Top Five Jewelry Moments in Movies

Jewelry in Movies | Gem Gossip

Who else finds warming satisfaction when a strong female protagonist hits the big screen donning some breathtaking jewels? One of most inspiring qualities in a female role is a strong sense of self, unabashedly confident in expressing her feminine side. A trinket may not make the woman, but it can help the woman embrace and reflect qualities like beauty, grace and sophistication — all of which should be celebrated.

Sure, it’s easy to think of lavish jewelry as unnecessary, ostentatious or vain, but those who only think in such boxed-in terms are missing some integral points. Jewelry may at times reflect things like status, but at its heart, it is art and it is precious. It is sentimental and it is transcendent. Perhaps that’s why I like jewelry in movies. It can be more easily admired in relation to the women that wear it, however complex those women are.

Whether you love jewelry with a story or you just like jewelry, perhaps you’ll enjoy this list of my top five favorite jewelry moments from the movies. They all just so happen to include antique jewelry in one form or another.

Titanic

Kate Winslet’s character, Rose wears some stunning jewelry in Titanic. But none are more regarded than the Heart of the Ocean, which is a fictional blue diamond necklace not to be confused with the Hope Diamond. The necklace used in the movie was made with CZs by Asprey & Garrard.

Gone with the Wind

In the 1938 film, Gone with the Wind, Vivien Leigh’s character, Scarlett has more jewelry moments than I can count. If you’re up for a Google search, find the mourning scene where she wears a large cameo brooch on her collar. The heirloom was borrowed from the costume designer’s mother and depicts a figural riding atop a bird. Amazing.

Moulin Rouge

Set in 19th century Paris, Moulin Rouge is perhaps the most decadent on this list. I mean, look at that necklace! Nicole Kidman’s character, Satine is wearing a gorgeous Belle Epoque festoon necklace with just over 1,300 diamonds. The fictional necklace was made by Stefano Canturi.

Marie Antoinette

Historical and poignant, Kirsten Dunst does a fine job humanizing Marie Antoinette in this film, as directed by Sofia Coppola. It’s worth noting that many argued the film didn’t fairly portray how overly and unnecessarily decadent the royal family was. All the antique jewelry you see is by Fred Leighton.

The Great Gatsby

Art Deco fans rejoice! Whoever was in charge of costume design for the recent adaptation of The Great Gatsby did a marvelous job capturing the era. Carey Mulligan, who plays Daisy, is seen wearing vintage jewelry from Tiffany & Co.

What are your favorite jewelry moments from movies? Let us know in the comments!

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

Thanks to Gossip Gem

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Jewelry Collection Stories: Lindsey of @ParkAvenueAntiques

Park Avenue Antiques Park Avenue Antiques Park Avenue Antiques Park Avenue Antiques

I’ve followed Lindsey of Park Avenue Antiques for a very long time! My first interaction with her was sort of humorous–I remember being on my way out the door to go antiquing for the day with my mom and sister. I was waiting on a ring to go up on the auction block so I unpleasantly made them wait until it did, not realizing it wouldn’t be until another 45 minutes. I can’t remeber exactly why I lost out on the ring, but while in the car finally on our way, I took a screenshot of the ring and posted it on Instagram with the caption, “Who outbid me on this portrait ring?! Confess!!” Lindsey was sweet enough to message me to tell me she had been the final bidder on it and graciously offered it for sale. A story too good to be made up, I’ve treasured that ring ever since! Over the years, we’ve continued to follow each other–even one point I tried meeting up at an antique show, but kept missing her! Hopefully meeting will be in the cards for us in the future, but until then…let’s check out her amazing jewelry collection!

Like many of you, I have been attracted to sparkly things for as far back as I can remember. As a little girl, I collected rocks and minerals, little buttons and sea glass. My father was an antiques dealer and the two of us were always on an “antiquing adventure”. One of our favorite places to visit was Roycroft Antiques in East Aurora, NY. They had a wooden whisky barrel filled with buttons and beads and I would dig through that barrel until my hands were black! Who knows what I thought I’d find in there! It was all about the hunt….

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I share this silver filigree necklace with my daughter Cameron. The three Edwardian silver bears represent her and her two brothers.

Around the age of 5, we moved to Hershey, Pennsylvania. It was a difficult transition. My parents both worked two jobs and I was home alone a lot. My mother always found ways to show me how much I was loved and that she was thinking of me. She came up with a hide and seek game we called “Rubber Legs” which involved hiding a yellow plastic figure. Before she left for work in the morning, she would hide Rubber Legs somewhere for me to find. Then I would hide him somewhere for her. I almost always hid him in her antique spool cabinet/jewelry box. It was a magical place where I wasn’t supposed to “dig around” but I couldn’t help myself! There were sparkly rings, beautiful strings of trade beads, flapper necklaces and cameos. She had all kinds of treasures but my favorite piece was a little gold acorn charm that rattled when shaken.

Once we moved to Hershey, adventures in antiquing with dad still continued. He opened an antique lighting shop in Adamstown, PA in the Black Angus Antiques Mall. Most Sundays I would tag along to help him but really spent most of my days with other dealers. I was fascinated with their knowledge in various fields and eager to hear their stories. This is where my love for jewelry and antiques really started.

