Jewels at my Doorstep: Paige Novick

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If there’s one piece of jewelry you’ll always see me wearing, even if I’m in pajamas and have no other jewelry on whatsoever, it is my Paige Novick diamond ear cuff. Easily the most worn piece of jewelry that I own (yes, even surpasses my engagement ring) for many reasons, one being comfort, and the second without a doubt is its effortless way of making one look pulled together. That’s why when I found out Paige most recently launched a new collection called Powerful Pretty Things, I knew it was going to be great.

The inspiration on the new collection? Paige puts it best: “The more we disconnect as a culture through our myriad of devices, the more we will need to connect to something higher. Meditation has gone mainstream. We view this paradigm shift as an opportunity to bring the world of luxury and conscious living together. Hence, the genesis of Powerful Pretty Things—a highly-curated collection of modern relevant pieces with a focus on colored gemstones and their healing properties. By taking the concept of “crystals” out of its usual flower-child context into a luxurious space, we are redefining the category.” This adds a whole new dimension to wearing jewelry, and we’ve talked about the overwhelming popularity and intrigue of crystal healing powers just recently. With the help of some extensive research on Paige’s end, she has combined both worlds of jewelry and crystal healing into one, to enveil her new collection.

While mainstream consumers think “birthstone jewelry,” Powerful Pretty Things aims at going above and beyond this overly commercialized category and breathe new life into gemstone jewelry. Every piece in the collection is fun, easy-to-wear, sophisticated and on point! I was able to pick an entire look from the new collection and I kept in mind the cystal-healing properties while doing so. For me, I was drawn to pink tourmaline, opal, peridot and garnet–all four of those gemstone spoke to me and I absolutely love the combination of them.

I think you’ll love this new collection from Paige Novick. Take a look at the photos shot by Lauren Newman Photography against Nashville’s newest mural duo, completed respectively by one east-coast and one west-coast artist.

You can shop my entire look below:

N14071-PT N14019-PT N13927-PT E13984-GN E14536-PT E14038-OP R14444-PT R14443-PT R14442-PD R13943-OP R13943-AM R13943-AM-PT R14056-OP E14450-PT

This sponsored blog post was brought to you in collaboration with Paige Novick.

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Precious Stones: 1920s Gemstone Postcards from the British Museum

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Turquoise Spodumene Spinel Sapphire Rhombohedral Quartz-1 Hexagonal Euclase+etc. Entrance Emerald Diamonds Beryl

I sometimes get lost in Pala International’s “Gemformation” — a series of newsletters that comes out monthly and is compiled and backdated on their website. So much valuable information, much of it straight from the desk of the infamous Bill Larson, world-renowned gem and mineral expert. If you’re unfamiliar I highly recommend reading his story-book bio on his website, it is fascinating to say the least!

In the July 2016 edition, I was incredibly gaga over the collection of gemstone postcards created by the British Museum. The story goes, “According to a story by postcard-collector John Taylor in the Jan/Feb 2009 edition of Rocks & Minerals, these cards were printed in about the 1920s by Waterlow & Sons. The firm was an engraver of currency, postage stamps, and stock and bond certificates. James Waterlow’s son Sydney (1822–1906) eventually became Sheriff of the City of London, during which time he was knighted, and later became that city’s Lord Mayor.”

Each one is a piece of art and the colors are magnificient. Thanks to Bill Larson for digitizing these in the best way possible. There are forty cards total, all of which can be seen here. I’ve included quite a few favorites in this blog post–it was hard to narrow down my absolute favorites!

If you like information like this, feel free to sign up for the PalaGems’ Gemformation newsletter:

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Leslie Hindman Auction: September Sale is INCREDIBLE

Leslie Hindman: Lot 87

You’ll be enchanted forever by this ring, up for bid at Leslie Hindman Auction in Chicago, IL — this is lot 87 in the three-day bidding extravaganza.

Leslie Hindman: Lot 377 Leslie Hindman: Lot 378 Leslie Hindman: Lot 379 Leslie Hindman: Lot 380

Four mesmerizing opals are on the block at Leslie Hindman, day one, and they come back-to-back in lots 377-380. Get your bidding paddles up!

Earlier this year, I got the opportunity to get a behind-the-scenes look at the Leslie Hindman Auctioneers jewelry headquarters in Chicago, IL. To say I’ve got some perspective on how an auction house runs is far from the truth, but I came away being able to put faces with names, insight into a typical day, and a brief intake of the enormous amount of sparkle the jewelry department works with. It was one of my most favorite experiences of this year! Now when I hear that Leslie Hindman has an upcoming auction this September (the 10th-12th to be exact) I have more context of the event, as they are excited to bring a three-day extravaganza with some heavy and hard-hitting bidding in the future. This three-day auction will feature over 1500 items of all price points and eras. If you like big and bold, Victorian or Modern, opals or rubies, they’ve got something for everyone.

