Gem Gossip Visits Quadrum Gallery in Boston, MA

Quadrum | Gem Gossip

Quadrum Gallery resides inside a mall called The Shops at Chestnut Hill

Quadrum | Gem Gossip

The most mouth-watering stack I’ve ever created, all rings are by Lilly Fitzgerald, shop here

Quadrum | Gem Gossip

Mesmerized by Paul Morelli’s designs, love the moonstones! shop here

Quadrum | Gem Gossip

Director of Quadrum Gallery, Sia Maravelias, shows me around as I’m entranced by all the gorgeous jewels

Quadrum | Gem Gossip

California-based designer Julez Bryant is one of Quadrum’s newest additions, shop here

Quadrum | Gem Gossip

the work of Lilly Fitzgerald inside one of the cases

Quadrum | Gem Gossip

Last year, Quadrum added Spinelli Kilcollin to their repertoire and it has been one of their best sellers, shop here

Quadrum | Gem Gossip

I love when designers’ work complements one another–here I’m wearing Moritz Glik & Sorellina

Quadrum | Gem Gossip

Quadrum understands that one can never have too much Gabriella Kiss Jewelry, so they keep a heavy stock! shop here

Quadrum | Gem Gossip

I fell in love with these whimsical gemstone charms handmade by Maria Beaulieu, shop here

Quadrum | Gem Gossip

Wearing two gorgeous diamond necklaces by TAP by Todd Pownell, shop here

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Anthony Lent Jewelry is another new addition for Quadrum, shop here

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Jewelry by Sorellina both left and right photos, shop here

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Moonstone magic, all jewelry by Paul Morelli, including the engagement ring

Quadrum | Gem Gossip

the unique earring display for the work of Maria Beaulieu

Quadrum | Gem Gossip

Spinelli Kilcollin rings piled on…they go perfect with my star boots

Quadrum | Gem Gossip

Lilly Fitzgerald jewelry–the necklace is made of apatite, shop here

Quadrum | Gem Gossip

Jamie Joseph is always popular and her work is highly collected, shop here

Quadrum | Gem Gossip

Quadrum is an ideal place to shop for your engagement ring, look at the variety of styles! Shop more here

Quadrum | Gem Gossip

These watermelon tourmaline earrings by Lilly Fitzgerald were a favorite, shop here

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We’ve got a mix of Sorellina, Moritz Glik, and Paul Morelli

Quadrum | Gem Gossip

You can stop by Quadrum Gallery any day of the week! Love that about the store…if I lived closer, I would be there all the time 🙂

Quadrum | Gem Gossip

More Gabriella Kiss, this time on my hands! shop here

Quadrum | Gem Gossip

Gabriella Kiss designs lots of unique pieces, all shown here

Quadrum | Gem Gossip

Wearing Julez Bryant–check out my geometric ear stack! shop here

Quadrum | Gem Gossip

Up close shot of the two Moritz Glik rings (“shaker” diamonds) and Sorellina band

Quadrum | Gem Gossip

The outside of Quadrum Gallery, where you can easily spend hours gasping and coveting.

Quadrum | Gem Gossip

Another shot of the Spinelli Kilcollin rings, shop here

Quadrum | Gem Gossip

Gabriella Kiss rings lined up all in a row, ready for new homes!

Quadrum | Gem Gossip

For over 39 years Quadrum Gallery has paved its own way, formed its own niche, and outshined ordinary jewelry stores both locally and across the US. There’s something to be said about a store that can march to the beat of its own drum and their success is because of this. Cynthia Kagan – the owner of Quadrum – had the passion and vision of creating this space known for its unique and exciting mix of artisans and jewelry designers. The artists represented can easily wow with a single glance. I was laughing as I was going through the photos taken from my very fun visit to Quadrum early on a Wednesday morning–every photo of myself I have my mouth open in a state of euphoria, most likely verbalizing the words WHOA or WOW, because that’s all I could say. The jewelry is just as special as each designer’s story is–what inspires them to create, where they are based, how they started…Quadrum is full of magic and I’m excited to share my visit with you all!

Sia Maravelias has been director of Quadrum for over 12 years, with 18 years total of working at the store, and has an enormous passion for jewelry. I also met with Amy Renneisen, assistant director who is equally addicted to jewelry as well. Playing with jewelry all day is just a tiny fraction of what these women do on a daily basis. One of their most favorite things is interacting with their dedicated clients who follow profusely on Instagram, print out their own wish lists from scrolling through the website, and are counting down days until their favorite designers host a trunk show at the store. Sia recalls, “Our Gabriella Kiss trunk shows create some large crowds in our store…it is always so much fun!”

Quadrum is exclusively designer-centered, meaning they don’t create their own in-house line of jewelry or have a repair shop on site. With the focus being on the artists, the store has become a destination. The selection is one of the most unique and distinct out there, having formed some of the longest-running relationships with certain designers. A great example of this is they’ve carried Barbara Heinrich for over 32 years, John Iversen, Reinstein/Ross, and Pat Flynn all over 20 years! Every year the Couture show is a tradeshow the team looks forward to and is often when they scout out a select few new additions to their artist lineup. This year they’ve added Anthony Lent, Sorellina, Moritz Glik and Julez Bryant.

Another aspect that I highly admire about Quadrum is something I just learned of when I visited. They do all their own photography, as well as their website and social media. All photography has been self-taught and it is honestly some of the best I’ve seen. Jewelry photography is no easy feat and those in the business know this quite well. I also love how both Sia and Amy have their own Instagram pages aside from the main Quadrum Gallery page. Both of their Instagrams are dripping with inspiration, whether it is how to stack or style some of the pieces from the store or new arrivals headed to the cases. You can follow Sia at @jewelry_maven and Amy at @thegemdiaries

Thanks so much for having me and I will forever be dreaming of all the incredible jewelry I saw while visiting.

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The Shops at Chestnut Hills

199 Boylston St.

Chestnut Hill, MA 02467

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How To Tell if Gold Is Real?

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Fake gold comes in many forms. Sometimes it’s easy to spot and other times, fake gold deceives even the best of us. There are even times when jewelry has all the proper gold hallmarks, but it turns out to be a cheap (and illegal) form of costume jewelry.

Whether you’re sorting through your grandmother’s old jewelry or you found a ring on the street, you might be wondering what that jewelry is worth. The first step to doing that is figuring out whether the jewelry is made from real gold or any other precious metal.

