30 Ways to Incorporate Your Love of Jewelry into Summertime!

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Summer is next week–can you believe it?! Are you ready?! One of my most favorite things to do in the summer is to plan activities that I wouldn’t normally get to do…this involves taking days off from work, surrounding myself with people I love, and living my best life. I also like making lists or a group of goals to complete over the summer–they can be wishful thinking or very, very serious. I thought it would be fun to put together a list of 30 Ways to Incorporate Your Love of Jewelry just in time for summer!

1. Pick a gemstone, any gemstone, and learn all about it.

2. Find a gem show that is coming to your area and attend!

3. Have a gem or mineral specimen collection? Reorganize it in a cool way.

4. Plan a trip to go gem mining.

5. Do you have a favorite Instagrammer in our jewelry community? Plan a summer meetup.

6. Pick a state that is somewhat close to you, and research the best jewelry store they have to offer. Plan a visit!

7. Make a cool treat on a hot day–these gem ice trays can be filled with any fruity liquid!

8. Find a gemstone print top, bathing suit or towel and wear it to the beach.

9. Reserve a day at the nail salon and go for a gemstone manicure!

10. Buy that jewelry book you’ve been eyeing and lay by the pool with it!

11. Scout out some amazing flowers in your city, buy them, and take some jewelry photos with them.

12. Find a new way of wearing some of your favorite pieces of jewelry.

13. Take a day to clean your most-worn pieces of jewelry.

14. Plan a SWAP party with friends that also love jewelry.

15. Pick a time period you don’t know as much about as your favorite jewelry period, and learn about it!

16. Spend an entire day “hunting” for antique jewelry online–but do it by a pool.

17. Learn about crystal healing and depending on where you live, schedule an appointment with an expert.

18. Throw a gemstone-themed party!

19. Learn about a new designer you’ve never heard of before.

20. Need a new way to store your jewelry? Splurge on a jewelry cabinet and reconfigure it if necessary.

21. Take a jewelry making class.

22. Decide on creating a charm bracelet or necklace–gather charms, buy some new ones and put it together.

23. Get something very special and sentimental made into a piece of jewelry.

24. Size all of your fingers and keep it written down.

25. Get registered to bid at your favorite auction houses.

26. Put on all your favorite Art Deco jewels and watch a 1920s old movie.

27. Hit up your local estate sales or garage sales. You never know!

28. Tell someone thank you by gifting them a piece of jewelry.

29. Get lost on Pinterest by searching “antique jewelry” or “jewelry.”

30. Pick your favorite medium (water colors, arcryllics, pencil, etc) and try drawing/painting a diamond.

xoxoGemGossip

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Jewelry Collection Stories: Emily of @GemCircus

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We are kicking off July with an incredible jewelry collection story from Emily, also known as @GemCircus. If you’re a part of the jewelry Instagram community, you’ll easily recognize some of the jaw-dropping pieces in Emily’s personal collection. From the way she styles her necklace layers, to ring stacks, arm parties, and everything in between, we love her taste and enthusiasm for antique jewelry. I’m so excited she has agreed to share her story with us, so let’s sit back and enjoy:

My love for vintage and antique collecting started when I was a teenager, after my family moved to Vancouver, Canada, from Hong Kong in the early 1990s. I remember it was July when we arrived and I would walk to the nearby library every other day to borrow books to read (our container didn’t arrive almost a month later so all I have in my room were merely a bed, a built-in closet and my backpack). I started to notice our neighbours’ garage sales in my walks and I was amused at the things people were selling – from snow cone machines to music records, jewelry to stuff toys. That summer of looking through other people’s belongings and engaging in rapports gave me a sense of belonging and connection to the community. Ever since then I have become a frequent visitor to community flea markets, thrift shops and antique shows.

My jewelry obsession started around early twenties with vintage jewelry, in particular charms and silver filigree bracelets. I love to style them on mixed metal chains and I still love styling them now.

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I wasn’t picky and didn’t have a favourite period at that time so I usually picked up quirky little things like brooches, pins, jewel “plaques” (which I found out they were called “clasps” later) etc. Even though my collecting seemed to be random at that time, I was already drawn to jewelry that have motifs, like this brass crescent with hand and arrow and the clasped hand ring that I found in a thrift store. Looking back, I believe my love for antique sentimental jewelry originates from this pair!

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A lot of my Instagram followers already knew that I adore Georgian and Victorian sentimental and mourning jewelry, as well as portrait jewelry. This probably relates to my “innate sensitiveness” (as Carl Jung coined it) and the way I see jewelry as not merely an adornment but also a medium for expression, an art, an identity of who we are.

After I started reading books on lover’s eye, portrait miniature and mourning jewelry, I became obsessed with researching stories behind the jewelry that I collect. I realized that the brass crescent and the hand motif ring are not ‘funky little things’ as I thought in my teenage days, they actually carry specific meanings – love, new relationship and friendship – in the Victorian era. As my jewelry collection matures over time, I began to search for jewelry with motifs or meanings, like the urn, masquerade (masked lady), hand (figa, clasped hand, claddagh), heart (double-heart, flaming heart), star and crescent, buckle, swallow, snake, fern, acoutistic (“REGARD” and “DEAREST”) and Halley’s comet etc.