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LEFT: Georgian sapphire and rose cut diamond bow brooch in silver topped gold, purchased at the Las Vegas Antique Jewelry & Watch Show

When collecting jewelry became a serious passion, I invested in books. Jewelry books on private collections, construction, symbolism, intaglios, various periods and markings. My jewelry library has helped me to educate myself and develop a true respect for the craftsmanship and symbolism that these pieces hold. I try to add one book to my collection every month. I would encourage any aspiring jewelry collector to do this as well.

RIGHT: Eight years ago, I was newly divorced and the only jewelry I had was my and my grandmothers wedding ring. I put some money aside and decided I’d like to create a piece of jewelry that would represent my family. I hoped to create a ring that could be passed on to one of my children. The first jeweler I went to was a rather unpleasant experience. I nearly gave up on my idea but decided to give it one more try. This is when I met Skip Colflesh, the owner of The Jeweler’s Bench in Hershey, PA. He helped me create the perfect ring. We used the diamonds in my grandmothers wedding ring, my engagement ring and each of the children’s birthstones. The first time I saw the ring it was an emotional experience. It was a perfect representation of my life’s journey. The diamonds no longer felt like the loss of a loved one or a failed marriage – they were now something beautiful and very personal. But more than that, I was so grateful for the friendship that had come out of designing the ring together. Skip has become one of my dearest friends and also my mentor. Friends make all the difference.

Park Avenue Antiques

I really don’t have a specific type of jewelry or period that I collect. I am mostly drawn to gemstones and figural pieces but my collection is quite varied. My most heavily worn pieces of jewelry are my watch chains. I love connecting them together for different looks and wearing them with various pendants.

Here are a few of my favorite necklaces:

LEFT: Painted enamel mourning locket depicting a young girl and her dog. It reads “Mary Rutherfurd Prime April 16, 1810 – Died September 9, 1835”

SECOND FROM LEFT: Opal pendant from Arts & Crafts Movement. This pendant reminds me of my favorite spring flower, lilac, and the opals are absolutely electric. I bought this in an antique store in England.

THIRD FROM LEFT: Not easy to pick a favorite, but if I had to, this would be it! Raj Era moonstone pendant from @saintespritofchelsea Beautifully crafted in silver and gold with huge shimmering moonstone cabochons.

CENTER: 19th c Kerosang with faceted white zircon.

Park Avenue Antiques

Here are a few of my favorite rings:

Victorian era amethyst and pearl serpent ring was purchased from David Ashville of Ashville Fine Arts.

The kunzite and diamond ring I bought from @blackamooruk. I believe this ring was originally an early 20th century brooch that was carefully converted. I love the size of the kunzite and it fits my finger perfectly.

The Victorian topaz ring was purchased from @ishyantiques.

The art deco moonstone ring is one of my favorites. It was purchased from Brad Wilson of Wilson’s Estate Jewelry in Philadelphia, PA.

The massive cameo ring I created using a 19th century cameo from @antiquestoreinwayne and a custom gold setting created by Skip Colflesh @thejewelersbenchofhershey.

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LEFT: Agate tree ring – This is one of my creations. I used an agate sourced from an old cufflink mounted in a setting made by @thejewelersbenchofherehey Victorian chrysoberyl and gold band @westandsonjewellery

RIGHT: This is my most recent purchase. My dear friend Will @martindaleasianarts recently took me on a day trip to a quaint town about an hour outside of London where I found it in an antiques shop.

Thank you for giving me this opportunity. I am honored to be a part of the Instagram jewelry community. Your posts have greatly enhanced my knowledge and appreciation for all types of jewelry and the friendships that have developed because of our shared passion for jewelry are priceless to me.

xoxoGemGossip

WANT MORE? Check out the other Jewelry Collection Stories

You can follow Lindsey –> @ParkAvenueAntiques

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Leslie Hindman Auction: September Sale is INCREDIBLE

Leslie Hindman: Lot 87

You’ll be enchanted forever by this ring, up for bid at Leslie Hindman Auction in Chicago, IL — this is lot 87 in the three-day bidding extravaganza.

Leslie Hindman: Lot 377 Leslie Hindman: Lot 378 Leslie Hindman: Lot 379 Leslie Hindman: Lot 380

Four mesmerizing opals are on the block at Leslie Hindman, day one, and they come back-to-back in lots 377-380. Get your bidding paddles up!

Earlier this year, I got the opportunity to get a behind-the-scenes look at the Leslie Hindman Auctioneers jewelry headquarters in Chicago, IL. To say I’ve got some perspective on how an auction house runs is far from the truth, but I came away being able to put faces with names, insight into a typical day, and a brief intake of the enormous amount of sparkle the jewelry department works with. It was one of my most favorite experiences of this year! Now when I hear that Leslie Hindman has an upcoming auction this September (the 10th-12th to be exact) I have more context of the event, as they are excited to bring a three-day extravaganza with some heavy and hard-hitting bidding in the future. This three-day auction will feature over 1500 items of all price points and eras. If you like big and bold, Victorian or Modern, opals or rubies, they’ve got something for everyone.