Before you run to the jewelers, there are some things you can do at home to tell if gold is real. You’ll need a few things to get started: a magnifying glass, a magnet, and a little bit of patience.

Step 1: Look for Hallmarks

The first thing you should do when accessing a piece of jewelry is look for hallmarks. All modern fine jewelry is required to have hallmarks that indicate the gold content. There are various types of hallmarks depending on the age and country of origin.

If there are no hallmarks anywhere, don’t immediately discount the item. Most solid gold antique jewelry doesn’t have gold markings because it wasn’t always a requirement.

If there is a hallmark like 14K, don’t immediately assume the item is pure gold. For instance, 14KGF is a hallmark that indicates the item is gold filled and not solid gold. Also, some scammers have intentionally marked heavy items like gold plated chains with purity markings in order to try to sell for a higher cost. Always know who you’re buying from!

Step 2: Examine for Wear & Discoloration

The next thing you should do is take a jeweler’s loupe or magnifying glass to the item in question. You’re going to be looking for areas of discoloration or wear. Gold should age very evenly and you shouldn’t see any areas of extreme darkness unless it’s a joint where a different metal solder may have been used. Of course you will see some darkness in 10k gold pieces in antique jewelry due to the higher copper content, but this patina will be mostly even throughout.

Antique gold filled items have a relatively thick layer of solid gold on the outside. These pieces can be hard to test because for acid tests, you literally have to cut deep into the item to see if there is a base metal beneath it. If you do an acid test on or just below the surface, the item will read as pure gold.

There are ways, though, to immediately tell if an item is gold filled. If there is wear and tear on the item, search for a base metal. With a loupe, examine portions where gold would naturally rub off (like the edges) to see if there are dark areas of base metal peaking through. This will be an indication that the item is gold filled or gold plated.

Step 3: Eliminate Imposters with a Magnet

This step works well if you’re sifting through a lot of miscellaneous gold pieces. Take a strong magnet and run it across the pile. Anything that is attracted to the magnet can immediately be eliminated as not pure gold. Solid gold is not magnetic, regardless of the color or purity.

Remember, if the jewelry is not attracted to the magnet, this doesn’t mean that the item is real gold. There are other imposter metals that are also not magnetic. This test just helps rule out items.

Step 4: Try the Float Test

Gold is a very dense metal and in theory, it should never float. If you drop your jewelry into a cup of water and it floats, more often than not, the item is costume jewelry. However, a solid gold piece that is hollow and very thin may float, so don’t use this test as your only method.

Step 5: Seek out a Professional

Unless you’re in the jewelry business, we don’t recommend using the nitric acid to test for gold on your own. They sell many home testing kits online, but there is significant room for error here.

In order for this test to be effective, you need to scratch your jewelry. A professional can do much more to accurately tell you what an item is made out of before having to damage the piece. If an acid test is required, they’ll be able to inflict the least amount of damage to the item as possible.

There’s no sense scratching your jewelry only to need a professional to verify what you did anyway.

As always, good luck and happy hunting!

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

Source: GossipGem.com

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Leslie Hindman Auction: September Sale is INCREDIBLE

Leslie Hindman: Lot 87

You’ll be enchanted forever by this ring, up for bid at Leslie Hindman Auction in Chicago, IL — this is lot 87 in the three-day bidding extravaganza.

Leslie Hindman: Lot 377 Leslie Hindman: Lot 378 Leslie Hindman: Lot 379 Leslie Hindman: Lot 380

Four mesmerizing opals are on the block at Leslie Hindman, day one, and they come back-to-back in lots 377-380. Get your bidding paddles up!

Earlier this year, I got the opportunity to get a behind-the-scenes look at the Leslie Hindman Auctioneers jewelry headquarters in Chicago, IL. To say I’ve got some perspective on how an auction house runs is far from the truth, but I came away being able to put faces with names, insight into a typical day, and a brief intake of the enormous amount of sparkle the jewelry department works with. It was one of my most favorite experiences of this year! Now when I hear that Leslie Hindman has an upcoming auction this September (the 10th-12th to be exact) I have more context of the event, as they are excited to bring a three-day extravaganza with some heavy and hard-hitting bidding in the future. This three-day auction will feature over 1500 items of all price points and eras. If you like big and bold, Victorian or Modern, opals or rubies, they’ve got something for everyone.

Let’s take a look at some of my top picks:

Leslie Hindman: Lot 6 Leslie Hindman: Lot 55

Lot 6: Nothing beats an Etruscan Revival basketweave wrap bracelet! This is such a fine example and I love the gemstones used on it–sapphire and diamonds! It gives it a cool look against the warm yellow gold. I also love the granulation work, in both excellent and ready-to-wear condition. This piece may date back to 1870, but never looked more trendy than on an elegant wrist in 2017. Estimate: $3,000-5,000

Lot 55: Lately I’ve written several articles on engagement rings and I’ve been finding that women are wanting something traditional but with a twist! This ring speaks volumes with just the small accent sapphires, as it makes the ring totally unique. The piece is Art Deco and set with a 3.24 carat Old European cut diamond in the center. Love the style and think it should belong to someone who will treasure it as an engagement ring. Estimate: $10,000-15,000

Leslie Hindman: Lot 68 Leslie Hindman: Lot 86

Lot 68: I’ve seen the benefits of purchasing pieces that are convertible and this is a fine example of a two-in-one! Meet the silver-topped diamond pendant/brooch of your dreams. This piece totals over five carats of old cut diamonds and radiates from every angle. I could picture it being worn on a chain or worn pinned to a collar. The possibilities are really endless. Estimate: $4,000-6,000

Lot 86: The only kind of bugs I like are jewelled insects! This guy is one for the books–look how cute he is. Set with rose cut diamonds all-original to the piece and a jaw-dropping opal back. I love the detail on the textured gold legs and the ruby eyes. It’s all in the details. Estimate: $2,000-3,000

Leslie Hindman: Lot 111A Leslie Hindman: Lot 118

Lot 111A: Plique a jour is jewelry’s version of stained glass and I must say, I don’t own a single piece of this beautiful artform. These earrings though, should and would be the best first piece of plique a jour to add to my collection. I love the colors and I love the design. They are 18k yellow gold and feature 12 brilliant cut diamonds. Estimate: $500-700