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I like to think that every piece of antique jewelry carries its own story of those before us, and I’m a custodian carrying on its legacy while creating my story with my collection. I love styling and always try to mix and match, experiment with different stacking and mixed metal, and do simple conversions to make every piece wearable. You can see from my Instagram photos that I’ve worn a big opal crescent brooch with another monkey brooch in the middle, stacked seven Art Deco wedding bands to make a statement ring, wrapped my wrist with antique chains and added a micromosaic brooch on top, stacked an Art Deco paste bracelet with a Hermes red enamel bangle, wore brooches on hats, and layered antique gold chains with watch chains. The fun is endless!

I shop everywhere but recently it’s largely online as there aren’t any antique jewelry shops in Hong Kong. I love the Instagram community as I’ve met so many wonderful souls (many of whom have become friends for life) around the world that share my obsession in antique jewelry. I always visit antique and jewelry shops when I travel too. It has been a tradition to bring back a piece of jewelry from each city that I visit.

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One of my obsession is Georgian masquerade jewelry: masked lady ring with ruby bonnet and rose cut diamonds from @karendeakin.antiques ; locket from @abrandtandson and the most recently acquired oval ring from @bijouxvictim

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Ring stacking is a daily essential for me: Georgian blue enamel rose cut diamond urn ring from @lenoredailey ; the moonstone on the mourning ring was a gift from my jeweler in Vancouver (he has kept it for 40 years!) and it fits perfectly on the bezel of the once empty mourning ring; flat cut garnet band from @antiqueanimaljewelry

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Mourning rings and figas: these enamel mourning rings are too big to wear so I usually wear them on gold chains as pendants. The twin coral figas were acquired from different continents yet they look so much alike. The one with emerald and diamonds was found in a UK auction and the one with seed pearl top was found in an antique show in Vancouver.

xoxoGemGossip

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Leslie Hindman Auction: September Sale is INCREDIBLE

Leslie Hindman: Lot 87

You’ll be enchanted forever by this ring, up for bid at Leslie Hindman Auction in Chicago, IL — this is lot 87 in the three-day bidding extravaganza.

Leslie Hindman: Lot 377 Leslie Hindman: Lot 378 Leslie Hindman: Lot 379 Leslie Hindman: Lot 380

Four mesmerizing opals are on the block at Leslie Hindman, day one, and they come back-to-back in lots 377-380. Get your bidding paddles up!

Earlier this year, I got the opportunity to get a behind-the-scenes look at the Leslie Hindman Auctioneers jewelry headquarters in Chicago, IL. To say I’ve got some perspective on how an auction house runs is far from the truth, but I came away being able to put faces with names, insight into a typical day, and a brief intake of the enormous amount of sparkle the jewelry department works with. It was one of my most favorite experiences of this year! Now when I hear that Leslie Hindman has an upcoming auction this September (the 10th-12th to be exact) I have more context of the event, as they are excited to bring a three-day extravaganza with some heavy and hard-hitting bidding in the future. This three-day auction will feature over 1500 items of all price points and eras. If you like big and bold, Victorian or Modern, opals or rubies, they’ve got something for everyone.

Let’s take a look at some of my top picks:

Leslie Hindman: Lot 6 Leslie Hindman: Lot 55

Lot 6: Nothing beats an Etruscan Revival basketweave wrap bracelet! This is such a fine example and I love the gemstones used on it–sapphire and diamonds! It gives it a cool look against the warm yellow gold. I also love the granulation work, in both excellent and ready-to-wear condition. This piece may date back to 1870, but never looked more trendy than on an elegant wrist in 2017. Estimate: $3,000-5,000

Lot 55: Lately I’ve written several articles on engagement rings and I’ve been finding that women are wanting something traditional but with a twist! This ring speaks volumes with just the small accent sapphires, as it makes the ring totally unique. The piece is Art Deco and set with a 3.24 carat Old European cut diamond in the center. Love the style and think it should belong to someone who will treasure it as an engagement ring. Estimate: $10,000-15,000

Leslie Hindman: Lot 68 Leslie Hindman: Lot 86

Lot 68: I’ve seen the benefits of purchasing pieces that are convertible and this is a fine example of a two-in-one! Meet the silver-topped diamond pendant/brooch of your dreams. This piece totals over five carats of old cut diamonds and radiates from every angle. I could picture it being worn on a chain or worn pinned to a collar. The possibilities are really endless. Estimate: $4,000-6,000

Lot 86: The only kind of bugs I like are jewelled insects! This guy is one for the books–look how cute he is. Set with rose cut diamonds all-original to the piece and a jaw-dropping opal back. I love the detail on the textured gold legs and the ruby eyes. It’s all in the details. Estimate: $2,000-3,000

Leslie Hindman: Lot 111A Leslie Hindman: Lot 118

Lot 111A: Plique a jour is jewelry’s version of stained glass and I must say, I don’t own a single piece of this beautiful artform. These earrings though, should and would be the best first piece of plique a jour to add to my collection. I love the colors and I love the design. They are 18k yellow gold and feature 12 brilliant cut diamonds. Estimate: $500-700

