Haute couture is one-of-a-kind creations crafted from the finest materials by skilled artisans using century-old techniques. Haute couture had humble beginnings. In 1858, an English couturier, Charles Frederick Worth, established the first haute couture house in Paris championing exclusive luxury fashion for the upper-class woman and coining the term “fashion designer” in lieu of the basic dressmaker. Today, haute couture is still synonymous with high-quality materials and workmanship. And when haute couture meets haute joaillerie (high jewelry), the result is transformative! The jewelry becomes an extension of the designer’s vision for his or her collection creating a complete story – one that is truly a work of art!
GIAMBATTISTA VALLI AND ELEUTERI:
Giambattista Valli accessorized his haute couture collection, comprising of ethereal tulle gowns, draped silk chiffon dresses and embellished minis with exquisite vintage jewels from Eleuteri. The jewels focused mainly on bracelets featuring a glorious 1950s French amethyst and turquoise piece as well as a intricate jade and gold design from David Webb and several Tubogas wristwatches from Bulgari.
PICTURE Credit FROM VOGUE.COM
GUO PEI AND CHOPARD:
The Chinese designer made a name for herself when she dressed singer Rihanna in yellow couture for the MET’s “China through the Looking Glass” gala and red carpet. For her haute couture collection, she collaborated with Chopard paying homage to the golden era of haute couture and Hollywood icons of the 50s. The results were a perfect fusion of Chinese and Western cultures, high fashion and exquisite jewels.
The deep jewel toned hues of Pei’s dresses paired effortlessly with Chopard’s the Silk Road collection, which featured an emerald bib necklace, diamond and pearl drop earrings and an amethyst pendant necklace. The Chopard jewels complemented the opulence and extravagance of Pei’s couture collection perfectly.
PICTURE credit FROM ZIMBIO.COM /GETTY
This post was contributed by:
Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com
Since coming back from Vegas and NYC, my days have been long and filled with writing and running all kinds of errands. From Sunday morning brunches, to post office runs, to family dinners, my style has been changing daily and almost always depends on what I have planned. Some days I’m lucky if I get a chance to breathe fresh air outside, while other days I’ve spent more time on the road in my car than normal…but that is what I like about being self-employed and I’m excited for the summer.
Most recently, I was playing in my jewelry box and for some reason or another a lightbulb went off–I took my collection of figas and strung them on my hardwire gold collar necklace. As soon as I put the necklace on I knew that this was one of my greatest moves I’ve ever made. I’m obsessed with the look and it totally caters to my collecting mantra by displaying my pieces perfectly. I actually have 6 more figas that don’t have jumprings, so I’m off now to get them put on by my jeweler.
I’ve also been experimenting with different kinds of earrings to create a “full” look, meaning ALL the way up my ear. To achieve this look without the pain of multiple piercings, I suggest some comfortable ear cuffs. Some are more comfortable than others and it depends on the craftsmanship, so try them out–see if you’re able to wear for a full day before committing to buy.
In the first photo shown, I’m wearing a pair of ombré amethyst ear studs with jackets by Jewelmak. These are so cool and give me a pop of color, which is perfect for summertime. I kept it simple up top with 14k gold balls studs in various sizes, a Paige Novick diamond ear cuff and a vintage swirl motif ear cuff I found on Ruby Lane.
The photo below shows off my figa necklace and a carved opal necklace I recently sold. My earring look is simple to recreate; two pearl stud earrings of various sizes and a gold huggie earring from Stacy Nolan.
Day One:(spent doing emails all day and typing blog posts, hence the Beavis & Butthead t-shirt)
Elongated lapis and enamel ring, from Sarah’s Vintage & Estate Jewelry in Buffalo, NY
Antique diamond & sapphire ring from Excalibur Jewelry found in Tucson this year
Pear-shaped vintage lapis ring that I can’t stop wearing because it is so comfortable and bold
Diamond crossover pinky ring by Halleh Jewelry
“Ring One” from my Gem Gossip Jewelry line, since retired
Fringe ring in 14k yellow gold by Ashley Childs
A stack of “Ring One with diamond” from my Gem Gossip Jewelry line, since retired
Oval vintage Mexican ring done in 14k yellow gold
Crescent moon ring in 14k yellow gold by Amanda Hunt Jewelry
Dendritic agate ring from Joden Jewelry in Grove City, PA
Glass + 10k yellow gold ring, heirloom from my Gram
elongated diamond ring turn-of-the-century from my friend Priscilla
Diamond shaped ring set with old cut brown diamonds, from STORE 5a
turquoise baby rings, worn as pinky ring and midi ring
Victorian turquoise ring from eBay
Victorian turquoise ring with engraving on entire closed-back, from Gold Hatpin
Turquoise and diamond cluster ring found at the Nashville Flea Market
WANT MORE? Check out my past Weekday Wardrobe posts
Don’t ever say you can’t teach an old dog new tricks. At nearly 70 years old, David Webb still reigns supreme as an iconic, American jewelry house full of the most exquisite designs. One look at a David Webb piece and you KNOW it is a David Webb piece. From the finest craftsmanship, to the bold enamels and well-known motifs, the jewelry has been delighting since 1948. They have a strong following, a large amount of die-hard collectors and a presence known worldwide; not to mention a showroom/workshop located on Madison Avenue in NYC and a boutique in Beverly Hills. You’d think debuting for the first time at a tradeshow would not be on their agenda. Could such a legendary American brand make a move like that? And if so, how could they “do it their way”?