Lot 118: This diamond and ruby ring stopped me in my tracks. Wow. It is done in platinum and set with a marquise cut in the center, with calibre French cut rubies and round diamond accents. It is pristinely made and you can see the remarkable craftsmanship even in the photo alone–now I want to see it in person! It could be yours on September 10th. Estimate: $4,500-6,500

Leslie Hindman: Lot 124 Leslie Hindman: Lot 300

Lot 124: This ring is so cool for so many reasons! Let’s start with the fact that it has contrasting metals–rose gold and platinum. The design is also pretty amazing, and the different metals really play off this element. The rubies are actually different, if you already couldn’t tell–one is synthetic and the other is genuine. Such a stunning ring. Estimate: $4,500-6,500

Lot 300: The coolest earrings I ever did see. These are actually diamond studs with detachable jackets that easily slip on/off the earring posts. There are four jackets total, so lots of possibilities here! And the style of these has never been more on-trend. Geometric and angular, love them. The diamond studs total 2.26 carats. Estimate: 3,000-5,000

Leslie Hindman: Lot 487 Leslie Hindman: Lot 509

Lot 487: I had to include this insane emerald ring because of its colossal size–then I read further and realized it is a piece by Judy Geib. A true artist who hand makes everything herself–fun fact: did you know she taught herself how to make jewelry? No formal training. Her pieces are known for their juxtapositions–like beauty and rawness, fine gold mixed with silver. Estimate: $4,500-6,500

Lot 509: Iconic and chic, I had to include this cuff bracelet from Verdura into my favorites list! It is easily recognizable as a Verdura statement piece. Done in 18k yellow gold, set with peridot, amethyst, and diamond and complete with the Maltese cross enameled in black. What a special bracelet. Estimate: 28,000-38,000

This sponsored blog post was brought to you in collaboration with Leslie Hindman.

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SEPTEMBER SALE: September 10th-12th

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High Jewelry Made a Big Impact at Paris Couture Week

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Haute couture is one-of-a-kind creations crafted from the finest materials by skilled artisans using century-old techniques. Haute couture had humble beginnings. In 1858, an English couturier, Charles Frederick Worth, established the first haute couture house in Paris championing exclusive luxury fashion for the upper-class woman and coining the term “fashion designer” in lieu of the basic dressmaker. Today, haute couture is still synonymous with high-quality materials and workmanship. And when haute couture meets haute joaillerie (high jewelry), the result is transformative! The jewelry becomes an extension of the designer’s vision for his or her collection creating a complete story – one that is truly a work of art!

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GIAMBATTISTA VALLI AND ELEUTERI:

Giambattista Valli accessorized his haute couture collection, comprising of ethereal tulle gowns, draped silk chiffon dresses and embellished minis with exquisite vintage jewels from Eleuteri. The jewels focused mainly on bracelets featuring a glorious 1950s French amethyst and turquoise piece as well as a intricate jade and gold design from David Webb and several Tubogas wristwatches from Bulgari.

PICTURE Credit FROM VOGUE.COM

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GUO PEI AND CHOPARD:

The Chinese designer made a name for herself when she dressed singer Rihanna in yellow couture for the MET’s “China through the Looking Glass” gala and red carpet. For her haute couture collection, she collaborated with Chopard paying homage to the golden era of haute couture and Hollywood icons of the 50s. The results were a perfect fusion of Chinese and Western cultures, high fashion and exquisite jewels.

The deep jewel toned hues of Pei’s dresses paired effortlessly with Chopard’s the Silk Road collection, which featured an emerald bib necklace, diamond and pearl drop earrings and an amethyst pendant necklace. The Chopard jewels complemented the opulence and extravagance of Pei’s couture collection perfectly.

PICTURE credit FROM ZIMBIO.COM /GETTY

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

Thanks to Gossip Gem

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Why Are Crystals & Healing Crystals So Popular Right Now?

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So much can be said about crystals and their role in the millennial mind. The mainstream’s relatively recent fascination with crystals is far-reaching and undeniably polarizing. There are those that think a crystal’s ability to heal is hogwash. Others go so far as to dedicate their lives to healing crystal’s seemingly magical powers.

Then there are people like me who fall somewhere in the middle. Don’t get me wrong, I am absolutely fascinated by crystals, and my collection is vast enough to need its own cabinet or two. I use crystals while meditating, and I even playfully ponder over the unseen “energies” different crystals emit.

But I’m still skeptical. Do I think holding a piece of rose quartz over your heart is going to heal a cardiac arrhythmia? No. Do I think every crystal sends off a different vibration? Not really. What I do know is that each type of crystal has a different composition and absorbs and refracts light (and radiation) in different ways — to put it simply.

Regardless of where you stand, the age of buying druzy crystals in mass numbers is upon us. Crystal healing has been around for centuries, but why all of a sudden are these specimens so in-demand? Skepticism aside, here are some reasons why crystals are so popular:

1. Crystals Are Helpful Meditative Aids:

A crystal doesn’t need to be unearthly magical to help with a simple meditation practice. If the crystal just so happens to emit an energy that helps you channel a goal, great. But that isn’t the point. So much of our own energy is channeled through our thoughts.

If we think a particular stone will enhance our intuition, chances are we’ll be seeing things more clearly. Whether it’s the stone’s work or just our mind, having a token to focus our attention on while meditating can help with the process of destressing.

2. Healing Crystals Lend to Personalized Spiritual Practices:

I’m not a New Age expert, but I do know that the culture developed as a means to explore spirituality for those that don’t fit into the confines of standardized religion. In a New Age practice, no one model that fits all. An individual explores varying belief systems and ideologies, then they practice a mixture based on works for them. One potential area of study is crystal healing, which is an ancient practice that has been around for thousands of years.

Many millennials that don’t easily fit into another religion are adopting this New Age model to help them through difficult times. Whereas some might find their solace in Catholicism, Hinduism or Islam, New Agers might find that same comfort through astrology or paganism.

A recent cultural shift to more New Age type thinking among millennials explains in part why crystal sales have been seeing a resurgence. Before you’re quick to agree or disagree, remember that with belief systems, you don’t necessarily see what you’re believing. If crystals bring someone closer to their spirituality and the universe and if crystals somehow make them a better person because of it, all the power to them. So long as someone’s beliefs are ethically okay and don’t infringe upon someone else’s beliefs, no judgements here.