Lot 118: This diamond and ruby ring stopped me in my tracks. Wow. It is done in platinum and set with a marquise cut in the center, with calibre French cut rubies and round diamond accents. It is pristinely made and you can see the remarkable craftsmanship even in the photo alone–now I want to see it in person! It could be yours on September 10th. Estimate: $4,500-6,500

Leslie Hindman: Lot 124 Leslie Hindman: Lot 300

Lot 124: This ring is so cool for so many reasons! Let’s start with the fact that it has contrasting metals–rose gold and platinum. The design is also pretty amazing, and the different metals really play off this element. The rubies are actually different, if you already couldn’t tell–one is synthetic and the other is genuine. Such a stunning ring. Estimate: $4,500-6,500

Lot 300: The coolest earrings I ever did see. These are actually diamond studs with detachable jackets that easily slip on/off the earring posts. There are four jackets total, so lots of possibilities here! And the style of these has never been more on-trend. Geometric and angular, love them. The diamond studs total 2.26 carats. Estimate: 3,000-5,000

Leslie Hindman: Lot 487 Leslie Hindman: Lot 509

Lot 487: I had to include this insane emerald ring because of its colossal size–then I read further and realized it is a piece by Judy Geib. A true artist who hand makes everything herself–fun fact: did you know she taught herself how to make jewelry? No formal training. Her pieces are known for their juxtapositions–like beauty and rawness, fine gold mixed with silver. Estimate: $4,500-6,500

Lot 509: Iconic and chic, I had to include this cuff bracelet from Verdura into my favorites list! It is easily recognizable as a Verdura statement piece. Done in 18k yellow gold, set with peridot, amethyst, and diamond and complete with the Maltese cross enameled in black. What a special bracelet. Estimate: 28,000-38,000

This sponsored blog post was brought to you in collaboration with Leslie Hindman.

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SEPTEMBER SALE: September 10th-12th

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High Jewelry Made a Big Impact at Paris Couture Week

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Haute couture is one-of-a-kind creations crafted from the finest materials by skilled artisans using century-old techniques. Haute couture had humble beginnings. In 1858, an English couturier, Charles Frederick Worth, established the first haute couture house in Paris championing exclusive luxury fashion for the upper-class woman and coining the term “fashion designer” in lieu of the basic dressmaker. Today, haute couture is still synonymous with high-quality materials and workmanship. And when haute couture meets haute joaillerie (high jewelry), the result is transformative! The jewelry becomes an extension of the designer’s vision for his or her collection creating a complete story – one that is truly a work of art!

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GIAMBATTISTA VALLI AND ELEUTERI:

Giambattista Valli accessorized his haute couture collection, comprising of ethereal tulle gowns, draped silk chiffon dresses and embellished minis with exquisite vintage jewels from Eleuteri. The jewels focused mainly on bracelets featuring a glorious 1950s French amethyst and turquoise piece as well as a intricate jade and gold design from David Webb and several Tubogas wristwatches from Bulgari.

PICTURE Credit FROM VOGUE.COM

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GUO PEI AND CHOPARD:

The Chinese designer made a name for herself when she dressed singer Rihanna in yellow couture for the MET’s “China through the Looking Glass” gala and red carpet. For her haute couture collection, she collaborated with Chopard paying homage to the golden era of haute couture and Hollywood icons of the 50s. The results were a perfect fusion of Chinese and Western cultures, high fashion and exquisite jewels.

The deep jewel toned hues of Pei’s dresses paired effortlessly with Chopard’s the Silk Road collection, which featured an emerald bib necklace, diamond and pearl drop earrings and an amethyst pendant necklace. The Chopard jewels complemented the opulence and extravagance of Pei’s couture collection perfectly.

PICTURE credit FROM ZIMBIO.COM /GETTY

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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Jewelry Collection Stories: Kate of @LuxCharmJewelry

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This month’s Jewelry Collection Story comes from Kate of @LuxCharmJewelry and it is a good one! Kate is a full-time art teacher and part-time jewelry enthusiast and collector. You may already be following her on Instagram, but if not you must. Her collection is pretty amazing and her story may resonate with many of you. So without further ado, I give you Kate’s collection story:

I’ve always loved jewelry. I have early memories of playing “dress up” and “jewelry store” with my grandmother Louise. She kept her jewelry in the top dresser drawer. Oh how I loved looking inside those little boxes and seeing all the sparkly jewels inside! We would arrange her jewels on top of carefully arranged bits of pretty fabrics and embroidered handkerchiefs and take turns “shopping.” It was so much fun trying on her white dress gloves and high heels and playing with all those pretty things.

When I was around 10 years old, my dad started giving me jewelry every year for Christmas, mostly rings. One year, I received a topaz ring that had the most amazing shade of bright blue. I adored that ring! Another favorite ring given to me by my dad was a gold signet ring that he had monogramed with my initials. I think I was around 15 at the time. It’s a classic look that will never go out of style and one I wear often today.