Let’s take a look at some of my top picks:

Leslie Hindman: Lot 6 Leslie Hindman: Lot 55

Lot 6: Nothing beats an Etruscan Revival basketweave wrap bracelet! This is such a fine example and I love the gemstones used on it–sapphire and diamonds! It gives it a cool look against the warm yellow gold. I also love the granulation work, in both excellent and ready-to-wear condition. This piece may date back to 1870, but never looked more trendy than on an elegant wrist in 2017. Estimate: $3,000-5,000

Lot 55: Lately I’ve written several articles on engagement rings and I’ve been finding that women are wanting something traditional but with a twist! This ring speaks volumes with just the small accent sapphires, as it makes the ring totally unique. The piece is Art Deco and set with a 3.24 carat Old European cut diamond in the center. Love the style and think it should belong to someone who will treasure it as an engagement ring. Estimate: $10,000-15,000

Leslie Hindman: Lot 68 Leslie Hindman: Lot 86

Lot 68: I’ve seen the benefits of purchasing pieces that are convertible and this is a fine example of a two-in-one! Meet the silver-topped diamond pendant/brooch of your dreams. This piece totals over five carats of old cut diamonds and radiates from every angle. I could picture it being worn on a chain or worn pinned to a collar. The possibilities are really endless. Estimate: $4,000-6,000

Lot 86: The only kind of bugs I like are jewelled insects! This guy is one for the books–look how cute he is. Set with rose cut diamonds all-original to the piece and a jaw-dropping opal back. I love the detail on the textured gold legs and the ruby eyes. It’s all in the details. Estimate: $2,000-3,000

Leslie Hindman: Lot 111A Leslie Hindman: Lot 118

Lot 111A: Plique a jour is jewelry’s version of stained glass and I must say, I don’t own a single piece of this beautiful artform. These earrings though, should and would be the best first piece of plique a jour to add to my collection. I love the colors and I love the design. They are 18k yellow gold and feature 12 brilliant cut diamonds. Estimate: $500-700

Lot 118: This diamond and ruby ring stopped me in my tracks. Wow. It is done in platinum and set with a marquise cut in the center, with calibre French cut rubies and round diamond accents. It is pristinely made and you can see the remarkable craftsmanship even in the photo alone–now I want to see it in person! It could be yours on September 10th. Estimate: $4,500-6,500

Leslie Hindman: Lot 124 Leslie Hindman: Lot 300

Lot 124: This ring is so cool for so many reasons! Let’s start with the fact that it has contrasting metals–rose gold and platinum. The design is also pretty amazing, and the different metals really play off this element. The rubies are actually different, if you already couldn’t tell–one is synthetic and the other is genuine. Such a stunning ring. Estimate: $4,500-6,500

Lot 300: The coolest earrings I ever did see. These are actually diamond studs with detachable jackets that easily slip on/off the earring posts. There are four jackets total, so lots of possibilities here! And the style of these has never been more on-trend. Geometric and angular, love them. The diamond studs total 2.26 carats. Estimate: 3,000-5,000

Leslie Hindman: Lot 487 Leslie Hindman: Lot 509

Lot 487: I had to include this insane emerald ring because of its colossal size–then I read further and realized it is a piece by Judy Geib. A true artist who hand makes everything herself–fun fact: did you know she taught herself how to make jewelry? No formal training. Her pieces are known for their juxtapositions–like beauty and rawness, fine gold mixed with silver. Estimate: $4,500-6,500

Lot 509: Iconic and chic, I had to include this cuff bracelet from Verdura into my favorites list! It is easily recognizable as a Verdura statement piece. Done in 18k yellow gold, set with peridot, amethyst, and diamond and complete with the Maltese cross enameled in black. What a special bracelet. Estimate: 28,000-38,000

This sponsored blog post was brought to you in collaboration with Leslie Hindman.

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SEPTEMBER SALE: September 10th-12th

www.lesliehindman.com

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Doyle & Doyle Debuts Rare Collection of Antique Jewels

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Doyle & Doyle is thrilled to debut pieces from a spectacular cache of rare antique jewels, all acquired from a single collector. Including jewelry from ancient Rome, 17th century Spain, and 19th century France, these are the best examples of their type and many are hallmarked by well known jewelers. Keep reading for a sneak peek of the historic collection before it goes on exhibition at Doyle & Doyle in September.

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These exquisite micromosaic pieces date to the mid-19th century and are hallmarked for the Vatican Workshop of the Papal State.The Vatican’s mosaic studio was founded in the 16th century, its skilled artisans create artworks commissioned by wealthy patrons and pieces for the Pope to give as gifts. The Sistine Chapel ceiling by Michelangelo, Saint Peter’s Square designed by Bernini, and Raphael’s “The School of Athens” are among the many masterpieces you can discover at the Vatican. Originally founded in the 16th century, the skilled artisans working in the Vatican’s mosaic studio create pieces for the Pope to give as gifts and artworks commissioned by wealthy patrons. They also oversee and maintain the ten thousand square meters of colorful mosaics that adorn Saint Peter’s Basilica. This bangle and brooch are beautifully made, featuring glass tesserae so tiny that the designs look like paintings in shades of red, blue, green, and white. Perhaps a wealthy young man purchased them during his Grand Tour through Europe, or they were gifts to an important Church official. No matter their origin, they are little works of art that display the incredible skill of the Vatican’s workshop.