3. Crystals are Absolutely Fascinating to Look At and Study:

Alright, so let’s get down to the reason why most of my jewelry friends and I are obsessed with crystals. They’re gorgeous! Most of the time they’re completely untainted. And they can grow under the most extreme yet specific conditions. They’re colorful, optically fierce, and exceptional little snowflakes. Okay, I’m going a little overboard, but you get the idea.

Crystals and gemstones that haven’t been dyed or altered in any way are such a profound testament to the beauty of earth and nature. Something as seemingly simple as rain pushing sediment into a mountain crevice can transform into an unworldly treasure millions of years later. Hello, opal! And that’s just one example.

The science behind crystals is vast, complex, and undeniably intriguing. And even when you fully understand the how, you still can’t help but be mystified when you come across an even more radiant and unusual specimen.

Whatever marketing or New Age trend that pushed the mainstream population onto crystals has only promoted what we gemology and geology fanatics have known all along. There’s nothing quite like a perfectly imperfect crystal.

Five Crystal Items You Can Shop:

Crystal Gifts | Gem Gossip

Crystals – Paperback by Jennie Harding

Agate Bookends

Crystal Cluster Amethyst Art

Wellness Gem-Water Bottle by VitaJuwel

Green and Blue Mineral Art Print

This post was contributed by:

Ageless Heirlooms Lauren Thomann | I: @agelessheirlooms | W: www.agelessheirlooms.com

Thanks to Gossip Gem

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The Hottest Celebrity Jewelry Trend Happening Now–Hoops!

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Jennifer Lopez may have been one of the originators, but now there seems to be a resurgence in the popularity of hoop earrings and celebrities are following suit.

What makes this hoop trend new? Crank the typical thin metal circle hoop earrings up a notch… or 12 notches! We’ve spotted all kinds of luxe versions of the hoop earring — from diamond color coated to encrusted opal slices. Hoops are competing as the new statement earrings on the red carpet.

Not to mention they have a remarkable way of framing the face and are extremely adaptable in size to fit anyone’s face shape. They’re quintessential and dependable. Hoop shaped earrings have been a powerful symbol in numerous cultures throughout history. The oldest earrings archaeologists have discovered belong to Sumerian women who lived in 2500 BC, and favoured the classic gold hoop style.

Hoop earrings are a foolproof, classic staple and if you don’t have a pair of hoop earrings in your jewelry box, check out these celebrity looks for inspiration to add a pair now!

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Hailey Baldwin demonstrating that one pair of hoop earrings is never enough. Hailey wearing 2 pairs of gold hoop earrings from Jennifer Fisher Jewelry at the iGo.live launch event.

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Jennifer Lopez wore Harry Winston three row diamond hoop earrings at the ‘Rei Kawakubi/Comme des Garçons: Art of the In-Between’ Costume Institute Gala 2017. She also wore a pair of bold gold Samira hoop earrings by Jennifer Fisher Jewelry in her new music video for ‘Amor Amor Amor’.

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Nicki Minaj wore oversized diamond hoop earrings by Lynn Ban at the 2017 MTV VMAs.

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Rihanna prefers colored diamond encrusted hoop earrings. She wore Rihanna Loves Chopard pink sapphire hoop earrings to the LA premiere of Valerian and The City of a Thousand Planets. She also wore yellow diamond hoop earrings by Jacob & Co. at the launch of her Fenty Beauty, pictured here.

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Singer Rita Ora wore diamond Tiffany and Co. hoops at the 2017 Teen Choice Awards.

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Sarah Paulson wearing diamond Jasmine hoop earrings by Nirav Modi at the 2017 Screen Actor Guild Awards.

PICTURE credit all GETTY, with the exception of Rihanna photo via WIRE IMAGE

This post was contributed by:

wwwdaily Laura Lee Fulham | T: @WhoWoreWhatDly | W: www.whoworewhatdaily.com

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Jewelry Collection Stories: Kate of @LuxCharmJewelry

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This month’s Jewelry Collection Story comes from Kate of @LuxCharmJewelry and it is a good one! Kate is a full-time art teacher and part-time jewelry enthusiast and collector. You may already be following her on Instagram, but if not you must. Her collection is pretty amazing and her story may resonate with many of you. So without further ado, I give you Kate’s collection story:

I’ve always loved jewelry. I have early memories of playing “dress up” and “jewelry store” with my grandmother Louise. She kept her jewelry in the top dresser drawer. Oh how I loved looking inside those little boxes and seeing all the sparkly jewels inside! We would arrange her jewels on top of carefully arranged bits of pretty fabrics and embroidered handkerchiefs and take turns “shopping.” It was so much fun trying on her white dress gloves and high heels and playing with all those pretty things.

When I was around 10 years old, my dad started giving me jewelry every year for Christmas, mostly rings. One year, I received a topaz ring that had the most amazing shade of bright blue. I adored that ring! Another favorite ring given to me by my dad was a gold signet ring that he had monogramed with my initials. I think I was around 15 at the time. It’s a classic look that will never go out of style and one I wear often today.

One of my favorite early jewelry memories was when my family went out to dinner before my high school senior award night. I didn’t know it at the time, but I was about to win the top artist award in my class, and my parents bought me this beautiful southwestern sterling bracelet and turquoise ring to mark the occasion. For high school graduation, I received a large, modernist sterling and gold ring. At the time, I wasn’t into yellow gold, and these bold sterling pieces were among the most beautiful pieces I owned. Luckily, my parents have continued the tradition of gifting me jewelry for special occasions, and I cherish them all. These pieces help to serve as reminders of special times in my life. My sweet husband has also joined in on the tradition and I have received many beautiful pieces from him now over the years, including my very first (and favorite) Victorian bird bangle bracelet and my beloved antique turquoise and diamond halo ring.

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As a teenager, I was really into second-hand shops–mainly for vintage clothes and small decorative items, but eventually I started picking up inexpensive jewelry and odds-and-ends; like pendants, chokers, chains, etc. At about the same time, I started making beaded jewelry and even gifting and selling pieces to my friends.

Years later, I decided to try my hand at selling handmade jewelry on Etsy. It was a fun, challenging, and creative outlet. Those were the relative early days of Etsy, and I grew as it grew. I did this for a couple of years and slowly started incorporating more and more vintage jewelry components and findings into my pieces. Eventually, the competition increased and my enthusiasm waivered, so I put my shop on hold.