One of my favorite early jewelry memories was when my family went out to dinner before my high school senior award night. I didn’t know it at the time, but I was about to win the top artist award in my class, and my parents bought me this beautiful southwestern sterling bracelet and turquoise ring to mark the occasion. For high school graduation, I received a large, modernist sterling and gold ring. At the time, I wasn’t into yellow gold, and these bold sterling pieces were among the most beautiful pieces I owned. Luckily, my parents have continued the tradition of gifting me jewelry for special occasions, and I cherish them all. These pieces help to serve as reminders of special times in my life. My sweet husband has also joined in on the tradition and I have received many beautiful pieces from him now over the years, including my very first (and favorite) Victorian bird bangle bracelet and my beloved antique turquoise and diamond halo ring.

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As a teenager, I was really into second-hand shops–mainly for vintage clothes and small decorative items, but eventually I started picking up inexpensive jewelry and odds-and-ends; like pendants, chokers, chains, etc. At about the same time, I started making beaded jewelry and even gifting and selling pieces to my friends.

Years later, I decided to try my hand at selling handmade jewelry on Etsy. It was a fun, challenging, and creative outlet. Those were the relative early days of Etsy, and I grew as it grew. I did this for a couple of years and slowly started incorporating more and more vintage jewelry components and findings into my pieces. Eventually, the competition increased and my enthusiasm waivered, so I put my shop on hold.

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My love affair with antique jewelry began about eight years ago when my mom and I were antiquing at one of my favorite stores in Richmond, IN. My mom fell head-over-heels for this old gold cameo ring. At first, I was like, “What? Cameos? Ugh, I don’t get it.” Then much to my surprise, my mom professed her life-long love affair with cameos, citing stories from her youth. The shop owner quoted her a low price and my mom quickly bought the ring. She wasn’t one to make fine jewelry purchases on our excursions together, so I was intrigued and wanted to know more. I couldn’t stop staring at this unusual reddish-orange cameo ring on our drive back home; I was fascinated by it. It didn’t look like the girly, pink cameos I was used to seeing. It was more masculine in style and the gold was a rich rose color. The shop owner estimated the ring to be about 120 years old.

To my knowledge, I had never seen a ring that old before and now I wanted one for myself! The more I researched, the more I realized what an amazing deal my mom got on that ring. Sure, it was more than I was used to spending on random antique mall purchases (about $85), but still affordable. This made antique jewelry seem obtainable to me for the first time ever. I started reading jewelry books, researching online, and educating myself on antique jewelry. I liked learning the history behind each piece. It’s a perfect fit for me– combining my love of history, research, sentiment, story, etc.

Inspired by my new passion and focus, I reopened my Etsy shop–selling only vintage and antique jewelry. I absolutely loved hunting for old jewelry, even cameos! Thinking back to that special trip to Richmond with my mom, I believe this was the critical moment that later turned this new interest into a full-blown hobby and part-time job for me.

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Today I have such a deep and sincere appreciation for antique jewelry; I tend to collect a little bit of everything. All in all, I tend to go more for Victorian, Art Nouveau, and Art Deco pieces. Rings are probably my favorite type of jewelry to wear and collect. I love everything from dainty to bold, statement rings. I also love antique bangles and Deco necklaces in all sorts of finishes, metals, and styles.

One of my favorite things to collect are watches. My favorite makers are Longines and Bucherer. I have everything from watch pins, watch rings, wristwatches, and pocket watches. And I really love long enamel watch necklaces. My love of watch necklaces probably began when I scored an amazing Bucherer red guilloche enamel watch ball necklace for $60 in a small, local antique shop. I later learned this was a remarkable deal for one with its original enamel chain in perfect condition. I’ve since added about 10 more to my collection over the years. I just can’t stop myself when I see a beautiful one for a good price. I have such a weakness for fine guilloche enamel-work.

In addition, I love bird-themed jewelry and have many bird bangles, lockets, etc. I tend to favor cool-color pieces in general (it must be the Pisces in me!). I am very fond of blue–sapphires, lapis, zircon, and turquoise to name a few. Pale lavender chalcedony, dreamy moonstones, and that particular shade of green commonly used in Art Deco pieces–are all personal favorites. I have a growing collection of snake rings, too.

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I enjoy shopping at small, local places best. The Midwest is a gold mine for antiques of all kinds. The big jewelry enthusiasts seem to live on either coast and being stuck in the middle has its advantages… lower prices and less pickers. But this seems to get harder every year. My favorite display cases and shops seem to be shutting down. The old dealers retire; some pass away. I think part of me has also wanted to open a brick and mortar shop, but the risks are scary.

Currently, I seem to have the most luck shopping at antique shows and online auctions. I’m always on the hunt for new pieces. I would love to own more niello jewelry, antique enamel bracelets, and gutta percha bangles inlaid with gold. I have a thing for portrait paintings but oddly, own no portrait jewelry. I interned at the National Portrait Gallery right after college and it’s a subject I’m really interested in. I would love to find the perfect emerald ring and more “name” or “initial” jewelry to represent the important people in my life.