I was very curious myself…however feeling more excited than any other emotion. I made sure that David Webb was first on my Couture agenda–Villa 112 was the place and I was ready to gawk, gander and swoon. Walking into the Villa, I thought I was in their NYC boutique for a minute. Luxury was brought to the desert and the animal kingdom followed along too. I got to see many of the pieces that hit the red carpet over the past year–like totem necklaces, which one was worn by Nicole Richie back in November and I still can’t think of a better look. I love seeing David Webb worn on the red carpet and it is always magical when it happens. Speaking of red carpet, nothing would look more incredible than the turquoise and emerald necklace I got to try on while at Couture–could you imagine that on the red carpet?! Hopefully it will happen in the future. I also got to revisit some animal favorites–like panthers and cats (rings) and dolphins, fish and snakes (bracelets).
One new aspect of David Webb which debuted during Vegas Jewelry Week, is a scaled down collection with a lower price point than typical pieces. This new collection, called Motif, features black and white enamel and appeals to all ages. There are also new entry-level pieces from the Tool Chest collection, which I actually am a proud-owner of from the off-chance I entered my name into the drawing to win a pair of Nail Stud Earrings. I couldn’t believe I won! I’ve obviously been wearing them ever since. (The next day I wore them to the Antique Show, and almost every dealer commented on them!) I’ve included a photo of the earrings above (last photo) and they are done in 18k hammered gold and are only $680.
Be sure to stop by David Webb if you’re ever in the NYC area or Beverly Hills to check the new collection out. If you thought you’d never be able to afford a piece of David Webb, think again–this new collection may be your chance!
Special thanks to Levi Higgs of David Webb for taking the photos!
After acclimating to normal life, and when I say normal I mean not having to take 700+ photos per day while meeting one jewelry designer after the other all while trying to look like I haven’t just slept for 4 hours and only eaten a diet that could sustain a person for a brief moment, I am happily enjoying my quiet reflection time from the Couture show. Happy to be tucked away in laid back Nashville, far from the dry air, noisy crowds and thick cigarette smoke of Vegas. But don’t get me wrong, there is a large part of me that absolutely loves everything about Vegas Jewelry Week--including all that is complained about.
One of my most favorite things to do when Couture is over is go through all my photos, take in all that I just saw and narrow down all the goodness into a small list of top jewelry trends. It is no simple task and I like to keep my trend categories somewhat pinpointed, so they are not so broad. Tracking trends and observing how these trends evolve is some science mixed with a heavy dose of anthropology, and no I don’t mean the lifestyle/clothing store.
So here are the five jewelry trend categories I’ve come up with that were the most dominate in the best way possible from Couture 2017. They are in no particular order and are illustrated using just ONE example of designers I had appointments with–there are several other pieces and designers that also captured these top jewelry trends too!
1. Rainbow Waves:
I was seeing SO MUCH rainbow around Couture; color everywhere! I was totally loving it. This trend was best exhibited by Jane Taylor Jewelry whose designs get more and more colorful every year. Every ROYGBIV fan out there can spot the gemstone that represents each spectral color. Designers are embracing color and incorporating all colors into their designs. Buyer and jewelry lovers are searching for pieces that are vibrant, colorful and play off one another while still displaying a rainbow of hues.
2. Shoulder-Duster Statement Earrings:
We’ve seen earrings trend all across the board in the past few years–from simple studs, to ear jackets, to ear climbers/crawlers…even ear cuffs. This year was all about the bold, shoulder-dusting statement earrings. Long in length, sleek in style, and statement-making in their own right. Above, I clearly saw some great examples of this trend at Lydia Courteille. These pieces were quite breath-taking and feature her signature black rhodium and rainbow of gems (which ties in with the first trend). I love Lydia’s gem choices and color combinations. We recommend this trend with pulled back hair and no necklaces.
