & LA BLONDE

A unique concept came into the minds of Veronique Tournet and her partner when they launched LA BRUNE & LA BLONDE in 2011–a jewelry line that focuses on diamonds free from settings. Everything from the way the diamond sparkles, to how it is worn was completely different once this new concept was applied to the duo’s designs. Each diamond is drilled, pierced and offset into a dangling, bare-aesthetic design and the minimal looks have been highly-coveted by fashionistas worldwide. If you’re in the NYC area, Bloomingdale’s carries the line so you can see it in person!

I got the chance to catch up with Veronique and ask her a few questions about her jewelry line, which will soon be on top of your wish list!

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The new Ad campaign that will highlight our « Nude diamond » concept. We want this ad to be both impactful and fun.

LA BRUNE & LA BLONDE LA BRUNE & LA BLONDE

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I worked for Boucheron and Mauboussin for more than 15 years before launching my own jewelry brand. I wanted to create a brand presenting diamonds directly on the skin. In our LA BRUNE & LA BLONDE collections, there is no gold between the diamond and the skin. That is why our packaging is a real cosmetic jar!

LA BRUNE & LA BLONDE “19351920968_fc7246ae21_b"

The moment we decided to drill the diamonds. It was like a sacrilege but this is the most important thing we did. We wanted to show the diamonds from every angle and allow the light to play with them; never done before.

LA BRUNE & LA BLONDE LA BRUNE & LA BLONDE

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Our goal is to expand LA BRUNE & LA BLONDE as an international brand with a focus on the US market. This is our very own “Manifest Destiny” so to speak!

LA BRUNE & LA BLONDE 18918970793_b8fcd14fef_o

The « Octopus » Boucheron ring offered by my significant other to celebrate the birth of our second child.

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To see more, check out their website: LA BRUNE & LA BLONDE.

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What the BEST Golden Globes Jewelry Says About Today’s Trends

Michelle Williams Golden Globes

Sienna Miller Golden Globes

This year’s Golden Globes had us anticipating some knockout jewels, but as with most situations, I tried to set the bar low so I wouldn’t be disappointed. And I wasn’t. I was pleasantly happy with what I saw on the red carpet. Diamonds glistened one right after the other, and although it seemed like California had their own “white out” going on, it was the few pops of color that we did see that totally stood out. But hey, who can complain about diamonds?! From Sienna Miller’s unexpected pearls, to the numerous bold diamond necklaces, and the cherry on top for me was Michelle Williams’ black velvet bow around her neck. I loved all these looks I just mentioned and thought they suited each celebrity perfectly. I couldn’t imagine any other person rocking those pearls the way Sienna Miller did (well I could, but they would have ended up on my worst jewelry list) and that is what makes these jewelry trends able to translate into the real world.

Piaget on Jessica Chastain Priyanka Chopra in Lorraine Schwartz Emma Stone in Tiffany

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