Let’s take a look at some of my top picks:

Leslie Hindman: Lot 6 Leslie Hindman: Lot 55

Lot 6: Nothing beats an Etruscan Revival basketweave wrap bracelet! This is such a fine example and I love the gemstones used on it–sapphire and diamonds! It gives it a cool look against the warm yellow gold. I also love the granulation work, in both excellent and ready-to-wear condition. This piece may date back to 1870, but never looked more trendy than on an elegant wrist in 2017. Estimate: $3,000-5,000

Lot 55: Lately I’ve written several articles on engagement rings and I’ve been finding that women are wanting something traditional but with a twist! This ring speaks volumes with just the small accent sapphires, as it makes the ring totally unique. The piece is Art Deco and set with a 3.24 carat Old European cut diamond in the center. Love the style and think it should belong to someone who will treasure it as an engagement ring. Estimate: $10,000-15,000

Leslie Hindman: Lot 68 Leslie Hindman: Lot 86

Lot 68: I’ve seen the benefits of purchasing pieces that are convertible and this is a fine example of a two-in-one! Meet the silver-topped diamond pendant/brooch of your dreams. This piece totals over five carats of old cut diamonds and radiates from every angle. I could picture it being worn on a chain or worn pinned to a collar. The possibilities are really endless. Estimate: $4,000-6,000

Lot 86: The only kind of bugs I like are jewelled insects! This guy is one for the books–look how cute he is. Set with rose cut diamonds all-original to the piece and a jaw-dropping opal back. I love the detail on the textured gold legs and the ruby eyes. It’s all in the details. Estimate: $2,000-3,000

Leslie Hindman: Lot 111A Leslie Hindman: Lot 118

Lot 111A: Plique a jour is jewelry’s version of stained glass and I must say, I don’t own a single piece of this beautiful artform. These earrings though, should and would be the best first piece of plique a jour to add to my collection. I love the colors and I love the design. They are 18k yellow gold and feature 12 brilliant cut diamonds. Estimate: $500-700

Lot 118: This diamond and ruby ring stopped me in my tracks. Wow. It is done in platinum and set with a marquise cut in the center, with calibre French cut rubies and round diamond accents. It is pristinely made and you can see the remarkable craftsmanship even in the photo alone–now I want to see it in person! It could be yours on September 10th. Estimate: $4,500-6,500

Leslie Hindman: Lot 124 Leslie Hindman: Lot 300

Lot 124: This ring is so cool for so many reasons! Let’s start with the fact that it has contrasting metals–rose gold and platinum. The design is also pretty amazing, and the different metals really play off this element. The rubies are actually different, if you already couldn’t tell–one is synthetic and the other is genuine. Such a stunning ring. Estimate: $4,500-6,500

Lot 300: The coolest earrings I ever did see. These are actually diamond studs with detachable jackets that easily slip on/off the earring posts. There are four jackets total, so lots of possibilities here! And the style of these has never been more on-trend. Geometric and angular, love them. The diamond studs total 2.26 carats. Estimate: 3,000-5,000

Leslie Hindman: Lot 487 Leslie Hindman: Lot 509

Lot 487: I had to include this insane emerald ring because of its colossal size–then I read further and realized it is a piece by Judy Geib. A true artist who hand makes everything herself–fun fact: did you know she taught herself how to make jewelry? No formal training. Her pieces are known for their juxtapositions–like beauty and rawness, fine gold mixed with silver. Estimate: $4,500-6,500

Lot 509: Iconic and chic, I had to include this cuff bracelet from Verdura into my favorites list! It is easily recognizable as a Verdura statement piece. Done in 18k yellow gold, set with peridot, amethyst, and diamond and complete with the Maltese cross enameled in black. What a special bracelet. Estimate: 28,000-38,000

This sponsored blog post was brought to you in collaboration with Leslie Hindman.

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SEPTEMBER SALE: September 10th-12th

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Q & A with Shelley Gibbs Sanders of The Last Line

The Last Line

Discovering new jewelry brands that are trailblazing in unique ways is my absolute favorite–that is why I jumped for joy after learning about The Last Line, a new project recently launched by jewelry veteran Shelley Gibbs Sanders. Bold colors, chic and iconic pieces…and, wait for it…AMAZING prices! You might scroll around the website and wonder, how can these prices be so good for REAL jewelry that is 14k gold and genuine gemstones?! The answer is their philosophy of being direct-to-consumer, never having a middle man, selling new pieces in batches called “drops.” Their latest drop is actually TODAY where they’ve added to all the incredible earring styles you always wished you could find. These ear stacks are what dreams are made of and that is exactly what Shelley set out to do when creating The Last Line. Can her goal of being “the last line” you will ever need hold true for many of you?! Let’s find out!

I had the pleasure of interviewing Shelley and we encourage you to check out the website and find your perfect piece!

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The Last Line is a continued project, I have been designing this collection for pretty much my whole life and I’m so excited to finally share it with everyone. We just launched at the end of July with earrings and there is so much more to come: necklaces, rings, and bracelets! The inspiration behind the name of The Last Line is it is the last place you’ll have need to look for fine jewelry and trust me, I plan to live up to our name.

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I’ve had the rare opportunity of being on both the design and the production side of the process, which is so helpful and, in the end I am ultimately a consumer so basically it is the trifecta of intel! My career technically began in New York where I studied Fine Arts at Parsons School of Design before returning home to California to train with Master Jewelers in San Francisco. After learning the tricks of the trade, I returned to Los Angeles to begin my career as a jewelry designer. Over time (and companies!) my roles evolved and I became the head designer and creative director for dozens of celebrity jewelry brands and high-end jewelry houses, working with everything from gold, diamonds, and precious stones.