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Recently I celebrated a milestone birthday (hello, 40!) and had been hunting for the perfect aquamarine birthstone piece of jewelry for months. Then it finally happened…a huge, honking, 14-carat, Victorian, pear-shaped aqua ring in 15K gold popped up on my Instagram feed. Its large size, unfussy setting, and perfect pale-blue color, stopped me dead in my tracks. A direct quote from the seller was, “a mesmerizing, dreamy, huge piece of magic.” Indeed it was. I sold three personal collection rings to make room for this special ring, the latest addition to my jewelry box.

Back when I started wearing, selling, and collecting antique jewelry, I was the only one I knew who did. I just bought what I liked and what I could afford at the time. It wasn’t until I joined IG a couple of years ago that I found other like-minded people who loved and appreciated old jewelry as much as I do. Like most sellers/collectors, I am searching for more high quality and unusual pieces nowadays. Lately, there seems to be more competition, more reproductions, and higher prices on the online auction sites, making it harder to “score” a deal. While I may not be selling forever, I know I will be wearing and enjoying my jewelry for the rest of my life. It brings me so much joy. Marking special occasions and making new memories with jewelry are so important to me. Jewelry has a way of keeping our memories alive…providing a tangible reminder… connecting us to the people, places, and significant moments we cherish in life. Happy hunting!

xoxoGemGossip

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

MFA Boston | Gem Gossip MFA Boston | Gem Gossip

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WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Arik Kastan Debuts New Styles at Couture 2017

Arik Kastan | Gem Gossip ArikKastan Arik Kastan | Gem Gossip Arik Kastan | Gem Gossip

Arik Kastan | Gem Gossip

Arik Kastan | Gem Gossip Arik Kastan | Gem Gossip

Arik Kastan and their team have been busy debuting some new designs and collections while out in Vegas for Couture. Buyers, press, journalists all hovered over their booth to get a glimpse of the new styles and fun gemstone combinations that still have people talking. As usual, Arik Kastan’s booth was one that couldn’t be missed when attending this year’s tradeshow.

If you missed out attending Vegas, we’ve got you covered in this installment–which is shown here on Gem Gossip, as well as all of Arik Kastan’s Newsletter subscribers. Be sure to sign up if you haven’t below!

Arik Kastan | Gem Gossip

A padlock on a thin chain is all you need for a night out in Vegas! This one has us telling our friends it is perfect in every way. Classic and cool for a modern woman who still likes a nod from the past.

Oval cluster padlock in emerald + diamonds, Price: $2,360


Arik Kastan | Gem Gossip

We weren’t ready for how much of an impact we would bring to Couture with our green agate pieces! Comments like, “what stone is this, it is amazing?!” and “this green color is glowing!!” have really made us proud. This ring is one of our favorites.

Five-Stone Art Deco ring in green agate + sapphire, Price: $1,280


Arik Kastan | Gem Gossip

Since we are on a green/blue kick, we’ve changed things up by using emeralds and turquoise. This earring style and gemstone combo are totally chic, and we could picture these on a summer getaway on a plane near you!

Deco Rhombus Drop Earrings in turquoise + emerald, Price: $1,830

Arik Kastan | Gem Gossip

To go along with the above earrings, we’ve created this ring which is sweet as can be! It is stack-ready and as we’ve said before, awaiting summer. Try wearing this one on your pinky if you’re wanting to do something more unique. Your friends will catch on.

Deco Lilac ring in turquoise + emerald, Price: $1,170

Arik Kastan | Gem Gossip

Feeling the summer heat over here in Vegas, which is why we’re opting to keep our necklace situation simple. We have been wearing the Aster necklace most of the week and it has brought the right amount of sparkle and femininity to our lives. Definitely our kind of Vegas vibes.

Aster Pendant in diamonds, Price: $1,830


Arik Kastan | Gem Gossip

Before we head back to LA from scorching Vegas, we want to point out our Delilah ring because SHE’S CUTE. One of our most-requested rings during our trade show and we can’t wait to see these on your fingers!

Delilah ring in emerald + diamonds, Price: $2,200

Arik Kastan | Gem Gossip

We couldn’t wait to show off our newest vintage-inspired bow rings which debuted at Couture. And the newest gemstone color combo that had store and editors swooning–green agate and sapphires. Look out for them to hit the website soon! Can’t wait? Email [email protected]

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Q & A with Heather B. Moore Jewelry

Heather B. Moore

Heather B. Moore’s story starts with love, laughter and family…and fittingly, just as her jewelry often depicts those words both literally and figuratively, she has brought personalization of jewelry to the highest level. After viewing the video displayed below, you see just how hands-on and multi-faceted her business has become. This interview also touches upon how it all came to be, in the most innocent of ideas and forms. Sometimes we are destined for a certain path and it seems as though Heather was meant to bring memories, quotes and cherished words to life through her jewelry designs. Each piece is heavily sentimental and often instant tear-jerkers. As jewelry enthusiasts, we know how special a personalized piece can be–but how about one that is in the exact handwriting of a loved one? Or an exact doodle from your once 5-year-old son or daughter? I know if and when I start a family, Heather B. Moore‘s designs will be first on my list for a little keepsake!

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We are currently developing an exciting new series based on personal empowerment called the Sculptural Series. Its foundation stems from personalized themes people were requesting for their designs, which usually fell into four common categories: strength, growth, wisdom, and healing. With that as our guide, we started the Sculptural Series to capture moments that feel personal while complementing our other designs.