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The collection includes other ecclesiastical jewels in addition to the Vatican micromosaics, including a variety of gem-set and enameled crosses from many different periods. This striking dimensional crucifix cross is Spanish from the 17th century, detailed with enamel and engraving that resembles wood grain. Although probably not original, we love it worn on the black ribbon choker, especially when layered with antique gold guard chains. Although these are museum quality jewels, they’re definitely wearable!

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There are also charming examples of sentimental and devotional jewelry. The rose cut diamond encrusted heart hangs from a sweet rose gold dove. The diamonds are foil backed and you can see hints of pink, gold, and even green reflecting through the stones. The rare late 17th century Spanish reliquary pendant is a small compartment that holds a tiny bit of a saint’s blood. It’s backed by a hand painted figure of a female saint and framed by emeralds and garnets. This type of jewel was probably a private devotional artwork. Spain being an intensely Catholic country, people believed in the power of saints to affect their daily life. In additional to more traditional liturgy, 17th century Spaniards prayed to their personal saint to intervene and make their lives better.

6 doyle doyle arts and crafts turquoise pendant art nouveau enamel winged female pendant Gaston Laffitte

The other half of this incredible collection is comprised of museum quality Arts & Crafts and Art Nouveau jewelry. The Arts & Crafts Movement was a direct response to the mechanization and poor working conditions engendered by the Industrial Revolution in the mid-19th century. Adherents looked to the Middle Ages, nature, and popular folk art for inspiration, seeking to return to an idyllic time before mass production. Shying away from precious materials, Arts & Crafts jewelers favored readily available gemstones, such as garnet, amethyst, citrine, opal, and moonstone. The delicate gold pendant is British, comprised of hand wrought wirework set with bright blue turquoise and glowing moonstone.

7 doyle doyle art nouveau plique a jour enamel necklace Gaston Laffitte silver locket Lucien Coudray

By the end of the century, Art Nouveau artists took the theme of nature to the next level. Art Nouveau jewelry often incorporated idealized female forms with swirling, whiplash hair framed by sensuous flora, like this striking silver mirror locket. Dating to 1900, this lovely piece is hallmarked for French jeweler Lucien Coudray. Coudray specialized in engraving medals and won several prizes for his artistry. Another popular form was a winged female with gossamer enamel wings studded with tiny gems or pearls. This statuesque dragonfly woman was created around 1900 and bears the hallmark of noted Art Nouveau jeweler, Gaston Laffitte. The light filters through the translucent green plique-a-jour enamel wings, creating a delicate stained glass effect.

This is just a small preview of the incredible historic collection – want to see it all? Doyle & Doyle is putting on a public exhibition in September. Email [email protected] for more information and to get on the invite list!

This post was contributed by Juliet Rotenberg of Doyle & Doyle, thank you!!

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Want more?! To check out the store tour of Doyle & Doyle, click here.

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

MFA Boston | Gem Gossip

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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xoxoGemGossip

WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Jewelry Collection Stories: Emily of @GemCircus

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We are kicking off July with an incredible jewelry collection story from Emily, also known as @GemCircus. If you’re a part of the jewelry Instagram community, you’ll easily recognize some of the jaw-dropping pieces in Emily’s personal collection. From the way she styles her necklace layers, to ring stacks, arm parties, and everything in between, we love her taste and enthusiasm for antique jewelry. I’m so excited she has agreed to share her story with us, so let’s sit back and enjoy:

My love for vintage and antique collecting started when I was a teenager, after my family moved to Vancouver, Canada, from Hong Kong in the early 1990s. I remember it was July when we arrived and I would walk to the nearby library every other day to borrow books to read (our container didn’t arrive almost a month later so all I have in my room were merely a bed, a built-in closet and my backpack). I started to notice our neighbours’ garage sales in my walks and I was amused at the things people were selling – from snow cone machines to music records, jewelry to stuff toys. That summer of looking through other people’s belongings and engaging in rapports gave me a sense of belonging and connection to the community. Ever since then I have become a frequent visitor to community flea markets, thrift shops and antique shows.

My jewelry obsession started around early twenties with vintage jewelry, in particular charms and silver filigree bracelets. I love to style them on mixed metal chains and I still love styling them now.

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I wasn’t picky and didn’t have a favourite period at that time so I usually picked up quirky little things like brooches, pins, jewel “plaques” (which I found out they were called “clasps” later) etc. Even though my collecting seemed to be random at that time, I was already drawn to jewelry that have motifs, like this brass crescent with hand and arrow and the clasped hand ring that I found in a thrift store. Looking back, I believe my love for antique sentimental jewelry originates from this pair!