When we decided to officially launch The Last Line, it was almost four years ago. I have been designing jewelry for almost fifteen years and in every design job I had, I was always thinking if this was my line, how would I do this, what would I change, etc. I felt like I had seen it all, but really when I started to look there were definite holes in the market. It felt polarizing, there were two distinct buckets: reasonably priced, not-so-great design or great design and quality, outrageous price with nothing in the middle, which as a consumer I found so frustrating. Of course, after that I started to speak to my girlfriends, family, literally, everyone and anyone and I knew I wasn’t alone in that thought. Fast forward to today and voilà, introducing The Last Line.

The brand is two-fold: The Heart and The Soul, everything is designed in Los Angeles where I live with my family. The Heart pieces are the core of the brand and your jewelry box; they’re the staples that you never want to take off and that make you feel instantly put together. The Soul pieces are the jaw dropping, make your girlfriends ask, “where did you get that,” expertly crafted, special pieces you want to treat yourself to. Of course, I believe you need both!

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I did a lot of research before we decided to officially launch, I mean truly did research: price, design, size, color, the list goes on. The symbolism of our brand name The Last Line is that we want to be THE place for all of your fine jewelry wants (and needs!), the last place you’ll ever need to go.

There were a few things that were important for me when launching TLL, one of which was pricing. Fine jewelry shopping can be intimidating, a lot of which can be the result of pricing. Because we are direct to consumer, we can present amazing, quality pieces without the retail mark-up. It was also important for me to be (and stay) hands-on with the line; I think building a relationship from the beginning with your clients is key for any brand’s longevity. Being direct-to-consumer is not only a more personal approach, but it’s service driven, which is important when spending $2,000+ on a piece of jewelry online. All of our pieces focus on craftsmanship, much of the Soul collection being handmade in Los Angeles. Having a background in production (and as I jewelry shopper myself) it was important to use quality materials that look great and merit their cost.

One of the coolest things about the line for me, is the actual assortment of jewelry is personal, I wanted to present options, in each drop you will have classics with a twist and then some really fun special pieces. In the first drop, we have everything from a perfect gold sphere stud (in over 5 sizes!) to our signature flower earring in a variety of stones. In the second earring drop, there are solitaire studs in a variety of stones, lots (!) of diamonds, from line earrings, to ear cuffs, to a perfect tennis drop earring and of course this amazing doubles spiral hoop earring you may have seen Nicole Richie sporting. And in the third earring drop, well that’s a secret for now.

The Last Line | Gem Gossip

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I truly hope that I am working on The Last Line, forever. I love to design of all types of jewelry and I love to create. I can’t stop—it is my obsession. I want to continue to create pieces that connect with women all over the world, it is important for my pieces to speak to the woman who’s just starting her jewelry collection and also excites the existing jewelry client who has her go-to pieces but is looking for that perfect_______. I want our pieces to become heirlooms; they should feel current but not trendy. For me, it is how a woman mixes her jewelry collection that makes it cool. I wanted to create pieces that can be worn but not worried about. The earrings can all be purchased individually, so mixing it up is fully encouraged!

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My engagement ring was one of the first pieces of The Last Line. My husband actually designed it and worked with the jeweler for months. It’s was something we always talked about it and one day there he was with it and it all took off from there —our marriage, our line, everything.

From the line, my favorite piece right now that I own is a 3-way tie between the diamond teddy flower earring with the pave tsavorite stem from the Goldie earring, the medium rose gold diamond safety pin and a special bracelet inspired by childhood which will drop soon.

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This sponsored post was brought to you in collaboration with The Last Line.

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Jewelry Collection Stories: Kate of @LuxCharmJewelry

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This month’s Jewelry Collection Story comes from Kate of @LuxCharmJewelry and it is a good one! Kate is a full-time art teacher and part-time jewelry enthusiast and collector. You may already be following her on Instagram, but if not you must. Her collection is pretty amazing and her story may resonate with many of you. So without further ado, I give you Kate’s collection story:

I’ve always loved jewelry. I have early memories of playing “dress up” and “jewelry store” with my grandmother Louise. She kept her jewelry in the top dresser drawer. Oh how I loved looking inside those little boxes and seeing all the sparkly jewels inside! We would arrange her jewels on top of carefully arranged bits of pretty fabrics and embroidered handkerchiefs and take turns “shopping.” It was so much fun trying on her white dress gloves and high heels and playing with all those pretty things.

When I was around 10 years old, my dad started giving me jewelry every year for Christmas, mostly rings. One year, I received a topaz ring that had the most amazing shade of bright blue. I adored that ring! Another favorite ring given to me by my dad was a gold signet ring that he had monogramed with my initials. I think I was around 15 at the time. It’s a classic look that will never go out of style and one I wear often today.

One of my favorite early jewelry memories was when my family went out to dinner before my high school senior award night. I didn’t know it at the time, but I was about to win the top artist award in my class, and my parents bought me this beautiful southwestern sterling bracelet and turquoise ring to mark the occasion. For high school graduation, I received a large, modernist sterling and gold ring. At the time, I wasn’t into yellow gold, and these bold sterling pieces were among the most beautiful pieces I owned. Luckily, my parents have continued the tradition of gifting me jewelry for special occasions, and I cherish them all. These pieces help to serve as reminders of special times in my life. My sweet husband has also joined in on the tradition and I have received many beautiful pieces from him now over the years, including my very first (and favorite) Victorian bird bangle bracelet and my beloved antique turquoise and diamond halo ring.