While we are only launching with a limited selection, this is just the beginning. The world is full of wonderful symbols that have meaningful messages, and Heather B. Moore jewelry is excited to add more sculptural jewelry to the collection in the future.

Heather B Moore | Gem Gossip

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I only took one jewelry class in college. At the time my focus was cast glass, Venetian glass blowing, and steel work. My sister Wendy was an anthropology major and had moved to Kathmandu, Nepal where she lived with a jeweler’s family. That’s where I started getting interested in what she was doing! After college, I was working for an artist welding large-scale art installations across the country for Judy Pfaff. On the weekends, my sister Wendy used to ask me to make jewelry for fashion shows and low-budget movies in Los Angeles.

I started off doing chain work and handmade chain, which we still do today. I also integrated glass beads and stones within the chain, and while we still integrate stones into our chain, we moved away from glass beads to focus on precious stones.

In 2004, I started offering personalization on a number of pieces and everything grew from there. Our personalized collection was created on the foundation that timeless designs start with a blank canvas for our customers, then we collaborate to create the perfect piece. We have the capacity to create the steel stamps of people’s handwriting and children’s drawings as well as a wide variety of fonts and layouts.

I started collecting tools when I was 13. I grew up in the steel industry of Cleveland and loved going to my dad’s factories, so craftsmanship was something that I related to.

The first steel tooling stamps that I purchased were from a garage sale at an old machinist’s house. I carried those stamps around with me for 15 years before knew what to do with them! In 1991, I pulled out those stamps and decided to integrate quotes from my friends and family. I stamped them out onto the silver plaques and then framed it with a handmade cast glass frame.

In 1997, my sister Wendy was in a skiing accident and passed away. Before she passed I stamped a quote she gave me into a piece of metal: “I said to my sister and she said to me, come let’s play laughter together.” I remember loving the quote so much that I took the plaque with her quote off the wall, and I put it in my wallet. To this day I look at it and it makes me smile.

After moving back to Cleveland and receiving the Rising Star Award from the JCK trade show, I had an interview with Real Simple Magazine about why a designer from NYC would move to Cleveland.

During the interview the writer asked a series of silly questions like, “what kind of hair care products do I use?” and, “what is in your purse?” At first I was a little confused, but I pulled out my wallet and got the plaque of my sister’s quote, and they loved it. They photographed it and used it as the focal point of the article.

At the time, I was designing for bigger companies like Banana Republic and I was getting tired of doing trendy jewelry that was “in” one season and “out” the next. I thought it was interesting that they loved the little plaque so much, and that made me think about the unique stamps that I had in the basement, and I knew I wanted to make something for myself. So, I stamped my kids names on some silver discs, framed them in gold, and I created my first personalized necklace.

I fell in love with it because my kids would sit on my lap and flip through the charms and look for their names. That is when it hit me: personalization has more value than the material that it’s on, because personalization is forever. Telling your story is not a trend; it’s a keepsake, an heirloom, and one-of-a-kind… just like the person wearing it.

That is when I knew I was on the right track. I was putting something into the marketplace that I had actually created in 1992… it’s like it all became a full circle.

It’s amazing to think I was so young, but I’m also very proud to say that now we create our own stamps in our steel shop. It’s fun to have the opportunity to create special tooling for each individual customer.

Heather B Moore | Gem Gossip Heather B. Moore | Gem Gossip

Left: the plaque Heather made, with her sister’s special quote Right: a necklace Heather wears almost everyday–it features her new Buddha charm


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I think my proudest moment was winning the Town & Country International Gold Award at the Couture Jewelry Show in Las Vegas.

This is a show where all designers get together and showcase their pieces to stores across the country. Town & Country magazine had sponsored the event, so it was super fancy that year. Most people were in black tie… but I didn’t know that! I showed up late to the party in flip-flops, jeans, a t-shirt and messy hair!

When I thought about designing something for the Gold category, I wanted something no one had yet documented. One topic that came up was that we had never documented someone’s letter, and I had the perfect one. It was a whimsical thank you note from my sister Wendy. She had sent it just days after Christmas and she spoke of the importance of family and new traditions. This was the first year I didn’t spend Christmas with my family because I was with my husband’s family in Canada, so it really hit home for me. It was the last letter I ever got from her. She passed away shortly after Christmas.

We stamped this whole letter on a big yellow gold cuff, with a rose gold frame on the outside and a green gold frame on the inside, then we covered the frame in diamonds.

We arrived late to the awards show party and had already begun to announce the winners, so we quickly grabbed a glass of wine and snuck into some seats just as the announcer said, “And the Gold Award goes to a designer from the city of the Rock ‘n’ Roll Hall of Fame…”

…I thought to myself, “Oh my gosh, there’s another designer here from Cleveland,” but then they called my name!

Heather B Moore | Gem Gossip

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In a broad sense, my hopes, dreams, and goals are to make sure I can continue to create beautiful pieces for people and documenting their stories. I love that we have the opportunity to work with customers hand-in-hand.