3. Modern Geometric:
Perhaps one of my favorite trends, the modern, sculptural pieces that have a hint of geometry to them. This trend is easily showcased best by Brazilian designer Yael Sonia. Her designs exude a futuristic feel, very 3017. She uses Brazilian gemstones and each item is handcrafted in Brazil. I love the 3D cubes, spheres and the use of movement that is also incorporated into her pieces.
4. Gold Wire Necklaces:
Chains took a backseat this time around at Couture–it was all about the solid gold wire. Whether it was plain or decorated in gemstones, the wire collar can exquisitely flatter any neckline, all while making a statement. I think the gold wire has gained popularity lately because it almost resembles a choker, has the same capabilities as a regular chain, yet it is heavy, rigid and substantial. Above, one of my favorite gold wire collar necklaces found at Couture 2017–this one is by Zoe Chicco and features bezel set diamonds of various cuts set throughout the piece. It is elegant and edgy at the same time! So good!!
I was not expecting charms to be such a highlight and hit at Couture 2017, but they totally were and as a charm collector, I was loving all the interpretations I was seeing! Each designer had their own take on charms–their own motifs and ideas came to life in colorful and gem-set renditions. The most well-known being the Gemfields x MUSE collaboration charm necklace, as people are STILL talking about it! I loved Sydney Evan‘s charms (shown above) as they were quirky, fun and very colorful. Her signature motifs, like the evil eye, the word “Love,” wishbone, lips, etc. were brought to life as charms. The trend is great for many reasons–low price points, easy to collect, and the wearer can choose to wear them any way they want!
Want more? See my top picks from last year’s show!
Taking on the Las Vegas Antique Show with Becca of BCE Jewelry, with Lenore Dailey at her booth and we ran into Sheri & Trina of Metier
Both pieces here (left & right) are from DK Bressler and both are more than meets the eye: the dragonfly is En Tremblant and the diamond brooch can convert into other pieces of jewelry
Two gorgeous booth photos, the left is Platt Boutique Jewelry and the right I cannot remember for the life of me!
I loved these three rings from Excalibur Jewelry, especially the open metal work on the pointer, & the right photo features an incredible Lightning Ridge Opal set in a turn-of-the-century ring from M&C Stevens
This large pendant/medallion made me smile, from Platt Boutique Jewelry and the photo on the right are my three favorites from Jacob’s Estate Jewelry
Lenore Dailey’s booth is just jaw-dropping in its own right, so I always take a photo of it every year — the photo on the right is an incredible ring box full of the most beautiful pieces from Simon Teakle
I think Blue Topaz gets a bad rap–this bracelet is crazy gorgeous, from Clayton Antiques and the photo on the right features a museum-worthy suite of early Victorian jewelry
I always have to stop and stare at the crowns I see at the show! The right photo features some of the best rings I saw throughout the entire show–these three, from Under the Crown. Favorite stack ever.
Always a sucker for hearts, I loved this opal brooch from DK Bressler and the photo on the right features three light blue enamel bracelets from Keyamour. Once in a lifetime shot right there!
I love to see what Joden has and this time around this necklace caught my eye–from the black enamel to the mega gemstones, wow! The photo on the right is a ring tray seen at Mary Ann-tiques
The combo of moonstone + rubies is so good, I think that is why I loved this bracelet from Mary Ann-tiques so much. Also this tortoise shell butterfly brooch–wow, so unique and all handcrafted. This one belongs to Platt Boutique Jewelry.
A box of goodies found at Lucy Verity … the photo on the right are my favorites from Mary Ann-tiques, some rectangles and ovals!
Sapphire stack from Excalibur Jewelry and the jewelry box on the right was seen at Lucy Verity–that snake bracelet is to die for and unfortunately a little too big on my wrist.
Last photos come from Excalibur–clusters of sapphire and diamonds, which create this amazing bracelet…and the photo on the right are my favorites from Craig Evan Small.
I’ve always associated the Las Vegas Antique Jewelry & Watch Show with The Paris hotel, however this was the first year in a very long time that that particular location was changed. This year’s show was located at the Las Vegas Convention Center. I didn’t know what to expect at all and actually didn’t even know where the convention center was located in regards to where everything else is until the day of the show! To my surprise, I enjoyed the change–but I also will be happy when the show returns to The Paris next year. I attended on opening day and then again the following day, covering as much as I could on day one and attempting to pick up where I left off the next day. I had good company on the second day–Katie of Vada Jewelry (like last year) and Becca of BCE Jewelry who had never attended before! It was cool to see someone experience the show for the first time and she walked away with an awesome diamond cluster ring.
For some reason the reoccurring theme for me this year was large, circular pendants aka medallions. It seemed like every booth I visited, I spotted one or was attracted to one. I like how with every show, I’m not sure what I’m going to find or what I will be drawn to…it is always something different. I brought home a really cool medallion zodiac pendant, which I will share in another post! I also brought back nearly ten pieces to sell for @shopGEMGOSSIP, some of which have already sold but you can certainly browse what is still available.