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My love affair with antique jewelry began about eight years ago when my mom and I were antiquing at one of my favorite stores in Richmond, IN. My mom fell head-over-heels for this old gold cameo ring. At first, I was like, “What? Cameos? Ugh, I don’t get it.” Then much to my surprise, my mom professed her life-long love affair with cameos, citing stories from her youth. The shop owner quoted her a low price and my mom quickly bought the ring. She wasn’t one to make fine jewelry purchases on our excursions together, so I was intrigued and wanted to know more. I couldn’t stop staring at this unusual reddish-orange cameo ring on our drive back home; I was fascinated by it. It didn’t look like the girly, pink cameos I was used to seeing. It was more masculine in style and the gold was a rich rose color. The shop owner estimated the ring to be about 120 years old.

To my knowledge, I had never seen a ring that old before and now I wanted one for myself! The more I researched, the more I realized what an amazing deal my mom got on that ring. Sure, it was more than I was used to spending on random antique mall purchases (about $85), but still affordable. This made antique jewelry seem obtainable to me for the first time ever. I started reading jewelry books, researching online, and educating myself on antique jewelry. I liked learning the history behind each piece. It’s a perfect fit for me– combining my love of history, research, sentiment, story, etc.

Inspired by my new passion and focus, I reopened my Etsy shop–selling only vintage and antique jewelry. I absolutely loved hunting for old jewelry, even cameos! Thinking back to that special trip to Richmond with my mom, I believe this was the critical moment that later turned this new interest into a full-blown hobby and part-time job for me.

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Today I have such a deep and sincere appreciation for antique jewelry; I tend to collect a little bit of everything. All in all, I tend to go more for Victorian, Art Nouveau, and Art Deco pieces. Rings are probably my favorite type of jewelry to wear and collect. I love everything from dainty to bold, statement rings. I also love antique bangles and Deco necklaces in all sorts of finishes, metals, and styles.

One of my favorite things to collect are watches. My favorite makers are Longines and Bucherer. I have everything from watch pins, watch rings, wristwatches, and pocket watches. And I really love long enamel watch necklaces. My love of watch necklaces probably began when I scored an amazing Bucherer red guilloche enamel watch ball necklace for $60 in a small, local antique shop. I later learned this was a remarkable deal for one with its original enamel chain in perfect condition. I’ve since added about 10 more to my collection over the years. I just can’t stop myself when I see a beautiful one for a good price. I have such a weakness for fine guilloche enamel-work.

In addition, I love bird-themed jewelry and have many bird bangles, lockets, etc. I tend to favor cool-color pieces in general (it must be the Pisces in me!). I am very fond of blue–sapphires, lapis, zircon, and turquoise to name a few. Pale lavender chalcedony, dreamy moonstones, and that particular shade of green commonly used in Art Deco pieces–are all personal favorites. I have a growing collection of snake rings, too.

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I enjoy shopping at small, local places best. The Midwest is a gold mine for antiques of all kinds. The big jewelry enthusiasts seem to live on either coast and being stuck in the middle has its advantages… lower prices and less pickers. But this seems to get harder every year. My favorite display cases and shops seem to be shutting down. The old dealers retire; some pass away. I think part of me has also wanted to open a brick and mortar shop, but the risks are scary.

Currently, I seem to have the most luck shopping at antique shows and online auctions. I’m always on the hunt for new pieces. I would love to own more niello jewelry, antique enamel bracelets, and gutta percha bangles inlaid with gold. I have a thing for portrait paintings but oddly, own no portrait jewelry. I interned at the National Portrait Gallery right after college and it’s a subject I’m really interested in. I would love to find the perfect emerald ring and more “name” or “initial” jewelry to represent the important people in my life.

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Recently I celebrated a milestone birthday (hello, 40!) and had been hunting for the perfect aquamarine birthstone piece of jewelry for months. Then it finally happened…a huge, honking, 14-carat, Victorian, pear-shaped aqua ring in 15K gold popped up on my Instagram feed. Its large size, unfussy setting, and perfect pale-blue color, stopped me dead in my tracks. A direct quote from the seller was, “a mesmerizing, dreamy, huge piece of magic.” Indeed it was. I sold three personal collection rings to make room for this special ring, the latest addition to my jewelry box.

Back when I started wearing, selling, and collecting antique jewelry, I was the only one I knew who did. I just bought what I liked and what I could afford at the time. It wasn’t until I joined IG a couple of years ago that I found other like-minded people who loved and appreciated old jewelry as much as I do. Like most sellers/collectors, I am searching for more high quality and unusual pieces nowadays. Lately, there seems to be more competition, more reproductions, and higher prices on the online auction sites, making it harder to “score” a deal. While I may not be selling forever, I know I will be wearing and enjoying my jewelry for the rest of my life. It brings me so much joy. Marking special occasions and making new memories with jewelry are so important to me. Jewelry has a way of keeping our memories alive…providing a tangible reminder… connecting us to the people, places, and significant moments we cherish in life. Happy hunting!

xoxoGemGossip

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Q & A and Visit with Emily Stoehrer of MFA Boston

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After a long and exciting week in Boston, I had a visit to the Museum of Fine Arts set up to feed my jewelry history cravings. One of my favorite things about my love and passion for jewelry is learning! Museum exhibits are such a great way to see and learn, often producing a lifelong impact or memory–especially for me. Whenever there is a headlining jewelry exhibit, I like to try to schedule trips in hopes of catching it before it ends. Lucky for Boston, the MFA has quite an extensive jewelry department that is constantly researching, collaborating, and creating new exhibits. I got to have a private tour with Emily Stoehrer who is not only a wealth of knowledge, but highly dedicated and involved in what she does for the museum. I was fascinated in so many ways, as she brought me through the MFA’s current exhibit Past is Present: Revival Jewelry.

Learn more about Emily as she answers my questions below and make sure you stop by the exhibit before it ends in August of 2018. Can’t wait to visit again!

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I am the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. It’s a unique role in an American fine art museum, which was established in 2006. I was appointed in 2014, and over the last three years have worked to develop the exhibition program; add extraordinary jewels to the collection; connect with jewelers, designers, and collectors; and collaborate with colleagues across the museum to plan programming and events

Spanning thousands of years of jewelry history, there are more than 20,000 objects in the jewelry collection. Highlights include our ancient collections and contemporary jewelry, but over the last decade have added to our holding of fine jewelry. A great example of this is a gift given by the Rothschild family a few years ago, which included an outstanding pearl and diamond necklace that dates to the late nineteenth century. With large, perfectly matched natural pearls, it’s an extraordinary treasure! Yvonne Markowitz (who is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry Emerita) and I have worked to establish a jewelry resource center for anyone interested in the study of jewelry, and as part of that we have also worked with the Curator of Design to acquire jewelry with related design drawings. Studying drawings from firms like Trabert & Hoeffer Mauboussin, the manufacturer-jeweler Louis Ferón, and the artist-craftsman Frank Gardner Hale, alongside the jewelry they made, has greatly informed our understanding of jewelry and how the industry operated historically.