And with the sculptural collection, there are so many amazing symbols that empower people. I just love the direction we are going with that!

Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip

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I have so many pieces I love and adore! We have a wide variety of designs within the collection, and I truly love all of them. I have many iterations with my children’s names (Henry, Leo, Oliver and Coral). They are my proudest creation!

I have a yellow gold bangle with their names on it, a leather bracelet with with their names on it, and a necklace where they each have their own charm! I actually named the frames after them. The Henry frame is a braid like the Nantucket braided bracelets. The Leo frame has a granulation frame for him because he really loves the arts. Then there’s the Oliver frame. He’s really an organized child so I did a spiral frame for him. Coral’s got a bubbly personality, so her frame kind of looks like bubbles!

I like to wear my cuff bracelet that has my sister’s letter with jeans and a t-shirt, but I also wore it to the Beastie Boys black tie Rock ‘n’ Roll Hall of Fame induction.

My sister Halley and I both have a charm with Wendy’s phone number on it. She never had business cards, which we always thought was hilarious! We made it in green gold because her birthday was on Saint Patrick’s Day.

My new favorite necklace has a bunch of charms on it, and it’s a story about my boyfriend Jason and me. We went to high school together so I have one charm that says “You were worth the wait,” and another charm that says “Home is when I’m with you.” And I have a little single initial J charm for his name… and a diamond, of course!

I have a 4mm square cuff bracelet that grounds me–it says “When you look at life through the right lens, everything comes into focus.” Life certainly does throw you some curveballs sometimes… so that helps me through those challenges. The fact that I’m a photographer kind of makes it perfect! My dad gave me my first camera when I was 14 and then shipped me off to Africa with 13 rolls of film. I have been an avid photographer ever since.

I will end with this one:

I have this fantastic ring that has been dubbed “the hockey ring.” It’s my good luck ring for my boys’ games. If it’s not on my finger it’s in my wallet waiting for the next game. I did not put any personalization on it with words… and it’s really quite thick. We call it The Pope Ring at the studio! So when I’m photographing the hockey games (because all three boys are in hockey) if something happens like a goal or a good defensive play, I can bang on the glass with my ring, and I wont hurt my hand! Because of all the banging, overtime it has collected quite a few, great dents! It is essentially personalized from all the dents!

Heather B Moore | Gem Gossip Heather B Moore | Gem Gossip

This sponsored blog post was brought to you in collaboration with Heather B. Moore.

Heather B. Moore Jewelry

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The Top Jewels that Sparkled in Cannes, 2017

Rihanna Chopard All photos via Getty Images

The Cannes Film Festival is arguably one of the best showcases for the top international jewelry houses to showcase their finest and brightest gems and designs for the world to see.

This 12-day festival brings out the most exceptional designs and creations from the likes of Chopard to Harry Winston.

It’s where you can see leading ladies like Charlize Theron and Jessica Chastain as well as ingénues like Dakota Fanning and Rihanna parading down the red carpet in the latest couture gowns and decadent jewels.

Here are the best jewels from the most revered jewelry houses that were showcased on the festival’s red carpet.

CHOPARD:

The jewelry house has a deep history with the Festival as it’s been the official partner and designer of the coveted Palme d’Or trophy awarded to the most critically-acclaimed movie. This year, the buzz on the red carpet was their collaboration with music super-star Rihanna.

Chopard | Gem Gossip

Singer Rihanna wore emerald, rock crystal quartz and diamond earrings, a black nephrite and diamond bracelet with a 31.95-carat emerald, three emerald and diamond rings and a floral bracelet set with diamonds, all from the Rihanna Loves Chopard High Jewellery collection, at the premiere of the movie ‘Okja’.

Chopard | Gem Gossip

Model Adriana Lima wore a diamond bib by Chopard at the screening of the film ‘Loveless’.

Chopard | Gem Gossip

Actress Miriam Odemba wore a titanium and white gold necklace with kunzites, beryls, tanzanites and diamonds, and matching earrings, from the Red Carpet collection by Chopard.

Chopard | Gem Gossip Chopard | Gem Gossip Chopard | Gem Gossip

Karolina Kurkova wore a sapphire and diamond necklace from the High Jewellery Collection from Chopard at the premiere of ‘Based on a True Story’.

Actress Juliette Binoche wore platinum and diamond earrings by Chopard.

Actress Elizabeth Olsen wore diamond flower stud earrings by Chopard. We simply adore the placement of these earrings.

de GRISOGONO

This jewelry house showcased some of the best and boldest designs to hit the red carpet with their use of brilliant colored stones.

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Model Hailey Baldwin wore stunning drop earrings set with white and brown diamonds, and edged with citrine briolettes.

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Model Jenaye Noah wore a pair of exquisite de Grisogono chandelier earrings that glowed with oval-cut citrines from their Melody of Colours collection. A perfect compliment to her vibrant blue gown.

BVLGARI

This iconic jewelry house showcased their classic Serpenti jewelry and picked up major press when actress and model Emily Ratajkowski was photographed wearing their pieces both on the red carpet and on her personal Instagram.

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Model Bella Hadid wore a Bulgari High Jewellery Serpenti necklace and bracelet in white gold.