From the gorgeous diamond crowns I spotted at several booths, to lots of diamond cocktail rings, there was some major selections going on at this show. Lots of buyers were going full force and commenting on what a great show it was. I noticed an up tick in traffic flow up and down the aisles and saw a lot of buying happening.
As always, I have the best time roaming the aisles, running into people I know and chatting with my favorite dealers. It is fun catching up with everyone and I can’t believe this was my sixth year attending the show. And even after six years, I still relish in finding awesome pieces and the thrill of the hunt definitely still lives on at these shows. I hope that never changes!
Thanks for another great year, Las Vegas Antique Jewelry & Watch Show…can’t wait until next year!
Read my other posts from the same show, years of the past:
Heather B. Moore’s story starts with love, laughter and family…and fittingly, just as her jewelry often depicts those words both literally and figuratively, she has brought personalization of jewelry to the highest level. After viewing the video displayed below, you see just how hands-on and multi-faceted her business has become. This interview also touches upon how it all came to be, in the most innocent of ideas and forms. Sometimes we are destined for a certain path and it seems as though Heather was meant to bring memories, quotes and cherished words to life through her jewelry designs. Each piece is heavily sentimental and often instant tear-jerkers. As jewelry enthusiasts, we know how special a personalized piece can be–but how about one that is in the exact handwriting of a loved one? Or an exact doodle from your once 5-year-old son or daughter? I know if and when I start a family, Heather B. Moore‘s designs will be first on my list for a little keepsake!
We are currently developing an exciting new series based on personal empowerment called the Sculptural Series. Its foundation stems from personalized themes people were requesting for their designs, which usually fell into four common categories: strength, growth, wisdom, and healing. With that as our guide, we started the Sculptural Series to capture moments that feel personal while complementing our other designs.
While we are only launching with a limited selection, this is just the beginning. The world is full of wonderful symbols that have meaningful messages, and Heather B. Moore jewelry is excited to add more sculptural jewelry to the collection in the future.
I only took one jewelry class in college. At the time my focus was cast glass, Venetian glass blowing, and steel work. My sister Wendy was an anthropology major and had moved to Kathmandu, Nepal where she lived with a jeweler’s family. That’s where I started getting interested in what she was doing! After college, I was working for an artist welding large-scale art installations across the country for Judy Pfaff. On the weekends, my sister Wendy used to ask me to make jewelry for fashion shows and low-budget movies in Los Angeles.
I started off doing chain work and handmade chain, which we still do today. I also integrated glass beads and stones within the chain, and while we still integrate stones into our chain, we moved away from glass beads to focus on precious stones.
In 2004, I started offering personalization on a number of pieces and everything grew from there. Our personalized collection was created on the foundation that timeless designs start with a blank canvas for our customers, then we collaborate to create the perfect piece. We have the capacity to create the steel stamps of people’s handwriting and children’s drawings as well as a wide variety of fonts and layouts.
I started collecting tools when I was 13. I grew up in the steel industry of Cleveland and loved going to my dad’s factories, so craftsmanship was something that I related to.
The first steel tooling stamps that I purchased were from a garage sale at an old machinist’s house. I carried those stamps around with me for 15 years before knew what to do with them! In 1991, I pulled out those stamps and decided to integrate quotes from my friends and family. I stamped them out onto the silver plaques and then framed it with a handmade cast glass frame.
In 1997, my sister Wendy was in a skiing accident and passed away. Before she passed I stamped a quote she gave me into a piece of metal: “I said to my sister and she said to me, come let’s play laughter together.” I remember loving the quote so much that I took the plaque with her quote off the wall, and I put it in my wallet. To this day I look at it and it makes me smile.
After moving back to Cleveland and receiving the Rising Star Award from the JCK trade show, I had an interview with Real Simple Magazine about why a designer from NYC would move to Cleveland.
During the interview the writer asked a series of silly questions like, “what kind of hair care products do I use?” and, “what is in your purse?” At first I was a little confused, but I pulled out my wallet and got the plaque of my sister’s quote, and they loved it. They photographed it and used it as the focal point of the article.
At the time, I was designing for bigger companies like Banana Republic and I was getting tired of doing trendy jewelry that was “in” one season and “out” the next. I thought it was interesting that they loved the little plaque so much, and that made me think about the unique stamps that I had in the basement, and I knew I wanted to make something for myself. So, I stamped my kids names on some silver discs, framed them in gold, and I created my first personalized necklace.