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A lot of my Instagram followers already knew that I adore Georgian and Victorian sentimental and mourning jewelry, as well as portrait jewelry. This probably relates to my “innate sensitiveness” (as Carl Jung coined it) and the way I see jewelry as not merely an adornment but also a medium for expression, an art, an identity of who we are.

After I started reading books on lover’s eye, portrait miniature and mourning jewelry, I became obsessed with researching stories behind the jewelry that I collect. I realized that the brass crescent and the hand motif ring are not ‘funky little things’ as I thought in my teenage days, they actually carry specific meanings – love, new relationship and friendship – in the Victorian era. As my jewelry collection matures over time, I began to search for jewelry with motifs or meanings, like the urn, masquerade (masked lady), hand (figa, clasped hand, claddagh), heart (double-heart, flaming heart), star and crescent, buckle, swallow, snake, fern, acoutistic (“REGARD” and “DEAREST”) and Halley’s comet etc.

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I like to think that every piece of antique jewelry carries its own story of those before us, and I’m a custodian carrying on its legacy while creating my story with my collection. I love styling and always try to mix and match, experiment with different stacking and mixed metal, and do simple conversions to make every piece wearable. You can see from my Instagram photos that I’ve worn a big opal crescent brooch with another monkey brooch in the middle, stacked seven Art Deco wedding bands to make a statement ring, wrapped my wrist with antique chains and added a micromosaic brooch on top, stacked an Art Deco paste bracelet with a Hermes red enamel bangle, wore brooches on hats, and layered antique gold chains with watch chains. The fun is endless!

I shop everywhere but recently it’s largely online as there aren’t any antique jewelry shops in Hong Kong. I love the Instagram community as I’ve met so many wonderful souls (many of whom have become friends for life) around the world that share my obsession in antique jewelry. I always visit antique and jewelry shops when I travel too. It has been a tradition to bring back a piece of jewelry from each city that I visit.

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One of my obsession is Georgian masquerade jewelry: masked lady ring with ruby bonnet and rose cut diamonds from @karendeakin.antiques ; locket from @abrandtandson and the most recently acquired oval ring from @bijouxvictim

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Ring stacking is a daily essential for me: Georgian blue enamel rose cut diamond urn ring from @lenoredailey ; the moonstone on the mourning ring was a gift from my jeweler in Vancouver (he has kept it for 40 years!) and it fits perfectly on the bezel of the once empty mourning ring; flat cut garnet band from @antiqueanimaljewelry

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Mourning rings and figas: these enamel mourning rings are too big to wear so I usually wear them on gold chains as pendants. The twin coral figas were acquired from different continents yet they look so much alike. The one with emerald and diamonds was found in a UK auction and the one with seed pearl top was found in an antique show in Vancouver.

xoxoGemGossip

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Las Vegas Antique Jewelry & Watch Show 2017

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Taking on the Las Vegas Antique Show with Becca of BCE Jewelry, with Lenore Dailey at her booth and we ran into Sheri & Trina of Metier

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Both pieces here (left & right) are from DK Bressler and both are more than meets the eye: the dragonfly is En Tremblant and the diamond brooch can convert into other pieces of jewelry

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Two gorgeous booth photos, the left is Platt Boutique Jewelry and the right I cannot remember for the life of me!

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I loved these three rings from Excalibur Jewelry, especially the open metal work on the pointer, & the right photo features an incredible Lightning Ridge Opal set in a turn-of-the-century ring from M&C Stevens

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This large pendant/medallion made me smile, from Platt Boutique Jewelry and the photo on the right are my three favorites from Jacob’s Estate Jewelry

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Lenore Dailey’s booth is just jaw-dropping in its own right, so I always take a photo of it every year — the photo on the right is an incredible ring box full of the most beautiful pieces from Simon Teakle

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I think Blue Topaz gets a bad rap–this bracelet is crazy gorgeous, from Clayton Antiques and the photo on the right features a museum-worthy suite of early Victorian jewelry

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I always have to stop and stare at the crowns I see at the show! The right photo features some of the best rings I saw throughout the entire show–these three, from Under the Crown. Favorite stack ever.

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Always a sucker for hearts, I loved this opal brooch from DK Bressler and the photo on the right features three light blue enamel bracelets from Keyamour. Once in a lifetime shot right there!

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I love to see what Joden has and this time around this necklace caught my eye–from the black enamel to the mega gemstones, wow! The photo on the right is a ring tray seen at Mary Ann-tiques

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The combo of moonstone + rubies is so good, I think that is why I loved this bracelet from Mary Ann-tiques so much. Also this tortoise shell butterfly brooch–wow, so unique and all handcrafted. This one belongs to Platt Boutique Jewelry.

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A box of goodies found at Lucy Verity … the photo on the right are my favorites from Mary Ann-tiques, some rectangles and ovals!

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Sapphire stack from Excalibur Jewelry and the jewelry box on the right was seen at Lucy Verity–that snake bracelet is to die for and unfortunately a little too big on my wrist.

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Last photos come from Excalibur–clusters of sapphire and diamonds, which create this amazing bracelet…and the photo on the right are my favorites from Craig Evan Small.