Luxcharm | Gem Gossip Luxcharm | Gem Gossip Luxcharm | Gem Gossip

As a teenager, I was really into second-hand shops–mainly for vintage clothes and small decorative items, but eventually I started picking up inexpensive jewelry and odds-and-ends; like pendants, chokers, chains, etc. At about the same time, I started making beaded jewelry and even gifting and selling pieces to my friends.

Years later, I decided to try my hand at selling handmade jewelry on Etsy. It was a fun, challenging, and creative outlet. Those were the relative early days of Etsy, and I grew as it grew. I did this for a couple of years and slowly started incorporating more and more vintage jewelry components and findings into my pieces. Eventually, the competition increased and my enthusiasm waivered, so I put my shop on hold.

Luxcharm | Gem Gossip Luxcharm | Gem Gossip Luxcharm | Gem Gossip

My love affair with antique jewelry began about eight years ago when my mom and I were antiquing at one of my favorite stores in Richmond, IN. My mom fell head-over-heels for this old gold cameo ring. At first, I was like, “What? Cameos? Ugh, I don’t get it.” Then much to my surprise, my mom professed her life-long love affair with cameos, citing stories from her youth. The shop owner quoted her a low price and my mom quickly bought the ring. She wasn’t one to make fine jewelry purchases on our excursions together, so I was intrigued and wanted to know more. I couldn’t stop staring at this unusual reddish-orange cameo ring on our drive back home; I was fascinated by it. It didn’t look like the girly, pink cameos I was used to seeing. It was more masculine in style and the gold was a rich rose color. The shop owner estimated the ring to be about 120 years old.

To my knowledge, I had never seen a ring that old before and now I wanted one for myself! The more I researched, the more I realized what an amazing deal my mom got on that ring. Sure, it was more than I was used to spending on random antique mall purchases (about $85), but still affordable. This made antique jewelry seem obtainable to me for the first time ever. I started reading jewelry books, researching online, and educating myself on antique jewelry. I liked learning the history behind each piece. It’s a perfect fit for me– combining my love of history, research, sentiment, story, etc.

Inspired by my new passion and focus, I reopened my Etsy shop–selling only vintage and antique jewelry. I absolutely loved hunting for old jewelry, even cameos! Thinking back to that special trip to Richmond with my mom, I believe this was the critical moment that later turned this new interest into a full-blown hobby and part-time job for me.

Luxcharm | Gem Gossip Luxcharm | Gem Gossip Luxcharm | Gem Gossip

Today I have such a deep and sincere appreciation for antique jewelry; I tend to collect a little bit of everything. All in all, I tend to go more for Victorian, Art Nouveau, and Art Deco pieces. Rings are probably my favorite type of jewelry to wear and collect. I love everything from dainty to bold, statement rings. I also love antique bangles and Deco necklaces in all sorts of finishes, metals, and styles.

One of my favorite things to collect are watches. My favorite makers are Longines and Bucherer. I have everything from watch pins, watch rings, wristwatches, and pocket watches. And I really love long enamel watch necklaces. My love of watch necklaces probably began when I scored an amazing Bucherer red guilloche enamel watch ball necklace for $60 in a small, local antique shop. I later learned this was a remarkable deal for one with its original enamel chain in perfect condition. I’ve since added about 10 more to my collection over the years. I just can’t stop myself when I see a beautiful one for a good price. I have such a weakness for fine guilloche enamel-work.

In addition, I love bird-themed jewelry and have many bird bangles, lockets, etc. I tend to favor cool-color pieces in general (it must be the Pisces in me!). I am very fond of blue–sapphires, lapis, zircon, and turquoise to name a few. Pale lavender chalcedony, dreamy moonstones, and that particular shade of green commonly used in Art Deco pieces–are all personal favorites. I have a growing collection of snake rings, too.

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I enjoy shopping at small, local places best. The Midwest is a gold mine for antiques of all kinds. The big jewelry enthusiasts seem to live on either coast and being stuck in the middle has its advantages… lower prices and less pickers. But this seems to get harder every year. My favorite display cases and shops seem to be shutting down. The old dealers retire; some pass away. I think part of me has also wanted to open a brick and mortar shop, but the risks are scary.

Currently, I seem to have the most luck shopping at antique shows and online auctions. I’m always on the hunt for new pieces. I would love to own more niello jewelry, antique enamel bracelets, and gutta percha bangles inlaid with gold. I have a thing for portrait paintings but oddly, own no portrait jewelry. I interned at the National Portrait Gallery right after college and it’s a subject I’m really interested in. I would love to find the perfect emerald ring and more “name” or “initial” jewelry to represent the important people in my life.