I fell in love with it because my kids would sit on my lap and flip through the charms and look for their names. That is when it hit me: personalization has more value than the material that it’s on, because personalization is forever. Telling your story is not a trend; it’s a keepsake, an heirloom, and one-of-a-kind… just like the person wearing it.
That is when I knew I was on the right track. I was putting something into the marketplace that I had actually created in 1992… it’s like it all became a full circle.
It’s amazing to think I was so young, but I’m also very proud to say that now we create our own stamps in our steel shop. It’s fun to have the opportunity to create special tooling for each individual customer.
Left: the plaque Heather made, with her sister’s special quote Right: a necklace Heather wears almost everyday–it features her new Buddha charm
I think my proudest moment was winning the Town & Country International Gold Award at the Couture Jewelry Show in Las Vegas.
This is a show where all designers get together and showcase their pieces to stores across the country. Town & Country magazine had sponsored the event, so it was super fancy that year. Most people were in black tie… but I didn’t know that! I showed up late to the party in flip-flops, jeans, a t-shirt and messy hair!
When I thought about designing something for the Gold category, I wanted something no one had yet documented. One topic that came up was that we had never documented someone’s letter, and I had the perfect one. It was a whimsical thank you note from my sister Wendy. She had sent it just days after Christmas and she spoke of the importance of family and new traditions. This was the first year I didn’t spend Christmas with my family because I was with my husband’s family in Canada, so it really hit home for me. It was the last letter I ever got from her. She passed away shortly after Christmas.
We stamped this whole letter on a big yellow gold cuff, with a rose gold frame on the outside and a green gold frame on the inside, then we covered the frame in diamonds.
We arrived late to the awards show party and had already begun to announce the winners, so we quickly grabbed a glass of wine and snuck into some seats just as the announcer said, “And the Gold Award goes to a designer from the city of the Rock ‘n’ Roll Hall of Fame…”
…I thought to myself, “Oh my gosh, there’s another designer here from Cleveland,” but then they called my name!
In a broad sense, my hopes, dreams, and goals are to make sure I can continue to create beautiful pieces for people and documenting their stories. I love that we have the opportunity to work with customers hand-in-hand.
And with the sculptural collection, there are so many amazing symbols that empower people. I just love the direction we are going with that!
I have so many pieces I love and adore! We have a wide variety of designs within the collection, and I truly love all of them. I have many iterations with my children’s names (Henry, Leo, Oliver and Coral). They are my proudest creation!
I have a yellow gold bangle with their names on it, a leather bracelet with with their names on it, and a necklace where they each have their own charm! I actually named the frames after them. The Henry frame is a braid like the Nantucket braided bracelets. The Leo frame has a granulation frame for him because he really loves the arts. Then there’s the Oliver frame. He’s really an organized child so I did a spiral frame for him. Coral’s got a bubbly personality, so her frame kind of looks like bubbles!
I like to wear my cuff bracelet that has my sister’s letter with jeans and a t-shirt, but I also wore it to the Beastie Boys black tie Rock ‘n’ Roll Hall of Fame induction.
My sister Halley and I both have a charm with Wendy’s phone number on it. She never had business cards, which we always thought was hilarious! We made it in green gold because her birthday was on Saint Patrick’s Day.
My new favorite necklace has a bunch of charms on it, and it’s a story about my boyfriend Jason and me. We went to high school together so I have one charm that says “You were worth the wait,” and another charm that says “Home is when I’m with you.” And I have a little single initial J charm for his name… and a diamond, of course!
I have a 4mm square cuff bracelet that grounds me–it says “When you look at life through the right lens, everything comes into focus.” Life certainly does throw you some curveballs sometimes… so that helps me through those challenges. The fact that I’m a photographer kind of makes it perfect! My dad gave me my first camera when I was 14 and then shipped me off to Africa with 13 rolls of film. I have been an avid photographer ever since.
I will end with this one:
I have this fantastic ring that has been dubbed “the hockey ring.” It’s my good luck ring for my boys’ games. If it’s not on my finger it’s in my wallet waiting for the next game. I did not put any personalization on it with words… and it’s really quite thick. We call it The Pope Ring at the studio! So when I’m photographing the hockey games (because all three boys are in hockey) if something happens like a goal or a good defensive play, I can bang on the glass with my ring, and I wont hurt my hand! Because of all the banging, overtime it has collected quite a few, great dents! It is essentially personalized from all the dents!
This sponsored blog post was brought to you in collaboration with Heather B. Moore.
Miniature white enamel egg set with a red enamel coin of Elizabeth I and four cushion-cut sapphires. By Fabergé, ca. 1895.
Miniature egg with white enamel stripes and set with a turquoise. By Fabergé , workmaster A. Hollming, ca. 1900.