We have also worked to add strength to strength by filling in gaps in our historical collection. For example, until recently we did not have anything by Carlo Giuliano. But, this year we added two amazingly naturalistic gold and enamel butterflies to the collection—a Duke of Burgundy and Bath White butterfly, to be specific. They are impossibly thin, and enameled on both sides to show every detail of the butterfly’s body and wings. They are a stunning example of the goldsmith’s art. Another historically important and spectacular ornament that I recently acquired is the Apparitions brooch which was designed by Eugene Grasset and made by Henri Vever for the 1900 Paris Exposition. It’s hauntingly beautiful art nouveau aesthetic won them the Grand Prix.

My favorite part of the job is the research and planning that goes into creating an exhibition—doing research in libraries and archives and taking a deep dive into historical documents, publications, and material culture. Unfortunately, as I run from meeting to meeting, I don’t get to spend as much time doing this as I would like. So, I rely on some a team of volunteers and interns to help with some of it. Once the research has been done, and the objects have been selected, the real fun begins. I have learned so much about the storytelling capabilities of jewelry from working with the MFA’s remarkable exhibition designers, mountmakers, and conservators as we discuss and mock-up how each object will be displayed in the gallery.

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As any lover of jewelry knows, the past has consistently inspired jewelers and designers. While interest in historicism was particularly strong during the nineteenth century, there were great revival jewels made before 1800 and after 1900. In the same way the Victorians struggled with the tension between mass-production and hand-craftsmanship, we grapple with digital design and the pace of modern life. So, I see this as a topic that is as relevant today as it was 150 years ago, and if you think about it that way you’ll notice many examples of twentieth and twenty-first century jewelry that engage with a historical narrative. I hope that visitors enjoy seeing traditional “revivalist” ornaments by outstanding jewelers like Castellani and Giuliano, Bapst and Falize and Boucheron, but also some unexpected surprises like a 9-foot titanium python necklace by Munich-based contemporary jeweler David Bielander, and that the juxtaposition makes them question their notion of revival jewelry.

The exhibition highlights four revival styles: Archeological, Classical, Renaissance, and Egyptian. Each case in the intimate space includes a choice group of jewelry aimed to tell a story – travel, nationalism, graduation, cameo, scarabs, and snakes are just a few of the themes explored. If you pay very close attention to the labels, visitors might also be delighted to learn how early some of these objects were added to the MFA collection. Like the Met, the MFA was founded in 1870, and some of these jewels were acquired in the subsequent decades, making them contemporary jewelry when they were donated. A neoclassical necklace and five brooches with mythological scenes in carved shell cameo, and a Castellani necklace, earrings, and brooch commissioned by the amber collector William Buffum are just two examples of the objects that have resided at the MFA for more than one hundred years. Newer acquisitions on view include: a tour-de-force bracelet by the Roman jeweler Ernesto Pierret that features a central bovine head, granulation, and two menacing faces that come together to form the clap; a spectacular early twentieth-century neck ornament by G. Paulding Farham for Tiffany & Co.; and a slithering silver snake belt/necklace, with sapphire eyes, that Elsa Peretti designed for the American fashion designer Halston in the 1970s.

While 80% of the works on view are from the MFA collection, there are also some noteworthy loans. From the collection of Susan B. Kaplan, a startlingly lifelike lion speaks to the genius of Castellani’s designers and craftsmen. Unlike other micromosaic workshops, Castellani left the surface of their work uneven to create a glittering effected. Wartski Ltd., of London, loaned a demi-parure (belt buckle, brooch, and bracelet) by Falize Frères. Enameled on both sides, the glorious ornaments use translucent enamel and foil to create a fantastical scene with birds, like those seen in illuminated manuscripts. Generously sponsored by Cartier, the exhibition includes four magnificent twentieth-century ornaments from the Cartier Collection. Made between 1906 and 1928, the garland style medusa necklace, winged scarab belt buckle, Eye of Horus bracelet (that once belonged to Linda Porter), and the diamond chimera bracelet are outstanding examples of French revival jewelry, and the depth of the MFAs ancient collection allows for these dazzling jewels to be exhibited alongside the ancient artifacts that inspired their design.

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My path to jewelry was a crooked one. I have an undergraduate degree in Psychology, and had plans to attend law school. But a few years working in the District Attorney’s office, I changed my mind and I began researching graduate programs in fashion. In 2005 I moved to New York City and enrolled in the two-year Fashion & Textile Studies program at the Fashion Institute of Technology. Thanks to FIT’s remarkable alumni network I ended up back in my hometown with an internship at the Museum of Fine Arts, Boston. As an intern I worked with conservators in the Textile Conservation department to relocate the fashion collection.

My first full-time position at the MFA was as a Collections Care Specialist and my responsibilities included preparing more than 10,000 objects from the Asian costume and textile collection for photography – everything from kimono to dragon robes and textile fragments to temple hangings. When that project ended, I became the Curatorial Research Associate reporting to Yvonne Markowitz (then curator of jewelry). For two years I worked with her on the inaugural exhibition in the jewelry gallery, and the book Artful Adornment. Both the exhibition and the book focused on highlights from the MFA’s jewelry collection. Yvonne quickly became a very important part of my life, and has been an extraordinary mentor. She encouraged me to think about a future as a jewelry curator, bringing my knowledge of fashion history to the understanding of jewelry. She enthusiastically introduced me to her contacts and colleagues, took me to conferences, and supported my own research in the field. She also told me to consider a PhD.

During my time at the MFA, I had been teaching courses in textiles and fashion history, and in 2010 I left the Museum and took a position at a small college in Boston’s Back Bay neighborhood. As Program Director and Assistant Professor, I managed three robust fashion programs with more than 100 students. At the same time I took PhD courses and exams, and began work on my dissertation. My doctoral work focused on the intersection of fashion, jewelry, and media. I examined the vintage jewelry on the red carpet from 1995-2010 using Neil Lane’s collection as a case study.