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Recently I celebrated a milestone birthday (hello, 40!) and had been hunting for the perfect aquamarine birthstone piece of jewelry for months. Then it finally happened…a huge, honking, 14-carat, Victorian, pear-shaped aqua ring in 15K gold popped up on my Instagram feed. Its large size, unfussy setting, and perfect pale-blue color, stopped me dead in my tracks. A direct quote from the seller was, “a mesmerizing, dreamy, huge piece of magic.” Indeed it was. I sold three personal collection rings to make room for this special ring, the latest addition to my jewelry box.

Back when I started wearing, selling, and collecting antique jewelry, I was the only one I knew who did. I just bought what I liked and what I could afford at the time. It wasn’t until I joined IG a couple of years ago that I found other like-minded people who loved and appreciated old jewelry as much as I do. Like most sellers/collectors, I am searching for more high quality and unusual pieces nowadays. Lately, there seems to be more competition, more reproductions, and higher prices on the online auction sites, making it harder to “score” a deal. While I may not be selling forever, I know I will be wearing and enjoying my jewelry for the rest of my life. It brings me so much joy. Marking special occasions and making new memories with jewelry are so important to me. Jewelry has a way of keeping our memories alive…providing a tangible reminder… connecting us to the people, places, and significant moments we cherish in life. Happy hunting!

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Exclusive Gem Gossip Logo Pins!

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You guys, I’m so happy to offer these exclusive Gem Gossip logo pins FINALLY! These have been in the works for quite some time, spearheaded by my sister Bunny Miele. We both are very particular about design, colors, perfection, so after lots of trial and error, my vision finally came to life. These are enamel with a white background and gold lettering.

I’ve collected travel pins since I was in 4th grade and I have an entire black-velvet covered board hanging on my wall full of pins! So cool to create my very own and I hope you all like them. If you’re an avid Gem Gossip reader or fan, these are perfect for you. Show off your support for Gem Gossip–pin them to your collar, shoes, jeans, jean jacket…anything!

Details: White & Gold enamel, Brass plating

Dimensions: 1 1/4″ x 1/3″

Shipping: USA ONLY AT THIS TIME

Price: $10 each


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Doyle & Doyle Debuts Rare Collection of Antique Jewels

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Doyle & Doyle is thrilled to debut pieces from a spectacular cache of rare antique jewels, all acquired from a single collector. Including jewelry from ancient Rome, 17th century Spain, and 19th century France, these are the best examples of their type and many are hallmarked by well known jewelers. Keep reading for a sneak peek of the historic collection before it goes on exhibition at Doyle & Doyle in September.

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These exquisite micromosaic pieces date to the mid-19th century and are hallmarked for the Vatican Workshop of the Papal State.The Vatican’s mosaic studio was founded in the 16th century, its skilled artisans create artworks commissioned by wealthy patrons and pieces for the Pope to give as gifts. The Sistine Chapel ceiling by Michelangelo, Saint Peter’s Square designed by Bernini, and Raphael’s “The School of Athens” are among the many masterpieces you can discover at the Vatican. Originally founded in the 16th century, the skilled artisans working in the Vatican’s mosaic studio create pieces for the Pope to give as gifts and artworks commissioned by wealthy patrons. They also oversee and maintain the ten thousand square meters of colorful mosaics that adorn Saint Peter’s Basilica. This bangle and brooch are beautifully made, featuring glass tesserae so tiny that the designs look like paintings in shades of red, blue, green, and white. Perhaps a wealthy young man purchased them during his Grand Tour through Europe, or they were gifts to an important Church official. No matter their origin, they are little works of art that display the incredible skill of the Vatican’s workshop.

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The collection includes other ecclesiastical jewels in addition to the Vatican micromosaics, including a variety of gem-set and enameled crosses from many different periods. This striking dimensional crucifix cross is Spanish from the 17th century, detailed with enamel and engraving that resembles wood grain. Although probably not original, we love it worn on the black ribbon choker, especially when layered with antique gold guard chains. Although these are museum quality jewels, they’re definitely wearable!

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There are also charming examples of sentimental and devotional jewelry. The rose cut diamond encrusted heart hangs from a sweet rose gold dove. The diamonds are foil backed and you can see hints of pink, gold, and even green reflecting through the stones. The rare late 17th century Spanish reliquary pendant is a small compartment that holds a tiny bit of a saint’s blood. It’s backed by a hand painted figure of a female saint and framed by emeralds and garnets. This type of jewel was probably a private devotional artwork. Spain being an intensely Catholic country, people believed in the power of saints to affect their daily life. In additional to more traditional liturgy, 17th century Spaniards prayed to their personal saint to intervene and make their lives better.

6 doyle doyle arts and crafts turquoise pendant art nouveau enamel winged female pendant Gaston Laffitte

The other half of this incredible collection is comprised of museum quality Arts & Crafts and Art Nouveau jewelry. The Arts & Crafts Movement was a direct response to the mechanization and poor working conditions engendered by the Industrial Revolution in the mid-19th century. Adherents looked to the Middle Ages, nature, and popular folk art for inspiration, seeking to return to an idyllic time before mass production. Shying away from precious materials, Arts & Crafts jewelers favored readily available gemstones, such as garnet, amethyst, citrine, opal, and moonstone. The delicate gold pendant is British, comprised of hand wrought wirework set with bright blue turquoise and glowing moonstone.