I’ve always associated the Las Vegas Antique Jewelry & Watch Show with The Paris hotel, however this was the first year in a very long time that that particular location was changed. This year’s show was located at the Las Vegas Convention Center. I didn’t know what to expect at all and actually didn’t even know where the convention center was located in regards to where everything else is until the day of the show! To my surprise, I enjoyed the change–but I also will be happy when the show returns to The Paris next year. I attended on opening day and then again the following day, covering as much as I could on day one and attempting to pick up where I left off the next day. I had good company on the second day–Katie of Vada Jewelry (like last year) and Becca of BCE Jewelry who had never attended before! It was cool to see someone experience the show for the first time and she walked away with an awesome diamond cluster ring.

For some reason the reoccurring theme for me this year was large, circular pendants aka medallions. It seemed like every booth I visited, I spotted one or was attracted to one. I like how with every show, I’m not sure what I’m going to find or what I will be drawn to…it is always something different. I brought home a really cool medallion zodiac pendant, which I will share in another post! I also brought back nearly ten pieces to sell for @shopGEMGOSSIP, some of which have already sold but you can certainly browse what is still available.

From the gorgeous diamond crowns I spotted at several booths, to lots of diamond cocktail rings, there was some major selections going on at this show. Lots of buyers were going full force and commenting on what a great show it was. I noticed an up tick in traffic flow up and down the aisles and saw a lot of buying happening.

As always, I have the best time roaming the aisles, running into people I know and chatting with my favorite dealers. It is fun catching up with everyone and I can’t believe this was my sixth year attending the show. And even after six years, I still relish in finding awesome pieces and the thrill of the hunt definitely still lives on at these shows. I hope that never changes!

Thanks for another great year, Las Vegas Antique Jewelry & Watch Show…can’t wait until next year!

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Read my other posts from the same show, years of the past:

2016

2015

2014

2013

2012

2011

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Dupuis Important Jewels Auction Set for June 11, 2017

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Canadian auction house, Dupuis, has announced their upcoming Important Jewels sale, set for June 11th, 2017. The sale features over 400 lots of fine jewelry, ranging in time period and price points across the board. From antique and vintage engagement rings to designer hallmarked items, the sale is sure to satisfy any type of collector. I’ve highlighted a few of my favorite pieces above, with descriptions below…and I’ve made sure to already sign up to bid online! The sale is on a Sunday, so don’t forget!

Dupuis Important Jewels Auction >> June 11, 2017

Lot 54: Emerald and diamond antique ring, circa 1850 has topped my favorites list so far–this ring immediately caught my attention due to its age and how great of condition it is in. The emerald is approximately three carats with a closed-back setting, typical of the time period. Estimate: $3,655-5,117

Lot 94: Very unique diamond and colored diamond pendant/brooch which depicts the Roman Goddess Diana, a huntress with a bow and arrow. The diamonds are yellow, pink and colorless and form a really neat look when aligned with the outline of the figure. Estimate: $3,655-5,117

Lot 114: This vintage lapis and diamond bracelet steals the show in design and gemstone combination. The piece measures 6.5 inches in length and done in 18k yellow gold. Each lapis is set individually in a plaque-style and the bracelet easily articulates. Estimate: $1,901-2,632

Lot 142: Beauty and elegance; nothing like a Belle Époque piece. This brooch is set with an aquamarine and surrounded by diamonds, portraying a bow. I love the long length of it, as most bows are shorter and wider. By the way, this is all done in platinum! Estimate: $1,316-1,608

Lot 150: I made sure to include this aquamarine ring in my roundup of favorites because it is downright glowing from within! The intense aqua color is striking and I am also a fan of the split-shoulder setting. Can you guess how many carats the aquamarine is?! Try approximately 43! Crazy. Estimate: $9,503-11,696

Lot 173: A great example of a highly unique engagement ring–this ring features a 2.37 carat center diamond with a hexagonal frame around it. The ring is done in 18k yellow gold, is a size 5 and you may not be able to tell from the photo, but the shank is square not round! Estimate: $7,310-10,234

Lot 183: The radiating fire of this black opal is dynamic and striking to say the least! I love the design, as I feel it suits the play-of-color. I’ve learned that opals which exhibit red flashes and red play-of-color are most valuable, so this is truly a rare piece! It is mounted in 18k yellow gold and is an antique piece. Estimate: $1,462-1,901

Lot 184: Another radiant opal, this piece is a pendant that dates back to the early 1900s. It features some diamonds and demantoid garnets (green) and is done in platinum. Such a stunning piece! Estimate: $2,924-4,386

Lot 188: I went for the bold and bright colors on this ring! I also expected this piece to be a signed piece, but I don’t think it is. We’ve got amethyst, pink sapphires, and diamonds mounted in 18k gold. A bold look for a colorful woman! Estimate: $1,462-1,901

Lot 212: Sea shells fit for an enchanted mermaid–these earrings are made entirely out of gemstones and gold! We’ve got tourmalines, peridot, topaz, and cabochon sapphires here…set in 18k yellow gold and signed by Fochtmann and numbered 0066. Definite masterpieces! Estimate: $1,462-2,193