After nearly 30 years at the MFA, Yvonne retired in 2014 and I was appointed to replace her. Over the last three years, I curated the exhibitions Hollywood Glamour: Fashion and Jewelry from the Silver Screen, Past is Present: Revival Jewelry, and smaller installations; planned jewelry related events and trips for the MFA’s Fashion Council; traveled extensively to lecture, visit art fairs and exhibitions, participated in educational opportunities organized by Association for the Study of Jewelry and Related Arts (ASJRA) and Art Jewelry Forum (AJF) trips, attend conferences, visited collectors, galleries, designers, and jewelers. It’s been a whirlwind. Recently I have taken on two leadership roles, joining the board of directors for the Society of North American Goldsmiths (SNAG) and the Boston chapter of the Women’s Jewelry Association (WJA).

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I am immersed in research for two forthcoming exhibitions, and a book related to my doctoral work.

Opening in September 2018, an exhibition of Boston arts and crafts jewelry and metalwork will replace Past is Present in the Stanley H. and Rita J. Kaplan Family Foundation Gallery. From the establishment of the Boston Society of Arts and Crafts to the disastrous 1929 stock market crash that crippled many artist craftsmen, this exhibition will be the first to focus solely on Boston jewelers, and will include design drawings, jewelry, and hollowware by artists like Frank Gardner Hale, Josephine Hartwell Shaw, Margaret Rogers, and Edward Everett Oakes.

That exhibition will be followed by one on Elsa Peretti, who will be celebrating 50 years as a designer in 2020. Beginning her design career making jewelry and accessories for Giorgio Sant’ Angelo and Halston before joining Tiffany & Co., Peretti has created timeless designs that continue to resonate with modern consumers. Her refined taste has focused, primarily, on silver but the exhibition will feature a diverse sample of her work, as well as her inspirations, and—of course—include a fashion element. An esteemed arbiter of style, fashion icon, and friend of many twentieth century notables, this exhibition will celebrate Peretti’s life and career.

My work at the MFA keeps me very busy, but I am also in the midst of writing a book titled Jewelry in Celebrity Culture: Glamour and the Hollywood Spectacle. It will be published as part of I.B. Taurus’s Dress Culture series (edited by Reina Lewis and Elizabeth Wilson). From the tour-de-force necklace that the American firm Trabert & Hoeffer loaned Colette Colbert to wear in the 1935 film The Gilded Lily to the impact of The Representation Project’s #askhermore campaign, the book will examine how jewelry aids in Hollywood’s production of glamour.

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To be honest, the last three years have been a series of highlights. The people I have had the opportunity to meet have been the most memorable. The many conversations and meetings I had with Neil Lane as I conducted research on Hollywood jewelry and his private collection, having lunch with Elsa Peretti in Sant Marti Vell, Spain and discussing her incredible life and work, and spending two days in Wallace Chan’s Hong Kong atelier are at the top of the list!

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I look forward to seeing the field grow in new and exciting ways. There are so many M.A. programs that embrace the study of jewelry history, and there remain extensive subjects awaiting scholarly work. Coupled with a G.G. I think there is extraordinary potential for research and writing. I was lucky to have a great mentor, who guided my career path, and if you can find an experienced curator or historian to play that role for you, it’s priceless. This field is so welcoming. I encourage anyone interested in jewelry to find others that share their passion, social media is a great place for this.

Being a museum curator is much more multi-faceted than I realized after leaving graduate school. Even after years working at the Museum, it wasn’t until I was a curator that I realized the diverse requirements of the job—a natural curiosity, a mastery of your subject area and how it connects to other types of art, a vision and strong ideas that you can translate into exhibitions, excellence in building and maintaining relationships with artists and collectors, as well as strong research, writing, and public speaking skills.

I am very lucky that the MFA has such a vibrant jewelry program. My position, the gallery, and the prominence of jewelry at the MFA is all thanks to tremendous generosity Susan B. Kaplan. It is our hope that other American fine art museums will expand their collection, exhibition, and publication related to jewelry. And, that similar positions will emerge at other American museums.

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xoxoGemGossip

WANT MORE? You can follow Emily on Instagram —> @jewelcurator

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Arik Kastan Debuts New Styles at Couture 2017

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Arik Kastan and their team have been busy debuting some new designs and collections while out in Vegas for Couture. Buyers, press, journalists all hovered over their booth to get a glimpse of the new styles and fun gemstone combinations that still have people talking. As usual, Arik Kastan’s booth was one that couldn’t be missed when attending this year’s tradeshow.

If you missed out attending Vegas, we’ve got you covered in this installment–which is shown here on Gem Gossip, as well as all of Arik Kastan’s Newsletter subscribers. Be sure to sign up if you haven’t below!

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A padlock on a thin chain is all you need for a night out in Vegas! This one has us telling our friends it is perfect in every way. Classic and cool for a modern woman who still likes a nod from the past.

Oval cluster padlock in emerald + diamonds, Price: $2,360


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We weren’t ready for how much of an impact we would bring to Couture with our green agate pieces! Comments like, “what stone is this, it is amazing?!” and “this green color is glowing!!” have really made us proud. This ring is one of our favorites.

Five-Stone Art Deco ring in green agate + sapphire, Price: $1,280


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Since we are on a green/blue kick, we’ve changed things up by using emeralds and turquoise. This earring style and gemstone combo are totally chic, and we could picture these on a summer getaway on a plane near you!

Deco Rhombus Drop Earrings in turquoise + emerald, Price: $1,830

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To go along with the above earrings, we’ve created this ring which is sweet as can be! It is stack-ready and as we’ve said before, awaiting summer. Try wearing this one on your pinky if you’re wanting to do something more unique. Your friends will catch on.

Deco Lilac ring in turquoise + emerald, Price: $1,170

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Feeling the summer heat over here in Vegas, which is why we’re opting to keep our necklace situation simple. We have been wearing the Aster necklace most of the week and it has brought the right amount of sparkle and femininity to our lives. Definitely our kind of Vegas vibes.

Aster Pendant in diamonds, Price: $1,830


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Before we head back to LA from scorching Vegas, we want to point out our Delilah ring because SHE’S CUTE. One of our most-requested rings during our trade show and we can’t wait to see these on your fingers!