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By the end of the century, Art Nouveau artists took the theme of nature to the next level. Art Nouveau jewelry often incorporated idealized female forms with swirling, whiplash hair framed by sensuous flora, like this striking silver mirror locket. Dating to 1900, this lovely piece is hallmarked for French jeweler Lucien Coudray. Coudray specialized in engraving medals and won several prizes for his artistry. Another popular form was a winged female with gossamer enamel wings studded with tiny gems or pearls. This statuesque dragonfly woman was created around 1900 and bears the hallmark of noted Art Nouveau jeweler, Gaston Laffitte. The light filters through the translucent green plique-a-jour enamel wings, creating a delicate stained glass effect.

This is just a small preview of the incredible historic collection – want to see it all? Doyle & Doyle is putting on a public exhibition in September. Email [email protected] for more information and to get on the invite list!

This post was contributed by Juliet Rotenberg of Doyle & Doyle, thank you!!

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Why is it so Hard to Find Peridot Jewelry I Like?

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All photos above provided by Market Square Jewelers

Peridot is the birthstone of August, and many of us have come to find that August babies either love it or they hate it. Perhaps the ones that hate peridot haven’t had the same exposure to the gem as myself.

The peridot I know and love is a vibrant yellowish green that pops against yellow gold in such a magnificent and esoteric way. In Ancient Egypt, peridot was known as the Gem of the Sun and rightfully so. A well-cut peridot rivals the beauty of emerald and demantoid garnet, for a fraction of the cost.

In theory, peridot is plentiful and affordable. But while peridot is prized for its lavish and distinct coloring, it can be a struggle finding peridot jewelry that’s worth obsessing over. Unfortunately, so many factors work against peridot becoming an inexpensive jewelry staple like amethyst.

Here are some reasons why it’s so hard to find peridot jewelry I like:

1. Commercial Grade Peridot is Undesirable At Times

As far as amethyst goes, even commercial gems have the ability to be beautiful depending on the cut and hue. In contrast, most commercial peridot on the market looks the same – like small bits of washed out baby food. Too harsh? Based on how many uninformed people hate peridot, maybe not. When the cut is shallow, most of that lovable, vibrant green shade fades to almost clear, and there’s not much left to get excited about.

2. The Lime Green Color Can be Limiting in Design

I can’t recall ever seeing peridot in a white gold design that I liked. Let’s face it, peridot looks best in yellow gold. Most stones have a metal that complements it best, but with peridot, setting the stone in white or rose gold can be absolutely detrimental to the design. If you happen to love peridot in white gold, don’t let me turn you away. But this is why we see less peridot designs on the market than we do more versatile green stones like emerald that happen to look amazing in platinum and rose gold.

3. Large Peridot Stones are Significantly More Expensive

Larger peridot stones tend to maintain their deep coloring better than smaller stones. However, the larger the peridot stone, the more expensive it becomes. I can find affordable amethyst stones that weigh more than 4 carats very easily. Trying to find that same size peridot stone will set me back significantly more money, which is very limiting when jewelry shopping. It’s easy to find smaller peridot stones in places like Arizona and China, but the larger sizes are much more scarce globally, thus impacting the market overall.

4. More Awareness = More Demand

As more people become acquainted with that peridot sweet spot – the stones that are vibrant and well-cut – the demand naturally increases. Supply for quality peridot designs doesn’t fully match this new-found demand, which causes an increase in price and scarcity. This means I’ll have to be hunting for peridot jewelry instead of simply browsing for it. Instead of 10 great options, I may only find 5, and even then, I’ll be competing with other buyers looking for the same item.

With all the reasons why I have so few peridot pieces in my collection, I figured it best to reiterate that it’s not impossible to find worthwhile peridot jewelry. In fact, one of our favorite shops Market Square Jewelers, we feel, has the best selection of peridot jewelry! The photos above are provided by Market Square Jewelers and all the pieces are available for purchase! You can check out their website for more peridot jewelry here.

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

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Q & A and Visit with Raquel Alonso Perez of Harvard’s Museum of Natural History

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My very last stop while in Boston, hours before my flight took off, I had planned the best parting gift–a visit to Harvard University’s Museum of Natural History! Sounds dreamy, right?! Well it is and then some. An entire room filled with thousands of minerals and gems is open to the public on Harvard’s campus, and Raquel Alonso Perez was there to give me a full tour, including some majorly fun behind-the-scenes stuff. I honestly think my one-on-one time with Raquel had taught me more in one hour than my entire Freshman year at college! I didn’t want to leave! I got to hold pieces of gold that came out of the ground looking like sculptures, play with rough diamonds, see some incredible gemstones, and the highlight of my day was getting to spend some time with the Hamlin Necklace–rare and notable because of its gigantic tourmalines it showcases, which are all from the same mine in Maine!

Raquel’s hospitality, warmth and passion to share with me what she does at the Mineralogical & Geological Museum was accepted with much gratitude and I had so much fun! Here’s some insight into what Raquel does, illustrated with photos from my visit! Enjoy!