A jouré yellow and green gold egg, punctuated with rose diamonds around the center. By Fabergé , workmaster A. Hollming, ca. 1900.
A two-color gold-mounted egg-form aventurine quartz hand seal on brilliant translucent green enamel base. By Faberge, St. Petersburg, ca. 1900.
Legendary Fabergé eggs–eggs so popular, that almost everyone knows what you’re talking about when you mention their name. For me, these were my first obsession above all other types of jewelry. I remember going to my local public library and wanting to check out a book on making crafts out of egg cartons–I saw the recommendation on Reading Rainbow! Instead, I found my way to a book on Fabergé eggs and was infatuated. In fact, for the first time in my life, I loved the book so much I never returned it. I didn’t care it was wrong because this book lit up my life! My second run in with Fabergé eggs happened when I was in high school. I became obsessed with watching Joan Rivers on QVC and admired her love of Fabergé eggs. Back then, she had created her own jewelry line with bundles of three eggs per chain of her own miniature versions of “Fabergé eggs.” I ordered my first trio of eggs and was hooked. I can’t remember how many I collected over the next few years, but after graduating college, I was able to pay for my trip to study abroad from selling my Joan Rivers Egg Collection. It was quite a few. I honestly wish I still had those eggs, but I wouldn’t trade my overseas experience for anything!
It is no myth that Fabergé eggs are enchanting, often mysterious, and full of intrigue. If you were married to a Russian tsar, the ideal Easter gift would be a Fabergé egg designed by none other than Carl Fabergé himself. The first ever Fabergé egg was made in 1885 and presented to Alexander III. Since then, it varies as to how many are apparently out there, but some sources say 65 Imperial eggs were made, some say 50, some say 52, but it is known that only 43 have survived–there is a really comprehensive table that describes each, citing where the egg is now. A few are cited as “Lost” and it is with lots of hope that they will be recovered someday.
Circular aquamarine and diamond Imperial Presentation brooch with an Imperial crown decoration. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1913.
Natural pearl and diamond floral brooch with blue enamel border. By Fabergé, Moscow, 1896-1908.
Diamond and green garnet necklace mounted in platinum. By Fabergé, ca. 1900.
Natural pearl ruby and diamond necklace set in platinum and gold. By Fabergé, ca.1900.
Fabergé gold-mounted lozenge-form brooch, set with diamonds and red enamel wreath over white guilloché enamel ground. By Fabergé, St. Petersburg, ca 1890.
Lozenge brooch with a central cabochon moonstone, set with rose diamonds, and white enamel. By Fabergé, workmaster A. Hollming, St. Petersburg, ca. 1900.
Fabergé eggs created for the general public, not just zsars, continued being the company’s most popular pieces. In the year 1900, the House of Fabergé was completed which literally was a large building which centralized all the operations–bringing together workshops, artisans, a design department, even Carl Fabergé’s own place of residence, in one large building. Throughout the turn-of-the-century, Fabergé turned out elaborate pieces of jewelry, decorative drinking cups and bowls, items for writing, miniature hardstone animals, a wide variety of photo frames (as Kodak launched its first camera), and much, much more. He employed hundreds of craftsmen under conditions that were very superior, with great pay. As success continued, expansion happened, until the first World War broke out in 1914. The House of Fabergé lost a lot of workers to the draft, precious metals were haulted to use, so the items that were produced during this time were created from materials like copper, nephrite, brass, and silver. Carl Fabergé ultimately fled Russia and died in 1920.
Many of the pieces of jewlery and decorative arts which Fabergé created during its height of success are highly collectible. A La Vieille Russie, a shop in NYC, has specialized in Fabergé since opening in 1961. You’ll be amazed by these authentic, one-of-a-kind Fabergé items, including some eggs that ALVR currently has in their inventory. If you haven’t read the blog post featuring my visit to ALVR, you must! Here is the link.
White enamel and two-color gold hanging bellpush. Contained in original fitted hollywood box. By Fabergé, St. Petersburg, workmaster H. Wigström, ca. 1915.
Carved two-color jasper miniature egg in the form of a Kingfisher with diamond eyes. By Fabergé, Moscow, ca. 1900.
Gold-mounted brilliant pink guilloché enamel egg-form pendant locket, the opening set with rose diamonds. By Fabergé, workmaster M. Perchin. St. Petersburg, ca. 1895.
Anyway, I thought the quick history on Fabergé paired with some pieces that are available would make my readers very happy on Easter! Hope you enjoyed!
Virginia Museum of Fine Arts app called Fabergé at VMFA
This sponsored blog post was brought to you in collaboration with A La Vieille Russie.