Lot 254: The amount of funky designs I am thinking up using these unmounted tourmalines has my head spinning! What unique colorings?! Pastels at their finest–what would you create using them? The pale pink round tourmaline and minty blue round tourmaline are a great pair, but when you add in the bi-colored cushion cut, it makes the lot! Estimate: $1,462-2,194

Lot 274: Big and bold; this modern take on an asymmetrical engagement ring design keeps us on our toes and wanting me unique designs! The old marquise cut diamond weighs approximately 1.90 carats and is truly one-of-a-kind. Estimate: $5,117-6,579

Lot 328: I also like this engagement ring because it is both modern and chunky at the same time. The round center diamond is about three carats and is safely set in a bezel of 14k white gold. There are also ring guards done in yellow gold, which turns up the design element. Estimate: $13,158-16,082

Lot 383: A large and rare no-heat sapphire that is pear-shaped and totally gorgeous. The sapphire weighs 10.32 carats and set beautifully amongst a necklace of 18k yellow gold and a wonderful design. Between the pinwheel style of the main design and the attention to detail, this necklace will surely fly off the auction block! Estimate: $23,392-26,316

Lot 395: It doesn’t get much better than antique Tiffany & Co. and this ring is the epitomy of grace and style! Set with a center emerald cut sapphire weighing 4.65 carats, flanked on each side by a pair of old pear-shaped diamonds weighing approximately 2.50 carats, finished in platinum. A stunning piece of history, that is just as beautiful today. Estimate: $87,720-109,650

Lot 397: Large and in charge–this diamond solitaire ring is not playing around! Weighing in at a lofty 6.35 carats and set in 18k white gold. I like the simple, classic mounting with the six-prong setting. It is perfect for a diamond like this! Estimate: $43,860-58,480

This sponsored blog post was brought to you in collaboration with Dupuis.

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Jewelry Collection Stories: Danielle of @jasmyntea

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This month’s Jewelry Collection Story comes from a favorite Instagram collector of mine and it’s not because we share the same name, although that helps 😉 It is because Danielle’s style and curation of such a fine collection is unlike any other! She has a fierce eye for what she loves and I’ve been wanting to know her story for quite awhile now. We finally got her story (she is a busy San Francisco dweller, with a full-time job that doesn’t involve jewelry) and she has provided some amazing photos of her personal collection. Let’s dive into her story!

“I have always been a collector. Whether it was collecting vintage jewelry, or vintage clothing, or books on costume and fashion. I’m always looking for unique items that speak to me in some way. I first fell in love with jewelry when I was about 12 and would ride my bike to the thrift store to look for treasures. I always liked vintage clothing, shoes, jewelry and scarves. Old pieces have stories within them. And I always liked to imagine the travels the pieces went through before I became their custodian.

My mother does not really wear much jewelry. Most of the jewelry she wears, except her wedding band, was probably given to her by her sisters or her daughters. She has very few pieces, so I didn’t really grow up surrounded by jewelry. I didn’t know one of my grandmothers as they both passed away before I was born. But I do wear her gold framed glasses from the 1940s every day as my own eyeglasses. I love this connection with my past. My other grandmother didn’t really have much affinity for jewelry either. So I’m not really sure where my love of jewelry and antiques comes from–but I can tell you that I’m obsessed 🙂

When I first started collecting jewelry in high school I liked vintage brooches and small enamel pins. This was what I could afford to purchase. From vintage pins, I branched out to vintage sterling. I always loved going to antique stores and hunting for unusual, inexpensive pieces. My early collection included David Anderson Norwegian pins and bracelets, sterling charm bracelets, bakelite bangles, and funky long beads to layer. I always liked layering, mixing and creating a story with my jewelry. As my style evolved I also liked to support local jewelry artists, so I would go to fairs and stores that sold the work of local jewelry artists and try to pick pieces I liked. My modern collection is made of up certain designers – Marla Aaron, Judy Geib, Gabriela Kiss, Louison Rare and Fine (GemstoneGypsy), Jean Jean Vintage, Gillian Conroy, Variance Objects, Dahlia Khanner, Alberian and Aulde, Amali Jewelry and local San Francisco artists Betsy Barron and Alix Bluh. I tend to gravitate towards jewelry artists versus major designer jewelry. Although one of the first pieces I completely coveted when I was 16 was Tiffany’s Elsa Perreti sterling bean necklace.

In the recent years I have gravitated towards building my antique collection. I love to go to antique fairs and shows, stop in small antique shops when I travel and I follow many antique jewelry sellers on IG. If you are curious, my first IG discovery was Erie Basin and my early purchases were a Toi et Moi Victorian diamond ring and a French link bracelet that many people have asked if they could purchase from me. Finding the antique jewelry community on IG has been very meaningful to me. I feel like I’ve found a crew of fellow jewelry enthusiasts that I can geek out about Georgian jewels, or old cut diamonds, or how to style antique and modern jewelry together. Before IG I never really participated in social media. Finding the IG community of jewelry lovers has been a nice addition in my life, so I don’t drive my husband and sons nuts with my jewelry interests. I’ve also enjoyed meeting fellow IG collectors on my travels.