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I serve as the Curator of the Mineralogical and Geological Museum (MGMH). Our collections date back to 1798! After 230 years of collecting, the MGMH is one of the oldest, largest and continuously operated mineralogical and geological museum, built for the nation and world-renowned for its fine quality collections, broad representation of species, unique occurrences and large number of type, described, and illustrated specimens. Our repository has become a true library of the earth with over 400,000 objects divided in 4 main collections: minerals, gems, meteorites and rocks. My role as Curator is to provide access to the world-class Earth Science collections at Harvard University, encouraging its use for teaching, research and public education. The favorite part of my job is research and all teaching and academic related activities, in addition to working with the dedicated team of people at the MGMH, the Earth and Planetary Science Department and the Harvard Museums of Science and Culture, HSMC, where our public gallery is located.

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In total, the museum has around 400,000 objects divided in 4 main collections: minerals, gems, meteorites and rocks and ore deposits. Only 3550 individual mineral specimens are on display at the Museum, 145 of these include a gemstone of the same variety. My favorite examples are in the wider variety of crystals and gemstones. For example, the beryls, we have a whole case of them displaying 40 specimens full of light and color. I also love the tourmalines, with all of the different kinds displayed with bi-color and watermelon elbaites from Maine, USA. As you can imagine, we have a strong collection of New England minerals, gems, and rare species. We receive a lot of donations, but we couldn’t display our entire collection, even if we wanted! Space is a major constraint, but not the only one. We also have to make hard choices about what to share in order to fulfill the Museum’s mission. Our museum is not only about highlighting aesthetics. We also need to prioritize the display of specimens that will also serve reference and research purposes.

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I am a geologist by training specialized in mineralogy, gemology, geochemistry and petrology. There are too many “logy’s” in there! These branches of Earth Sciences come together in a fascinating way, giving color and texture to the world we inhabit. In 2006 I completed my PhD at the ETH in Zurich, Switzerland, where I studied how the earth crust is formed, by comparing it with artificial rocks produced in the lab. After graduation, I took a short break to have my two children, Marco and Amaya, and returned in 2009 to professional life to work as a research assistant at the Earth and Planetary Science Department, Harvard University. A year later I was hired as Assistant Curator to take care of the rock collection at the MGMH and got appointed head Curator of the entire MGMH collections in 2011.

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I’ve always wondered why minerals acquire a color and not other colors. We know so little about the chemistry and the physics involved! My passion, stimulated by my daily encounter with Harvard’s amazing collections, is to uncover the story behind nature’s color choices! My work in the past 2 years has been focused in tourmalines and beryls. The most common color of elbaites from Main, USA is green but they also come in blue, yellow, pink, colorless and with many different hues and tones. With the use of non-destructive analytical techniques, I was able to determine the chemical distribution, trace element patterns and color correlation in a suite of elbaites from Maine, Hamlin Collection. In addition, this non-destructive dual-technique used in this study (Confocal Micro Raman Spectroscopy and LA- ICPMS, laser ablation-induced coupled plasma-mass spectrometry) has great potential to be applied to other gemmological materials to also distinguish provenance, natural versus synthetic materials and treatments. My current project aims to better understand the formation of emeralds, and is focused on the geology of the emerald deposit of Irondro, Madagascar. In fact, I mostly focus on rocks from Madagascar, which is a blessing, since the MGMH is quickly becoming the main repository of minerals, rocks and gemstones from this part of the world. I also benefit from the museum’s vast network. I sometimes end up requesting research material from friends, donors and supporters of the Museum from faraway lands! However, my main priority and where most of my work goes is into ensuring that the MGMH’s collections are curated according to the highest standards of museum best practices for their preservation in perpetuity and use by future generations. Digitization plays an important role to achieve these goals and our ambition to open them up to a wider audience, especially those concerning research, education and public outreach, which will result in an online database of our collections sometime in the fall of 2017.

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Every day, in the environment I am, could end up being a highlight and making you proud of the work you do, especially when it can impact other people life’s. I would like to share with you a portion of an e-mail I received from one of the female students attending my class at the Harvard Summer school as a beautiful example. “..Here again I want to say thank you for bringing me my best summer ever. I really enjoyed the lecture. Every time when listening to the lecture, I really feel I’m being educated and have more knowledge on mineralogy and gemology. The happiness of gaining knowledge is hard to express; it’s like seeing the moon coming out of the clouds and lighting up a street in the dark midnight. Also, I love the labs. I feel so good identifying minerals by myself, putting everything I learnt into use. I’m also fascinated by the gemstone experiments. I can’t wait to get a full set of tools and practice in the gem markets back in China. What I really want to appreciate is that for all your support for me to do more microscope experiments. I know that doing the experiment before class means you have to skip lunch, I’m really sorry. The experiment is so incredible, I never see those features before, and I couldn’t fully understand everything without doing the actual experiment. The image is fantastic. I gasp that people ever create those ways for examine stones. What I like most is the field trip. The behind the scene of the museum is awesome. I never thought that museum work would be so interesting. There are so many stories behind every collection! I also really really like the field trip to mine. You became my idol when you drove the van packed with all of us and fed us snacks. Working in the field is so different and I think I need more field work to really become a geology people. I sometimes feel so shame that I learned so much knowledge but still like a baby when put in the field. However, going to the field makes a lot of knowledge easier to understand. In the mine, when I saw you standing on the shiny mica mountain, I feel like you are one of the best women in the world—- a woman who could stand in the field with knowledge, and explore the earth, go right after the unknown, a kind of woman I really want to be. It is this summer that I, for the first time in forever, really willing to go to university; not because it is what everybody do, but because all the knowledge and skills I could get, all the resource I could access, and all the fantastic professors in the future I will meet to motivate my life..”