133 lots of jewelry top off the upcoming New York sale from Bonhams. This is my first blog post featuring the highly respected auction house which is a global enterprise, having eight different locations worldwide. Their history as an auction house is one for the books, as they’ve been shattering records and facilitating some of the best exchanges in the world. In the US, we have three Bonhams locations, New York, Los Angeles and San Francisco (primary sales rooms are New York, Los Angeles, London and Hong Kong), with their online presence @BonhamsJewels Instagram which focuses on all things jewelry. It is a delight to look at and with every upcoming sale, the excitement and momentum is contagious. There are some serious lust-worthy jewels in their New York sale, which I’m going to be covering within this blog post.
The sale date is April 24th, 2017 and the start time is 3pm EST. If you want to get in on the fun, be sure to register to bid in advance of the sale date and surely don’t be intimidated by bidding online! If I can do it, you can do it! Let’s talk highlights…
I can’t pinpoint one particular pièce de résistance of the entire sale, so I’m going to choose these four jewels and make them my final answer! One aspect of Bonhams’ sales is the wow-factor. There are always pieces that make you stop and stare–whether they are big diamonds, fancy colored stones, bold sapphires or juicy emeralds–this is exactly what I’m talking about!
Lot 124: If you know a thing or two about fancy yellow diamonds, you’ll realize this ring is IT. The center stone clocks in at 6.32 carats–color rating of fancy vivid yellow and clarity is VVS-1. I can’t even fathom something so remarkable as the center stone, however to make it even more amazing, it also is set in a ring with two diamonds on each side. These said diamonds are GIA certified as well and are a 2.08 ct & 2.07 ct, both F color stones with VS-1/2 clarity. If you want to see this baby on a hand, click here. Estimate: $400,000-600,000
Lot 129: Nothing more chic than a pair of day/night diamond earrings from Van Cleef & Arpels. A definite highlight of the sale, these earrings are set with nearly 30 carats of diamonds! Wow! All rounds, pear and marquise cuts which are done in platinum and 18k white gold for a stunning pair. The dangles can be removed to reveal stud earrings for an easy, on-the-go look! Estimate: $60,000-80,000
Lot 132: Ok, if you’ve been following me lately, you’ve realized I’ve kind of been obsessed over dress clips lately. For some reason, I keep seeing them pop up everywhere, including some great ones at auction. This one is crème de la crème, being signed Cartier and circa 1935. This Art Deco clip is set with a stunning Burmese ruby, over five carats of diamonds and sugarloaf and cabochon cut rubies. Such an elegant piece of history. Estimate: $300,000-400,000
Lot 133: Leading the sale is this catalog cover star–an exquisite diamond riviére necklace. This piece is composed of 63 diamonds which graduate in size; the biggest diamond in the center weighing 3.05 carats. All in all, the grand total carat weight is approximately 44 carats! A once-in-a-lifetime necklace for a very special lady…and if you’re wondering, it’s done in platinum. Estimate: $200,000-300,000
Lot 6: Anytime I see the words “black opal” I know it’s going to be pretty incredible. I don’t think I’ve ever met a black opal I didn’t like. This particular necklace is extra special because it is circa 1915 and attributed to Louis Comfort Tiffany for Tiffany & Co. The detail in this piece is great as the chain is accented by demantoid garnets and sapphire–and also love the gold filigree. Estimate: $15,000-25,000
Lot 8: An Arts & Crafts necklace that is quite unique–set with a citrine and some diamonds, circa 1915. I love the silhouette of this piece, with the draped chains and dangle. The craftsmanship of the chain sets it apart from others I’ve seen. And the colors–perfect for fall! Estimate: $7,000-9,000
Lot 104: As we’ve seen lately, heart shaped gem cuts are going strong. This pendant necklace is a bold 4.46 carats of a heart cut diamond, done in platinum. The specs on the diamond are VS-1 clarity and D color. I can picture it sparkling from a neck and looking gorgeous. It is simple, however anything but dainty! Estimate: $75,000-95,000
Lot 20: I think this is one of the most beautiful rings I’ve seen up at auction in awhile. Mounted in platinum, set with a large 8.36 carat emerald and surrounded by diamonds, onyx and smaller emeralds. I love everything about this ring–from the style, to the gemstone combination, to the width of it. An heirloom that will be treasured for years to come–I am already jealous of whomever places the winning bid. Estimate: $15,000-20,000
Lot 22: This fun Tiffany & Co. ring has a striking color combination made up by the coral and blue enamel. Of course it is from the 1970s, a time period I’m obsessed with–their jewels and music, yes please. Done in 18k yellow gold with some diamond accent to finish off the design, this ring will stop people in their tracks! Bet! Estimate: $5,000-7,000
Lot 69: A ring that could single-handedly bring back the marquise cut as the most popular diamond cut! The ring is set with a VVS-2 clarity, I color diamond that is GIA certified. It weighs 6.07 carats and one request–making a major impact on the finger. I also love the fact that it is done in 18k yellow gold. Estimate: $70,000-80,000
Lot 5: This pendant/brooch is two pieces of jewelry in one! And did I mention the style and design is just breath-taking?! Lozenge-shaped emeralds dazzle with old European cut and old mine cut diamonds are set in this plaque style pendant, set in platinum. Estimate: $9,000-12,000
Lot 17: Of course I had to include another dress clip because I’m smitten with them. This one is more affordable than the amazing Cartier one mentioned earlier–but still just as gorgeous. And this one is also Art Deco, done in diamonds, sapphire, spinel and black onyx, all set in platinum. Estimate: $5,000-7,000
Lot 125: THESE. The cuts on these diamonds make them look like real ice–they are pear-shaped rose cut diamonds as petals and then the center of each flower is a fancy pink diamond. Such a great combination. The earrings total 17.59 carats of diamonds and are done in 18k white and rose gold. Estimate: $70,000-90,000
This sponsored blog post was brought to you in collaboration with Bonhams New York.