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Model and Actress Emily Ratajkowski combined two Bulgari necklaces, one comprised of pearls, rubellites and diamonds from the High Jewelry Collection and the other pendant necklace made with diamonds, emerald and rubies.

BOUCHERON

The design house had some of the most striking statement-making pieces to hit the red carpet at Cannes. Actress Salma Hayek’s necklace rendered us both breathless and speechless!

BOUCHERON | Gem Gossip BOUCHERON | Gem Gossip

Actress Salma Hayek wore the Baïkal necklace with a 78.33-carat Santa Maria aquamarine, moonstones, Akoya pearls and diamonds from the new Hiver Impérial High Jewellery collection by Boucheron

Model Laetitia Casta paired the Lumière de Nuit diamond and pearl earrings from Boucheron’s Hiver Impérial High Jewellery collection with her gown at the premiere of The Meyerowitz Stories in Cannes

De Beers

The classic diamond jewelry house is known for their slogan “a diamond is forever” .This year, Chinese movie actress and taste maker Fan Bingbing embodies the classic elegance of Hollywood that the brand is synonymous with as she modelled a coveted collection of jewels from the house.

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Fan Bingbing wore the Arpeggia five-line earrings, bracelet and Aria ring at the ‘Amant Double’ premiere.

Piaget

Piaget | Gem Gossip Piaget | Gem Gossip

At the closing of the 70th Cannes Film Festival, actress Jessica Chastain, Piaget’s International Brand ambassador since 2015, paired her show-stopping gown with earrings in white gold set with diamonds from Piaget’s new High Jewellery collection Sunlight Journey.

Piaget | Gem Gossip Piaget | Gem Gossip

Model CoCo Rocha wore earrings in white gold set with diamonds, blue sapphires and black opal from the new High Jewellery Collection Sunlight Journey.

Another noteworthy mention is model Naomi Campbell’s earrings, necklace, ring and cuff in white gold set with emeralds and diamonds from the new High Jewellery Collection Sunlight Journey.

Harry Winston

Known as the “jeweler to the stars” and Nicole Kidman’s ‘go to’ jeweler, Harry Winston notably had Nicole Kidman wear his jewelry on the red carpet. Best bet as she had the most films to debut on the Cannes Red Carpet this year.

Harry Winston | Gem Gossip Harry Winston | Gem Gossip

Nicole Kidman wore Secret Cluster diamond earrings, Sunflower ring and diamond bracelet by Harry Winston at ‘How To Talk To Girls At Parties’ premiere.

All above photos via Getty images.

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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David Webb Makes Their Debut at Couture

David Webb | Gem Gossip David Webb | Gem Gossip David Webb | Gem Gossip David Webb | Gem Gossip David Webb | Gem Gossip David Webb | Gem Gossip David Webb | Gem Gossip

Don’t ever say you can’t teach an old dog new tricks. At nearly 70 years old, David Webb still reigns supreme as an iconic, American jewelry house full of the most exquisite designs. One look at a David Webb piece and you KNOW it is a David Webb piece. From the finest craftsmanship, to the bold enamels and well-known motifs, the jewelry has been delighting since 1948. They have a strong following, a large amount of die-hard collectors and a presence known worldwide; not to mention a showroom/workshop located on Madison Avenue in NYC and a boutique in Beverly Hills. You’d think debuting for the first time at a tradeshow would not be on their agenda. Could such a legendary American brand make a move like that? And if so, how could they “do it their way”?

I was very curious myself…however feeling more excited than any other emotion. I made sure that David Webb was first on my Couture agenda–Villa 112 was the place and I was ready to gawk, gander and swoon. Walking into the Villa, I thought I was in their NYC boutique for a minute. Luxury was brought to the desert and the animal kingdom followed along too. I got to see many of the pieces that hit the red carpet over the past year–like totem necklaces, which one was worn by Nicole Richie back in November and I still can’t think of a better look. I love seeing David Webb worn on the red carpet and it is always magical when it happens. Speaking of red carpet, nothing would look more incredible than the turquoise and emerald necklace I got to try on while at Couture–could you imagine that on the red carpet?! Hopefully it will happen in the future. I also got to revisit some animal favorites–like panthers and cats (rings) and dolphins, fish and snakes (bracelets).

One new aspect of David Webb which debuted during Vegas Jewelry Week, is a scaled down collection with a lower price point than typical pieces. This new collection, called Motif, features black and white enamel and appeals to all ages. There are also new entry-level pieces from the Tool Chest collection, which I actually am a proud-owner of from the off-chance I entered my name into the drawing to win a pair of Nail Stud Earrings. I couldn’t believe I won! I’ve obviously been wearing them ever since. (The next day I wore them to the Antique Show, and almost every dealer commented on them!) I’ve included a photo of the earrings above (last photo) and they are done in 18k hammered gold and are only $680.

Be sure to stop by David Webb if you’re ever in the NYC area or Beverly Hills to check the new collection out. If you thought you’d never be able to afford a piece of David Webb, think again–this new collection may be your chance!

Special thanks to Levi Higgs of David Webb for taking the photos!


Couture 2017

Want more? See my visit to their NYC boutique

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