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My best piece of advice for anyone in general is to follow their passion, work hard, overcome challenges, focus and don’t give up! The combination of passion and perseverance will bring you where you want to be.

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WANT MORE? You can follow Raquel on Instagram —> @raquelalonsoperez

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The Ten Best Rings Currently For Sale at The Three Graces

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One of my most frequently asked questions I get is, “where do you find all these amazing vintage and antique jewels?!” And my answer may surprise you, as most would envision me scouring flea markets, old attics and the like to find things like these featured above. It might be easy for me to say ONLINE and it is totally true. Websites like The Three Graces do the hard work for you, scouting out the most unique, wearable and head-turning jewels out there and we should appreciate that! I like knowing that anytime I go on TheThreeGraces.com I can find a whole new batch of sparkly, rare, vintage and antique pieces that expert Lisa Stockhammer Mial has sourced, authenticated, cleaned up and ready for its next lifetime. They also have some pretty special perks like a “no questions asked, free return policy,” offer layaway, and most every ring can be sized to fit! And what is easier than simply logging on to a website and ogling over New Arrivals?!

I got to do just that when choosing my favorite top ten rings that are currently for sale at The Three Graces. A mix of pieces I would love to own, rings that remind me of some favorites from my personal collection, and some that I can’t believe are still available (quick, grab them before someone else does!). Let’s start from the top!

Emerald Art Deco Ring & Diamond Filigree Halo Ring

1. There’s something unique about an Art Deco ring shaped like this emerald and diamond one! Not only does it elongate the finger, but it surely gets people staring. I love how delicate yet statement-making this ring is. Set in platinum with a stunning emerald, currently a size 6.5 and ready for a finger to shine on! Price: $4,950

2. At first I thought this would make such a beautiful engagement ring but then I saw the photos created by The Three Graces with my picks and I am really loving how this ring also looks as a right hand ring! I love when rings are versatile like that and this one definitely doesn’t have a bad angle even if you tried. The center diamond is just over a half carat and has a gorgeous sparkle to it. Price: $3,650

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Deco Rock Crystal Ring & Large Moonstone Sapphire Cluster Ring

3. This ring is one of the best examples of rock crystal jewelry I’ve seen! I love the contrast of the blue sapphires along with the frostiness of the crystal and white diamond. This ring would be a perfect anniversary or birthday gift and I can almost guarantee this will get a lot of wear–it goes with everything! It is currently a size 7 1/4 and done in 14k white gold. Price: $1,350

4. If you know my personal collection as well as you know your own, you will understand why I HAD to choose this grand moonstone and sapphire ring! I have an almost identical one in my collection and the compliments that I get on it are nonstop. If you’ve been wanting to find something similar, this is it! Currently a size 5 1/2 with 2.88 carats of bright blue sapphires. Price: $4.450

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Antique Citrine Ring & Vintage Amethyst Halo Ring

5. A pop of yellow added to any outfit instantly brightens everything! That’s why I love this citrine ring so much–I quickly become happy as soon as I look at it. I think this would be an ideal ring to wear in the summer and it could easily transition to fall wardrobes and colors. This art deco ring is currently a size 4 1/2 and can be resized for its new owner. Price: $1,275

6. Purple was my favorite color for most of my childhood. Anyone lucky enough to have a February birthdate can call amethyst their birthstone and this particular ring would be perfect for you. Or if you’re like me and just love the color purple, then yes you deserve this ring too. Currently a size 8 1/4 and can be sized to your liking. Price: $1,350

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Bohemian Turquoise Ring & Bold Opal Cluster Ring

7. Turquoise is one of my most favorite gemstones–I can’t get enough of it! When most people think of turquoise, they think of Persian turquoise and although that is most desirable and valuable, I actually like when turquoise shows veining, different patterns and depth of color. This particular ring has great natural veining and I love the design–simple yet bold! The ring is done in 8k yellow gold and currently a size 6 3/4. Price: $650

8. So we all know my obsession with opals and if I didn’t have so many opal rings, THIS would be in my virtual shopping cart right now. Everything about it is amazing to me–the design (large oval cluster), the opals (a nice play-of-color that glows in the right light), and the size (big and bold). Don’t miss out on this vintage one-of-a-kind, done in 10k yellow gold. Price: $2,195

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Edwardian Diamond Heart Ring & “Four Corners” Sapphire, Diamond Ring

9. Never thought I’d be such a sucker for hearts, but I absolutely love them, especially the antique versions. This is an exceptional ring, dating back to the Edwardian period and set with rose cut diamonds in a silver topped setting. The band is done in 14k yellow gold and currently a size 5 1/2. If you love heart jewelry as much as I do, you won’t let this one slip away! Price: $3,850

10. Ok, this ring is one that will stop you dead in your tracks and I’m so in love with it! The design is really unique–The Three Graces describes it perfectly by saying, “modernist flavor with strong design elements.” The intensity of the blue sapphires is insane and it is one in a million. This ring deserves a good home that provides lots of love and care! 😉 Price: $4,450

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This sponsored post was brought to you in collaboration with The Three Graces.

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