Continuing on from yesterday’s Jewelry Collection Story, today we are peeking inside the personal jewelry box of Laura–the other half of Maejean Vintage. Just like her sister, Laura has a love for sentimental and family heirloom pieces. She also added a very important piece into her collection last fall–an engagement ring! And just as expected, it is stunning in every way possible.
If you’re new to Gem Gossip, you may have missed my visit to the Maejean Vintage offices in Pennsylvania in July of 2015. No worries, I’ve got the link for you right here — so make sure you read it or revisit it; it’s a must-see!
We hope you enjoy a look at Laura’s collection and if you missed yesterday’s post, here is the link to her sister Amanda’s collection story.
Above: Laura’s engagement ring! It took almost two years of searching until we found my dream ring. With being in the industry myself, I couldn’t let him purchase a ring at normal retail prices. We ended up getting an amazing deal on it! Marty proposed to me on my 30th birthday, September 22nd 2016, before leaving for our beach trip.
From a very young age, I was completely enthralled with jewelry; It’s hard to recall back to a time I was not collecting it! When I was a little four month old baby, the first thing I “reached for” was my Mom-mom’s vintage 14k gold garnet cluster ring, which she often wore. When our Mom-mom passed away, I inherited the sentimental ring around 10 years old. Also around this age, my grandmother (on my father’s side) gave me a 14k gold sapphire ring for Christmas. Since then, I have been officially hooked on jewelry and have been collecting for two solid decades! (Guess I am giving away that I have hit the age 30 milestone!)
I am a huge fan of filigree designs in jewelry. The ornate scrolling metal work gets me every time! Lately I have been on the hunt for special figural animal jewelry that speaks to me. I am hoping to add a special antique fox and / or dog design ring to my collection soon!
Vintage jewelry is my passion because of its beauty, history, sentimental value, and craftsmanship. The history of vintage jewelry is so fascinating – from the design periods, symbolism, provenance, and decoding maker’s marks.
I love to pick up special vintage jewelry wherever I go! Whenever I travel to a different area for any occasion, I absolutely have to check out the coin shops, antique malls, auctions, and flea markets. Each marketplace has its own special perks. There’s the thrill of bidding at auction, excitement of finding a valuable piece for a few dollars at a market, and the satisfaction of “saving” a piece destined to be melted down for its precious metal at a coin shop.
My family heirloom jewelry is all extremely special to me! Interestingly enough, some of the jewelry passed down to me has unknown origins. Part of the collection was given to me by an unknown family member when I was extremely young to “play” with. We believe the family member must have thought the pieces were all costume jewelry, without value. I am extremely thankful that I somehow managed to safely keep these pieces over the decades. As I gained more knowledge of antique jewelry years later, I realized the pieces were mostly fine antique jewelry including 10k rose gold Victorian Era jewels!
WANT MORE? Check out the other Jewelry Collection Stories
Walters Faith Jewelry has been creating a buzz since launching in 2013. They’ve captured an audience that needed jewelry badly, and that audience happens to be the unisex crowd. Now more than ever, unisex jewelry is on the rise and Walters Faith has created lots of options of hefty, handcrafted pieces. From their wide, ridged bands in multiple gold colors, to their links and hexagonal motif, all pieces are architecturally pleasing and staples in so many wardrobes.
Their latest venture is a collaboration with Olivia Chantecaille, launching a capsule collection of diamond, sapphire and amethyst pendant necklaces inspired by the elegance and luxury of beauty compacts. The collaboration between jewelry designers and beauty guru brings two worlds together that usually are very separate, and the end results are beautiful! That’s why Walters Faith is this month’s One To Follow!