Delilah ring in emerald + diamonds, Price: $2,200

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We couldn’t wait to show off our newest vintage-inspired bow rings which debuted at Couture. And the newest gemstone color combo that had store and editors swooning–green agate and sapphires. Look out for them to hit the website soon! Can’t wait? Email [email protected]

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Jewelry Collection Stories: Lindsey of @ParkAvenueAntiques

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I’ve followed Lindsey of Park Avenue Antiques for a very long time! My first interaction with her was sort of humorous–I remember being on my way out the door to go antiquing for the day with my mom and sister. I was waiting on a ring to go up on the auction block so I unpleasantly made them wait until it did, not realizing it wouldn’t be until another 45 minutes. I can’t remeber exactly why I lost out on the ring, but while in the car finally on our way, I took a screenshot of the ring and posted it on Instagram with the caption, “Who outbid me on this portrait ring?! Confess!!” Lindsey was sweet enough to message me to tell me she had been the final bidder on it and graciously offered it for sale. A story too good to be made up, I’ve treasured that ring ever since! Over the years, we’ve continued to follow each other–even one point I tried meeting up at an antique show, but kept missing her! Hopefully meeting will be in the cards for us in the future, but until then…let’s check out her amazing jewelry collection!

Like many of you, I have been attracted to sparkly things for as far back as I can remember. As a little girl, I collected rocks and minerals, little buttons and sea glass. My father was an antiques dealer and the two of us were always on an “antiquing adventure”. One of our favorite places to visit was Roycroft Antiques in East Aurora, NY. They had a wooden whisky barrel filled with buttons and beads and I would dig through that barrel until my hands were black! Who knows what I thought I’d find in there! It was all about the hunt….

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I share this silver filigree necklace with my daughter Cameron. The three Edwardian silver bears represent her and her two brothers.

Around the age of 5, we moved to Hershey, Pennsylvania. It was a difficult transition. My parents both worked two jobs and I was home alone a lot. My mother always found ways to show me how much I was loved and that she was thinking of me. She came up with a hide and seek game we called “Rubber Legs” which involved hiding a yellow plastic figure. Before she left for work in the morning, she would hide Rubber Legs somewhere for me to find. Then I would hide him somewhere for her. I almost always hid him in her antique spool cabinet/jewelry box. It was a magical place where I wasn’t supposed to “dig around” but I couldn’t help myself! There were sparkly rings, beautiful strings of trade beads, flapper necklaces and cameos. She had all kinds of treasures but my favorite piece was a little gold acorn charm that rattled when shaken.

Once we moved to Hershey, adventures in antiquing with dad still continued. He opened an antique lighting shop in Adamstown, PA in the Black Angus Antiques Mall. Most Sundays I would tag along to help him but really spent most of my days with other dealers. I was fascinated with their knowledge in various fields and eager to hear their stories. This is where my love for jewelry and antiques really started.

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LEFT: Georgian sapphire and rose cut diamond bow brooch in silver topped gold, purchased at the Las Vegas Antique Jewelry & Watch Show

When collecting jewelry became a serious passion, I invested in books. Jewelry books on private collections, construction, symbolism, intaglios, various periods and markings. My jewelry library has helped me to educate myself and develop a true respect for the craftsmanship and symbolism that these pieces hold. I try to add one book to my collection every month. I would encourage any aspiring jewelry collector to do this as well.

RIGHT: Eight years ago, I was newly divorced and the only jewelry I had was my and my grandmothers wedding ring. I put some money aside and decided I’d like to create a piece of jewelry that would represent my family. I hoped to create a ring that could be passed on to one of my children. The first jeweler I went to was a rather unpleasant experience. I nearly gave up on my idea but decided to give it one more try. This is when I met Skip Colflesh, the owner of The Jeweler’s Bench in Hershey, PA. He helped me create the perfect ring. We used the diamonds in my grandmothers wedding ring, my engagement ring and each of the children’s birthstones. The first time I saw the ring it was an emotional experience. It was a perfect representation of my life’s journey. The diamonds no longer felt like the loss of a loved one or a failed marriage – they were now something beautiful and very personal. But more than that, I was so grateful for the friendship that had come out of designing the ring together. Skip has become one of my dearest friends and also my mentor. Friends make all the difference.

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I really don’t have a specific type of jewelry or period that I collect. I am mostly drawn to gemstones and figural pieces but my collection is quite varied. My most heavily worn pieces of jewelry are my watch chains. I love connecting them together for different looks and wearing them with various pendants.

Here are a few of my favorite necklaces:

LEFT: Painted enamel mourning locket depicting a young girl and her dog. It reads “Mary Rutherfurd Prime April 16, 1810 – Died September 9, 1835”

SECOND FROM LEFT: Opal pendant from Arts & Crafts Movement. This pendant reminds me of my favorite spring flower, lilac, and the opals are absolutely electric. I bought this in an antique store in England.

THIRD FROM LEFT: Not easy to pick a favorite, but if I had to, this would be it! Raj Era moonstone pendant from @saintespritofchelsea Beautifully crafted in silver and gold with huge shimmering moonstone cabochons.

CENTER: 19th c Kerosang with faceted white zircon.

Park Avenue Antiques

Here are a few of my favorite rings:

Victorian era amethyst and pearl serpent ring was purchased from David Ashville of Ashville Fine Arts.

The kunzite and diamond ring I bought from @blackamooruk. I believe this ring was originally an early 20th century brooch that was carefully converted. I love the size of the kunzite and it fits my finger perfectly.

The Victorian topaz ring was purchased from @ishyantiques.

The art deco moonstone ring is one of my favorites. It was purchased from Brad Wilson of Wilson’s Estate Jewelry in Philadelphia, PA.

The massive cameo ring I created using a 19th century cameo from @antiquestoreinwayne and a custom gold setting created by Skip Colflesh @thejewelersbenchofhershey.

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LEFT: Agate tree ring – This is one of my creations. I used an agate sourced from an old cufflink mounted in a setting made by @thejewelersbenchofherehey Victorian chrysoberyl and gold band @westandsonjewellery

RIGHT: This is my most recent purchase. My dear friend Will @martindaleasianarts recently took me on a day trip to a quaint town about an hour outside of London where I found it in an antiques shop.

Thank you for giving me this opportunity. I am honored to be a part of the Instagram jewelry community. Your posts have greatly enhanced my knowledge and appreciation for all types of jewelry and the friendships that have developed because of our shared passion for jewelry are priceless to me.

xoxoGemGossip

WANT MORE? Check out the other Jewelry Collection Stories

You can follow Lindsey –> @ParkAvenueAntiques

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