I can’t really categorize what I collect, because I look for unusual pieces or pieces that resonate for me in some way. I feel like I am the custodian of the pieces I collect. I can’t always articulate why I fall in love with pieces. Sometimes the piece feels sentimental, sometimes the piece will fill an aspect of my collection that I need for a look I’m striving for. On a broad level, I like Georgian and Victorian jewelry. And then I like modern pieces that provide contrast for the more sweet/sentimental antique pieces. I love to mix antique and modern pieces together. Probably my favorite thing to mix are Marla Aaron locks with my antique necklaces, charms and brooches. Mixing and styling jewelry is a creative outlet for me. It’s self-expression—what I’m trying to put out there on a given day. I mix everything: yellow, rose, green gold, platinum and silver. On most days I have on five types of metal. I actually tend to prefer wearing mixed metals versus monochromatic styling. Although sometimes I like to do all gold or all silver or all one kind of gemstone.

I’m sentimental when it comes to jewelry. I always wear a Marla Aaron lock which to me symbolizes to hold fast to what’s important. I once did post on IG about how my modern jewelry spirit animal is my engraved Marla Aaron lock that has all family initials hidden within the engraved design. If I had to pick an antique spirit animal it would probably either be antique chains or signet rings. My thorn necklace (by Gillian Conroy) symbolizes that life has thorns to deal with but I am strong enough to weather the thorns. My hand bloodstone signet ring from Metier with the word “confido,” which means trust, reminds me to trust myself. And then on any given day, my other jewelry represents other items of importance to me or things I’m trying to stay centered about. My Mizpah ring from TheOneILoveNYC is for my husband and me, and my Souvenir bangle from Lucy Verity hasn’t left my wrist since I got it last year – I look down and remember. My Lenore heart rings: to remember love, my signets: to remember the people who are important to me, my memento mori ring from Nvitblanche: to remember to live in the moment, my ruby locket from Circa 1700 has diamonds in it from my mother-in-law in the amount of Pi carats (ok I’m a definite geek). Recently my husband and I gave each other Gabriela Kiss eye rings to symbolize us watching over each other.

You may wonder what pieces I am on the hunt for next. I try to keep an open mind when I am hunting for jewelry, because you never know what you might find. I always ask myself does this resonate for me, will I really wear it and reach for this piece everyday? I like to purchase pieces that I will wear, I don’t like for jewelry to just sit in my jewelry box. I don’t necessarily keep a running wish list. Although at the beginning of 2016 I did an IG jewelry wishlist post and when I look back on it now, I did end up collecting some of the items on my wishlist during 2016, (like my French cut eternity band from Platt Boutique Jewelry). Right now I’m coveting high carat gold items – 22K gold bands (I just got one from Metier) and poesy rings, a Georgian memento mori ring and chains, always more chains. Recently, I’ve been loving layering a lot of gold watch chains.

In closing, almost every piece I wear holds meaning for me of something I want to remember or a story I want to tell that day with my jewelry. Jewelry wearing and styling is my personal storytelling.”

xoxoGemGossip

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Top Ten Best Jewelry Looks of the 2017 Met Gala

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This year’s theme for the evening’s Met Gala was “The Art of the In-Between”. The exhibit offers a retrospective of designer Rei Kawakubo of the famed design house Comme des Garçons. Stars and socialites embraced the juxtaposition of redefining the traditional placement of jewelry by wearing key pieces around the ear, in the hair and in some cases even backwards. The red carpet dazzled with both futuristic, avant-garde statement pieces and traditional vintage diamonds from iconic jewelers.

Below is a selection of the most striking examples we found to be featured on the red carpet. We are counting down our top ten looks, including the above look worn by Chinese fashion model Liu Wen.

1. Liu Wen wearing Chanel fine jewelry, photos via NY Mag.

Met Gala | Gem Gossip

2. Claire Danes wore an antique yellow gold and seed pearl earrings and antique cut steel arrow brooch, circa 1850, worn in the hair by Fred Leighton.

Met Gala | Gem Gossip

3. Karen Elson stuns in Tiffany & Co. earrings and ring.

Met Gala | Gem Gossip

4. Mary Kate & Ashley Olsen wearing a plethora of what looks like vintage baubles.

Met Gala | Gem Gossip

5. Actress Elle Fanning wore an Art Deco aquamarine and diamond bandeau, circa 1920s, in platinum along with 6.0 tcw diamond studs in platinum by Fred Leighton.

Met Gala | Gem Gossip

6. Kate Bosworth wore vintage ruby and diamond earrings and a vintage diamond necklace by Cartier.

Met Gala | Gem Gossip

7. Katie Holmes wore a fabulous set of antique diamond and paste necklaces from Kentshire.

Met Gala | Gem Gossip

8. Kerry Washington wore a safety- pin choker by Michael Kors Collection.

Met Gala | Gem Gossip

9. Sarah Paulson wore custom Calder-inspired sapphire in oxidized gold chandelier earrings by Irene Neuwirth.

Met Gala | Gem Gossip

10. Cassie wore a custom-made diamond ear cuff by Indonesian designer Rinaldy A. Yunardi.

All above photos via Getty images.

This post was collaboratively written by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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